Dan Meyer (00:03)

Hey folks. Welcome back. This is Math Teacher Lounge, and I am one of your hosts, Dan Meyer.

Bethany Lockhart Johnson (00:07):

And I’m your other host, Bethany Lockhart Johnson. Hi, Dan.

Dan Meyer (00:11):

Hey, great to see you. We have a big one this week to chat about and some fantastic guests. We are chatting about fluency, which is the sort of word and concept that I feel like people have very, very non-neutral associations with it. A lot of them are very negative, for a lot of people.

Bethany Lockhart Johnson (00:26):

I saw you frown a little. What’s up with that, Dan? You kind of, like, shrank.

Dan Meyer (00:30):

I have strong feelings about it. You know, there’s lots of ways that people go about helping people become fluent in mathematics. And a lot of them are harmful for students, and ineffective. And it got me thinking about fluency as it exists outside of the world of mathematics, where we have a lot of very clear images of it. We’re getting fluent in things all the time. Like, as humans. Human development is the story of fluency. And I just was wondering….Bethany, would you describe yourself as fluent at something outside of the world of mathematics? What is that? How’d you get fluent at it? What was the process?

Bethany Lockhart Johnson (01:05):

Hmm, I think I’m a pretty fluent reader. I read all the time. I’m a happier person if I’ve read that day. I once saw this poster in a classroom; it said “10 Ways to Become a Better Reader: Read, Read, Read, Read, Read…you know, 10 times. Get it? Reading? You get better at reading by reading! So I would say reading. And it’s been kind of cool—I have a one-year-old who, it’s been really exciting slash overwhelmingly anxiety-producing to see him get very fluent with walking slash running, ’cause he’s getting faster every day. And it’s kind of fun. When I think of what’s something somebody’s trying to get fluent with…walking! He’s trying to be more fluid. He’s practicing transitions. He doesn’t wanna hold my hand while he traverses rocky terrain. He’s getting better at it. He’s practicing. What about you? What’s something…?

Dan Meyer (02:08):

I think about driving a lot. I’m a very fluent driver and I think a lot about when I was first a driver, you know? And how l have my hands on 10 and 2, vice grip, and do not talk to me; do not ask me anything; don’t ask me my NAME. I need to focus so hard. And then a year later, you know, I’m driving with one hand, smash the turn signal, take a sip off of whatever, change the CD. And then it’s no big deal.

Bethany Lockhart Johnson (02:38):

Wait, did you pass the first time? Your test?

Dan Meyer (02:40):

Yeah, I don’t like to brag about it. <laugh> But I do all the time. <laugh> But I got a hundred on my driving test. I don’t care who knows it. And I hope it’s everybody. But I guess all of this is just to say there are areas of life where fluency feels natural, with the case of walking. There’s areas of life where fluency feels motivating, with like driving—I wanna be able to switch the CD out or whatever. And there’s areas where fluency feels terrifying and hard to come by, like mathematics, sometimes. So we have a set of guests here. Our first guest will help us figure out what do we mean by fluency? And what’s the research say about what fluency is and how students develop it in mathematics? And then our other guests will help us think about what it looks like in practice in the classroom. What are some novel, new ways to work on fluency? So first up we have Val Henry, Dr. Val Henry.

Bethany Lockhart Johnson (03:32):

So we knew we needed help with the fluency definition, because when we think about it, it’s kind of big, right? And we wanted to look at what research about fluency really says. So we called on Valerie Henry. Val is a nationally board-certified teacher, taught middle school for 17 years, and since 2002 has worked with undergraduates graduates, credential candidates as a lecturer at the University of California, Irvine, one of my alma maters. So after doing her dissertation on addition and subtraction fluency in first grade, Val created a project to study ways to build addition and subtraction and multiplication and division fluency while also developing number sense in algebraic thinking. And the pilot grew and grew over the last 18 years into a powerful daily mini-lesson approach to facts fluency called FactsWise. And when we thought of fluency, the first person I thought of was Val. Welcome, Val Henry, to the Lounge! I’m so excited to have you here. Welcome.

Valerie Henry (04:36):

Thanks, Bethany. And thanks to you, Dan. It’s great to be here today.

Dan Meyer (04:41):

Great to have you; help yourself to whatever you find in the fridge. The names that people write down on those things in the bags are just recommendations. It’s potluck-style here. I’m curious, Val, if you’re, like, on an airplane, someone asks you what you do, and you say you study fluency…what is the layperson’s definition of what does it mean to be fluent in mathematics? And if you can give a brief tour through what the research says about what works and what doesn’t that would really help us orient our conversation here.

Valerie Henry (05:12):

The first thing I have to do when I talk to somebody on a plane is define the idea of fluency. And I often use an example of tying your shoelaces. Because that works with first graders as well as adults. This idea that when we first start trying to put our shoes on and get those shoelaces tied, somebody tries to, first of all, just do it for us. But then of course maybe tries to teach us the bunny-ears approach. And we struggle and struggle as little kids and eventually either the bunny-ears approach or something else starts to work for us. But we still have to pay attention to it. We have to think hard and it’s not easy. And then over time we get to the point where we basically don’t even think about it. When I tie my shoes in the morning. I’m not thinking about right-over-left and left-over-right and all of those things. I just do it. And so that’s a good, easy example of becoming fluent with something. I think what we’re talking about today though, is the basics, the adding and subtracting that we hope kids are going to have mastered maybe by second grade, and the multiplication and division facts that we wanna maybe have mastered by third, maybe fourth grade. So now what does that mean to become fluent with those basics? I have a three-part definition that seems to match up really nicely with the common core approach to fluency. Which is, first of all, we want the answers to be correct. And then second, we want the answers to be easy to know. And so what does that mean? Well, to me, it means without needing to count,

Bethany Lockhart Johnson (07:12):

You mean without having to kind of muscle through it? Or say more about you mean.

Valerie Henry (07:16):

Well, I guess what I mean is that when you watch a young child try and solve something even as simple as two plus three, they might put up two fingers and then go 3, 4, 5 with three more fingers winding up on their hand, one or the other of their hands. While they’re doing that, they don’t really have a sense of whether even their answer is right or not, quite often. Especially when you get to the larger adding and subtracting problems, you can see a lot of errors happening as they’re trying to count. And it’s taking up cognitive energy to do that counting process, especially as you get to the larger quantities. So my definition of fluency now is “getting it right without needing to do that hard work like counting.” Now, some people might say, well, we just want them to have ’em memorized. But in my research, I’ve learned that a lot of very fluid adults don’t always have every fact memorized. In fact, if you ask a room full of adults, what’s seven plus nine, you might learn that they can all get it correct quickly, quickly…but they don’t all have it memorized. And so when you ask them, “How did you get that?” Many of them will say, “Well, I just gave one from the 7 to the 9 and I know that 10 plus 6 is 16.”

Bethany Lockhart Johnson (08:53):

That’s such an important distinction. My brain literally just did that actually!

Valerie Henry (08:58):

<laugh> Right? <laugh> But you’re fluid with it, because it doesn’t take you much cognitive energy at all.

Bethany Lockhart Johnson (09:05):

Right.

Valerie Henry (09:07):

So now we have “correct without needing to put that cognitive energy,” which usually means that you’re counting. And then the third thing is “relatively quickly,” so that you’re not spending 15 seconds trying to figure it out. Even that part-whole strategy approach can be done really quickly, almost instantaneously. Or it can take a long time. So if a student can get the answer correct within, you know, three or four seconds— is I’m pretty generous—I figure that they’re pretty darn fluent with that fact. So that’s my three-part definition of these basics, fluency.

Dan Meyer (09:55):

I love the distinction between getting it correct and getting it quick. It’s possible to be quick with wrong answers. It’s possible to be like, “Those are separate components there.” And I echo Bethany’s appreciation for this third option in between knowing it instantaneously through memorization and muscling through it. But there’s like a continuum there of how much energy it took you to come up with it that all feels extremely helpful.

Valerie Henry (10:21):

And you know, one of the things that I’ve noticed is that when kids are pressured to come up with those instantaneous answers, they often default to guessing and get it wrong.

Bethany Lockhart Johnson (10:30):

Mm, yeah.

Valerie Henry (10:30):

So that’s one of the things that I’ve learned is that as we’re trying to help students develop fluency, it’s important to start with building their conceptual understanding of what it means to do, you know, 3 times 9 and what the correct answer is, maybe using manipulatives or representations of some sort. Not skip-counting! I really have found that skip-counting just perpetuates itself in many students’ minds and that they never stop skip-counting, which means they’re putting in not very much mental energy if it’s 2 times 3 but a ton of mental energy if it’s 7 times 8. Because frankly, it’s really hard to skip count by sevens. And by eights.

Bethany Lockhart Johnson (11:18):

I can get to 14 and then I’m like, wait, wait, what was next? Right? No, no, no…21! What do you feel are some misconceptions that maybe teachers, maybe parents have about fluency in math?

Valerie Henry (11:30):

I think maybe one of the first ones is that if students count or skip-count, their answers repetitively over and over and over and over, that they’re bound to memorize them. And the study that I did back in 2004, I actually had a school that had decided that they were going to do time tests with their students every day, all year. And that undoubtedly by the end of the year, those students would be fluent.

Bethany Lockhart Johnson (12:06):

And to clarify by time test, you mean like, sit down, pencil, paper, ready, go, worksheet kind of thing.

Valerie Henry (12:15):

Yes.

Bethany Lockhart Johnson (12:16):

Some of us might remember quite vividly.

Valerie Henry (12:18):

<laugh> Very vividly. And you know, you have to get it done within a certain amount of time. So they made it fun for the students. Apparently the students enjoyed it. I was a little leery about that, but in the end, when I went and checked on the students and I did one-on-one assessments with half of the students in every class that were randomly selected so that I could get a sense of where they were with their fluency—and these were first graders—they basically had nothing memorized. They were simply counting as fast as they possibly could. And, you know, mostly getting the right answers. But they had not memorized. So that’s one of the myths, I think, is that repetitive practice of counting gets you to memorization.

Bethany Lockhart Johnson (13:10):

If I put it in front of you enough times, you’ll become fluent.

Valerie Henry (13:14):

Right, right. Now these students didn’t really get any instruction, any help learning these. They just simply tested over and over and over. So that’s another thing that I think is a misconception. It’s that if we test students, but don’t really teach them fluency, then they’re going to become fluent. If we just test them every Friday or that kind of thing. And that they’ll learn them at home. But really what that means is a few lucky kids who have parents who have the time and the energy and the background to know how to help will take that job on at home. Not that many students are really that fortunate.

Dan Meyer (14:01):

It’s almost like the traditional approach, or the approach you’re describing, confuses process and product. It says, “Well, the product is that eventually fluent students will be able to do something like this, see these problems and answer them, answer them quickly,” and says, “Well, that must be the process then as well; let’s give them that products a whole lot.” But as I hear you describe fluency with bunny ears on shoelaces, there’s these images and approaches and techniques that require a very active teacher presence to support the development of it. That’s just kind of interesting to me.

Valerie Henry (14:35):

My initial project, the pilot project that I tried, was to simply ask teachers to follow five key principles. And the first one was to do something in the classroom every day for—I told them, even if you’ve only got five or 10 minutes, work on fluency for five or 10 minutes a day, and let’s see what happens. So that was one key element was just to teach it and to give students opportunities to get what the research calls for when you’re trying to memorize, which is actually immediate feedback. When I talk about immediate feedback with my student teachers, I say, “I’m talking about within one or two seconds of trying a problem, and then sort of immediately knowing, getting feedback of whether you got the answer right or not so that your brain can kind of gain that confidence. ‘Oh, not only did I come up with an answer, but somebody’s telling me it’s the correct answer.’”

Dan Meyer (15:38):

There’s a lot of apps now in the digital world that offer students questions about arithmetic or other kinds of mathematical concepts and give immediate feedback of a sort: the feedback of “You’re right; you’re wrong” sort. Is that effective fluency development, in your view?

Valerie Henry (15:57):

I haven’t heard and I haven’t seen them being super-effective. The ways I think about this are “Immediate feedback isn’t the only thing we need.” Probably one of the biggest things that we need is for students to develop strategies. And this is one of the other things I’ve learned from international research, from countries that do have students who become very fluent very early, is that they don’t shoot straight for memorization, but they go through this process of taking students from doing some counting and then quickly moving them to trying to use logic. So, “Hey, you really are confident that 2 + 2 is 4; so now let’s use that to think about 2 + 3.” Actually, as an algebra teacher, I would much rather have students that have a combination of memorization and these strategies, than students who’ve only memorized. Isn’t that interesting that my most successful algebra students were good strategy thinkers. Not just good memorizers.

Bethany Lockhart Johnson (17:09):

So you mentioned there were five that kind of helped root this idea in like, “What can teachers do? What is the best thing that teachers can do to support with fact fluency?” So, everyday was key.

Valerie Henry (17:22):

Then the next principle that I really focus on is switching immediately to the connected subtractions so that students—

Bethany Lockhart Johnson (17:33):

Not waiting until you’ve gotten all the way through addition. But making “Ooh!”

Valerie Henry (17:38):

Totally. And I didn’t do that the first year. And when we looked at the results of the assessments at the end of the year, we realized that our students were so much weaker in subtraction than addition. So the following pilot year, we tried this other approach of doing subtraction right after the students had developed some fluency with that small chunk of addition. And we got such better subtraction results.

Bethany Lockhart Johnson (18:11):

What are the other principles?

Valerie Henry (18:13):

The biggest one is to use these strategies. So the strategies makes the third. And then the fourth I would say is to go from concrete to representational to abstract.

Bethany Lockhart Johnson (18:27):

Don’t put away those manipulatives. Don’t put away those tools.

Valerie Henry (18:31):

Oh, so important to come back to them for multiplication and division. And my fifth principle is to wait on assessment. To use it as true assessment, but not race to start testing before students have had a chance to go through this three-phase process. Which is conceptual understanding with manipulatives; building strategies, usually with representations; and then working on building some speed until it’s just that natural fluency.

Bethany Lockhart Johnson (19:07):

I wanna say thank you so much for offering your really learned perspective, because you have not only done the research, but seen it in action and seen how shifting our notions of fluency and what fluency can be and what a powerful foundation it can be for all mathematicians. Really, that shift is so powerful. And I appreciate you sharing it with our listeners and with us. So we’re so excited that we got to talk with you today, Val—

Dan Meyer (19:35):

Thank you, Dr. Henry.

Valerie Henry (19:37):

You’re welcome!

Dan Meyer (19:41):

With us now we have Graham Fletcher and Tracy Zager, a couple of people who understand fluency at a very deep and classroom level. I wanna introduce them and get their perspective on what we’re trying to solve here with fluency. So Graham Fletcher has served in education in a lot of different roles: as a classroom teacher, math coach, math specialist, and he’s continually seeking new and innovative ways to support students and teachers in their development of conceptual understanding in elementary math. He’s the author, along with Tracy, of Building Fact Fluency, a fluency kit we’ll talk about, and openly shares so much of his wisdom and resources at gfletchy.com. Tracy Johnson Zager is a district math coach who loves to get teachers hooked on listening to kids’ mathematical ideas. She is a co-author of this toolkit, Building Fact Fluency, and the author of Becoming the Math Teacher You Wish You’d Had: Ideas and Strategies from Vibrant Classrooms. Tracy also edits professional books for teachers at Stenhouse Publishers, including, yours truly. Thank you for all that insight, Tracy, and support on the book.

Bethany Lockhart Johnson (20:49):

Dan and I were talking at the beginning of the episode about things we feel like, “Hey, I’m fluent in that. I’m fluent in that.”

Dan Meyer (20:55):

Just very curious: What’s something you would like to get fluent in outside of the world of mathematics, let’s say?

Tracy Zager (21:00):

I’ll say understanding the teenage brain, as the parent of a 13-year-old and 15-year-old. That’s the main thing I’m working on becoming fluent in!

Bethany Lockhart Johnson (21:10):

Ooh!

Dan Meyer (21:13):

A language fluency, perhaps. All right, Graham. How about you?

Graham Fletcher (21:16):

For me typing, it’s always been an Achilles heel of mine. So voice-to-text has been my friend. But it’s also been my nemesis in much of my texting here and working virtually over the last couple years. So yeah, typing.

Dan Meyer (21:33):

Do you folks have some way of helping us understand the difference in how fluency is handled by instructors and by learners?

Tracy Zager (21:40):

I would say that the lay meaning of fluency is definitely a little different than what we mean in the math education realm. When we’re talking about math fact fluency, which is just one type of fluency. So you gotta think about procedural fluency and computational fluency; there are lots of types of fluency in math. And Graham and I had the luxury of really focusing in specifically on math fact fluency. We’re looking at kind of a subset of the procedural fluency. So the words you hear in all the citations are accurate, efficient, and flexible. There’s this combination of kids get the right answer in a reasonable amount of time and with a reasonable amount of work and they can match their strategy or their approach to the situation. That’s where that flexibility comes in. And there’s like lots more I wanna say about that about sort of…I think one issue that comes up around fluency is that people are in a little bit of a rush. So they tend to think of the fluency as this automaticity or recall of known facts without having to think about it. And that is part of the end goal, but that’s not the journey to fluency. So this is one of the things that Graham and I thought about a lot was the path to fluency. The goal here it’s that student in middle school who’s learning something new doesn’t have to expend any effort to gather that fact. And they might do it because they’ve done it so many different ways that they’ve got it, and now they just know it, or they might be like my friend who’s a mathematician who still, if you say, “Six times 8,” she thinks in her head, “Twelve, 24, 48…” and she does this double-double-double associative property strategy. And it’s so efficient, you would never know. And that’s totally great. That’s fine. That’s not slowing her down. That’s not providing a drag in the middle of a more complex problem or new learning. So we’re really focused on having elementary school students be able to enter the middle and high school standards without having that pull out of the new thinking.

Graham Fletcher (23:53):

And as I think about that, I think about how so many students will memorize their facts, but then they haven’t memorized them with understanding. So that when they move into middle school and they move into high school, it’s almost like new knowledge and new understanding that’s applied from a stand-alone skill.

Bethany Lockhart Johnson (24:10):

So something that felt really unique to me, Graham, as I was diving into the toolkit, is your use of images, Tracy, Graham, is the way that you use images to help students notice and wonder to start making sense of these quantities and the decomposition of numbers using images. Can you talk a little bit about how images played a part in the way that you think about this building a fact fluency?

Graham Fletcher (24:41):

What I realized is so many times when we approach math with just naked numbers with so many of our elementary students, the numbers aren’t visible. The quantities. They can’t see them; they can’t move them. They’re just those squiggly figures that we were talking about earlier on. So how is it that we make the quantities visible, to where students feel as if they can grab an apple and move it around? Because a lot of times we start with the naked numbers and then if kids don’t get the naked numbers, then we kind of backfill it. But what would happen if we start with the images? And then from there, these rich, flourishing mathematical conversations develop from the images. And I think that was the premise and the goal of the toolkit.

Tracy Zager (25:22):

When you look at how fact fluency has traditionally been taught, it’s all naked numbers. And sometimes we wrote ’em sideways. Like, that’s it. That was our variety of task type. Right? Sometimes it’s vertical; sometimes it’s horizontal. And that was it. And I’ve just known way too many kids who couldn’t find a hook to hang their hat on with that. It didn’t connect to anything. And so part of why I knew Graham was the perfect person for this project was his strength in multimedia photography, art, video. And so we started from this idea of contexts that for each lesson string in the toolkit, there’s some kind of context. An everyday object, arranged in some kind of a way that reveals mathematical structure and invites students to notice the properties. So we start with images of everyday objects: tennis balls, paint pots…um, help me out; here are a million of them. Crayons—

Bethany Lockhart Johnson (26:18):

Crayons, markers.

Tracy Zager (26:18):

Shoes, right? Sushi, origami paper, all kinds of things in the different toolkits. So there’s a series of images or a three-act task or both around those everyday objects, and then story problems grounded in that context. And then there are images with mathematical tools that bring out different ideas, but relate in some way to the image talks. And we do all of that before we get to the naked number talk. Which we do, and by the time you get to the number talk, it’s pretty quick, ’cause they’ve been reasoning about cups of lemonade. And now when you give them the actual numerals, they’re all over it.

Bethany Lockhart Johnson (27:03):

I have to say too, as somebody who—particularly in middle school—navigated math anxiety, we recently talked with Allison Hintz and Anthony Smith about their amazing book Mathematizing Children’s Literature.

Tracy Zager (27:14):

Yay!

Bethany Lockhart Johnson (27:14):

And I was explaining, like, if I sat down at the beginning of a math class and my teacher opened a picture book and said, “We’re gonna start here,” I felt my whole body relax. And if we start with this image, if we start with just looking at an image and making sense of an image, I feel like that could be such a powerful touchstone for all the work you do from there.

Tracy Zager (27:41):

That’s core. That’s a core design principle, is that invitational access. There are no barriers to entry. There’s nothing to decode. There’s nothing formal. We’ve been learning from Dan for years about this, right? Of starting with the informal and then eventually layering in the formal. I was in a class in Maine where they were doing an image talk and it’s these boxes of pencils. It’s a stack of boxes of pencils and they’re open and you can see there are 10 pencils in each box. And so there are five boxes of pencils each with 10 pencils in it. And then the next image is 10 boxes of pencils and each box is half full. So now it’s 10 boxes each with five. And the kids are talking and talking and then the third image, I think there are seven boxes each with 10 pencils in it. And she said, “What do you think the next picture’s gonna be?” And this girl said, “You just never know with these people!” <laugh> I dunno!”

Bethany Lockhart Johnson (28:37):

That’s kinda true. Knowing you both, it’s kinda true.

Tracy Zager (28:42):

Like if it’s seven boxes with 10 in it, one kid said, I think it’s gonna be 14 boxes of five. And other kids are like, I think it’s gonna be 10 boxes with seven. And they start talking about which of those there are and the relationships between—

Bethany Lockhart Johnson (28:58):

But they’re making sense of numbers!

Tracy Zager (28:59):

Totally. So all the kids felt invited. They can offer something up. They’re noticing and wondering about that image. They’re talking about it in whatever informal language or home language that they speak. And that was core to us. That was a huge priority, because honestly, one of the motivations to talk about fluency is that it’s always been this gatekeeper. It has served to keep kids out of meaningful math. Particularly kids from marginalized or historically excluded communities. So they’re back at the round table, doing Mad Minutes, while the more advantaged kids are getting to do rich problem solving. And so, we thought, what if we could teach fact fluency through rich problem solving that everybody could access? That was like square one for us.

Bethany Lockhart Johnson (29:45):

That’s huge.

Dan Meyer (29:46):

That’s great to hear. What’s been helpful for me is to understand that students who are automatic, that’s just kind of what’s on the surface of things. And that below that might be some really robust kind of foundation or scaffolding that bleeds to a larger building being built, or it might be just really rickety and not offer a sturdy place to build farther up. It’s been really exciting to hear that. I wonder if you’d comment for a moment about, in the digital age and—I’m at Desmos and our sponsors are Amplify and we all work in the digital world quite a bit. There are a lot of what report to be solutions to the fluency issue, to developing fluency in the digital world. Just lots and lots of them. Some that are quite well used, others that are just like X, Y, or Z app on the market. You can find something. Do you have perspectives on these kinds of digital fluency building apps? Like, what about them works or doesn’t work? Let us know. Graham, how about you? And then Tracy, I’d love to hear your thoughts too.

Graham Fletcher (30:47):

Yeah, I think that’s a great question, ’cause there’s a lot of shiny bells and whistles out there right now that can really excite a lot of teachers. But I always come back to what works for me as a classroom teacher is probably gonna work in a digital world as well. So what are the things that I love and honor most about being in front of students, and how can I capture that in that virtual world? I think one of the things that really helps students make connections is coherence. I think coherence, especially when you leave students for—you don’t get to talk with them after the lesson is done—so I think about how we can purposefully sequence things through a day-to-day basis. I think coherence is something that gets really lost when we talk about fluency, especially with whether it be digital or whether it be print, because what ends up happening is we say, “OK, we have all these strategies we need to teach,” and it becomes a checklist. So how is it that we can just provide students the opportunity to play around in a space, whether it be digital or in person, but in a meaningful way that allows them the time and the space and that area to breathe and think, but be coherent. And connecting those lessons along the way. And I think coherence is one thing that a lot of the times it’s harder to—when we’re in the weeds, it’s so hard and difficult to zoom back out and say, “Do all these lessons connect? How do they intentionally connect? And how do they purposefully connect?” And without coherence, everything’s kind of broken down into that granular level. So when looking at—I think about Desmos and I think about the Toolkit and I think about how Tracy and I talked a lot about, “Well, this, does it connect with the context problem, does it connect with the image talk, or the lessons? Like, how does it all connect and how are we providing students an opportunity to make connections between the day-to-day instruction and lessons that we tackle?”

Tracy Zager (32:44):

I’m reminded of a conversation that Dan, you and I had a long time ago, in Portland, Maine, in a bar. I’ll just be honest. <laugh> And we were talking about how, in the earlier days of Desmos, you were stressed out by what you saw, which was kids one-on-one, on a device, in a silent room. And you were like, no, this is not it. This is not what technology is here to serve. We can do so many things better using technology appropriately, but we can’t lose talk and we can’t lose relationships and we can’t lose formative assessment and teachers listening to kids and kids listening to each other and helping each other understand their thinking. Right? So when I think about the tech that’s out there for fact fluency, most of it is gonna violate all rules I have around time testing. So that a whole bunch of it, I would just toss on that premise. They’re really no different than flashcards. It’s just flashcards set in junkyard heaps. Or, you know, underground caverns. Or with a volcano or whatever. It’s the same thing. There are some lovely visuals—I’m thinking of Berkeley Everett’s Math Flips. Those are really pretty. Mathigon has some really nice stuff that’s digital. And I think that those resources invite you to kind of ponder and notice things and talk about them. All the tools that we design in the toolkit are designed to get people talking to each other, and give teachers opportunities to pull alongside kids and listen in and understand where they are. For example, our games, we didn’t design the games to be played digitally, even though you could, and people did during COVID, because we want kids on the rug, next to each other, on their knees; I’ve seen kids like across tables. I was in a school recently where a kid was like, “I hope you believe in God, ’cause you’re going…!” You know what I mean? <laugh>. Like they’re all pumped up.

Bethany Lockhart Johnson (34:41):

They’re invested!

Tracy Zager (34:45):

They’re psyching each other up and down and they’re interacting and it’s social and the teacher’s walking around and she’s listening to the games. And they don’t actually need any bells and whistles. They need dice and they need counters and they need this game that is actually a game. In all of our conversations, games have to actually be games. Games cannot be “roll and record.” Games have to involve strategy. They have to be fun. So in designing those games, we didn’t feel like it brought any advantage to make that a digital platform. But things that did bring advantages digitally, like the ability to project these beautiful images or to use short video in the classroom, that really was a value-add that enabled us to do something different in math class than we had done before, and to get kids talking in a different way than they ever had before. When I think about fluency, historically, if you say like, “OK, it’s time to practice our math facts,” you hear a lot of groans. And when I see a Building Fact Fluency classroom and I say, “OK, it’s BFF time!” There’s like a “YEAAAAHHH!” You know? And so that’s what we’re after.

Graham Fletcher (35:47):

It’s all about kids, really, for us. And I think at the heart of it, we made all the decisions with teachers and kids at the forefront of it.

Tracy Zager (35:55):

I know of high schoolers who are newcomers, who have experienced very little formal education, and speak in other languages, are using it as high schoolers, because it involves language and math and all the deep work in the properties and it’s accessible, but it’s also not at all condescending or patronizing. Like we designed it to be appropriate for older kids. So that’s just something that I think we’re both really proud of. One thing we thought a lot about, especially in the multiplication-division kit is how a classroom teacher could use it and a coordinating educator in EL, Title, special education, intervention could also use it because there’s so much in it, that students could get to be experts, if they got extra time in it, using something that’s related and would give them additional practice. So they could play a game a little bit earlier than the rest of the classes. And they could come in already knowing about that game, or they could do a related task. We have all these optional tasks that no classroom teacher would ever have time to teach it all. So the special educator could use it and have kids doing a Same and Different or a True/False, or some of the optional games. And then the work in both special education and general education could connect.

Dan Meyer (37:20):

I just wanna say that this is an area that for so many students, as you’ve said, Tracy, it presents a barrier. It’s a very emotionally fraught area of mathematics. And we really appreciate the wisdom you brought here. And just the care you’ve brought to the product itself. Your knowledge of teaching, knowledge of math, and yeah, especially a love for students feels like it’s really infused throughout Building Fact Fluency. If our listeners want to know more outside of this podcast, outside of the product itself, where can they find your words, your voice? Where you folks at these days? Tell ’em, Graham would you?

Graham Fletcher (37:57):

You can find us at Stenhouse, Building Fact Fluency. And then Tracy and I, currently playing around, sharing ideas a lot on Twitter, under the hashtag #BuildingFactFluency. That’s kind of where we can all come together and share ideas. And then also on the Facebook community, where there’s lots of teachers sharing ideas.

Bethany Lockhart Johnson (38:19):

If you were to ask our listeners like, “Hey, if you wanna keep thinking about this, here’s something you could try or here’s something you could go do,” what could be a challenge that we could share that could help us continue this conversation?

Graham Fletcher (38:35):

Online you can actually download a full lesson string. And a lesson string is a series of activities and resources that are purposefully connected. You can pick one or two of those from the Stenhouse web site, Building Fact Fluency. You can try the game. You can try one of those strategy-based games. You can try an image talk and just see how it goes. And just share and reflect back, whether on Twitter or on Facebook. But it’s kind of there, if you wanna give it a whirl. And as Tracy was sharing, even if you’re a middle-school teacher or a high-school teacher, we really tried to think about those middle-school and high-school students keeping it grade level-agnostic. Just so every student has those opportunities for those mathematical conversations. So download a lesson string and give it a whirl, and we’d love to hear how it goes.

Dan Meyer (39:25):

Bethany and I will be working the same challenge with people in our life.

Bethany Lockhart Johnson (39:29):

Yes.

Dan Meyer (39:29):

Enjoying some fact fluency with people in our homes, perhaps. We’ll see. And we’ll be sharing the results in the Math Teacher Lounge Facebook group. Graham and Tracy, thanks so much for being here. It was such a treat to chat with you both.

Bethany Lockhart Johnson (39:42):

I love learning with you and just helping to shift this idea of fluency into something that can be accessible and powerful and positive.

Bethany Lockhart Johnson (00:02):

Hi, I’m Bethany Lockhart Johnson.

Dan Meyer (00:04):

Hi, I’m Dan Meyer.

Bethany Lockhart Johnson (00:05):

And we are so excited for another episode of Math Teacher Lounge. And as you know, podcast format; you’re listening now. I think one beautiful thing about the podcast format is that it gives us a little bit more time to have these rich conversations. And I promise I won’t do it, but I could talk to our guests for hours, hours! Authors Allison Hintz and Tony Smith have just released Mathematizing Children’s Literature: Sparking Connections, Joy, and Wonder Through Read-Alouds and Discussion. And today we get to talk to the authors. Allison, Tony, welcome. Welcome to the lounge.

Allison Hintz (00:53):

Thank you. We’re so grateful to be here.

Bethany Lockhart Johnson (00:55):

We’re so excited to have you here. And I wanna say that my very first—was it my first math conference? Maybe it was my first math conference—up in Seattle, the CGI conference, and I’m all like, you know, wide-eyed and just like, “Can this be a place for me, this math community?” Re-envisioning my relationship with math and thinking about myself as a math teacher, what? And I went to your session on mathematizing children’s literature, and I was just so fired up. I was so wowed by your ideas, your energy, and your passion for students’ thinking. And I feel like as I read this book, I felt like I was hanging out with you. Like you were just so encouraging all the way through. Of educators, of other folks working with young people, and really guiding us how to listen with joy and with an open curious mind.

Dan Meyer (02:03):

Yeah. I would love to hear a bit about the genesis of this book for you folks. Like, I’m coming at this from a secondary educator lens. I’ve got small kids, so that’s also part of my interest here. But I love any book, any idea that seeks to merge what seems like two disparate worlds. Like it’s often the case that we feel like, well, there’s approaches for ELA and approaches for math, and they’re kind of separate disciplines. And these poor elementary teachers have to learn all of them and be experts at all of them. And here you both come along and say, “Hey, what if they are the same kind of technique?” Can you just speak to how this came about?

Allison Hintz (02:38):

Definitely. Tony, do you wanna take a try? Do you want me to start us off?

Antony Smith (02:42):

I can start. We oftentimes present and talk together and so we kinda switch back and forth. So that’s just how we are. So probably about eight or nine years ago, Allison and I, our offices were next to each other on our small campus. We’re both professors and we just happened to have a few children’s books that we looked at together and we were just thumbing through the pages. We really liked children’s literature. And we noticed that I would stop at certain points wondering about character motive or plot or sequence of events or language use. And Allison would stop at very different points in the book and notice number and concepts or something about mathematics. And that’s when we started to wonder, what would it be like if we were sharing a children’s book with a group of children and we put our ideas together? Where would we stop? What would we talk about? What would we ask children about in terms of their thinking and what they notice?

Allison Hintz (03:42):

And so we started playing with these questions that we had and started approaching stories with multiple lenses to see what kinds of things would children notice and what kinds of things might they say. And we were also on our own journey in trying to understand how to plan for and facilitate lively discussions and classrooms that surface really complex mathematics. And it felt like stories were a place where that might be a fruitful context for hearing children’s thinking. We’ve worked with a lot of teachers and students in our region. We live in the Seattle area and we’ve applied for some funding over time that’s really helped us be in a lot of community-based organizations and educational contexts and libraries and pediatricians’ offices and classrooms, various classrooms, and see what’s interesting about this and what might teachers and children do with stories that would surface complex mathematics to think about together.

Antony Smith (04:41):

Over time, we came to the realization that if we wanted to hear children’s ideas, we had to stop bombarding them with questions. <laugh> Yeah. And at first it made it worse that we were asking them math and literacy questions at the same time. And so we realized that what we needed to do was to back off and to ask children what they noticed and wondered.

Bethany Lockhart Johnson (05:01):

Can you say more about that and how that kind of evolved into mathematizing children’s literature?

Antony Smith (05:07):

We did work with a number of very thoughtful, talented classroom teachers and children’s librarians in public library systems who were just so masterful at asking open-ended prompts and questions, rather than kind of like the de facto reading quiz, that a read-aloud can become, which I’ve always disliked as a literacy educator. And we realized in our observing these read-alouds or interactive read-alouds or shared reading experiences that given the opportunity in the space and an adult who was actually listening, that children came up with all of the ideas we would have asked them about and more. So we didn’t have to be bombarding them with questions. They were already much more thoughtful than what would’ve been sufficient to answer our questions.

Allison Hintz (05:58):

And much like mathematics, it was really an iterative process. You know, we had some clunky read-aloud discussions where we were trying to accomplish so much and toggling multiple chart papers and different colored pens and all sorts of “how do we capture these ideas” and “do we separate ’em? do we keep ’em together?” And so it’s really been over time that with partners, we’ve learned these ways of having multiple reads of the same story that allow us to hear what children notice and wonder, and then to delve more deeply into their questions and their ideas through multiple reads where we might spotlight literary ideas that they notice; we might spotlight mathematical ideas that they notice. We might make purposeful integrations between those. But we found it to be most productive—and Kristin Gray really help us think about this—to have an open Notice and Wonder, get everything out much like an open-strategy share. We welcome here, record all the ideas, and it goes all over everywhere. You know, it can be a really not math-y noticing! And those are amazing! So there’s a lot of, um, yes, there is a ladybug on this page! The grandma is wearing green triangle earrings! Oh, your grandma wears green earrings! I mean, it all comes out.

Bethany Lockhart Johnson (07:27):

Wait, have you been in my classroom? ‘Cause that’s exactly— <laugh>

Allison Hintz (07:29):

<laugh> And then, you know, we think of it a lot like if math teachers might use the 5 Practices for selecting and sequencing, or if you might move from an open-strategy share to a targeted share, how can we get out all the questions that children are asking and then step back from them, take some time to really think about what they’re telling us they’re curious about, and plan some purposeful, intentional subsequent discussions that can delve more deeply into their ideas.

Dan Meyer (08:02):

I’d love to go into that a little bit more if that’s all right. Um, I’m gonna speak from someone who doesn’t have an elementary background and I’m gonna voice some worries that I had, some anxiety. One anxiety I have like in a classroom or a curriculum is when there’s no room for student ideas. Right? When it’s like, oh, there’s just room for the curriculum author or the teacher here. That is a sadness. But I when I see an instructional environment like you’re describing here, where there is openness to all kinds of different student ideas, of different levels of formality, from different kinds of cultural fonts of knowledge or wherever, I also get a little bit nervous because that, like, increases the risk that a student might come to understand that “my ideas are not good enough,” whereas in the class with no room for their ideas from their home or their language or their hobbies, like, they’re not gonna internalize the message that, “that wasn’t good enough.” And so I’m really curious as you move from the open Notice and Wonder where kids share all of themselves with you, and then you move to a targeted focus on some sort of disciplinary objective, how do you navigate that tension and help students feel like their contributions are valuable, even though we aren’t taking them up per se?

Allison Hintz (09:18):

That’s such an important question. I mean, I think we’ve grappled with this broadly in math education. I think any time we’re thinking about which ideas we choose to take up to pursue to consider, we have a responsibility to think carefully about whose ideas are being taken up and heard and considered. And so one of the tensions I hear you naming, I think, Dan, is when we engage in lively discussion where children’s thinking’s at the center, how do we make sure to upend and interrupt kinda status norms that run the risk of being deepened? Um, and I think by paying attention to whose ideas are taken up as much as which ideas are taken up, and what’s the mathematics we wanna explore is one tension. Um, another tension I might hear you naming is, you know, the complications that teachers face with time and pressure and coverage, and which mathematics ends up getting worked on. And, um, you know, it’s something we’ve really had to struggle with in mathematics education, where we move to more discussion-oriented classrooms that are really centered in sense-making to know that it takes a lot of time to do this thoughtful, thoughtful work. Um, does that begin to get at some of the tensions you’re raising? Is there, is there more you’re thinking about?

Dan Meyer (10:53):

I think it’s really helpful that you kind of broadened the scope of the question beyond your book to “this is an issue that we are, you know, really challenged by and focused on broadly in math education.” And, um, I appreciate you bringing the element in of whose idea—not just which idea is taken up, but whose idea is taken up—is an opportunity where, let’s say, multiple people raise an idea that is towards an objective the teacher has, they have the opportunity to disrupt certain kinds of status, like ideas about status, in that moment. From your perspective, like, are there techniques to say, I don’t know, parking-lot certain kinds of questions and say like, “Hey, like these are awesome”? I don’t know. I just know that I see kids at like ninth grade. They are very reticent, often. They’ve internalized totally this sense of like, “I’m not gonna just, like, share about the pants the grandma’s wearing, you know; that will not be received well.” And so I’m just kinda wondering how that happens and like, what are the ways we can disrupt that? That process?

Antony Smith (11:54):

So thinking about that, Dan, from the teacher’s perspective, in those kinds of scenarios where you wanna honor each child’s contribution, a couple of things that come to mind: One is that by, you know, initially by modeling what I as a teacher, something that I notice or wonder about, helps kind of set the expectation for what kind of response would be encouraged. And it’s broad, but it gives an example. And then also we really try to record or to chart all of the ideas that are shared so that we can revisit and honor those together. And then either later or on another day, if we choose one or two of those to explore in some way within a more focused read, then another thing that we do is have the idea investigation afterward that continues that thought, but goes back to being as open-ended as possible, so that those students or children who maybe didn’t have their idea as the one that was focused on by the group could go back to that or explore some other idea of their own, so that the idea investigation isn’t a lockstep extension activity, which is why we don’t call it that. So they could again bring in their own perspective. But I have to say from the teacher’s point of view, there is that moment of potential panic <laugh> because there is that power transfer when you’re asking children to help steer where this is going. And if you really mean it, you have to let them steer a little bit. And that can be terrifying. And, um, I always think of one teacher, Ashley, we worked with who read an adorable book, Stack the Cats, by Susie Ghahremani. And in that book, there’s a point where there are eight cats and they’re kind of trying to be a tower of cats and they fall and they’re sort of in the air on that page. And she asked her first graders—she stopped, and she asked, “How, do you think, how will the cats land?” And for about a minute and a half, the entire <laugh> class, was silent. They had their little papers; they had chart paper; they had clipboards; they had everything they needed. But that unusual phenomenon of a group of six- and seven-year-olds actually just sitting and thinking and not being peppered with activities was really stressful, but amazing. And then, after about the 90 seconds, they started out into their exploration of how the eight cats might land. They just needed a minute to think. And it’s so rare that we’re able to let children have that.

Allison Hintz (14:40):

In that same moment, Ashley, who’s a learning partner to us, she turned to us kind of quietly, like, “Should I pose a different question?” And <laugh>, we’re like, “No, let’s stick with it. Let’s see what happens.” So I think it creates this space too, this thinking culture, right? And this culture of “what does that mean to really pose a rich task?That’s open-ended, where there’s multiple access points?” Those eight cats could land in so many different ways. And there was broad access, there was a wide range of all the cats landing, and one’s on their feet, ’cause cats always land on their feet <laugh>, and there was every combination. And so, um, I think what’s really interesting—and to me, this brings back to your wonder, Dan—is, you know, “What’s the risk in openness?” And there’s always risk in openness. Um, it’s scary as a teacher, right? If I’m not the authority of knowledge and I don’t have control over where we’re gonna go, it might get into places that I didn’t anticipate. Or I don’t really feel as solid in the math as I want to. Or I don’t know what it sounds like to stick with silence and wait time, to know if my students are really in productive struggle or if that question was a flop. And so, um, I think this is some practice space for young mathematicians and teachers of mathematics, and just teachers, to explore with that openness and kind of the risk of the openness required for complex thinking to emerge.

Bethany Lockhart Johnson (16:12):

You know, it feels like the way you’re both describing this, it really is a culture shift, right? I kept feeling like I was given permission to be a beginner as I read this book. Like I was really…I loved how you said, I believe it was you, Allison, when you were in the class, you had a couple index card that you kept on your clipboard and that as you walked around, you were like, “Hey, if I don’t know what to ask, I ask one of these questions.” You know? And just this idea that, that, like Dan was saying, there is that loss of control, but that’s also a way to create this culture where students ideas are valued and we are allowing students to really generate the questions, which I thought was such an important idea to explore.

Allison Hintz (17:00):

We started this work long ago, super-excited about math-y books. And we saw a lot of potential in them and we still do. But the limitation we saw is that math-y books, they, they put forth a certain mathematics to be curious about. In some ways they tell you what mathematics to think about. So we started asking ourselves what would happen if we considered any story a chance to engage as mathematical sense-makers. And we started playing with non-math-y books and we got to a place where we could consider every story an opportunity to engage in mathematical thinking. And so we started noticing things over times, oh, these books tend to be really math-y. We call those text-dependent. We’d have to pay attention to the mathematics to understand the story. Whereas this pile of stories, these, they’re not overtly math-y. You could really enjoy the story and not pay attention to mathematics and have an amazing conversation. But what would happen if we thought of about this story as mathematical sense-makers and how might it deepen our understanding of the story? And then this other teetering pile of books, these are books where, you know, children didn’t tend to engage as overtly as mathematicians in it, but there’s opportunities in this story to go back to something—to a moment, to an illustration, to a comment—and think as mathematicians. And those were more about illustration exploring. And so, as we notice these different kinds of books, we really broaden what we thought about. And I think one of the things we really wanna think about in community through this book is what happens if we approach any story, every story, as mathematical sense-makers, because stories are alive in children’s lives, in homes and communities and in schools. And it’s a broad opportunity that we wanna take up. I was thinking, as I stay in this strait for just a moment about book selection, before we move into that process, um, Bethany in a previous MTL, you talked about representation.

Bethany Lockhart Johnson (19:12):

Mm, yeah.

Allison Hintz (19:14):

And do you remember when you shared the image of hair braiding?

Bethany Lockhart Johnson (19:19):

Yes. Vividly, yes. <laugh>.

Allison Hintz (19:22):

Yeah. And can you say just what that meant to you? What that….

Bethany Lockhart Johnson (19:27):

Yeah. Well, it was from a conference; Sunil Singh had used it and was talking about the artistry in mathematics and beauty in hair braiding. And, um, particularly, he was showing this particular image of this Black woman with her hair braided in profile and looking at the angles and the symmetry. And I shared that, you know, I spent so many hours in the beauty shop with my aunties and my mom and my grandma and continue to, to this day, that it just, it struck me immediately as familiar. And it struck me immediately as seeing an image that was reflective of my lived reality, projected as valuable and worthwhile for consideration in the world of mathematics. Which is not what I felt as a student of mathematics as a young adult or child. So it was this beautiful moment of, for me, the power of when we see images and we allow opportunities for re-envisioning what may be a common practice for that student, or may be something that they see every day.

Allison Hintz (20:44):

And in that same way, that image that was put up, we wanna think really carefully about representation in the stories that we select. And when we think of stories as mirrors or windows, we really wanna be mindful in story selection of whose stories are told and whose stories are heard. And when you said that you would sit down to listen to a story and you felt at ease or that you saw an image and you saw yourself that can be and should be something we really think carefully about when we select the stories that we select.

Dan Meyer (21:21):

It’s a wider path for representation of different kinds of people in literature, because people’s stories seem so much more present and towards the surface of their lives, versus, say, the abstractions and numbers and shapes in mathematics. It feels like more of a struggle to find ways to show people, hey, like you’re here, this, this place belongs to you. So in all these reasons, I think it’s really great you folks are using literature, which has this history of humanities, literally humanities, as a vehicle for mathematics. That seems pretty special here.

Antony Smith (21:56):

We both go to libraries and bookstores and look through books as often as we can, but also our partner, a children’s librarian, Mie-Mie Wu, helped us go through—when we would meet, she would bring three or four hundred books at a time.

Bethany Lockhart Johnson (22:13):

When you described her wheeling in the cart, oh, I wish I been in that room! <Laugh>

Antony Smith (22:18):

And the cart was, you know, probably three or four times bigger than she was sometimes. And we would go through hundreds of books and look at them and listen to her thoughts as a skilled librarian sharing with families, diverse families, and what catches the attention of a three-year-old sitting with her grandfather. And that was really a valuable, helpful experience. And it’s a partnership that continues. So in Last Stop on Market Street—and this is in the book; we talk about this, this children’s book quite a bit—in this story, CJ with his Nana, his grandmother, are riding the bus to the last stop on Market Street in San Francisco, to go, as we will find out, to help serve in a soup kitchen to help the community. And the teacher, Susan Hadreas, had the children record their ideas. She charted them in an open Notice and Wonder read. And one of the ideas that a young boy noticed was that CJ on the bus…a man with a guitar starts playing the guitar on the bus and CJ closes his eyes and it says CJ’s chest grew full. And he was lost in the sound and the sound gave him the feeling of magic. So this boy said, “I wonder, what does that feel like if you’re feeling the magic? What’s that?” And that was one of many ideas in the open Notice and Wonder, and Allison will talk about the math lens read, but first Susan went back and read with them. She had that idea, she circled it on the chart paper, and another day that week, she said, let’s go back and visit this story we really liked. And remember, we wondered what feeling the magic was like. Let’s go back through and let’s keep track of all the feelings and emotions that CJ had across the journey to the soup kitchen in this book. And so they did another read of the story; they were very familiar with it, of course, but they noticed new things and they also, every few pages, stopped and she helped chart all of the emotions that CJ experienced from envy to excitement to sadness. There’s a huge range in this book. And it was fascinating.

Allison Hintz (24:36):

I think one of the things that the children noticed was that CJ’s feelings were shaped by community. And that he shaped and shaped…he was shaped by and helped shape his community. And so the ways that he felt across the story were impacted by the other characters that he comes across. The guitar man on the bus. The bus driver who can pull a coin out from behind someone’s ear. The lady with the butterflies in the jar. Nana helping him to see the rainbow. And the students started, you know, being curious about that. How do we shape and how are we shaped by community? What communities are we a part of? This class is one community. I’m in many communities across my life. And they started to quantify the number of people in the story. So Mrs. Hedreas went back for a math lens read, and she said, let’s just keep track of and pay attention to how many people are in CJ’s life in this day. Because I can hear you starting to think about quantity. This class at the same time in other areas of the day had been working on counting collections, how to keep track, so they got out their tools. Some people pulled out ten frames, some people pulled out clipboards. They had a wide range of things they could use to help them keep track. They developed their own strategy, keep track however you want. She did a quicker read through it, flipping the pages, and then they get into these debates: <laugh> “We already counted that person!” “But they took their hat off and put it down to collect money!

Antony Smith (26:10):

“What about the dog?”

Allison Hintz (26:11):

“That’s the same person!” “Yeah, there’s a dog pound in his community!” <laugh> “Do animals count in our community?”

Bethany Lockhart Johnson (26:17):

I love it!

Allison Hintz (26:17):

“Yes, they count!” Uh, and so we went through and quantified and there was really this understanding as you saw these people throughout the story that communities can be of different sizes, but community has impact. And you have responsibility in your community to show up and to lean in and to know that bringing your full, authentic, vulnerable self, you shape people and they shape you. And what communities are people a part of. And it turned into this really interesting discussion about quantity and helped us think more about quantity and community. I think a really important moment for us and for that class was the transition from being people who almost did mathematics to a story, like counted things on a page, um, count acorns on a page in an autumn book, to being mathematicians who thought within the story.

Antony Smith (27:17):

And then two idea investigations that came from that —not at the same time, of course, but with the same group of children—one was they identified an emotion of their own and wrote and drew about that. And also, who helped them address or get out of or acknowledge that emotion. And then the other idea investigation was that all of the children drew or kind of mapped out a community that they were part of. Whether it was their neighborhood or their classroom or their soccer team or whatever it was. And so then those investigations strengthened the connections of those concepts to the lives of those children.

Bethany Lockhart Johnson (28:05):

Well, I, actually wanted to ask you about idea investigations. Because I feel like that was such an important invitation in your book. And the way I understood the idea investigation is you’re really paying attention to what’s coming up in your other reads. Right? And then these are opportunities to extend the thinking, or like you said, to extend a particular aspect: What’s your community? Can we map your community? Or what’s a particular emotion? And it was in such contrast to what I think I have probably done in my classroom more than once, which was like, “Oh, we read this story about seals. So now my story problem is gonna be about seals, right? <laugh> Like in the story, you know, Jojo, the seal had five balls. <laugh> So if Jojo still had five balls and two of them bounced away…” You know, or whatever. Right? But that’s not what an idea investigation is. Right?

Allison Hintz (29:03):

Yeah. I think this is where we also had some stumbles and can totally relate to what you’re saying as previous classroom teachers as well. We have come to a place where we are pretty in favor of a super open-ended idea investigation that takes up the things that have surfaced in the multiple reads and making sure it’s a rich task with many, many ways children can engage with that. There’s many, many, many right answers or ways to engage. Less is more there. So we moved way away from, like, even a worksheet that might have an idea from it to blank paper and math tools and places to get into some productive struggle around some of the complex things that were raised.

Antony Smith (29:59):

A challenge with worksheets is that they put a frame around children’s ideas. So either there are only three lines to write on, or there’s only a small box to draw in. Whereas a blank page really opens up the possibility. Um, and so—is it Ann Jonas who wrote Splash!? sorry, I don’t have it in front of me—the book Splash!, about animals that end up in and out of the pond, including a cat that is not happy about ending up in the pond, an idea investigation after that for very young children was, with the list of the different creatures displayed at the front of the room: On blank paper, hey, draw your own pond and decide how many of which and each type of animal you want in your pond and then write about it. Just on blank paper. And so that allowed some children to draw, like, three giant goldfish. But other children drew 17 frogs and three cats. And, and just, it lets children follow—

Bethany Lockhart Johnson (31:02):

It was theirs, right? It was theirs.

Antony Smith (31:04):

Their idea. <laugh> And that comes partly from, I think, as Allison mentioned, we both were classroom teachers before moving into academia. And I remember giving children worksheets, particularly math worksheets, where they weren’t necessarily bad, but right at the bottom, it says like, explain your strategy. And it gives two lines.

Bethany Lockhart Johnson (31:23):

Right! <laugh>

Antony Smith (31:25):

The only thing a seven-year-old can write there is “I thought.” Or “I solved it.” <laugh> And that’s not where we need to go.

Dan Meyer (31:34):

Yeah. If I could just ask the indulgence of the primary crowd here, like, I’m trying to make sense of all this. And I just wanna like, offer my perspective. My summary statement of what’s going on here. I’m trying to—I love how you both came here—

Bethany Lockhart Johnson (31:45):

<laughs> How ya doin’, Dan? How ya doin’?

Dan Meyer (31:47):

<laughs> I’m, ah, A, I’m loving this a lot. Um, B, I came in here loving how you folks are broadening the work of primary education to kind of find commonalities between these sometimes seemingly disparate kinds of teaching in ELA and math. Love that, I wanna say. But I think you folks are describing, with all these teachers you observed and your own work, is the work of attaching meaning to what students might not realize yet has meaning. Or they might think it only has one kind of meaning. But you, the teacher, with their knowledge, realizes that there are many more dimensions of meaning that can be attached to those thoughts. And I’m hearing that from you folks, when you describe A, what math is and the power of a teacher to name a thing as mathematical. Like, “Oh, you didn’t think math was that, but math is noticing; math is wondering; math is asking questions,” for one. But also this work you’re describing of how, like, first the task has to invite lots of student thoughts and then to say like, “Oh, I see that there’s a similarity to these two.” And to raise those up for a conversation or to ask a question like to extend one person’s, one student’s question a little bit more. But it’s always…I’m just hearing you folks attaching more meaning than the student might have originally thought. I appreciate the conversation. That’s really interesting.

Bethany Lockhart Johnson (33:03):

Well, and now that the book is out, I think it’s gonna keep evolving, right? Now that it’s gonna be in the hands of teachers and librarians and educators and caregivers, it’s exciting to see kind of where it goes next. Which actually brings us to our MTL challenge. Dan Meyer, do you wanna share?

Dan Meyer (33:22):

Math Teacher Lounge, we have a challenge for the folks who listen and we’d love for them to hop into the Facebook group Math Teacher Lounge, or hit us up on Twitter at @MTLShow and just, like, kind of exercise beyond listening, exercise the ideas you folks are talking about, some kind of a challenge that can help us dive deeper into your ideas. So what would you folks suggest for our crowd, for our listeners?

Allison Hintz (33:42):

I would love to invite people to playfully experiment with a favorite story, with a story that’s new to you. I would love to invite listeners to sit with a story maybe on your own, and just ask yourself as a mathematician: What do you notice and wonder in this story? Don’t feel any pressure. Maybe sit with a child or some children and listen to what they notice and wonder. Like, really listen! Don’t ask questions! But hear their questions and place children at the center and consider multiple reads. Consider continuing to pursue their questions. And we have a planning template that might support people in kind of sketching out some ideas if you’re open to playing with that too.

Bethany Lockhart Johnson (34:34):

And we will post—

Dan Meyer (34:36):

That’s awesome.

Bethany Lockhart Johnson (34:36):

—a link for that planning template in our Facebook group and on Twitter as well. So thank you so much for that resource, because I think it’ll definitely help. It could help you, like you said, it could help you kind of organize your thoughts or help you think about this work in a new way. So thank you for that resource and thank you for the amazing resource that is Mathematizing Children’s Literature. I am so excited to continue to engage with you both and with listeners as they dive into this book. If folks want to engage with you more, where can they find you? How can they reach you?

Allison Hintz (35:12):

Well, we’re on Twitter.

Bethany Lockhart Johnson (35:14):

Great.

Dan Meyer (35:15):

What’s your home address? <laugh>

Bethany Lockhart Johnson (35:24):

Wait, let me try that again. <laugh> ‘Cause it does sound like I’m like, <fake ominous voice> “Where can they find you?”

Allison Hintz (35:29):

4-2-5…. <laughs>

Antony Smith (35:32):

At the bookstore!

Bethany Lockhart Johnson (35:34):

Y’all, if folks want to continue this conversation or share these ideas or the math challenge, how can they tag you? How can they, they reach you on the World Wide Web, besides the Math Teacher Lounge Facebook group?

Antony Smith (35:50):

Yeah. Well, we are both on Twitter, and we’ve been trying to promote the hashtag #MathematizingChildrensLiterature. It’s very long, but once you type it once, your phone or computer…

Bethany Lockhart Johnson (36:01):

Easy. Yeah, those click, right? Is that what it is now?

Antony Smith (36:03):

<laugh> The other is that we do for our project, we have an Instagram account that is @MathematizeChildren’sLiterature.

Allison Hintz (36:11):

We care really deeply about hearing from people. You know, we think our ideas are constantly evolving and that there’s such exciting room to grow. And we just felt compelled to share what we were learning now so that together we could learn and build vibrant experiences for young children and teachers and families through stories. So we want to hear from people! We wanna learn about stories that are important in your lives and what children say, and grow these ideas together.

Bethany Lockhart Johnson (36:42):

And credit to Dan, you told me you went and ordered a bunch of the books they have on the suggested read list.

Dan Meyer (36:48):

Oh my gosh.

Bethany Lockhart Johnson (36:49):

You read ’em to your son.

Dan Meyer (36:50):

I got such a side-eye from my significant others around here for what I dropped on Amazon in one night! <laugh> Uh, all these books I didn’t have. Some of them I did. We are not fully illiterate around here! We do love the written word at the Meyer household! But there were a bunch that that I grabbed. I’m morseling them out day by day.

Bethany Lockhart Johnson (37:09):

Wait, at bedtime I read my one-year-old One Is a Snail, Ten Is a Crab. <laugh> And let me tell you, he had vigorous pointing and “Da? Da da da da?”

Allison Hintz (37:22):

<laugh> Aww, da da!

Bethany Lockhart Johnson (37:22):

So hey, we’re on the road. <laugh> <music> Deeply grateful, not only for your work and your beautiful book and your work, but also for the invitation to dive into the world of children’s literature in a way that many of us have not before. And it’s fun! Thank you, Tony. And thank you, Allison. And thanks for hanging out in the lounge.

Allison Hintz (37:48):

Thanks for having the lounge!

Antony Smith (37:49):

It’s been fun!

Allison Hintz (37:52):

Thank you both.