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S1-01: The journey from student to SpaceX engineer: Juan Vivas

Illustration of Earth with text about a podcast episode featuring Juan Vivas, discussing the journey from student to SpaceX engineer. Includes a photo of a smiling person in a suit.

In this episode, we join Eric Cross as he talks to supply chain engineer Juan Vivas of SpaceX about his experiences growing up as a Latino in STEM. Juan shares his story of moving to the United States to study engineering and becoming successful in his career as a scientist. Juan openly discusses the experiences that made a difference in his life and the teachers that inspired him along the way. He also shares his experience as an engineer in different fields, as well as what it’s like to work in the supply chain during COVID.

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Juan Vivas (00:00):

But to me, based on my experience so far, I think the best way to put it: An engineer is a technical problem-solver.

Eric Cross (00:28):

Welcome to Science Connections. I’m your host, Eric Cross. My guest today is Juan Vivas. Juan is a supply chain engineer for SpaceX. His career in STEM has pivoted from chemical engineering to working on foods like Cinnamon Toast Crunch to his current role at SpaceX, where he’s responsible for his work on Starlink, a technology that uses low-orbit satellites to provide internet access across the world. In this episode, Juan shares his story of how he became an engineer and how a thoughtful teacher used robotics to inspire him. I hope you enjoy this great conversation with Juan Vivas. Juan, thanks for being here.

Juan Vivas (01:14):

Yeah, yeah, of course! Super-excited to be here.

Eric Cross (01:19):

Hey, and starting off, I kind of like to ask your origin story. We were talking earlier about Marvel, and your journey of one working for…what I consider the closest thing that we have to SHIELD in the Marvel stories is SpaceX. Like with my own students, we talk about SpaceX like it’s a fictional thing, and we watch the rocket launches together and we watch the recovery and it’s so cool.

Juan Vivas (01:45):

Yeah.

Eric Cross (01:46):

And so when I knew that we were gonna be able to talk to you, I was excited. Like, I felt like I was a kid.

Juan Vivas (01:51):

<Laugh>

Eric Cross (01:51):

So I’d love to hear your origin story of you ultimately landing at SpaceX. And begin wherever kind of seems most natural to you.

Juan Vivas (01:59):

Yeah, yeah, of course. You know, I wasn’t one of those kids at from a young age I said “Oh, I’m gonna be an engineer.” Right? “I want to go and build all these things.” Where I grew up, and the social circle that I had, a lot of people were like doctors or lawyers. Just figured, you know, I’ll go to med school and go down the same path that 90% of like everyone else was gonna take. But in high school, I actually got into robotics. And, kind of like I mentioned, I wanted to do med school, that is what I figured I would end up doing. And then I got into robotics in high school. And I think that was what really kind of like changed my perspective of what I wanted to do, because basically these competitions were just—it was full-on driven by students. So we designed, programmed, and manufactured, like, the entire robot itself. And so through that I ended up doing a summer engineering program at the University of Maryland, the summer before going into my senior year in high school. And there we worked on a competition with underwater robots. And so we spent the entire summer, kind of similar scenario, designing a robot, manufacturing it, programming it. And then in the end it was like a competition in the buoyancy tank with different teams. And, you know, I think one thing that was really neat about that experience is that I got to hear Dr. John C. Mathers, who is a Nobel Prize physicist, speak to us in a room with, like, only 10 high school students. And just hearing his experience of where he started and the accomplishment that he’s been able to do, down in the STEM path, was really neat. And that summer was my final decision that I’m “OK, I know I want to be an engineer.” What’s interesting is I ended up choosing chemical engineering, instead of mechanical, which a lot of people, you know, based on all the experience that led me up to be an engineer, they asked me why I didn’t choose mechanical engineering. And I think one of the reasons why I chose chemical engineering is it’s very process-based. So one thing needs to happen, and there’s different inputs to that one step, and that step has an end-to-end reaction to it, right? So certain things need to happen in step one in order for step two to occur. And however the inputs happen in step one, it’s gonna affect the rest of the process. Honestly, very different than what I thought it was really gonna be. But what’s neat about chemical engineering is that it’s one of the most versatile engineering majors that you can have. Chemical engineering, because you work with a lot of process bases. Everything has a process, right? Everything needs to start with step one, and with, you know, step 10, whatever. And it’s all about optimization and improvement along those processes. So you can really take chemical engineering principles and apply ’em to different areas of a career, which is essentially the experience that I had in college. I had three internships with Dow Chemical where I did environmental health and safety, production, and supply-chain improvement. I then did research and development with Clorox. And then I did manufacturing engineering with General Mills. So really different job roles, different aspects, but same methodology applied.

Eric Cross (05:36):

I feel like there’s so much that you just said, <laugh> and I was trying to always, “I wanna ask him about that!” And in there, what I heard was there was a real pivotable, pivot moment in your life. Was the club…or was it a club, the robotics program? Or was that a class?

Juan Vivas (05:53):

You know, it was actually…it was VEX Robotics, specifically.

Eric Cross (05:56):

It was VEX! OK. Yeah, yeah. Really popular. And they still have it; I think we actually have some downstairs. So it was a club, and not necessarily a formal environment, where you were able to build. And it’s both collaborative and competitive, right? Like, there’s both aspects.

Juan Vivas (06:11):

Yep. Yep.

Eric Cross (06:11):

And, and then you had access to one of the only two facilities in the country that have these…were they buoyancy tanks?

Juan Vivas (06:20):

Buoyancy tanks, yep.

Eric Cross (06:21):

And there’s this book, Malcolm Gladwell’s Outliers, and then another similar book called Balance. It talks about how some of these innovators, like Steve Jobs and, and Bill Gates, they had access to things that other people didn’t. So, like, Bill Gates, I think at the University of Washington, had a computer that, you know, no one else did. And Jobs had one at, like, Hewlett-Packard. So it gave you this awesome headstart, where you’re able to test things in a real-life environment that kind of transfers into real-world skills. And then a few internships, so like, internships and mentors. So you had these people in the industry or people who were front-runners that were able to pour into you and give you these opportunities. And so it’s really neat to see how a program that starts as a club, kind of a competitive thing that introduced you to it and hooked you, then led to unfolding all of these opportunities that ultimately led you up to being here. And there’s one part—in looking at your LinkedIn profile, there’s a couple of really cool things that stand out. There’s a lot of cool things, but there’s two that really stood out. So one, working at SpaceX, and we’ll talk more about that, but I wanna go to General Mills and Cinnamon Toast Crunch. Because Cinnamon Toast Crunch is amazing.

Juan Vivas (07:39):

Yeah.

Eric Cross (07:39):

And you were part of the supply chain for that. In my head, I’m thinking, OK, like, what is he like responsible for? Like, getting the cinnamon and sugar?

Juan Vivas (07:51):

<Laugh>

Eric Cross (07:51):

What was, what did your job entail, when you were running that?

Juan Vivas (07:55):

There, I didn’t even know what I was gonna be doing until my first day. It was just, whatever the business need is, that’s where you’re gonna be put. So this was actually a high-priority plan for General Mills. And the production line that made Cinnamon Toast Crunch was split up into processes. So you have, they call it the process-process side, which is like literally raw materials, like making the cereal from scratch, baking it, adding the sugar, and then sending it to be packaged. And then you have the packaging-process side. so I was then placed as a packaging process lead, for the packaging side of that production line. So I was accountable for two packaging lines that packed out Cinnamon Toast Crunch. And that is where—that was actually my first real, you know, call it “real job,” like graduated college, going straight into the industry. I was a process lead for the packaging side of Cinnamon Toast Crunch.

Eric Cross (08:54):

So you went from cereal to rockets, <laugh>, which which is an amazing trajectory to have.

Juan Vivas (09:03):

Yeah. Yeah.

Eric Cross (09:04):

And when you kind of mentioned, back in your story about medical school, and, you know, it’s kinda like, what you see people doing, and you’re “OK, this is what I think I wanna do.” And then we have a perception in our mind about what a certain job’s gonna be like. And then reality hits. I think a lot of—when I ask my students, “What do you wanna do?” They think, like, “lawyer!” and when they think “lawyer!” they’re like, “I’m good at arguing!” Right? And until they find—until they talk to some lawyers and they find out like what that career can look like.

Juan Vivas (09:28):

Yeah.

Eric Cross (09:28):

You’re not just in the courtroom showing off your arguing skills. But, like, an engineer, when I talk to my students about what does it mean to be an engineer, often it’s very linear. It’s “I build bridges,” or, you know, maybe cars, but you’re a supply chain engineer. And, and that’s something that I think, now more than ever, it’s probably an incredibly critical role, especially considering that all of these supply constraints. Can you—what is a supply chain engineer? And what does it look like in your day-to-day? How is engineering rolled into that?

Juan Vivas (10:03):

Yeah, yeah. I think that’s an excellent question. I, too, once thought that engineering was just “I’m gonna be actually making something physical,” and like being super engineer-y about it. But, to me, based on my experience so far, I think the best way to put it: An engineer is a technical problem solver. As a supply chain engineer, specifically right now in my role at SpaceX…you know, as you can guess, the supply chain in the entire world is crazy. There’s no raw materials anywhere, and nothing can ever get on time. And so what I work on is I help our suppliers develop processes to meet the design criteria that we set up for like a specific part. As my job as a supply chain engineer, it’s “Can I take this design and make it manufacturable?” Right? “Can I go to any supplier and can they actually make this to the tolerance that the design engineer set them to be?” Nine out of 10 cases, the answer is no, essentially, is the best high-level way to put it.

Eric Cross (11:10):

When you’re solving these problems, is it this iterative process of going back and forth? Or is it just this aha-moment when you finally figure things out? ‘Cause I imagine they’re coming up with a design; you’re going back and saying, “Can this be manufactured?” or “Can it be done?” They’re saying no 90% of the time. And then are you the one responsible for kind of iterating on this, or changing it and then going back to them and telling them, asking them, until you get a yes? Is that—

Juan Vivas (11:33):

Yep. Yep, yep. Exactly. So we go through a process called Design for Manufacturing, DFMing. And where I essentially take, you know, the design engineer’s proposal, and then I have conversations with the suppliers, and then, that’s where the iteration begins. Where we go back and forth, back and forth, until we kind of meet in the middle to have something that can be manufacturable. Most of the times, in my experience, suppliers will always tell you no, just because they always want something that is manufactured really easily. And so you just gotta learn through experience. Like, when are they actually telling you something that’s a fact, versus when they’re just trying to you know, get out of a tolerance, or that “all right, all right, they mentioned that would just like make their jobs a little bit more difficult.”

Eric Cross (12:17):

So I’m hearing like there’s soft skills that are woven into the technical skills that you also need to be able to have.

Juan Vivas (12:23):

Oh, yes, absolutely. Yeah. I think, you know, as an engineer—and this is something, again, that I feel like you can only learn through experience—you’re gonna see that it’s not just you working to solve this one problem. Especially for a supply chain engineer. You’re talking with marketing; you’re talking with an industrial design team; you’re talking with logistics; you’re talking with procurement, materials management—just a whole set of people that don’t necessarily have technical background. Right? So sometimes, depending on the audience that I’m targeting, I’m always very, very peculiar on what is my target audience, right? How can I—how deep in my technical knowledge do I need to go? Because if I just, you know, talk straight Engineer, they either don’t care or they’re gonna be really confused about what I’m saying. So there is a stronghold of soft skills that definitely go into engineering, which I think are really important to communicate, you know, to, let’s say, students that are really interested in engineering. So you can be extremely smart and intelligent and really good at problem-solving, but if you don’t have those soft skills that you apply in the real world—’cause in the real world, you’re never only gonna be working with engineers, no matter like where you’re at—so having those soft skills to be able to manage with different backgrounds and different sort of people and different ways of thinking, it’s, I feel, really critical, for, for an engineer in the real world.

Eric Cross (13:50):

No, I think that’s a great point. It reminds me of teaching! And so many other professions where your ultimate goal is to really pour into this person in front of you and help develop them and create a sense of inquiry and wonder and personal growth and inspiration. But you’re also working within constraints and people and relationships. You know, you have your other teachers, you have parents, you have administrators, you have a district, you have communities, stakeholders. You have all of these different dynamics that you have to kind of navigate in order to ultimately help this child thrive. Versus just, like, being in the classroom: “OK, I just got <laugh>, the hundred or 200 students, just you and me. That’s it.” But that’s not the real world. And there’s this report that came out, I think Google ran it, Project Oxygen and Project Aristotle, and they asked the question, “What are the most effective traits of a good team and a manager?” And the top seven skills were all soft skills. So it is like exactly what you’re saying, where, yeah, it’s great that you have this technical aptitude, but if you’re not able to work with other people, problem-solve together, work with people of different backgrounds and perspectives, then you’re gonna run into some roadblocks. And that kind of dovetails, like, looking at things like if you looked at education from the perspective of an engineer. So you’re all about optimizing, right? Optimizing, working with what you got. When you look at education, are there any things that you would optimize to help improve the experience of students? Like, looking back, that you would fine-tune, that you think could provide better outcomes in the classroom?

Juan Vivas (15:28):

You know, I feel…I don’t know. Obviously I’m not a teacher. And I’m sure teachers just have so much stuff going on. But I think just like, finding…giving a chance to those students that you see a lot of potential in and really taking the time to mold them. You know, I did have a teacher who was able to mold me and give me that kind of one-on-one personal experience, right? I think honestly to me it just comes down to mentorship, and motivating students on what, you know, they’re passionate for. Like, putting them in front of engineers, right? Like finding engineers to come volunteer and explain to them. I genuinely believe it just takes one spark to really get a student on a trajectory where they can make an impact in the future. So to me, it comes down to, really, exposure. How much are you really exposing your students to…you know what, something I’ve learned, when I joined SpaceX, is that Elon doesn’t believe—well, you know, there there’s a lot of things that Elon believes and not believes in; there’s a whole different type of conversation!—but he doesn’t think that you can just take a curriculum, let’s say, and just apply it massively to everyone and expect like everyone to be it. That’s just naturally not how it works, right? Students learn at different paces; they have different sort of interests. This is actually why he created his own school for his kids in LA, called Ad Astra. You know, if you take that mentality, what that school is doing is that they’re working at the students’ pace and at the student’s interests, right? And I actually have a coworker who has his kids in that school. And I mean, these are one of the most brilliant kids I’ve ever known. Like, they are taking differential equations in the eighth grade. And I didn’t know what differential equations was until I was in college already and they told me, “This is a class you have to take.” <Laugh>. But it’s finding that crossway where, where is the curiosity of the student? What are they really interested in? and exposing them to that.

Eric Cross (17:51):

Yeah. And what I’m hearing of that is, in teacher-speak, a lot of personalized learning. Like you were talking about…is it Ad Astra?

Juan Vivas (17:59):

Ad Astra? Yep.

Eric Cross (18:01):

Ad Astra. You know, every student learns in their own way and they develop knowledge in their own way. And being able to personalize learning according to the students’ abilities and needs, and then accelerate or slow down, really produces some amazing effects. I know this is something that we as teachers try to do with the classroom. Scaling it is the challenge. But it’s great because even with people who are in charge of policy or people who have decision-making ability, hearing people from the top down saying, “Hey, look, this is what worked for me. This is how I was able to become successful. I had a teacher that was able to be a mentor to me because they knew me, they had a relationship with me, they were able to tap into my passions and use those passions to drive me to do or put me in programs that I might not have known about because they, they knew who I was.” And it’s not one-size-fits-all for everyone. So having—maybe it’s curriculum or learning experiences that are kind of modular, where students are able to maybe try on different things and get that exposure, I’m a big, big believer, like you are, in mentorship. That was a huge, huge thing in my life. Having mentors. It’s the reason why I became a science teacher. In seventh grade, I had a mentor who had us doing college-level science, you know, at UC San Diego. And it completely changed the trajectory of my life, in a direction that I wouldn’t have had without him. So I think that’s great. And it’s something that we as teachers would appreciate hearing. Going back to what you said…earlier you said your wife is a supply chain engineer as well. And so that means that there’s two people who are process-minded in the household. And this is kind of a lighter question, but I gotta wonder, do you have the most optimized flow for grocery shopping? <Laugh> Because…

Juan Vivas (19:49):

Yeah, I think we don’t spend more than like 20 minutes at a grocery store. Mind you, we only shop at Trader Joe’s and we have a very specific list before going in. And if you ever shop at Trader Joe’s, you just know where everything is ’cause it’s always there and it’s small, right? But yeah, like we’re, we’re in and out in like 15, 20 minutes. It’s great.

Eric Cross (20:11):

I love it. I love it. I feel like I’m that way by design. I go in with a purpose and this is exactly what I want. I know where the cookie butter is, <laugh>, I know where my coffee is, and then, OK, I’m in and out. Apple Pay or whatever I’m using. And then we’re good to go. Do you think…so as someone listening to this or some people even just becoming aware of supply chain engineering, what advice would you give someone that’s interested in pursuing this career path? If you maybe reverse-engineered your process, knowing what you know now, you were gonna give advice, you were that mentor, what are just some kind of tips or ideas or thoughts or trajectories that you’d think that they should aim for? I’m assuming like robotics….

Juan Vivas (20:56):

Yeah. You know, I think I would say definitely finding some sort of program that exposes you to a lot of things that you won’t be exposed to, like on a day-to-day basis, or something that you just can’t be exposed to naturally at school. And mentorship, honestly. I was born in Colombia and my parents were both—they’re still both professionals, but they were both professionals in Colombia. And when we moved to this country, this was like December of 1999. My parents started from scratch, and so they didn’t really grow up in the States, right? So when it was my time to go to college and do all of this stuff, it was just like me on my own figuring this stuff out. And, you know, they definitely made some mistakes when it came to college applications and whatnot. But once I was in college, I knew that the best way for my success was gonna be through mentorship. And that’s when I joined the, Society of Hispanic Professional Engineers, which is a nationwide organization. And each college, well, most college campuses, have their own chapter. In joining that, I was exposed to resume workshops, mock interviews—basically how do you even talk to a recruiter? Which is so critical, right? And personally that that organization was really what molded my actual professional career.

Eric Cross (22:19):

There’s this theme that I’m hearing, kind of weaving through this. And in addition to—as we’re talking about STEM and technical skills, in addition to that, there’s this thread that I’m receiving of…being able to form relationships with other people, for our students, is an important skill to teach and should be taught explicitly. Which isn’t…it’s not really a curriculum, right? Like, you don’t get tested on your ability to….conflict resolution or how to write an email or how to develop a relationship. And then the other part in I think what you just said is the aspect of community. Through this organization, you learned kind of some of these hidden rules, maybe I would call it.

Juan Vivas (23:04):

Yep.

Eric Cross (23:04):

It’s not that you didn’t have the…you had the aptitude. You had the drive. But there were these kind of hidden rules, and from moving to the US, you needed a community to be able to show you, so that you can kind of go through the proper steps.

Juan Vivas (23:16):

Exactly.

Eric Cross (23:17):

And so that created a lot of value for you.

Juan Vivas (23:19):

Yep.

Eric Cross (23:20):

Well, the last question that I have is, is just kind of a wondering. You have this awesome story, and the story continues to unfold. I gotta say, <laugh> I’m gonna be following your LinkedIn profile, because I think you just have kind of the coolest trajectory of going from, you know, General Mills, working in chemical engineering, and then ultimately it’s SpaceX. And every time I see the rocket taking off and landing, I’m gonna be thinking, thinking about you. So cool!

Juan Vivas (23:47):

Yeah. Yeah.

Eric Cross (23:49):

And personally, I have a hope that one day, one of my students will be at a company, you know, like SpaceX or Tesla or wherever, and one day I get to interview them and talk to them and see what they say. But the last question I want to ask is, is there, is there a teacher who inspired you, or a memorable experience that you have that made an impact on you?

Juan Vivas (24:16):

Yeah, yeah, of course. It was kind of you know, middle school going into high school. The way my school worked, everything was divided from pre-kindergarten, whatever, first to sixth grade, and then seventh grade to 12th grade. So I had a high school science teacher, Ms. Brown, Ms. Velda Brown, who, came from a small little island town on the east coast of Canada. Somehow landed, in the high school that I went to, to teach science. Going back to the beginning of the story where I mentioned that I figured whatever, I’ll go to med school. I played soccer, basketball, and, you know, I said, “I’ll figure it out once I graduate.” It might have been like life science in the eighth grade or something like that. But then she went on to teach me chemistry and physics as well. And when I was in the 10th grade, she approached me and she asked me if I wanted to join the robotics club. And I remember saying robotics? I don’t know. You know, naturally, in school, it’s different sorts of crowds: people that play sports and people that are like in like STEM clubs or whatever. And I was, “Ah, I don’t know; I don’t know how I feel about robotics; not really my thing….” But somehow she convinced me to join robotics. It’s me, coming into this group of kids that already knew each other, and they were all working on robotics. And I’m, “Yeah, I mean, I guess I’m just here to try this thing out.” It was a thing where we met every single Saturday at like seven in the morning. And there were times where I literally had to choose, “Do I go to like a soccer game or do I go to you help my team with robotics?” And I completely loved it. Like, I fell in love with the aspect of building something from scratch, and just making it operative. And she ended up just being a huge mentor for me in high school, actually. With her, with the help of her, I ended up opening the robotics club at my school. And before I left, we opened it up to middle schoolers. And then, you know, later, years later down the road when I was in college, I found out that it was now a whole-school thing. So there was an elementary robotics club at the school, the middle school one, and then the high school one were still a thing like years after I left. And that was like just so amazing to hear. But yeah, it was Ms. Velda Brown, my high school science teacher, that really took her time to mold me and get me into robotics, and really mentor me. And honestly, I’m sure you as teachers, you guys probably hear about it a lot, but you can have a lot of power in shaping a kid by just telling—believing in them, right? She believed in me so much that I would go on to be a successful engineer. And I’m. “OK, yeah, yeah, you’re just saying it.” But she spoke life into her students up to this day. I still speak about it with my wife, and when I’m in conversations about this, that if it wasn’t for my high school science teacher, I would not—well, no, I would probably not be an engineer right now.

Eric Cross (27:38):

Wow. Shout out to Ms. Velda Brown <laugh>. Would you say she spoke…I think one thing that just resonated with me is when you said she “spoke life” into you.

Juan Vivas (27:46):

Yeah.

Eric Cross (27:46):

That was really powerful. And I think we as teachers have that power and we don’t realize it. Because, you know, we get so we’re so familiar and living day-to-day, but we do have the power of life, speaking life, into our young people. And, yeah, that was—

Juan Vivas (28:03):

Absolutely, yeah. You know, I think obviously people grew up with different backgrounds, different communities, life situations, right? So imagine having like a student that is similar in that environment and then they just hear someone at their school, like, “Hey, you’re really good at this. why don’t you consider doing this?” And that’s when I feel teachers have that power. Where like they don’t necessarily know the background, but they can make that opportunity, or make that decision in the moment, to really shape a student’s life.

Eric Cross (28:37):

And we need to hear that. And I think, I hope that other teachers listening to this will be reminded that many times we don’t get to reap the harvest. We don’t get to see the <laugh> Juan Vivases at SpaceX. They just kind of go, and they disappear, and we hope for the best, and we get a new group. But every once in a while they come back, and we get to see what our watering or seed-planting was able to produce. And so, just know that you sharing your story for educators, and for definitely Ms. Brown, makes a huge difference and is a huge encouragement. So.

Juan Vivas (29:11):

You know, I think we touched on earlier, you know, how do I end up going from cereal to rockets, right? And I think it ties along with what I mentioned earlier of just taking—as an engineer, you’re really a critical problem solver, right? And you think that methodology. And if you find a way, you can apply it to different sectors. When I was doing a lot of like the packaging process stuff at General Mills, being a lead on a high-volume manufacturing line, what I do for SpaceX specifically, right now, I’m actually on the Starlink project. So if you’re up to date with Starlink, it’s, it’s essentially high reliable, fast internet that we’re providing to areas where usually people don’t have access to internet, right? Or maybe they do, but it’s extremely expensive. Because to an internet provider company, the benefit is not there, if they extend an entire internet fiber line out to their place because it’s only directed to them, right? So that’s, that’s essentially what Starlink is trying to solve. And this is the first time that SpaceX is facing a consumer packaging scenario. Before it was just rockets. And now they’re selling a product to consumers. They had never done that before, especially in a high-volume manufacturing setting. And so I am the supplier development engineer for all the consumer-facing packaging for the Starlink product itself. And that’s essentially how all those thoughts connected, where I had this experience coming from General Mills and packaging high-volume manufacturing. And then when Starlink started, they’re all, “Right, well, who knows anything about packaging?” Right? “We know so much about rockets, we need someone with this technical background.” And that’s essentially how I bridge over to SpaceX.

Eric Cross (31:11):

And so while you’re working at SpaceX, you’re working on Starlink, which I know you mentioned that—you said that it’s providing internet globally, which in and of itself, we—especially those of us that live in major cities—we kind of take for granted. Internet is like a utility. But we don’t maybe realize that in many parts of the world, internet is not reliable or even accessible.

Juan Vivas (31:33):

Right. Right.

Eric Cross (31:34):

I see every once in a while, I think, the StarlinK satellites sometimes are visible?

Juan Vivas (31:38):

Yep.

Eric Cross (31:39):

Low orbit?

Juan Vivas (31:39):

Yeah. Yeah. You can go—they’ll kind of be like a little train of bright stars that move along together. Yep.

Eric Cross (31:46):

And that must—that must feel…I mean, we all have jobs and we’re all doing different things, but you’re working on a project and you’re engineering something that actually can provide a lot of opportunities or close a gap in some parts of the world where they don’t have access to internet. They’re gonna be able to have access and be connected all over. I dunno, the word would be “existential.” Existential value. Like, what you’re doing is actually providing a service for people. Humanity. Like, addressing a critical need in many, many places around the world.

Juan Vivas (32:26):

Yeah. We’ve had stories where we have sent Starlink kids to a small school in a village in rural Chile, right in South America. And for the first time ever, they’ve had internet. We have supported disaster relief in Europe. I think this past summer, Europe had really bad floods. We sent Starlink kits out there. You know, the vision of working at an Elon Musk company and SpaceX and Starlink—this is all stuff that is being done for the first time in history. We have never, ever done anything like this before until now. And to be able to provide those that don’t have the access to—to your point, it’s kind of wild, right? Like we, we just take it for granted. “Oh yeah, I just have internet. Let me log on.” There are people on Earth right now that have never been on the internet. Or don’t even know what the internet is. And that’s essentially the, the gap that Startlink is starting to close.

Eric Cross (33:26):

Yeah. We think about that while my students are doing TikTok dances. <Laugh> And there are people who, you know, never, never been connected. And, it kind of makes me more like, just inside, if I can ask: What’s it like working at SpaceX? I showed my students what it’s like working at some of the Silicon Valley companies. ‘Cause just to show them there’s slides and food and, you know, they kind developed this ecosystem inside so that it’s really kind of homey to kind of keep you there, you know. When you’re working and there’s bikes and things like that. And that’s a very Silicon Valley type of thing. But, you know, in listening to you talk about SpaceX and Elon, you know, you’re with a really visionary kind of company, and when I hear you talk about it, there’s I can hear this passion, this, “we’re doing something.” Is that culture, like, pervasive everywhere? Are you around folks that kind of are on that same wavelength? Because I definitely get it from you as you talk about what you do.

Juan Vivas (34:28):

Yeah, yeah. Definitely. I think, as an engineer, you know, going to SpaceX and working at SpaceX, it’s essentially—personally, I believe right now in the US it’s like the mecca of engineering, right? Like, it is where engineering in this most, you know, shape and manner, it’s being applied. I think what’s really interesting is that the way that Elon looks at it is just iterate, and iterate fast, right? Like, fail and fail fast. I think as an engineer, you always want to have things perfect, right? And so you spend a lot of time in making a decision or investigating something or whatever. And working at SpaceX is the complete opposite. It’s just you know, “Assume, state your assumptions—like, what are you assuming right now? What are the risk at it? And just make a decision and then see what the result is.” You know, so it’s an environment where you learn, really quick.

Eric Cross (35:28):

You said something that I think was powerful and I hope, I think <laugh>, this is definitely, I’m gonna get a clip of this <laugh> of you saying it. Because it speaks directly to, I think, what a lot of students struggle with in the classroom, is there’s this competition or feeling that you always need to be right. And you need to be right the first try, on the first time. And a lot of times it’s because students will compare themselves to each other, or there’s a tremendous amount of pressure to be successful. But you said, “Fail and fail fast, iterate, state your assumptions.” And it sounds like this critical part of being an engineer or in what you do, like there’s no room for ego or attaching your identity or your sense of value or worth or ability to whether you’re able to solve a problem in the first try.

Juan Vivas (36:13):

Yep.

Eric Cross (36:14):

Like, you have to be OK with the cycle, is kind of what I’m hearing from you. Is that, is that right?

Juan Vivas (36:19):

Yep. Exactly. It only took six months to develop the product from scratch and launch it to the public, which is insane. Nowhere in the world will any company ever iterate that fast and come up with a brand-new project. But it’s because of that mentality—like you’re saying, it’s not about like just trying to make it perfect and have all this information. And I think Elon has learned this personally, you know, through Tesla and the beginning of SpaceX. It’s, “I can wait to have all this information, and most likely I’m still gonna be wrong after I make the decision.” So it’s, “Might as well take the risk, do the decision, and then just see where you learn from it, right?” And then you keep applying that, applying that. So it’s like you iterate, iterate, iterate, iterate until you get what you want.

Eric Cross (37:00):

I think this is even, like, great advice. I’m taking this personally because I get paralysis by analysis <laugh>.

Juan Vivas (37:06):

Yep.

Eric Cross (37:07):

You know, I’ll research something to death but then not actually execute. Like, I need to make a decision and do it and then course-correct along the way. Somebody once told me it’s a lot easier to turn a moving car than it is a car that’s sitting still. And so as you’re kind of flowing, you’re just making these adjustments along the way until you end up on the path that you want to be. So I think that there’s so many gems in the things that you’re saying right now. What I’m thinking through the lens of my seventh graders that want to work in any STEM field—I mean, really, any field in general, but especially engineering, especially the STEM fields—knowing that, pick it, make a decision, move forward, and then course-correct along the way. That’s what science looks like in the real world.

Juan Vivas (37:49):

Yep. Exactly. Yep. And definitely most important—and I feel like this is sometimes where, not necessarily education in general, but it’s just, we want students to, “OK, you need to get it right the perfect time, right?” But it’s like, every student is gonna think differently. A student is gonna take a different assumption based on their background and experiences. And I mean, you know, we can go a lot deeper in that, but the way a student is shaped, they’re gonna take certain assumptions. So that’s where it gets interesting. OK, why are you assuming that? Where’s your thought process in this?

Eric Cross (38:25):

And we all come from different backgrounds and mindsets and filters and biases that cause us to look at something a certain way. And it’s not just like calling it out, just going, “Hey look, this is what it is.” Like autopsy without blame, this is what I’m working with. Let’s discuss it openly. Right? And if we started that process earlier, you know, younger, in classrooms, we can de-stigmatize the right answer being the best answer more, as opposed to focusing on process as opposed to outcome. And then you kinda get used to wanting to go through the process. I look at it like video games and I talk to my students. I say, “You know, you don’t pick up a video game that’s brand-new and then play it and then you die once and you’re ‘Ah, I’m never gonna play this game again.’ You know, it just doesn’t work that way. You’re going through this iterative process, and no matter what you play, you’re trying things differently. You’re data collecting. And then you’re making new decisions based on the data that you collected.” And for some of my kids, they’ll just raise their hands, say, “No, I just get mad and throw the controller across the room.” <Laugh> But I go, “Yeah, and then you’ll try it again.”

Juan Vivas (39:33):

The best way to know how not to do something is to fail. And so you already…I mean, what is that famous quote? I think that’s why Thomas Edison’s, “Oh, I, did not fail 99 times. Right? I only found 99 times…” I mean, that is that is true. And I feel like at work in a SpaceX, that is something that probably the core of it comes from there. It’s you know, any failure, quote unquote, that you may take it as a failure, it’s really not. You’re just “OK, we, we tried that. It didn’t work. Like what are we gonna do next?” So it’s just like taking that learning and like moving off with it quickly.

Eric Cross (40:09):

I heard a couple of teachers say, “Things fail: First Attempt In Learning: F A I L.” And then another teacher, one of my mentor teachers, she said, “There’s no such thing as failure, just data, in science.”

Juan Vivas (40:20):

Mm-hmm. <affirmative>. Exactly. Yep.

Eric Cross (40:23):

And so I’ve always taken that to heart. And I share that with my own students, just, “A ‘no,’ a lot of times, will tell you more information than a ‘yes.’” ‘Cause if something works in the first try, you may not exactly know why it worked. It just did.

Juan Vivas (40:34):

Yeah. Yep.

Eric Cross (40:37):

So yeah. Well, I went on your time, brother. Dude. <laugh>. The time flew. It was…

Juan Vivas (40:46):

Yeah.

Eric Cross (40:47):

There were so many things I was trying to write out as you were talking, that I just felt like, “This guy is sharing so many gems!” But yeah, I want to thank you for taking time outta your day and for sharing that information for your passion for what you do. And, I don’t know, I think that students and teachers that listen to this will get an insight from a perspective that really matters. ‘Cause ultimately we’re, we’re trying to really prepare our students for real life. Maybe I’ll email you privately if I order a Tesla, if you can move me higher up the Cybertruck line. <laugh>

Juan Vivas (41:22):

Yeah. No promises.

Eric Cross (41:24):

<laugh>

Juan Vivas (41:25):

Yeah. No, I appreciate you guys having me, having me here, and be able to speak on my experience. And hopefully it sparks a couple, one, even if it’s just one teacher that will spark another student, that is already success there. So.

Eric Cross (41:42):

Well I know, I know what you said resonates with me and it fills my cup. And I’m excited. So I’m already thinking of some ideas of things that I can do, just because of this conversation, and I know other people will as well. And, again, this is Juan Vivas, who’s a supply development engineer at SpaceX. He’s worked at some amazing places. And someone who believes deeply in not only the power of the technical skills, but the heart skills, and how community makes a huge impact in his life. It made a huge impact in him ultimately becoming a scientist, and now working on a project at SpaceX, Starlink, that is going to provide access to the world, to the web. And that’ll ultimately help us solve more problems and innovate and create some solutions that will benefit everybody. Thank you, sir. Appreciate you.

Juan Vivas (42:30):

Yeah, thank you. Thank you so much, Eric. Appreciate it.

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What Juan Vivas says about engineering

“Based on my experience so far, I think the best way to put it… an engineer is a technical problem solver.”

– Juan Vivas

Supplier development engineer, SpaceX

Meet the guest

Juan Vivas is a chemical engineer currently working as a Supplier Development Engineer at SpaceX. Juan got his start at the University of Florida, where he led the Society of Hispanic Engineers (SHPE) as vice president. He’s worked for companies like Clorox, Dow Chemical, and General Mills. Juan lives in Los Angeles, California with his wife and two dogs.

Man in a suit and tie smiling at the camera with a blurred green background.

About Science Connections: The podcast

Welcome to Science Connections: The Podcast! Science is changing before our eyes, now more than ever. So…how do we help kids figure that out? We will bring on educators, scientists, and more to discuss the importance of high-quality science instruction. In this episode, hear from our host Eric Cross about his work engaging students as a K-8 science teacher.

S4 – 02. Bethany and Dan share their math biographies

Promotional graphic for "math teacher lounge," season 4 episode 2, featuring photos and names of math teaching guests Bethany Lockhart and Dan Meyer.

In this episode, co-hosts Bethany Lockhart Johnson and Dan Meyer get personal and share their “math bios”—their early experiences with math and how those experiences turned them into the educators they are today.

Explore more from Math Teacher Lounge by visiting our main page

Download Transcript

Dan Meyer (00:00):

We’re recording. What’s up, everybody. This is Dan Meyer with Math Teacher Lounge.

Bethany Lockhart Johnson (00:08):

And I’m Bethany Lockhart Johnson. We are so excited to be back. Season Four, Episode Two. Hi, Dan.

Dan Meyer (00:16):

Hey, Bethany, how are you doing today?

Bethany Lockhart Johnson (00:18):

I’m so excited to be talking with you! You know, as we record this, our reunion at NCTM is getting closer and closer.

Dan Meyer (00:28):

The NCTM live show is gonna be bonkers. I don’t think people are ready for it. You think you know what we’re about on MTL from listening to us, but the live show is gonna be outta control. You cannot imagine how many clowns and elephants Bethany wants to have at the live show. We’re still—we’re trying to talk her down from like three to one, but we’ll see.

Bethany Lockhart Johnson (00:44):

All I want is the t-shirt cannon. Because I used to go to these baseball games and they would have a t-shirt cannon. And I thought, I wanna operate a t-shirt cannon! So like, if I could be standing on stage aiming t-shirts at people who are jumping up and down requesting a t-shirt? I don’t know. Doesn’t that sound fun?

Dan Meyer (01:01):

Sounds awesome. High point of my college education was catching a t-shirt. No, it was—it was a burrito. It was a burrito cannon. But I think it was just a t-shirt cannon, but it was a burrito cannon. And I caught a burrito at a game and it was probably the most memorable moment of all of college education for me.

Bethany Lockhart Johnson (01:16):

Was the burrito still warm?

Dan Meyer (01:18):

Oh yeah. I think it got—like, I think it might’ve been warm at one point and then it got warmed back up through the muzzle velocity of the cannon. So it was a pretty great system they had going on there. <Laugh> Yeah. <Laugh> Anyway, I’m off topic, but, we’re thrilled to—I’m thrilled to chat with you and we’re thrilled to be listened to by you folks out there in MTL land. In the lounge itself. We got a fun show today.

Bethany Lockhart Johnson (01:40):

So if you listen to Episode One—which if you haven’t, hope you go back and listen to it—if you listen to Season Four, Episode One, you’re gonna hear—we asked Huon, KT, who is this delight of a joyful teacher. We asked her to talk to us about what’s her math bio. And we want to ask all of our guests—like, I wanna go back and ask every single guest we’ve ever had to tell us their math bio.

Dan Meyer (02:06):

Yep.

Bethany Lockhart Johnson (02:06):

Because, while seemingly simple in nature, our students enter our math classroom already having had this relationship with math and these notions about their role in math or what they think about math. And it impacts our school year with them if we’re a teacher. And it impacts our relationship with math as we move through our education and beyond. Right? And I I’m so excited about this question, ’cause I think it also ties into this theme for Season Four, which is joyful math, and diving into “When has math felt joyful? When has it not? Does it feel like—how do we think about how our math bio, our relationship with math, has evolved into a joyful or less joyful place?”

Dan Meyer (02:54):

I get it. And what’s really key here, I think, is that teaching more than other professions is a generational profession. You know what I’m saying? Like, no one is like, “Well, you know, I sold insurance to you and now you’re selling insurance to, you know, my grandkids; that’s amazing!” But people are always posting photos when, like, you teach someone who then becomes a teacher later. Teaching is a generational sort of thing. So the kinds of joyful experiences that we offer or don’t offer students now affect the experiences that students who haven’t even been born yet will have, you know, some 20, 30 years later. That, to me, is a trip. And well-worth exploring, you know, how we got here, mathematically speaking.

Bethany Lockhart Johnson (03:39):

I remember a friend had sent me this image of an assignment that her son got that was asking for their Mathography. They wanted to know about their history of mathematics. And this was their first assignment. And this teacher, I would like to imagine, read them all and used it to inform conversations about students’ relationship with math. And, you know, some of the questions they asked were thinking about whether you consider yourself, quote, unquote, “good at math.” Like “what kind of experiences have you had? What do you like or dislike about math? What is, you know—what do you expect to learn in math this year?” Just asking students to actually pause and examine and reflect on their relationship and then also looking forward to, like, what kind of a classroom community do we wanna create? And I loved that assignment. And yeah, so today’s episode Dan, guess what?

Dan Meyer (04:32):

What’s going on? What’s happening?

Bethany Lockhart Johnson (04:33):

I figured we should ask each other about our math bio.

Dan Meyer (04:39):

I think the people out there would love to know this about us. ‘Cause you know, we’re both awesome. But also what’s really cool here is that like, I don’t know this about you. Like not, not a lot. You know, the folks at Amplify, they kind of assembled me and Bethany together in the same way that record labels assembled pop boy bands, girl bands, that kind of thing, back in the day. You know, grabbing some stars from screen or film and just like throwing ’em together and saying, “All right, now you’re here to perform together.” And so it’s just a really good moment for us to, like, settle back and just know who we’ve been working with for the last three seasons and change here. I love it.

Bethany Lockhart Johnson (05:15):

Well, I don’t know. I don’t actually agree with that, Dan. Because don’t you remember? We knew each other beforehand. And while I would like to think of us as…oh, I’ll say One Direction—well, no, One Direction is now defunct. Who’s another band that got formed by one of those shows and is still together and still—

Dan Meyer (05:33):

BTS! K-Pop, you know! Let’s go!

Bethany Lockhart Johnson (05:35):

K-pop. BTS.

Dan Meyer (05:38):

Let’s go, Bethany <laugh>.

Bethany Lockhart Johnson (05:39):

So can we incorporate some K-pop into the NCTM Math Teacher Lounge live episode? Don’t answer now. Don’t answer now. OK. So not only are we gonna share our math bios, but we want to encourage you listeners to share your math bio with somebody in your life. It could be a child in your life, maybe talking to your kiddo about what was it like. What was math like for you? It could be a student that you have. It could be a partner, a friend, a parent. I mean, the sky’s the limit. Share your math bio. And most of all, share with us. We wanna hear about your math bio and you can share it with us at Twitter, at MTLShow, or in our Facebook group, Math Teacher Lounge.

Dan Meyer (06:26):

Stop on by, please. All right. I’m gonna just share like, just a couple of quick, signposts. Not the full bio. Gotta leave them wondering about something here. But here’s a few quick highlights and lowlights of my math bio and how, maybe, it made me the teacher that I was and the educator I am. Is that cool?

Bethany Lockhart Johnson (06:44):

Wait, I didn’t even, I didn’t ask you yet.

Dan Meyer (06:46):

Ask me what?

Bethany Lockhart Johnson (06:47):

Hey, Dan!

Dan Meyer (06:49):

Is there like a magical word? Like, what’s your math bio? <Laugh> Oh, go for it. No, no, that’s right. They won’t know what I’m talking about. Why is he talking about his math bio? Bethany—

Bethany Lockhart Johnson (06:57):

That whole lead-in that we just gave? They might not know.

Dan Meyer (07:00):

Yeah. We just talked about math bios for the last 20 minutes. But yeah, they might not know what we’re—

Bethany Lockhart Johnson (07:04):

<laugh> So Dan, why don’t you go first? ‘Cause I know you were gonna ask me to go first, but why don’t you go first? Dan? What’s your math bio?

Dan Meyer (07:12):

Oh, wow. Well, thank you for the formal invitation to share my math bio, Bethany Lockhart Johnson. So, I’ll just share—I just wanna share a couple items here, not the full history. Gotta leave ’em—leave a little mystery in there, you know what I’m saying? But here’s a few highlights and lowlights, and I think what it means for me as an educator. So, I was homeschooled for eight years. That was big—did a lot of math learning on my own. Couple of lowlights from that, a lot of highlights, in terms of just like being able to, like, learn at my own rate and just jump on ahead and pursue different wacky things. But I tried to switch into public school in fourth grade and I lasted, um, four hours. I didn’t even go to class. I enrolled and then it was like, boom, I was out of there. Because we went to the school; we met the teacher, saw the room, very nice person and place. But I got the homework assignment and the homework assignment was gibberish. I had no idea what to do and such was this feeling of just, like, despair and hopelessness, I was like, I cannot be a part of this. I remember the assignment. It was about identifying scalene, isosceles, and equilateral triangles. I’ll tell you this: I am quite good at that now. But at the time, like, I didn’t know what those words meant. And you know, at that moment we had Encyclopedia Britannica, could not Google this or even Ask Jeeves or AltaVista this so well back then. It just—it was an entry moment of failure and realizing that so much of math is like a, kind of a social kind of construct. And if you’re not part of that social circle, what can you do? So that was a bummer. Another bummer was eighth-grade math, learned it all by way of videotape. You know, put in the tape and watch—not gonna say the person’s name and not this person’s fault—but it was just like watching someone work on a whiteboard. Kind of a precursor to Khan Academy, kind of a drag. Went to high school—

Bethany Lockhart Johnson (09:02):

Wait, wait, wait, wait. We were—I’m not ready to jump to high school. Wait. Can you pause for just a second?

Dan Meyer (09:06):

Yeah. Rock on.

Bethany Lockhart Johnson (09:07):

I just need you to go back to the triangle thing. So in that moment, what did that mean for you that you had had all these experiences with math and then you encounter math in a completely different sphere, a public school, and it did not have a connection or meaning to you because prior to that, it sounds like it was pretty positive. Right? Explore these things you’re curious about; there’s not, like, a level you need to stick with…

Dan Meyer (09:33):

Yep, yep. Yeah. I think that’s right. Maybe it was a little bit of a classic, like, “Oh, I didn’t have a growth mindset; my mindset was like, ‘Oh, I’m good at math because I am, you know, born that way,’” and all of a sudden, that identity was, you know, thrown into question. And, you know, my foundation was all of a sudden quite shaky. And yeah, that’s—you know, I think I taught a lesson recently where I was like, “Hey, this whole thing with a less-than or equal-to sign and a greater-than or equal-to sign, like what those signs are: it’s just, it’s language. And if it’s confusing to you, it’s not because you’re bad at math; it’s ’cause language is oftentimes confusing ’cause people have to agree on it.” So I dunno, that sort of thing is kind of filtered in, filtered back in periodically, some sympathy for like how a lot of math is like just socially agreed upon ways of working with, you know, numbers, shapes, patterns, that kind of thing.

Bethany Lockhart Johnson (10:20):

OK.

Dan Meyer (10:21):

Anyway.

Bethany Lockhart Johnson (10:21):

  1. And in this home school—I have a lot of questions about that, but I’ll stick to one—were you in a community of people that you talked about these math ideas with? Were you homeschooled solo? You have a sibling, so I think you were together, right?

Dan Meyer (10:39):

Yeah. Yeah. I’ve got a twin sister. So we were, you know, like, right on with each other the whole way through there. And yeah, so we had—but it wasn’t, it wasn’t like a—it was a lot of individual work, with my flavor of homeschooling.

Bethany Lockhart Johnson (10:54):

  1. Got it. And the tapes—wait, before you go to high school, the tapes, the VHS tapes, which I’m just loving this image—

Dan Meyer (11:02):

Yeah.

Bethany Lockhart Johnson (11:02):

Was that a positive experience? Was that because that was an area of math that whoever was homeschooling you wasn’t that comfortable with? Why was it that route for the tapes, and what was that? Was that joyful for you?

Dan Meyer (11:15):

Yeah, definitely not joyful. Yeah, it was like, if you had questions, you couldn’t really ask them of the VHS tape. It didn’t work out so well in that way. And it was a lot of operational-type math. It was, you know—there was no give and take; it was all kind of take. From the video teacher. And yeah, I was doing that because my homeschool teacher, my mom, who is very smart in lots of areas, did not have the math knowledge or confidence, especially to help with math at eighth grade. And that was a big reason why, flash-forward to the next year, went to high school.

Bethany Lockhart Johnson (11:48):

Nice segue. OK.

Dan Meyer (11:50):

<laugh> You caught up to high school…I encountered just like four years of just crazy-good, just bonkers-good math teachers who just really changed a lot for me. Especially, Mr. Bishop and Mr. Cavender, very cool folks who did a lot. And especially, I think Mr. Bishop and Cavender both modeled for me what curiosity from a knowledgeable adult looks like. Like someone who, you know, now I can say to myself, “Oh, they were kind of like putting on an act of being very curious about answers they were hearing for the 2000th time from a student,” let’s say, but what a powerful experience that was for me to feel like, “Oh, wow, my thoughts are interesting to someone besides myself.” I got like, maybe it’s two real highlights that I’ll just point to, from my math bio that made me the math teacher and person that I am. Let’s see here. Maybe three, if you you’ll indulge me. One is just like the idea that you could do math wherever you have your brain, a pencil and a paper. And so I remember like in high school, I was in church with my family and kind of a little bit bored of whatever’s going on. And I just had the Bolton and I like drew a pentagon, a regular one, then a hexagon, a regular one, and kept on drawing, like adding sides to the shape. And it was like, it was becoming a circle. And, you know, I was able to take the area of each of those shapes and say, you know, “What happens as you send the number of sides to infinity?” And watch as the formula for area of a circle, Pi R squared, popped out. And it was kind of a literal religious experience, in that moment, just like, “Wow, like my brain’s so cool and math is so cool and paper and pencil’s so cool.” And so there’s that. Just that kind of experience was pretty awesome. And then I would just say like, I’ve had some really fantastic experiences with math in the world itself. Stuff like—let’s see, this is gonna invite more questions from Bethany, probably, maybe I should avoid—I got, I have a Guinness—I have a Guinness world record that’s almost 20 years old. This Guinness world record is—it’s old enough to drive basically at this point. And almost old enough to drink. But like it was—it was a record for chaining the longest paper clip chain together in 24 hours. And the only way I was able to break that record was through mathematics. Where, like, I would be finishing a box of clips. And I would say to my buddy who was there, “I just finished a box of clips.” And that person would type in the number of clips that I had just done. And then a mathematical formula that I had created would tell me how many—how long the chain was at that point. It was being rolled around a spool. And like, it’s just like, wow. So math just made this possible. You know, math revealed that the record I was trying to beat was beatable, because I did the math on it. It was, like, thousands of feet long in 24 hours. And other folks might be like, “Oh, like, that’s that’s huge!” But me, I was like, “All right, let’s divide this out. You know, divide by 24 hours in a day, divide by 60 minutes an hour, 60 seconds in a minute. Oh, that’s like one clip every four seconds. That’s really slow.” You know, think about that <counts aloud>, “Clip, two, three, four. Clip two, three…” It was just slow. So math helped me, you know, wreck that record. Which to my knowledge still still stands. Don’t get any ideas, Math Teacher Lounge Folks! Is this news to you, Bethany? You haven’t blinked in the last, like, five minutes. I’m curious if this is new.

Bethany Lockhart Johnson (15:20):

It is news to me. And I have so many questions. Because OK, if four seconds was slow, so then what was your like—so then I’m assuming a hundred clips per box? Like, what was the rate, you know, per box? How long did it take you to complete a box? What did this friend like? Did this friend stick with you for the whole 24 hours? Did you really do it for 24 hours? Or once you beat the record, did you rest? How did you account for biological function? Like, needs? Like a restroom?

Dan Meyer (15:51):

<Interrupting> Like what?

Bethany Lockhart Johnson (15:51):

Eating.

Dan Meyer (15:51):

Like what, Bethany? OK.

Bethany Lockhart Johnson (15:52):

Um, Sleep.

Dan Meyer (15:55):

So yeah, maybe we dive into some of the specifics in a different time.

Bethany Lockhart Johnson (15:59):

Just tell me one of ’em. Tell me one.

Dan Meyer (15:59):

I’ll just say. So as to discourage other Math Teacher Lounge listeners from taking this on—back off of the record, folks!—this was back in college, so I was a little more limber back then. But I did one—I think it was 1.8 seconds per clip. For an entire 24 hours. Just like, so just like think about it, would you? If you’re gonna step to me on this one, just think about that, OK? And then, and then, you know, make an informed decision.

Bethany Lockhart Johnson (16:28):

Wait. Wait, wait, I just wanna tell you one thing. I’m picturing somebody with a straw, and like, giving you water as you keep clipping. I’m picturing, like, music, I…

Dan Meyer (16:37):

That’s not far. That’s not far. That’s not far from—yeah.

Bethany Lockhart Johnson (16:40):

So many questions! OK. Go on. Sorry, sorry, sorry. Go on. This is your bio.

Dan Meyer (16:44):

We gotta, I gotta wrap this up. I wanna hear your bio. But, like, I would just say like this move to this sense that math is actually a thing that’s useful for more than just a grade; it’s useful for more than just, you know, the societal, you know, adulation that comes from being a math nerd. That kind of thing. And so that, I think that affected a lot of math teaching for me. And, if I gotta, like, summarize math teaching itself in a journey, it went from like, “Hey kids, aren’t I awesome?” to, “Hey kids, isn’t math awesome?” to “Hey kids, aren’t you awesome?” And like that journey was facilitated by lots and lots of people, you know, a lot of personal growth, but at this point, at one point I was like, “Hey, math can help you get records and whatnot. It’s really useful.” And now I’m like, “Wow, your brain’s just doing just really interesting things. I can help you understand how interesting those things are, and maybe make them more interesting, or interesting in a different way, with some help here.” Let’s put a pin in that. That’s the math bio.

Bethany Lockhart Johnson (17:50):

  1. So I have no doubt that if you ask someone in your life, listeners, for their math bio, that you will discover things about them that you never knew. Literally the questions that I have…I have so many question. And Dan is very good at, you know, bringing me back. Bring me back, like, come on, come on. But I just wanna say, overall, your journey seems pretty joyful. It seems pretty joyful. It seems pretty full of confidence. I don’t wanna say “ego” in a negative way, but I wanna say you were buoyed by these experiences that allowed you to feel like math was a place for you to thrive.

Dan Meyer (18:36):

Right.

Bethany Lockhart Johnson (18:36):

Where you could try out things. You could try it out and just, “I could do that!” Right? Like…your relationship just felt very, like…you felt like you had autonomy, agency, perhaps much like you, you operate in this world. Dan, is that, is that right <laugh>?

Dan Meyer (18:54):

Yeah, I think it’s fair to say. And without telling too much of her story, my twin sister with whom I share most things, including genetics, you know—she had a very different experience in math early on. She’s brilliant. She’s a doctor. And not, you know, the book kind of doctor that I am, but like a real, you know, medical doctor. She’s brilliant. But we were—we encountered different messages about who math was made for, early on in, you know, in our entire math learning. And she—we both digested the messages that we were sent, and took, you know, different, different paths because of them, for sure.

Bethany Lockhart Johnson (19:31):

Funny how that works. I thank you, Dan. I do. For in all sincerity, I appreciate you sharing that. And I think that it’s exciting to hear how it influenced your teaching. It feels like you want to cultivate those experiences for your students. And I’ve been in the room when you’ve presented; I was in a room where you taught a class live. It felt like you were making space for the students to have these aha moments. And it feels like in your work at Desmos, and now Amplify, you’re trying to create these products that allow folks to recreate these amazing math moments. Right? And that it’s for everyone and that it’s accessible and it can be very positive. I feel like I have this new perspective on kind of the energy you bring to your teaching. So thank you for sharing that.

Dan Meyer (20:24):

Yeah. Been a pleasure. Thanks for your questions here, Bethany. And it’s been—it’s been fun to reflect on it. And I do—I do feel very lucky in lots of ways. Privileged. Lucky. I know, like—I think the world has been set up for my success in lots of ways, as who I am. But I do just…yeah, I feel—I want more people to experience what it’s like when you walk into a math classroom and it’s like, “Hey, this place is for you. You have interesting thoughts about this. Let’s get ’em out.” So that’s awesome. I would love to hear about you and how you…I mean, we have taught different kinds of kids. You know, I taught kids who I think were somewhat set in, they’re a little bit more solid at secondary in who they are as a math learner. Like “I know who math is and who I am with math.” And I’m really excited to hear what your math bio allowed you to do with students who were perhaps open to the idea that they are very mathematical or at least not yet closed off to those possibilities. So, yeah. What are some of the high, the, you know, the high and low water marks of the making of Bethany Lockhart Johnson, math teacher? <Laugh>

Bethany Lockhart Johnson (21:24):

Thanks for asking, Dan. <Laugh> I’ve shared aspects of my math bio because I think it really informs the way that I talk to people about math and think about math. And I like to share it because I want folks to consider their own journey with math, as we like engage with problem-solving and sense-making and thinking about the students in our classroom. My dad is a math and computer science major. So he had a computer very early on. I wish he had invested in Apple early on when he had like one of the first Apple computers ever. And, sorry, dad, but it’s true. I do wish you had done that.

Dan Meyer (22:10):

I’m sure he does too.

Bethany Lockhart Johnson (22:11):

Oh, he does. So math and computers and conversations about counting, you know, it felt like it was kind of just normal. Like it was around me. And I went to Montessori, which is a private school that—oh, they have some public Montessori—but it’s very self-directed. And so we would have these kind of charts, these goals for the day that you explored. And so we would explore math in very, I don’t know, very organic ways, with these natural materials. And I feel like I excelled at math, but it wasn’t something that I was conscious of. It was just like, “Oh, well, yeah. Math, it’s, you know, something we do.” And then when I went to—when I left Montessori in fourth grade, I remember that year being a lot of like repetition. I was like, well, we did this. We covered this. And except for the mission project that we hadn’t done, that was all new. And that’s it. For another time I’ll share about that. But <laugh> then, they actually, I was moved with a group of students to the fifth grade math class, ’cause we had already done the work that we were doing. And so, it wasn’t that it felt like it came easily, but it did make sense. What we were doing made sense. And then it all kind of changed. There was a lot of change in my family. There was, like, missed school time. And we moved and I went to a new middle school and I was in this environment with students who—it was like an accelerated program. And so I was in this environment with students who were pretty competitive with each other. And I remember going—and I was not from of a competitive environment; like Montessori is not competitive. It’s not about that.

Dan Meyer (24:02):

Right. Right.

Bethany Lockhart Johnson (24:02):

It’s—it was very strange to me that I would be competing against anyone, even competing against myself. And I, you know, knew how to set goals. But it was a different level of energy. And I felt like, because I wasn’t competitive in that nature, I felt like that kind—I felt on the outside of a lot of the energy. Besides the regular, like, middle-school feeling outside of things. And I remember the first friend that I made. Hi, Susan! She had said to me, this was like maybe our second week of school, she’s like, “Oh, at lunchtime, come with me to math club.” And I was like, “OK.” And I remember walking into that room and I had no idea what was going on. And so that was one of the first times where I was just like, “Whoa, I have absolutely no concept of what they’re talking about or what.” These are my peers. I felt very—it was very—it was strange. It was strange. I was like, “This doesn’t feel like a space for me at all.” When I think ordinarily I was kind of excited about the idea of going to math club at lunch, you know? And over middle school, I kind of just got progressively more and more behind. It started with missing some work and then missing more and then checking out. And, you know, the problem was that I really made it about myself. That, like, it wasn’t something that I was then good at or could do. When really it was that well, pre-algebra, I was having a really hard time in like the rest of my life. And so I wasn’t real present in that class. And so when I got to algebra, it didn’t make a whole lot of sense. And then if I missed Monday, Tuesday, and Wednesday, well, Thursday is gonna be hard, you know? And, it just got progressively harder and harder. So I had this great idea that between eighth grade and ninth grade, I was going to take this accelerated geometry class. ‘Cause that was the ninth grade class, it was geometry. And I would take it. It was like geometry in three weeks or something. So then when I entered high school, I would’ve gotten this like jumpstart. But I wish I had said, “Oh, I’ll take this, and then in ninth grade I’ll take geometry.” So like I’ve already kind of gotten a preview of the material. But instead I went to the 10th grade math, which was like intermediate algebra, trigonometry. I had absolutely no clue what was going on. And I had a very, very difficult time and I wasn’t ready for that class. But it was exacerbated by the fact that this teacher felt very free to let the freshmen in that class know that they shouldn’t be in that class. That this class was for 10th graders.

Dan Meyer (26:49):

Oh wow. Oh, wow.

Bethany Lockhart Johnson (26:51):

And we had a rather contentious relationship. And I will never forget that we were in the hallway, and he says to me, “You don’t belong here.” And I’ve talked to—I’ve talked to a girlfriend of mine about her experiences with this teacher and she has the fondest memories.

Dan Meyer (27:13):

Wow.

Bethany Lockhart Johnson (27:14):

She—in fact, almost everyone I’ve spoken with, you know, if we are talking about past teachers or, “Oh, what was that class like?” I mean, they just have these wonderful memories! And for me, my sense of like belonging was already so on a tight rope anyway, that to have this adult, this teacher, tell me, “You do not belong here,” just crushed me. And in hindsight, I think he was saying like, “This class is too hard for you.” I mean, maybe. <Laugh> But all I heard was “You don’t belong here.” And I extrapolated it to connect to math and to anything having to do with math in general. And it just got worse and worse through high school in the world of math. My next math class was even—I had to repeat that class, and still didn’t understand what was going on, and felt more out of place, and, you know, it’s one of those things that I just kind of had started to accept that, I guess, math isn’t for me. I guess I’m just not a math person. Or whatever these stories are that I started to create and build and find evidence for around me that was informing that this wasn’t for me. And I had always done well in school. I was in, you know, accelerated classes. I felt like I was capable of problem solving. And yet in math, I just felt like I had all of this evidence saying that I didn’t belong there. And so when I went to college, I took whatever two math classes were—you know, I was in performing arts and then I did ethnic studies as well. And I remember you had to take two math classes that were GEs. There were these classes that if you don’t wanna deal with math, you go take those classes. And I was like, “Oh yeah, I’ll take that. I’ll take that.” The gulf widened, you know? <Laugh> And I didn’t feel like anxiety when I had to do things like balance my checkbook or navigate math in everyday spaces. It was just, it would never occur to me that I would like seek out opportunities to engage with math or think about it or talk about it.

Dan Meyer (29:35):

That is—yeah, that’s just so wild, how, I don’t know, like it’s often, from the student’s perspective, it is them in a vacuum with math, and the two of them interact and decide if, you know, if they’re right for each other. But from the grown-up perspective, it’s just, you know, it’s a little bit clearer that your story with math was not just you in math, but you with, you know, various external things happening. With family, various teachers playing their different roles—sometimes, you know, really tragic and horrible roles—and then like the compounding mathematical debt that it feels like you were kind of building up, as challenges in one year didn’t get resolved and moved into the next year and so on. And all that makes me wonder—it makes me, like really, really scared, first of all, because I would bet that your teacher might not even remember that moment, that for you is part of just a pivotal moment in your math story, and how many kids have I played—have I been a part of their story in that way and wouldn’t even recall? You know what I’m saying? So that’s a scary part. And then also I’m just wondering, like, how can we, how can we help kids who are in those moments recognize that, “Oh, this kid is like absent a bunch,” and give them more resources to be successful rather than say, “Well, you just gotta try harder now.” Those are things I’m wondering, hearing your story. Thank you for sharing that. I’d love to know more about how you then became a teacher and what all that did for you as you helped students.

Bethany Lockhart Johnson (31:06):

Well, but to answer what you were saying, it wasn’t that I wasn’t—I was always absent physically, but at least like mentally at that point, because it had become so difficult. It didn’t make sense to me. So I was just really checked out in math class, you know? So in hindsight, you know, as a teacher, for sure I can look back, and especially hearing these stories and these experiences my friend had with this teacher and just like chalks up as one of like her most favorite teachers ever! And you know, he clearly did a great job for so many students. But for me, and I think for some people, they would’ve taken those challenges and, you know, it would have fortified them in a different way or something. But for me, I took it upon myself to mean certain things about myself and about my ability and what I was capable of. And so I think, I think in some ways, you know, yeah, it’s all, it’s all interconnected. You know, when your students walk in the door, they’re not this—the things that are impacting them in their life are coming into the room with them. And I don’t think we can take that for granted and think, “Well, if they just focus hard enough…”

Dan Meyer (32:21):

Yeah.

Bethany Lockhart Johnson (32:23):

So let’s go back to my love of Oprah. You know, Oprah talks about living your best life. And something I really appreciate about Oprah is that she encourages you to examine, like, sticking points, right? Like she doesn’t just say, “Well, this…just pretend nothing ever happened, and everything’s fine!” You know, she really talks about making time for reflection. And I kind of got mad that anytime I thought about math, or math schooling came up. Or, you know, whatever, any time that came up that I just felt UGH about it. And I felt like a failure. And I’m like, “You know what, what if I took a math class? And I’m an adult at this point. I’ve graduated. I have—I’ve left college. I have my degrees. But I said, “What if I took a math class?” So I went down to, the city college and I found out that you have to take this exam, like a placement exam. And I went and took the placement exam. And I remember it’s one of the responsive tests where if you get it right, the next question’s a little harder. And so I’m taking it, panicking, because it’s getting more like…I just, you know. And I remember it placed me in like, whatever, Algebra Something, this class that was far more advanced than I thought I should be in. And I was like, there’s been a mistake! You know, and I went to the counselor and said, you know, “I got these results, but I couldn’t answer a lot of the questions on the test.” She’s like, “No, no, no, that’s how it works.” So I go take this class and the class was hard. And I decided that I was just gonna keep showing up. And every day before class, I kid you not, they had a little math…it was like a math center where you could go in and they had a bunch of tables and you’d sit at the table and you could sit and do your work or whatever. If you had a question, you walked up and put your name on a clipboard and then somebody would come and help you. So I did that, every single—like before every single class I would go in. I’d sit there. I’d do the work. I’d go. And I’d get help. Like somebody would walk over and you know, some kid for whom they’re like this…you know, they’re math—it might be you, Dan! It could be you! It could have been you! You know, would walk over and be like—

Dan Meyer (34:38):

Yeah, I was in Help like that. Naw, it’s awesome. Love, love those people. Yeah.

Bethany Lockhart Johnson (34:42):

And you know, I did it. And I did so well in the class. I did exceedingly well in the class. And I said—

Dan Meyer (34:50):

Take that! Take that, everything! Every other math experience!

Bethany Lockhart Johnson (34:53):

I said, what?

Dan Meyer (34:55):

Yeah!

Bethany Lockhart Johnson (34:55):

Wait a second.

Dan Meyer (34:56):

Yeah.

Bethany Lockhart Johnson (34:57):

And it was that I was present. I was not afraid to look at what didn’t make sense. And if something didn’t make sense, it didn’t mean there was something wrong with me. Whaaaaat?

Dan Meyer (35:10):

Yeah. Yeah.

Bethany Lockhart Johnson (35:10):

So I was just in such a different space. And then I took another math class and that class was even harder. And I did the same thing where I went to the little lab and, you know, and it just buoyed me. And it made me realize that, like, this story, that my experience with it was very powerful and that was a real lived experience, but that it didn’t have to define my relationship with math. But then! I decided I wanted to go back to school to become a classroom teacher. And I totally—this was a couple years after that math class experience. So now, you know, I’m healing my relationship with math through basic positive experiences, da, da, da, you know, doing other work. But fast-forward, for a whole number of reasons, decided to become a classroom teacher. And I freaked out. All of my—like, I’m studying for the GRE and the CSET and all the things you have to the hoops you have to jump through to apply to the masters program and the credential program. And I freaked out. I was so close to quitting, Dan. Because I was convinced that the reason I couldn’t be a classroom teacher is because I wasn’t capable in math. Like I was—it was all that resurfaced. And even though I now had evidence to say something different, to the contrary, it was still so visceral. And I was so scared. But I passed that Math CSET.

Dan Meyer (36:47):

Get it.

Bethany Lockhart Johnson (36:47):

I did well enough on the GRE—

Bethany Lockhart Johnson (36:50):

Yes!

Bethany Lockhart Johnson (36:50):

You know, I finished my credential. I worked really, really hard. I had to work so hard in my student placement, when I was student teaching for a fifth-grade class, ’cause I felt like, “Oh my God!” I mean, now I could do the mathematics, but I couldn’t TEACH it to someone, you know? But I had amazing professors at UCI, and my math professors really like just—and my mentor teacher! shout out to Jennifer! shout out to Phil!—these amazing mentor teachers who just loved teaching and who loved—like you said, you have these teachers in your life who you got to see the way that they listened to students. They taught me about that love of listening to students. And then I fell in love with, you know, CGI, cognitively guided instruction, and started learning all about all of these educators who just wanna learn from students’ thinking. And it was just so powerful. And I realize as a kindergarten teacher that I have this really special role in helping to create space for a positive school experience. Like we get to talk about—I talk about my students as mathematicians; they’re writers; they’re thinkers; they’re problem-solvers. And I also want to make space for parents. Some of them, this is their first kid in kindergarten, and they brought all of their experiences, a lot of it negative, that they had had with mathematics. So I felt like it was such an exciting opportunity to help show parents how they could have conversations about math with their students. That also, I hope helped heal their own anxiety with mathematics.

Dan Meyer (38:41):

Right, right.

Bethany Lockhart Johnson (38:42):

Like, I’ve not even scratched the surface of math learning. But I just have such a changed perspective and relationship with math. And I just fell in love with the sense-making. And I fell in love with the journey of it. I still experience math anxiety about a wide variety of things, but I do love it. And I feel like there’s a space for me in relationship with math. And that really excites me.

Dan Meyer (39:09):

Yeah. Wow. Listen to that folks. We, we don’t deserve her! Bethany Lockhart Johnson! She got some math game and could have gone off there and, you know, become an accountant or something. And she chose to hang with kids and their parents. That’s so wild that you’re like rehabbing parents and their self-conception about mathematics at the same time. I think that is so cool.

Bethany Lockhart Johnson (39:32):

Well, thanks Dan Meyer. I gotta tell you, I don’t know when or if I’ve ever shared that much of my math story. So there is a certain amount of vulnerability there. But thanks for listening. And I’m glad that, you know—I think there’s space for us to talk about these things that we care deeply about, but that can be really complicated.

Dan Meyer (39:56):

Yes. Yes. And I love how you you’ve really sharpened the point on what I feel like I know in my brain, but not my body all the time: That individual teachers are huge. Like, individual teachers, and individual moments of teaching, are just not something to play with. You know, like that kid that’s in fifth grade having a tough time, like there could be a month or a day-long period where all of a sudden, like, you’re just like, “Oh yeah, I’m back in the mix; like, me and math are still buddies.” And there’s also like moments that you had, where like one casual word from a teacher can just really put a huge wedge between you and a discipline that needs and wants you and your intellect in it.That’s a really powerful testimonial. Not just for math, but for teaching, your teaching bio.

Bethany Lockhart Johnson (40:43):

I agree with you. And I also, I also…you know, I think we can’t put this—we are human. Teachers are human. And so I’m sure there’s things I’ve said to students. Twenty-second story: a student stapled his finger in my class. <Laugh> And I remember holding his hand and saying, “Why did you do that?” And I wasn’t yelling at him, but it was like, I am sure the panic in my face…like, that’s what he’s gonna remember about kindergarten. Right? <Laugh>.

Dan Meyer (41:19):

Yeah.

Bethany Lockhart Johnson (41:20):

That. He will remember that. He won’t remember the really cool city project we did. He’s gonna remember his teacher holding his hand, in his face: “Why did you do that?”

Dan Meyer (41:30):

Yeah. Yeah.

Bethany Lockhart Johnson (41:30):

You know, so we’re human. And yes, it was awful that that teacher said that to me. There were a thousand other ways that he could have said whatever it was he was thinking. And that did deeply wound me. But despite his influence—because teachers do have a lot of power and I think they need to examine that power, ongoing—it still doesn’t have to define us. So I don’t wanna put this pressure, like—

Bethany Lockhart Johnson (41:55):

Sure.

Bethany Lockhart Johnson (41:56):

“So never ever say anything negative!” You know, we’re human.

Dan Meyer (42:00):

I feel like that kid is currently on some office-supply podcast talking about “your office-supply bio” and saying, “Let me tell you how I first got really freaked out by staples. Here’s the deal: I only use paper clips. And here’s why.”

Bethany Lockhart Johnson (42:15):

“Here’s why.” But then—callback!—he’s going to stumble upon THIS podcast and think, “And because I’m so adept with paper clips, I can beat that record!”

Dan Meyer (42:30):

Though—aaay! whoa! Settle down!

Bethany Lockhart Johnson (42:31):

BOOM.

Dan Meyer (42:31):

Don’t get any ideas, kid. No way. Uh-uh. I don’t like that at all. That’s not what—that’s not what I want to have happen here. No, thank you.

Bethany Lockhart Johnson (42:41):

Well, I’m spent, Dan. I need a nap.

Dan Meyer (42:45):

Yeah. I need a box of Kleenex. I need a nap. I need a—yeah, for sure, a baba. Uh-huh. Definitely. Hey, so look, I’m not expecting you folks out there in the lounge to kind of give us the same depth or breadth. You know, we are here, of course, for your entertainment. Feast on our stories and dramas. But I would love to know at some point, like, what are a few, a few moments that really came to define you mathematically? Came to influence you as a teacher? I think we would do really well for each other to understand that about all of our processes. So yeah, I would just toss in a plug in for Twitter, @MTLShow, or Facebook, Math Teacher Lounge; it would be fantastic to hear from you.

Bethany Lockhart Johnson (43:24):

Thanks so much for listening.

Dan Meyer (43:25):

Thanks, folks. Bye now.

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What Dan Meyer says about math teaching

“Teaching, more than other professions, is a generational profession. The kinds of joyful experiences we offer, or don’t offer, now affect the experiences students that haven’t even been born yet will have years later.”

– Dan Meyer

Meet the guests

Dan Meyer

Dan Meyer taught high school math to students who didn’t like high school math. He has advocated for better math instruction on CNN, Good Morning America, Everyday With Rachel Ray, and TED.com. He earned his doctorate from Stanford University in math education and is currently the Dean of Research at Desmos, where he explores the future of math, technology, and learning. Dan has worked with teachers internationally and in all 50 United States and was named one of Tech & Learning’s 30 Leaders of the Future.

Bethany Lockhart Johnson

Bethany Lockhart Johnson is an elementary school educator and author. Prior to serving as a multiple-subject teacher, she taught theater and dance and now loves incorporating movement and creative play into her classroom. Bethany is committed to helping students find joy in discovering their identities as mathematicians. In addition to her role as a full-time classroom teacher, Bethany is a Student Achievement Partners California Core Advocate and is active in national and local mathematics organizations. Bethany is a member of the Illustrative Mathematics Elementary Curriculum Steering Committee and serves as a consultant, creating materials to support families during distance learning.

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About Math Teacher Lounge: The podcast

Math Teacher Lounge is a biweekly podcast created specifically for K–12 math educators. In each episode co-hosts Bethany Lockhart Johnson (@lockhartedu) and Dan Meyer (@ddmeyer) chat with guests, taking a deep dive into the math and educational topics you care about.

Join the Math Teacher Lounge Facebook group to continue the conversation, view exclusive content, interact with fellow educators, participate in giveaways, and more!

Phonological awareness games

In Cut It Out, students isolate individual phonemes by listening to a beginning, middle, or ending sound and choosing a picture of the word containing the sound in that position.

Skills
Phonological awareness

  • Blending at the compound word, syllable, onset-rime, and phoneme level

Standards covered

  • CCSS.ELA-LITERACY.RF.1.2.C — Isolate and pronounce initial, medial vowel, and final sounds (phonemes) in spoken single-syllable words.
  • CCSS.ELA-LITERACY.RF.K.2.D — Isolate and pronounce the initial, medial vowel, and final sounds (phonemes) in three-phoneme (consonant-vowel-consonant, or CVC) words.1 (This does not include CVCs ending with /l/, /r/, or /x/.)

In Gem & Nye, students blend sounds into words, starting with compound words and syllables and then moving to beginning (onset) and ending (rime) sounds and finally individual phonemes, to identify the picture of the word the Soundbots say when blended together.

Skills
Phonological awareness

  • Blending at the compound word, syllable, onset-rime, and phoneme level

Standards covered

  • CCSS.ELA-LITERACY.RF.1.2.B — Orally produce single-syllable words by blending sounds (phonemes), including consonant blends.
  • CCSS.ELA-LITERACY.RF.K.2.B — Count, pronounce, blend, and segment syllables in spoken words.
  • CCSS.ELA-LITERACY.RF.K.2.C — Blend and segment onsets and rimes of single-syllable spoken words.

In Wordbots, students practice segmenting words into their onsets and rimes to determine which Startbots and Endbots form a stimulus word.

Skills
Phonological awareness

  • Segment at the compound-word and onset-rime level

Standards covered

  • CCSS.ELA-LITERACY.RF.K.2.C — Blend and segment onsets and rimes of single-syllable spoken words.
  • CCSS.ELA-LITERACY.RF.K.2.B — Count, pronounce, blend, and segment syllables in spoken words.

In Zoom Boom, students practice rhyming by listening to a word and identifying the picture of the word that rhymes with it.

Skills
Phonological awareness

  • Rhyming

Standards covered

  • CCSS.ELA-LITERACY.RF.K.2.A — Recognize and produce rhyming words.

Phonics Games in Amplify Reading: K–2

In Curioso Crossing, students practice accurate and automatic word recognition by identifying the correct spoken word to guide their Curioso safely throughout the land.

Skills
Phonics – Early Decoding; Advanced Decoding

  • Read high-frequency irregular words, regular words, words with inflected endings, two-syllable words, words with prefixes and suffixes, and multi-syllable words

Standards Covered

  • CCSS.ELA-LITERACY.RF.K.3.B — Associate the long and short sounds with the common spellings (graphemes) for the five major vowels.
  • CCSS.ELA-LITERACY.RF.1.3.B — Decode regularly spelled one-syllable words.
  • CCSS.ELA-LITERACY.RF.1.3.C — Know final -e and common vowel team conventions for representing long vowel sounds.
  • CCSS.ELA-LITERACY.RF.1.3.E — Decode two-syllable words following basic patterns by breaking the words into syllables.
  • CCSS.ELA-LITERACY.RF.1.3.F — Read words with inflectional endings.
  • CCSS.ELA-LITERACY.RF.2.3.A — Distinguish long and short vowels when reading regularly spelled one-syllable words.
  • CCSS.ELA-LITERACY.RF.2.3.C — Decode regularly spelled two-syllable words with long vowels.
  • CCSS.ELA-LITERACY.RF.2.3.D — Decode words with common prefixes and suffixes.
  • CCSS.ELA-LITERACY.RF.2.3.F — Recognize and read grade-appropriate irregularly spelled words.
  • CCSS.ELA-LITERACY.RF.K.3.C — Read common high-frequency words by sight (e.g., the, of, to, you, she, my, is, are, do, does).
  • CCSS.ELA-LITERACY.RF.1.3.G — Recognize and read grade-appropriate irregularly spelled words.

In Food Truck, students practice “chopping” blends, ending sounds (rimes), and whole words into beginning sounds (onsets), ending sounds, and individual letters to create orders for their hungry goblin customers. The difficulty of words and segmenting tasks increases with each level as customers order more sophisticated “dishes.”

Skills
Phonics – Early Decoding

  • Decode and spell words with common rime families

Standards Covered

  • CCSS.ELA-LITERACY.RF.K.3.A — Demonstrate basic knowledge of one-to-one letter-sound correspondences by producing the primary sound or many of the most frequent sounds for each consonant.
  • CCSS.ELA-LITERACY.RF.K.3.B — Associate the long and short sounds with the common spellings (graphemes) for the five major vowels.
  • CCSS.ELA-LITERACY.RF.K.3.D — Distinguish between similarly spelled words by identifying the sounds of the letters that differ.
  • CCSS.ELA-LITERACY.RF.K.2.E — Add or substitute individual sounds (phonemes) in simple, one-syllable words to make new words.
  • CCSS.ELA-LITERACY.RF.1.3.B — Decode regularly spelled one-syllable words.

In Grumpy Goblins, students learn sound-spelling correspondences for consonant digraphs and vowel teams by listening to a sound from a goblin and feeding it the piece of toast with the corresponding letter or combination.

Skills
Phonics – Letter Combinations

  • Sound-spelling correspondences for consonant digraphs and vowel teams

Standards Covered

  • CCSS.ELA-LITERACY.RF.K.3.B — Associate the long and short sounds with the common spellings (graphemes) for the five major vowels.
  • CCSS.ELA-LITERACY.RF.1.3.A — Know the spelling-sound correspondences for common consonant digraphs.
  • CCSS.ELA-LITERACY.RF.2.3.B — Know spelling-sound correspondences for additional common vowel teams.

In Hangry Goblins, students practice letter-sound combinations by feeding individual letter sounds, consonant digraphs, blends, and vowel teams to goblins that become more and more “hangry” until they are given the letters that match their demands.

Skills
Phonics – Letter Sound Correspondence

  • Sound-spelling correspondences for individual letters and letter combinations

Standards covered

  • CCSS.ELA-LITERACY.RF.K.3.A — Demonstrate basic knowledge of one-to-one letter-sound correspondences by producing the primary sound or many of the most frequent sounds for each consonant.
  • CCSS.ELA-LITERACY.RF.K.3.B — Associate the long and short sounds with the common spellings (graphemes) for the five major vowels.
  • CCSS.ELA-LITERACY.RF.1.3.A — Know the spelling-sound correspondences for common consonant digraphs.
  • CCSS.ELA-LITERACY.RF.2.3.B — Know spelling-sound correspondences for additional common vowel teams.

In Picky Goblins, students practice sound-spelling correspondences for individual letters by listening to a sound from a goblin and feeding it the piece of toast with the corresponding.

Skills
Phonics – Letter-Sound Correspondence

  • Sound-Spelling Correspondences for single letters

Standards Covered

  • CCSS.ELA-LITERACY.RF.K.3.A — Demonstrate basic knowledge of one-to-one letter-sound correspondences by producing the primary sound or many of the most frequent sounds for each consonant.
  • CCSS.ELA-LITERACY.RF.K.3.B — Associate the long and short sounds with the common spellings (graphemes) for the five major vowels.

In Read All About It, students practice reading sentences with words that include the sound-spelling correspondences, word features (e.g., prefixes/suffixes), and phonics rules (e.g., vowel consonant long e, syllable patterns) they learned and practiced in other games.

Skills
Phonics – Early Decoding; Advanced Decoding

  • Read grade level text accurately

Standards Covered

  • CCSS.ELA-LITERACY.RF.K.3 — Know and apply grade-level phonics and word analysis skills in decoding words.
  • CCSS.ELA-LITERACY.RF.K.4 — Read emergent-reader texts with purpose and understanding.
  • CCSS.ELA-LITERACY.RF.1.3 — Know and apply grade-level phonics and word analysis skills in decoding words.
  • CCSS.ELA-LITERACY.RF.1.4 — Read with sufficient accuracy and fluency to support comprehension.
  • CCSS.ELA-LITERACY.RF.2.3 — Know and apply grade-level phonics and word analysis skills in decoding words.
  • CCSS.ELA-LITERACY.RF.2.4 — Read with sufficient accuracy and fluency to support comprehension.

In Rhyme Time, students practice with different rime families (words that end with the same sounds and rhyme) and decode words in these families by swapping the first letter sounds of words while the ending sounds remain constant.

Skills
Phonics – Early Decoding

  • Decode words with common rime families

Standards Covered

  • CCSS.ELA-LITERACY.RF.K.3.A — Demonstrate basic knowledge of one-to-one letter-sound correspondences by producing the primary sound or many of the most frequent sounds for each consonant.
  • CCSS.ELA-LITERACY.RF.K.3.B — Associate the long and short sounds with the common spellings (graphemes) for the five major vowels.
  • CCSS.ELA-LITERACY.RF.K.3.D — Distinguish between similarly spelled words by identifying the sounds of the letters that differ.
  • CCSS.ELA-LITERACY.RF.K.2.E — Add or substitute individual sounds (phonemes) in simple, one-syllable words to make new words.
  • CCSS.ELA-LITERACY.RF.1.3.B — Decode regularly spelled one-syllable words.

In Tongue Twist, students practice with different rime families (words that end with the same sounds and rhyme) and build words by changing the ending sound (rime) while the beginning (onset) sounds, consonant blends, and consonant digraphs remain constant.

Skills
Phonics – Early Decoding

  • Decode words with common rime families

Standards covered

  • CCSS.ELA-LITERACY.RF.K.3.A — Demonstrate basic knowledge of one-to-one letter-sound correspondences by producing the primary sound or many of the most frequent sounds for each consonant.
  • CCSS.ELA-LITERACY.RF.K.3.B — Associate the long and short sounds with the common spellings (graphemes) for the five major vowels.
  • CCSS.ELA-LITERACY.RF.K.3.D — Distinguish between similarly spelled words by identifying the sounds of the letters that differ.
  • CCSS.ELA-LITERACY.RF.K.2.E — Add or substitute individual sounds (phonemes) in simple, one-syllable words to make new words.
  • CCSS.ELA-LITERACY.RF.1.3.B — Decode regularly spelled one-syllable words.

In Word City, students identify and manipulate beginning, middle, and ending letter sounds to assemble word chains that form buildings.

Skills
Phonics – Early Decoding

  • Letter-sound correspondence
  • Decoding and spelling regular words

Standards Covered

  • CCSS.ELA-LITERACYRF.K.3.A — Demonstrate basic knowledge of one-to-one letter-sound correspondences by producing the primary sound or many of the most frequent sounds for each consonant.
  • CCSS.ELA-LITERACYRF.1.3.A — Know the spelling-sound correspondences for common consonant digraphs.
  • CCSS.ELA-LITERACYRF.1.3.B — Decode regularly spelled one-syllable words.
  • CCSS.ELA-LITERACYRF.1.3.C — Know final -e and common vowel team conventions for representing long vowel sounds.
  • CCSS.ELA-LITERACYRF.2.3.B — Know spelling-sound correspondences for additional common vowel teams.

Microcomprehension Games in Amplify Reading: K–2

In Because This, That, students learn how common text structures give clues to meaning by rearranging sentences to identify cause and effect or problem and solution.

Skills
Microcomprehension

  • Text Structure: Organize sentences using sequence/chronological order

Standards covered

  • CCSS.ELA-LITERACY.RI.1.3 — Describe the connection between two individuals, events, ideas, or pieces of information in a text.
  • CCSS.ELA-LITERACY.RI.1.8 — Identify the reasons an author gives to support points in a text.
  • CCSS.ELA-LITERACY.RI.2.3 — Describe the connection between a series of historical events, scientific ideas or concepts, or steps in technical procedures in a text.
  • CCSS.ELA-LITERACY.RI.2.8 — Describe how reasons support specific points the author makes in a text.

In Connect It!, students practice using different types of conjunctions (temporal and causal, for example) to combine two clauses into a coherent sentence.

Skills
Microcomprehension

  • Syntactic awareness – connectives

Standards covered

  • CCSS.ELA-LITERACY.L.2.3 — Use knowledge of language and its conventions when writing, speaking, reading, or listening.

In Message in a Bottle, students build their awareness of syntax and the impact word order has on meaning by unscrambling scraps of lost messages to reconstruct sentences.

Skills
Microcomprehension

  • Syntactic awareness

Standards covered

  • CCSS.ELA-LITERACY.L.1.1 — Demonstrate command of the conventions of standard English grammar and usage when writing or speaking.
  • CCSS.ELA-LITERACY.L.2.1 — Demonstrate command of the conventions of standard English grammar and usage when writing or speaking.

In Mind the Gap, comprehension levels are assessed through a modified cloze exercise in which students make selections to fill in the blanks of a text where approximately every seventh word has been omitted.

Skills
Microcomprehension

  • Reading fluency
  • Syntactic awareness
  • Inference
  • Comprehension monitoring

Standards covered

  • CCSS.ELA-LITERACY.CCRA.R.1 — Read closely to determine what the text says explicitly and to make logical inferences from it; cite specific textual evidence when writing or speaking to support conclusions drawn from the text.
  • CCSS.ELA-LITERACY.CCRA.R.10 — Read and comprehend complex literary and informational texts independently and proficiently.

In Show Off, students learn how common text structures give clues to meaning, using cues from illustrations to rearrange sentences in the correct sequential or chronological order.
Skills
Microcomprehension

  • Text structure: Organize sentences using problem/solution and cause/effect

Standards covered

  • CCSS.ELA-LITERACY.RI.1.3 — Describe the connection between two individuals, events, ideas, or pieces of information in a text.
  • CCSS.ELA-LITERACY.RI.1.8 — Identify the reasons an author gives to support points in a text.
  • CCSS.ELA-LITERACY.RI.2.3 — Describe the connection between a series of historical events, scientific ideas or concepts, or steps in technical procedures in a text.
  • CCSS.ELA-LITERACY.RI.2.8 — Describe how reasons support specific points the author makes in a text.knowledge of one-to-one letter-sound correspondences by producing the primary sound or many of the most frequent sounds for each consonant.

In Sloppy Scrolls, students practice the art of comprehension monitoring, or ensuring that they continually build and check a mental model of what they read. In the game, students are introduced to a world of enchanted scrolls that have lost their magic: they contain inconsistencies, and no longer make sense. The students must attempt to identify the inconsistencies by tapping the sentences that don’t match the rest of the passage. To increase the challenge of the game, some of the passages are presented without errors.

Skills
Microcomprehension

  • Comprehension Monitoring

Standards Covered

  • CCSS.ELA-LITERACY.RL.2.10 — By the end of the year, read and comprehend literature, including stories and poetry, in the grades 2-3 text complexity band proficiently, with scaffolding as needed at the high end of the range.

In Storyboard, students practice making inferences by completing a storyboard that integrates relevant background knowledge missing from a given sentence.

Skills
Microcomprehension

  • Inference

Standards covered

  • CCSS.ELA-LITERACY.RL.K.1 — With prompting and support, ask and answer questions about key details in a text.
  • CCSS.ELA-LITERACY.RI.K.1 — With prompting and support, ask and answer questions about key details in a text.
  • CCSS.ELA-LITERACY.RL.1.1 — Ask and answer questions about key details in a text.
  • CCSS.ELA-LITERACY.RI.1.1 — Ask and answer questions about key details in a text.

In Super Match, students work on developing cognitive flexibility, or the ability to track multiple elements simultaneously, by completing interactive puzzles that associate pictures and words across multiple dimensions (e.g., color and category, or starting sounds and category).

Skills
Microcomprehension

  • Cognitive flexibility

Standards covered

  • CCSS.ELA-LITERACY.L.1.5.A — Sort words into categories (e.g., colors, clothing) to gain a sense of the concepts the categories represent.
  • CCSS.ELA-LITERACY.L.1.5.B — Define words by category and by one or more key attributes (e.g., a duck is a bird that swims; a tiger is a large cat with stripes).
  • CCSS.ELA-LITERACY.RF.1.3 — Know and apply grade-level phonics and word analysis skills in decoding words.

In Unmask That, students build their understanding of anaphora, a tool authors use to avoid repetition, by linking pronouns to their antecedents in text.

Skills
Microcomprehension

  • Syntactic awareness – anaphora

Standards covered

  • CCSS.ELA-LITERACY.L.1.1 — Demonstrate command of the conventions of standard English grammar and usage when writing or speaking.
  • CCSS.ELA-LITERACY.L.2.1 — Demonstrate command of the conventions of standard English grammar and usage when writing or speaking.

Comprehension Games in Amplify Reading: K–2

In Best Buddy, students examine character traits to determine which school club provides the best fit for their fictional friends.

Skills
Comprehension – Key Ideas and Details

  • Character Traits

Standards Covered

  • CCSS.ELA-LITERACY.RL.1.3 — Describe characters, settings, and major events in a story, using key details.
  • CCSS.ELA-LITERACY.RL.2.3 — Describe how characters in a story respond to major events and challenges.

In Book Club, students compare and contrast two books on the same topic or theme to determine which book best meets the needs of a character in the game.

Skills
Comprehension – Integration of Knowledge and Ideas

  • Compare and Contrast Texts

Standards covered

  • CCSS.ELA-LITERACY.RI.1.9 — Identify basic similarities in and differences between two texts on the same topic (e.g., in illustrations, descriptions, or procedures).
  • CCSS.ELA-LITERACY.Rl.2.9 — Compare and contrast the most important points presented by two texts on the same topic.
  • CCSS.ELA-LITERACY.RL.2.9 — Compare and contrast two or more versions of the same story (e.g., Cinderella stories) by different authors or from different cultures.

In Debate-a-Ball, students practice identifying the best evidence to support a claim. Students pick an animal avatar to compete with an automated opponent in debates on familiar topics. To win, students must put forward the best evidence to support each claim more frequently than their opponents. They are taught to identify evidence that is factual and strongly related to the claim.

Skills
Comprehension – Integration of Knowledge and Ideas

  • Evaluate evidence

Standards covered

  • CSS.ELA-LITERACY.RI.2.8 — Describe how reasons support specific points the author makes in a text.

In Picture This, students complete the illustrations for a story by identifying words that describe its setting, characters, problems, and solutions.

Skills
Comprehension – Key Ideas and Details

  • Story Elements/Plot

Standards covered

  • CCSS.ELA-LITERACY.RL.1.1 — Ask and answer questions about key details in a text.
  • CCSS.ELA-LITERACY.RL.1.3 — Describe characters, settings, and major events in a story, using key details.
  • CCSS.ELA-LITERACY.RL.2.1 — Ask and answer such questions as who, what, where, when, why, and how to demonstrate understanding of key details in a text.
  • CCSS.ELA-LITERACY.RL.2.3 — Describe how characters in a story respond to major events and challenges.

In Storybox, students choose settings, situations, and solutions to send characters on different adventures, using details and context to help them resolve problems and complete the story.

Skills
Comprehension – Key Ideas and Details

  • Story Elements/Plot

Standards covered

  • CCSS.ELA-LITERACY.RL.K.3 — With prompting and support, identify characters, settings, and major events in a story.

In Tube Tales, students learn the attributes of different genres and practice identifying them in brief texts.

Skills
Comprehension – Craft and Structure

  • Text schema

Standards covered

  • CCSS.ELA-LITERACY.RL.2.10 — By the end of the year, read and comprehend literature, including stories and poetry, in the grades 2-3 text complexity band proficiently, with scaffolding as needed at the high end of the range.
  • CCSS.ELA-LITERACY.RI.2.5 — Know and use various text features (e.g., captions, bold print, subheadings, glossaries, indexes, electronic menus, icons) to locate key facts or information in a text efficiently.
  • CCSS.ELA-LITERACY.RI.2.10 — By the end of year, read and comprehend informational texts, including history/social studies, science, and technical texts, in the grades 2-3 text complexity band proficiently, with scaffolding as needed at the high end of the range.

In What’s the Big Idea, students examine pictures, picture sequences, and short passages to practice differentiating the main idea from story details.

Skills
Comprehension – Key Ideas and Details

  • Main idea

Standards covered

  • CCSS.ELA-LITERACY.RI.K.2 — With prompting and support, identify the main topic and retell key details of a text.
  • CCSS.ELA-LITERACY.RI.1.2 — Identify the main topic and retell key details of a text.
  • CCSS.ELA-LITERACY.RI.2.2 — Identify the main topic of a multiparagraph text as well as the focus of specific paragraphs within the text.

Vocabulary Games in Amplify Reading: K–2

In Punchline!, students learn how words can have multiple meanings by channeling their inner comedian to crack homonym-based jokes.

Skills
Vocabulary

  • Multiple-meaning words

Standards covered

  • CCSS.ELA-LITERACY.L.2.4.A — Use sentence-level context as a clue to the meaning of a word or phrase.

In Shades of Meaning, students differentiate the nuances in similar words — first by ordering them from weakest to strongest, largest to smallest, or least to greatest; then by putting them into sentences that further clarify their meaning.

Skills
Vocabulary

  • Shades of meaning

Standards covered

  • CCSS.ELA-LITERACY.L.1.5.D — Distinguish shades of meaning among verbs differing in manner (e.g., look, peek, glance, stare, glare, scowl) and adjectives differing in intensity (e.g., large, gigantic) by defining or choosing them or by acting out the meanings.
  • CCSS.ELA-LITERACY.L.2.5.B — Distinguish shades of meaning among closely related verbs (e.g., toss, throw, hurl) and closely related adjectives (e.g., thin, slender, skinny, scrawny).

Amplify Reading: K–2’s Integrated eReader

eReader Overview

Amplify Reading: K–2 has a new library of over 25 fiction and non-fiction ebooks and an adaptive algorithm that unlocks each book at the exact right point in a reader’s development. Moreover, they contain familiar interactions from the games so that students move seamlessly from text-embedded-in-games to games-embedded-in-text, maximizing their sense of growing competency.

The eReader also provides optional supports for its readers. From the settings icon on the title page of each book, students can turn on sentence numbering, read aloud functionality, and reveal words, as well as adjust the text size.

Student Experience
When students are ready for a text, it will appear as one of their quest steps.

When readers first unlock a new book, they read through it without interruption (with read-aloud support if appropriate).

In the second read, students discover embedded activities that repeat the familiar iconography of a game they previously mastered.

At the end of the book, additional activities evaluate students’ comprehension.

Achievements in books are part of the same overall reward system: helping your Curioso grow, just like achievement in skill-building games. Mastery of the content is reflected in the teacher dashboard within the given skill.

How teachers are using Amplify Reading

Independent study/rotation stations
Amplify Reading is a personalized, differentiated program designed to keep students engaged and on task in independent study. The program is most effective when used for a minimum of 45 minutes per week.

Other common uses
We designed the program to be flexible enough to fit any classroom model. Amplify Reading is browser-based, so it works on Chromebooks, iPads, laptops, desktops, and even iPhones. It can also be used at home to extend learning beyond the classroom.

A teacher assists two students working at a table with a laptop and books, surrounded by colorful illustrations of a cyclist, a bird, and a dinosaur.

Join us for an Oklahoma Amplify Science workshop

These fun and informative workshops will give you a sneak peak into Amplify Science for grades K-8. Enjoy dinner with your colleagues and Amplify Science team, preview the program, walk away with free samples, and maybe even a door prize!

Space is limited—register today!

In-person workshops

Agenda

4:00 p.m. Registration
4:30 p.m. Workshop
5:30 p.m. Dinner and door prizes

Tuesday, September 29

Stride Bank Center
301 S. Independence Street
Enid, OK 73701

Wednesday, September 30

Hampton Inn & Suites Stillwater West
615 S. Country Club Road
Stillwater, OK 74074

Thursday, October 1

Science Museum

2020 Remington Place

Oklahoma City, OK 73111

Tuesday, October 20

Oklahoma Aquarium

300 Aquarium Drive

Jenks, OK 74037

Thursday, October 22

Sam Noble Museum 

University of Oklahoma

2401 Chautauqua Avenue

Norman, OK 73072

Virtual workshops

Agenda 

4:00 p.m. Workshop begins
4:45 p.m. Q&A
5:00 p.m. Dinner gift card and door prizes

Wednesday, October 21

4:00 p.m. CDT

Tuesday, October 27

4:00 p.m. CDT

Wednesday, October 28

4:00 p.m. CDT

Thursday, October 29

4:00 p.m. CDT

Submit the form to register for an event!

The fine print

While we’ve made every effort to ensure that this invitation is consistent with the gift and ethics rules adopted by most jurisdictions, we recognize that many public officials are subject to rules that do not permit acceptance of this offer or require approval of other officials at your agency. If you do plan to attend our event, please ensure that acceptance of our invitation is fully compliant with your local rules regarding travel, lodging, and meals for events with vendors. Please let us know if we can provide any additional information to support your determination.

S5-01. Investigating math anxiety in the classroom

A blue graphic with text reading "Math Teacher Lounge" in multicolored letters and "Amplify." at the bottom, with abstract geometric shapes and lines as decoration.

Season 5 is here! This season, we’ll be talking all about math anxiety: what it is, what causes it, and what we can do to prevent or ease this anxiety in the math classroom. To launch this very important theme, we sat down with Dr. Gerardo Ramirez, associate professor of educational psychology at Ball State University.
 
As someone who’s been studying math anxiety for more than a decade, he had some interesting research and advice to share on why math anxiety affects so many students (and adults), and tips for how to start reducing it.
 
Listen now and don’t forget to grab your MTL study guide to track your learning and make the most of this episode!
 
Enjoy this episode and explore more from Math Teacher Lounge by visiting our main page.

Download Transcript

Dan Meyer (00:01):
Hey, folks. Welcome back to Math Teacher Lounge. I’m one of your hosts, Dan Meyer.

Bethany Lockhart Johnson (00:05):
And I am your other host. I’m Bethany Lockhart Johnson. Season five! Hello!

Dan Meyer (00:11):
Bethany, how are you doing? How have you been spending the long break between our recording sessions?

Bethany Lockhart Johnson (00:16):
As much as I loved sharing content from previous seasons, I am so thrilled that we’re back for season five. I have been, you know, chasing a toddler. I think he’s already tired of me saying, “Ooh, can we count that?” He’s like [sighs] “One two, one two.” Like, he’s done already.

Dan Meyer (00:36):
Too much counting. Yeah, I worry about that so much, that my love of mathematics might be perceived by my kids as smothering. Yeah, I worry about the same. We shared with you folks some bangers of reruns, in my humble opinion. Some great guests. But, we’ve been excited—me and Bethany—to hop back on the mics, on the ones and twos, and explore some new ideas together.

Bethany Lockhart Johnson (01:01):
Well, I loved our season talking about joy in mathematics. And personally I could…like, we could turn this whole podcast into joy in mathematics. However, we’re kind of going a different route. Because if you ask folks why they don’t feel joy in mathematics, a lot of times at the root of that is some really intense math anxiety. So this whole season, we’re going to be delving into math anxiety. Exploring what it is, who has it, why do we think it happens, what do we think we can do about it, and how can we navigate through it, so that we can experience that joy in math? These are questions that we’re gonna explore over the course of the season. Dan Meyer, how do you feel about that?

Dan Meyer (01:49):
It feels big and it feels personal. I mean, as we shared in our math stories back from season…whatever it was, math anxiety was a huge part.

Bethany Lockhart Johnson (01:59):
It was last season, Dan.

Dan Meyer (02:00):
Last…? I mean, who can remember? Big part of your journey. I’ve had some very punctuated but intense moments of anxiety in math class. And socially, we have built math up to be this incredibly powerful thing. You know, restricting movement on economic ladders, preventing people from getting into careers they want. Whether or not they have much to do with math class, math anxiety is a really large part of educational but also social life. And yeah, I’m really excited to explore it with you. We’re bringing on some really excellent guests. Some researchers, yes. But not just researchers! Also people who practice in the field and know firsthand what it looks like to resolve issues of anxiety with students.

Bethany Lockhart Johnson (02:45):
Yeah, you’re right, Dan. My math story contained quite a bit of math anxiety, so I am particularly invested in this season. I mean, I still navigate math anxiety. And, you know, many of us do, and let’s talk about it. And let’s—I love that you reminded me. We’re gonna have a lot of great researchers all throughout the season, and a lot of times folks feel like the research happening, there’s sometimes a gap between researchers and what’s actually happening in the classroom. Not in all cases, but a lot of times. Right? And I remember a lot of conversation about the latest research when I was in grad school, but unless you’re actively studying something, sometimes we don’t know what’s happening. Right? We’re really focused on what’s happening right in front of us in our classroom. So let’s take some of that research; let’s break it down; let’s talk to some of the folks who are thinking about this for the bulk of their day, right?

Dan Meyer (03:41):
Yep. So we got our first guest coming up in a moment here.

Bethany Lockhart Johnson (03:45):
So to kick off this season, we’re starting episode one by talking to Dr. Gerardo Ramirez, Associate Professor of Educational Psychology at Ball State University. And he’s been researching math anxiety for more than a decade. He’s worked with so many amazing folks in the field. He’s worked with students, he’s worked with teachers, with educators…I’m just so excited to talk to him. If you look up math anxiety, you see his name as one of the folks who is really thinking about this at so many different angles, and we get to talk to him. So enjoy our conversation with Dr. Gerardo Ramirez.

Dan Meyer (04:29):
We are so excited to have Dr. Gerardo Ramirez on the show with us. Dr. Ramirez is an Associate Professor of Educational Psychology at Ball State University. Thanks so much for joining us.

Dr. Gerardo Ramirez (04:40):
Yeah, thank you for inviting me to talk about math anxiety.

Bethany Lockhart Johnson (04:43):
So with your interview, Dr. Ramirez, we are actually launching the season. We’re gonna be talking about all different aspects of math anxiety, and it feels pretty perfect that you are first guest of the season, because of the sheer breadth of research and conversations you’ve had about math anxiety. Could you start us off kind of telling us a story of how did you get interested in studying math anxiety? Or why, you know, why did you dive into this topic that, you know, I think a lot of folks might…like, if you’re on a plane, and you say, “Oh, I study math anxiety,” what kind of reaction are you gonna get?

Dr. Gerardo Ramirez (05:24):
Oh, sure. Yeah. I think most people are actually very interested because they all have their own story about feeling anxious about math, or just being anxious about evaluation situations that involve math. And, yeah, they wanna share those stories. People feel quite comfortable talking about their anxiety about math, for some reason. But for me, I started off, when I was in undergrad, I was studying to take the GRE quiz. I was hoping to go into a psych program. But I wasn’t exactly sure what direction yet. As I took some of the practice tests, there’s some situations in which I was very nervous about taking the practice test. And I just noticed that I did really poorly on some of these exams. And so I became very interested in issues like choking under pressure, which means when you underperform relative to what you expected to perform. And so, as I was researching these issues, I started to come across this whole field of math anxiety. And I saw that while there are some people who choke under pressure during tests, there are other people who just have a strong general fear of mathematics.

Dan Meyer (06:29):
That’s really helpful. I can imagine you’re doing a lot of free psychology sessions, free therapy for people on airplanes when they bring to you their own stories of math. So let’s thank you for your service in that sense. I’m super-curious. So Bethany and I have both taught math. We both have seen firsthand what it looks like when a student is anxious in math class, though maybe we don’t have kind of the clinical language to describe it. And I’m curious, from a clinical sense, how do we define math anxiety?

Dr. Gerardo Ramirez (06:57):
Sure. So first off, math anxiety is not something that you would find in the DSM, for instance. But we generally define that as a fear or apprehension to situations that involve math. So it doesn’t have to necessarily be educational situations. It could be someone asks you a math-related question during a party, or you have to calculate the tip at a restaurant, for instance. It doesn’t have to be about schooling situations, although that’s obviously where it seems to matter a lot for many people. So it is basically a fear or apprehension to situations that involve math. And I think distinguishing the term “fear” from “anxiety” is really important here. A lot of times people use those terms interchangeably, and the term “fear” is obviously within our definition of math anxiety. But oftentimes what differentiates anxiety from fear is that, anxiety is—think of it like a recipe. Anxiety is fear plus a little bit of unknown. OK? So if, for instance, if you hated snakes, and they threw a snake at you, you’d be in intense fear. Whereas if you hated snakes and they said, “There is a snake in the room, but I’m not gonna tell you where,” that’s gonna cause anxiety. And so the reason why we call it math anxiety is because a lot of times people experience this fear for a possible unknown future that involves math or possible unknown evaluations that people might have about your competence, because of math. And so for a lot of kids, they feel anxious about how they’re gonna do on a test or whether they’re gonna be able to pass a class or whether they’ll be able to understand what you’re saying in your lessons, for instance. And so the anxiety component really gets at fear of something that’s unknown, but related to mathematics situations.

Dan Meyer (08:47):
Math is somewhere in the ceiling right now. Perhaps I might be surprised with a math situation!

Dr. Gerardo Ramirez (08:52):
Yeah. yep.

Dan Meyer (08:52):
So I have this tendency to assume that every other subject that we teach has it better and easier than math does. It’s not true. I know this is not true. But I’m kind of curious here. Is math anxiety, like, part of a general just set of anxiety around schooling itself? Like, is there a reading anxiety, a writing anxiety, and does that all just flow from the same kind of fount of anxiety around schooling or situations about learning? And what makes math special in this regard? If it is its own special anxiety, for instance?

Dr. Gerardo Ramirez (09:27):
There are different…so some people obviously suffer from generalized anxiety. Right? And so they would, you know, feel anxious both for evaluative and non-evaluative situations. But in the research that we’ve done and that other people have done, there are differences between things like reading anxiety, math anxiety; I’ve also studied spatial and creativity anxiety. A lot of times what we’re trying to do in these studies is we measure all of the above, and we try to show that, look, math anxiety predicts math situations above and beyond these other things. So yeah, we definitely distinguish those things. And so what’s special about math is that, well, I think the symbolic nature is a big part of it. The abstract symbolic nature is just not as tangible to students. They can’t touch it. And so it doesn’t allow ’em to use their full cognitive faculties to play with it, as you might see, for instance, in science. Or it doesn’t allow people to relate math to their own interests the way you might see, for instance, in English. So maybe I hate reading novels, but I’m interested in zombies and you give me a book on zombies, well, ok, great, you’ve connected my personal assets to the topic. Whereas with math, either that’s harder to do or instructors don’t do such a good job of setting that connection up.

Bethany Lockhart Johnson (10:46):
Also, I think, you know, I’ve heard of students being really anxious, let’s say, during a reading session, when teachers used to do—hopefully they’re still not doing it—the popcorn reading, where you just randomly call on a student to read out a sentence. Right? But you don’t really hear students or adults talking about, “Oh, no, no, no, I don’t read; I don’t mess with reading.” You know? Whereas with math, you do hear, “Oh, I’m not a math person. Oh no, no, no, don’t ask me any math questions.” And that is such a distinction.

Dr. Gerardo Ramirez (11:18):
Yeah. And I think a lot of that’s because it’s just so common. As an adult, to be nervous about reading is kind of an uncommon thing. So people feel a stigma around admitting that. But math is something that everyone feels like they’re inadequate in. And so there’s a lot of comfort in telling you how they’re just one of the many people who don’t like math. And that, you know, can have a lot of different consequences and outcomes. I think on the one hand, I think for a lot of kids it becomes a normalized message that if you fear math, that’s OK, join the club. Right? But we have to be careful about that, ’cause a lot of math anxiety researchers will oftentimes say, part of what leads to math anxiety is adults normalizing that it’s OK to be scared of math. So I think a lot of times adults, teachers, for instance, math teachers, they’ll tell kids, “You know, if you’re scared, that’s OK.” And so a lot of the math anxiety community says, “No, no, no, you’re not supposed to do that.” But my recent view is different. I view that as a form of validation. Because math is hard. And so telling kids, “Hey, look, it’s actually easy if you just try,” I don’t think that’s true. It’s actually just hard. And I think even if it was easy, to the kid, it feels hard! And I think something that’s not really well-studied right now in our field is the value of validating people’s math negative math experiences. We don’t want to validate that, ’cause we think that we’re gonna reinforce that. But actually, I think the opposite. I think when you validate people’s negative math experiences, it helps ’em to feel that they can handle it. They can start to take control over their own emotions.

Bethany Lockhart Johnson (12:52):
I love that. And I, I actually, I think that’s so powerful, what you’re talking about, that validation. I taught kindergarten, and I vividly remember being in a parent-teacher conference and that parent saying, “Oh, I wasn’t a math person either,” right? Or, you know, their language and their experience with their own math schooling, their anxiety about math was actually impacting their students’ experience of math. Or the conversation that, when I would go to talk about a math assessment, let’s say, you could see the parent actually tensing up. And there was this moment of validation, that I felt like we needed to make space for that in the conversation with the parents, right?

Dr. Gerardo Ramirez (13:38):
Yeah.

Bethany Lockhart Johnson (13:38):
Like, this is a real thing. And we are working on teaching students that math is something that gets to—your experience with math gets to look all sorts of different ways. And it’s OK if we, you know, make a mistake, or if we kind of only get this part, but we’ve really got that part. Or let’s talk about it; let’s write about it. So I really feel like that that validation is something that’s so missing. And instead of the validation, like you said, you see folks being like, “Oh yeah, me neither. I’m not a math person either.” Right?

Dr. Gerardo Ramirez (14:10):
Yeah. I think…part of the reason why people are comfortable sharing this because they’re looking for validation also. When they say, “Oh, I’m not a math person,” you know, I think they’re hoping that, you’ll say like, “Yeah, me neither,” or “Of course not, ’cause math is terrible.” Right? They’re looking for validation, not to reinforce their perspective, but to feel that it’s OK not to be a math person. And I think that’s one of the techniques that I’m trying to work on in my research right now, is to provide evidence that actually people will work harder when you validate their math experience. You don’t have to tell them a positive story per se. If your current story is “Math is hard and I’m very, very anxious; I’m scared,” then we can just validate that and help you work through that. And it actually will strengthen our relationships. Because if you’re a student and you’re struggling with math and I tell you, “Yeah, it’s hard; it’s OK to struggle with math,” that makes you feel seen. And that’s gonna lead you to want to ask me more for help, because I’m someone who understands you. And that’s a great, you know, remediation opportunity.

Dan Meyer (15:14):
A common thread that I think I’m seeing here in several answers is that math sometimes asks students to disassociate part of themselves. Where success in math oftentimes means working from an a level of abstraction with symbols, like you said, that can feel alien. Like, who am I here? And in the same way, I love that you’re proposing we validate and reassociate people with a very deeply felt part of themselves that is anxious about mathematics.

Dr. Gerardo Ramirez (15:44):
Yeah. I mean, I think that’s what validation’s supposed to do, right? So a lot of us, when we feel these strong emotions, we wonder, “Is this even a real thing? Are other people feeling this? Is there something wrong with me?” So we feel the emotions, but we can’t actually deal with them, because we wonder if they’re legitimate. And so when someone says, like, “Yeah, this is hard,” it crystallizes that emotion. And once something is made real, you can actually choose how you want to deal with it. Some kids are gonna deal with it by staying anxious. But some people are gonna choose to deal with it by saying, “Well, there’s nothing I can do about it now; I have to take this math test, so I’m just gonna think positive.” And that’s great. If the kid can end up saying that to themselves, that’s much more effective than me telling the kid, “Hey, you just gotta think positive. You’re gonna start the test anyway.” And so we want the kid to make meaning of their experience, and the way we do that is by crystallizing their emotions through validation.

Dan Meyer (16:36):
Yeah. I love that. And so what you’re proposing there, I think, sounds like, a solution, like a post-talk solution after students are feeling anxiety.

Dr. Gerardo Ramirez (16:43):
Yes.

Dan Meyer (16:43):
To validate and empathize.

Dr. Gerardo Ramirez (16:45):
Yes.

Dan Meyer (16:45):
And over the course of our season, we hope to explore a lot about solutions to math anxiety that are preventative, that reduce the odds of anxiety arising, through instruction and curriculum, before it arises. And I’m just wondering if you’ve seen anything that would hint at either specific or general words of wisdom you wanna share with the educators, about not just addressing it after the fact, but preventing math anxiety before it arises?

Dr. Gerardo Ramirez (17:14):
To be honest, at this point, I haven’t seen enough evidence for me to recommend anything concretely as an intervention for math anxiety, or an intervention to prevent its development. All I can really do here is rely a lot on the more broad cognitive-behavioral research on anxiety, which says that one of the ways we prevent people from developing anxiety is by helping them to make more positive appraisals of challenge situations. So a lot of times, when kids are challenged, they don’t know how to interpret that. “What does it mean that I’m struggling with this thing?” And so that’s where I think a lot of teachers can help students’ interpretations of that. ‘Cause if you leave kids to their own devices, they’re gonna think, “I’m struggling because I’m stupid. I’m struggling because I’m not good enough. I’m struggling because my dad is right; I’m gonna be a failure.” You know? They’re going to impose an interpretation to a challenge situation regardless. And so, as teachers, one thing we can do is we can help shape that interpretation and say, “What does it mean to struggle with math? People will say it means you’re stupid. That’s one interpretation. What’s another one? It means that your brain is working really hard to think through something. That’s another interpretation. What’s better? What do you think is more helpful?” And then, helping students to see how interpretations matter to how you ultimately feel about something. And that’s a very metacognitive way of thinking about things. So yeah, I would say that one way to prevent it is to help students to take more positive interpretations of their experience. But another way, and I think a more successful way, I think, is to give students early experiences where they feel efficacious dealing with math. One of the ways you do that, for instance, is by obviously making sure that the students understand the material—but that’s obvious; people are trying to do that. One of my favorite recommendations is to keep reassigning assignments, the same exact assignment, for, say, three weeks, back-to-back. So if in week one you do the homework assignment, you do OK, you don’t do so great, when week two you do it, you give the exact same assignment, and now the student can see like, “Wow, OK, this was much easier.” And then, week three, you give the exact same assignment; now the kid’s feeling really confident. And the reason why that’s great is because it helps kids to see that they’re growing in confidence. A lot of times kids don’t get to see that because we’re constantly throwing new assessments at them. And so they’re never seeing that growth. All they’re seeing is a new challenge, a new challenge, a new challenge. So I think we need to set up situations where they can feel that they’re growing, when we keep the assessment static. That can be a formative assessment, for instance—doesn’t have to be a summative assessment.

Bethany Lockhart Johnson (19:55):
That feels so powerful and it feels like it really connects to that validation piece, right? We are actually helping to create a culture in our math classroom where we might struggle with something, but we keep revisiting it. And it’s not so much to reach mastery, but as Dr. Megan Franke — we talked to her about this partial understanding and about pulling on those threads of things that you do understand, so that you can build your confidence…build, not just confidence, but build your…I guess, kind of get your footing, right? You’re saying, “Well, I do understand this. I see how this works.” And if I’m revisiting an assignment, I feel like that would give me permission to like, “Hey, I don’t have to have this figured out on the first pass. You know?

Dr. Gerardo Ramirez (20:44):
Yes, yes. Yeah. I mean, I’m gonna give you a silly analogy, but I think it works. You know, a lot of times people will have nightmares, right? And they’ll keep having the same nightmare over and over again, right? And so one reason that we suspect this happens is because they haven’t worked through whatever that nightmare’s supposed to be about. So if, say, I’m scared of driving, I may be having the same dream about driving and crashing over and over. And we keep having these nightmares. And I think math anxiety is kind of like a waking nightmare, where you keep rehashing something because you haven’t had the chance to finally address that dragon. You know? And so if someone was having a lot of fear over driving, then one behavioral approach would be, you know, to work with a therapist to actually get behind the wheel and maybe drive around the same track over and over until you feel comfortable at that, and then the nightmares stop. Well, the same thing is true, I think, about math, math and math anxiety, is that you wanna give people these opportunities to feel confident by going back to that original experience that caused them to feel anxious, and saying, “This one assignment that we did in week three that really freaked you out, let’s try it again now in week five. How was that?” “Yeah, it wasn’t so bad. It was still kind of annoying.” “OK, we’ll we’ll come back to it.” “Now it’s week seven. Now let’s go back to that assignment. How is it now?” “That’s actually…it wasn’t that terrible.” And that gives people the opportunity to reflect on how they’ve grown past that nightmare.

Bethany Lockhart Johnson (22:05):
I have to say, Dan talked about you being like a therapist. I’m like, wait, “How did you know, Dr. Ramirez? I did have this recurring dream! I did! And I had to face it. No, but I had such intense math anxiety in high school and it was debilitating. And the biggest thing for me, I thought I was the only one. I thought there was something wrong with me. I thought, “Why can’t I figure this out?” There wasn’t a conversation about “Here are some tools,” or “Here are some, some, some…”. Like, “This is OK, for you to feel scared about this or overwhelmed!”

Dr. Gerardo Ramirez (22:41):
Mm-hmm. Mm-hmm.

Bethany Lockhart Johnson (22:42):
You know, I think often when we talk about how widespread math anxiety is, I think a lot of folks automatically jump to high schoolers or college students avoiding math courses. But we see this in really young kids.

Dr. Gerardo Ramirez (22:56):
Yeah. So people are…people are just constantly making meaning of themselves, regardless of the age range. And that’s true even with young kids; they are trying to figure out who they are. Right? And so one of the things you see oftentimes with young kids is you ask ’em, “What are you good at?” And they say, “Everything!” And that’s their attempt to, you know, make meaning of themselves. But sometimes they’re not good at everything. Sometimes they actually struggle in math. And I think even early on, they have to make meaning of that. They say, “Well, I’m good at everything except math.” And how do you make sense of that? Well, why not math? “Oh, because math is terrible. It’s not for everybody. You know, it’s not something that I like.” And so, yeah, in a lot of the studies that we did early on, we basically went into these first-grade classrooms with the purpose of trying to assess whether we can actually show variability in kids’ math anxiety, even early on. In other other words, do kids even report feeling anxious about math situations? Or do they tell us that they’re great at everything? And what we found was that in fact, a good chunk of kids are, again, perfectly willing to tell you that “No, certain situations involving math make me very anxious.” Counting or addition, or doing a problem on the board. And the way we do that is by—I think there are probably more sophisticated ways that can be done, but this is the best we have at this point—is we go in there and we ask them, we show them a bunch of smiley faces and anxious faces. And we say, “I want you to tell me how you feel about these different situations that involve math.” And so we say, “If you feel kind of nervous, I want you to point to this face. If you feel very nervous, point to this face.” And we basically will read to them situations. We’ll say, “How would you feel if your teacher asked you to open up your new math textbook and you saw all the numbers inside of it?” And they’ll point to the really nervous face. So right now, those are some of the more reliable assessments for math anxiety among young kids. And that work showed us that even young kids are self-reporting math anxiety.

Dan Meyer (24:51):

Obviously this is worth our study, because we would hope people would not feel anxious in general, and especially if we have a mandated…kids are mandated to be in math classes for their entire childhood. So I see the need for this study, these studies. I’m curious: What are the consequences, though? Like what, what correlates with math anxiety? What are other reasons why we should care about math anxiety and work to remediate it?

Dr. Gerardo Ramirez (25:16):
Oh, sure. So it correlates with their actual math performance. It can correlate when they choose to do homework. Right? So a lot of times, the parents report having to fight with their kids over math homework a lot. And you also oftentimes see a lot of frustration over mathematics specifically. And so it can, you know, not only affect their academic ongoing outcomes, like math tests and math assignments, but it can also affect their relationship with their parents. So if every time you come home, your dad’s screaming at you because you haven’t done your math homework, and when he asks you to solve the problem in front of them, you don’t remember, ’cause you were checked out, ’cause you’re so stressed out, that’s gonna cause a really negative experience. You know, a lot of times people grow up and they still remember their dad screaming at them over the math homework. You know, it’ll affect your relationship with your teacher. So if you’re making me feel incompetent, if you’re stressing me out, you’re not the kind of person I wanna come to for help. So it can predict relational outcomes as well as academic outcomes. And down the line, of course, when it affects students’ opportunities to get into things like AP classes, it affects students standardized test performance and their choice of colleges, as well as scholarship opportunities.

Dan Meyer (26:29):
Once you show that it correlates to performance, then that opens up a whole range of other correlations that are pretty important, it sounds like. Whether that’s career options or, you know, post-secondary education and the like.

Dr. Gerardo Ramirez (26:40):
Yeah. And a lot of times, when people are choosing a career at college, a lot of times students will make a decision specifically based on what career has less math requirements or less math courses. So I think this finding needs to be verified further. But, there’s some studies showing that, for instance, elementary ed teachers, one factor that feeds into the decision to go into elementary ed is the math requirements are very low in elementary ed. So that can…obviously it’s not what we wanna hear, because these are our first formal math teachers, right? For our kids.

Bethany Lockhart Johnson (27:16):
It feels so powerful, the impact that math anxiety can have, not only while you’re in, let’s say, elementary school, high middle school, high school, but then the impacts beyond that in terms of your career. And I shared this last season, when we talked about our personal math story, but I know when I was navigating the deepest part of my math anxiety, I really felt like, maybe this is a reason I can’t be an elementary school teacher. Because I was so worried that I wouldn’t be able…not that I wouldn’t understand the math for fourth grade, fifth grade, but that there was something about my ability to teach it or understand it or develop a love and passion for it that I wouldn’t be able to do. And I really had to reclaim it in my own way. But, you know, something that I think is so powerful about your research is just the applicability — not only to the field of mathematics, but folks’ everyday lives. And the way that you have talked in the past about math being a gatekeeper…I have a family member who, brilliant American Sign Language interpreter. I mean, amazing. Like a dance with her fingers. I could just watch it all day. And she actually didn’t complete the program because she couldn’t complete the math requirements. And I remember talking to her about like, “Well, have you gone to the free tutoring? Have you gone to, you know, this or that?” But it was a paralyzing fear, you know? So Dr. Ramirez, what do you wish educators understood about math anxiety? Or the research about math anxiety? Or maybe even the general public at large, what do you wish folks understood about math anxiety?

Dr. Gerardo Ramirez (28:58):
Oh, I think that a lot of students, they struggle with math. And I think we wanna normalize that struggle as much as possible. We want to create a culture where it’s OK to do math slow; it’s ok to take your time. And I know that’s not possible with a lot of these requirements that a lot of math teachers have to do. But I think if we want to prevent math anxiety, we have to create opportunities to tell better stories. So that’s ultimately what I tell people is, why do people develop math anxiety? Because they had experiences that challenged their competency and they told a negative story. And so making space to reflect in math classrooms about what does it mean to go slow in math, or what does it mean to make mistakes, and then helping kids to tell better stories, I think it’s really the best thing we can do as math educators. ‘Cause you know, your job is not to be a therapist ultimately. You know, there’s only so much math teachers can do. But I think one of the most powerful things we can create is setting up students’ experiences where they feel confident, and they can tell better stories, so they can have better dreams about math.

Dan Meyer (30:06):
Really appreciate this introduction to math anxiety. It’s been a fantastic kickoff to our season. Dr. Ramirez, thank you so much for joining us.

Dr. Gerardo Ramirez (30:14):
Sure. Thank you.

Dan Meyer (30:16):
Thank you folks so much for listening to that conversation with Dr. Gerardo Ramirez, Associate Professor of Educational Psychology at Ball State University.

Bethany Lockhart Johnson (30:25):
Dan, OK, if not for your frantic signaling, I would’ve probably asked another 20 questions. I need to know what you thought .

Dan Meyer (30:34):
I found it interesting at all points. And especially I think I started to understand a little bit better where the anxiety comes from for some students. I got a little bit here, which is that I think math, more than other disciplines, involves alienation. Check that word. You like that? Alienation? I’m into it. I’m feeling it. It’s like…to get good at math, to be successful in math, you gotta, as a kid, lose your attachment to the world you understand. And I mean, “got to” as in like, “you are asked to” — many times, unfortunately, by curriculum and instruction. Which is to say, you’re turning things you can hold onto into numerals. Right? You’re turning the world and its patterns that you can see and touch into Xs and Ys. And I just don’t know that other disciplines deal with that as much. Maybe I’m wrong and just guilty of, you know, “grass is always greener” syndrome here. But I think that’s an experience that kids have in math. And I thought that Dr. Ramirez got at that when he’s talking about the need to validate a student’s experience of anxiety. Like, in treating anxiety, sometimes we alienate people further by just like saying, “Oh, no, no, no, it’s just like, you need to, you know, drill yourself more, practice more,” and kind of invalidate that. So this feeling of alienation, I think permeates a lot of math instruction. I’m looking forward to learning more about that with our future episodes

Bethany Lockhart Johnson (32:00):
Alienation. That’s interesting. I definitely felt, I definitely felt isolated and alone many times in my math journey, when I was having my…you know, in high school, when I was feeling like, “Clearly everyone can look at tan, sign, cosign, and that means something to them.” Right? I think it’s really interesting, because I’m thinking about the other disciplines; I’m running through them, and I’m like, even in science, which can seem abstract, so oftentimes there’s these experiments that accompany these concepts, where you’re like, “Look at this concept made real in front of you.” Right? . And so yeah, that’s really interesting.

Dan Meyer (32:39):
You’re always one step away from blowing something up! Or, you know, dissecting something that’s tangible to you.

Bethany Lockhart Johnson (32:46):
Yeah. That’s really interesting. I did really love how he brought up the abstract. And how, I think, even validating it…he talked so much about validation. Which to me was like, YES. If somebody just said, “Hey, it’s not only possible to have math anxiety, but it also doesn’t mean that you don’t belong here.” If somebody had said that, it would’ve literally changed the trajectory, you know? And I wonder what those conversations could look like in our classrooms, where teachers celebrate that. Like, WHOA, this is a new way to think of this. This is a new way. Asking how many, or what do you notice for this image, through a mathematical lens, or looking…we talked to Alison Hintz and Antony Smith, like mathematizing books, like looking through these lenses — it’s an invitation to step into this other world, right? But there’s not only one way to do it. And I think oftentimes it’s like that anxiety of “Am I gonna say the right thing?” or “Am I gonna notice the right thing?” Right? How do we create that space more, where there’s so many possibilities and we want kiddos to notice what they notice, right?

Dan Meyer (33:54):
You gotta become a certain kind of person to be successful in math class. I feel like is part of the implied deal. Where you’ve gotta—like how you said—say a certain thing or think about a certain thing a certain kind of way. You’re trying to become someone who is not necessarily you. Which I think is fundamentally an experience of alienation, separating you from important parts of yourself.

Bethany Lockhart Johnson (34:19):
I will never, ever dive into mathematics on the scale and level that you have with your PhD. You understand math in a way that my brain just…I won’t get there, right? And yet I’m allowed to call myself a mathematician, with all of my deep dives in elementary math and my love of early numeracy and thinking about how we start thinking about counting and numbers. Right? It’s like, if we make more space for what mathematicians can look like, and what is your personal relationship with math…I mean, that to me feels really exciting. ‘Cause I think we both have something to offer each other.

Dan Meyer (35:03):
I think I have never found early math more interesting than when I talk to early math educators. And learn just like all the different ways that students come to understand a concept that I had thought was simple. Like addition of whole numbers. Whoa! There’s a lot of ways kids do that work, and their brains think those thoughts. And, yeah. That’s a good word there you’re offering us and our listeners.

Bethany Lockhart Johnson (35:27):
Yeah. Yeah. I’m really excited about this season. I think there’s — again, there’s no way we’re gonna cover all facets of math anxiety. But I think having the chance to explore it over the course of a season is going to be really fascinating. And really, I hope, destigmatize it and open up the conversation for our listeners. And, you know, if you listeners…we wanna know what you thought of this episode. Do you have any particular questions? Do you have questions related to math anxiety? Questions related to this episode? We are in development for this season, so we’re gonna do our best to get those questions answered. You can keep in touch with us in our Facebook discussion group, Math Teacher Lounge Community, and on Twitter at MTLshow.

Dan Meyer (36:14):
Next time, we’re gonna go deeper into the causes and consequences of math anxiety.

Dr. Erin Maloney (36:20):
It’s not just the case that people who are bad at math are anxious about it. It’s actually that the anxiety itself can cause you to do worse in math. And that for me is really exciting, ’cause it means that if we can change your mindset, then we can really set you on a path with several more options available to you.

Dan Meyer (36:41):
Til next time folks,

Bethany Lockhart Johnson (36:41):
Bye.

Stay connected!

Join our community and get new episodes every other Tuesday!

We’ll also share new and exciting free resources for your classroom every month.

What Dr. Gerardo Ramirez says about math

“A lot of students struggle with math, and we want to normalize that struggle as much as possible. We have to find opportunities to tell better stories and reflect on our experiences.”

– Dr. Gerardo Ramirez

Associate Professor of Educational Psychology, Ball State University

Meet the guest

Dr. Gerardo Ramirez obtained his Ph.D. from the University of Chicago, where he studied the  role of teachers and parents in shaping the math attitudes of their students, as well as reappraisal techniques to help students cope with anxiety during testing situations.

Dr. Ramirez is currently an associate professor at Ball State, where he examines the role of frustration, empathy, and cultural capital in shaping students’ success and persistence.

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About Math Teacher Lounge

Math Teacher Lounge is a biweekly podcast created specifically for K–12 math educators. In each episode co-hosts Bethany Lockhart Johnson (@lockhartedu) and Dan Meyer (@ddmeyer) chat with guests, taking a deep dive into the math and educational topics you care about.

Join the Math Teacher Lounge Facebook group to continue the conversation, view exclusive content, interact with fellow educators, participate in giveaways, and more!

S4 – 03: LIVE from NCTM with Bethany and Dan

Hosts Bethany and Dan, both smiling, in a promotional image for the "Math Teacher Lounge" podcast, Season 4 Episode 3, titled "Live from NCTM!" with an

In this episode, co-hosts Bethany Lockhart Johnson and Dan Meyer are LIVE with more than one hundred Math Teacher Lounge listeners at the recent National Council of Teachers of Mathematics conference. Listen in as they answer the pressing question: Who is the best teacher in film or television?

Explore more from Math Teacher Lounge by visiting our main page

Download Transcript

Presenter (00:00):
Ladies and gentlemen, from Math Teacher Lounge, we have Bethany Lockhart Johnson and Dan Meyer! <cheering>

Bethany Lockhart Johnson (00:08):
Doesn’t go well that the door was locked. Like, I could not get in! <Laugh>

Dan Meyer (00:12):
Yeah. Gotcha. All right. We’re gonna sit a little bit. Let’s see how that works—

Bethany Lockhart Johnson (00:16):
Hi!

Dan Meyer (00:16):
Yeah. I think we’ll stand up? Or whaddaya think, sit…?

Bethany Lockhart Johnson (00:19):
Should we stand? Hi.

Dan Meyer (00:22):
Hello. Great to see you folks. Yeah, I can hear you.

Bethany Lockhart Johnson (00:25):
Can you hear me? That’s—I know YOU can me. Can you hear me OK? OK! We’re here. Hello. Thank you for like, lining up and coming out and being here. Thank you!

Dan Meyer (00:35):
Means so much to me that you could be here for me, on my show, with Bethany Lockhart Johnson, my co-host. <Audience laughs>

Bethany Lockhart Johnson (00:40):
The hour has just started.

Dan Meyer (00:42):
We’re just getting going. Yeah. If you folks have heard the podcast, you don’t know how much gets cut out. And it’s like, mostly me just having, you know, anxious nerves and saying something silly and then we cut it out and we can’t do that here today. So it should be real fun for all of us, I think. Yeah.

Bethany Lockhart Johnson (00:55):
It’s not true. It’s mostly dancing. “Bethany, can you stop talking? Bethany?” Cause it’s mostly—

Dan Meyer (00:59):
“It’s my turn. It’s my turn! Bethany <laugh>! I haven’t been heard for a while.”

Bethany Lockhart Johnson (01:02):
Dan. We’re at an in-person conference.

Dan Meyer (01:05):
In-person BIG conference, I would say. I’d say a big conference. Yeah.

Bethany Lockhart Johnson (01:08):
And have you been to the Amplify booth?

Dan Meyer (01:11):
I have! Have these people? There’s a claw machine with free socks.

Bethany Lockhart Johnson (01:16):
Yeah. You’re saving me socks, right? That’s what you’re saying. <Laugh> I mean, it’s exciting. How has your conference been so far?

Dan Meyer (01:21):
So far it’s been a blast. I feel fed. I feel like the community’s been awesome. How are you feeling about it?

Bethany Lockhart Johnson (01:29):
OK. Let’s talk about me for just a second.

Dan Meyer (01:31):
Yeah. Talk about you.

Bethany Lockhart Johnson (01:31):
Last night, Dan, was the very first night that I was away from my toddler. <Audience: Aw!>

Dan Meyer (01:38):
Big commitment being here. Thank you.

Bethany Lockhart Johnson (01:40):
I got super-emotional walking back to the hotel after dinner, and then I got in my room, <laugh> I put on pajamas, and I turned on music. I slept so good!

Dan Meyer (01:50):
Yeah. <Audience laughs> Give it up for no kids! <Audience laughs> Hey!

Bethany Lockhart Johnson (01:55):
I love him so much. But I slept all the way through the night. Oh, by the way, I ordered room service in the morning.

Dan Meyer (02:01):
On Amplify.

Bethany Lockhart Johnson (02:01):
That bill’s coming. But it’s been a great conference and I’m so delighted to be here in person and to get to share energy…and hopefully that’s all we’re sharing today. Y’all got your tests, right? Yep. Sharing energy and community today. Because we know it’s been hard. Hardness. Hard.

Dan Meyer (02:25):
Yeah.

Bethany Lockhart Johnson (02:26):
Years. Hard. And to be in person, I know conferences reinvigorate me and I go back into my educational spaces feeling revitalized with new connections and new ideas to try. So yeah, I’ve been excited to be here. And thank you all for being here.

Dan Meyer (02:40):
Yep. I don’t care if I get six different strains of Covid here. I’m just thrilled to be here. <Audience laughs> I don’t know if you’ve had the same feeling, though, Bethany, you folks…I’m a little bit confused to some degree about what we’re doing. I just wanna be really transparent. This is my sarcastic voice but I’m being sincere here. It kind of feels like we’re in a little bit of a time capsule. Like we all got in a time capsule in 2019 and, you know, you open it back up and it’s like, OK, so we’re still, you know, talking about X, Y, or Z protocol for establishing classroom routines or whatever. And I’m like, OK! Like, I loved that in 2019! But I do admit, I’m still trying to figure out a little bit like, what are we doing now? What’s our relationship to the world out there? Things are very different. I have had some great sessions that I’ve enjoyed. I’m also like, still waiting for a session to draw a little blood. Do you know what I mean? Like there’s been sessions…no? OK. You’ve been in these sessions where it’s like, “Oh, ow.” Like, and you look down and there’s and there’s blood there. It’s like, I thought I knew what we were up to. Like, I thought I knew what teaching was and how we relate to the world. I dunno, like in any Danny Martin session in 2019, “Take a Knee” was one, where I was like, “Oh, OK. Like, I’m not as hot as I think I am here. Like, I’m part of a system.” That kind of thing for me draws blood. And I haven’t been in one of those yet. Been some great sessions. I’m a little hopeful that today we draw a little blood and think about what we’re doing here, is my hope here, if that’s OK. So Bethany’s gonna moderate that impulse and she’ll be the fun one and I’ll be the blood-drawing one.

Bethany Lockhart Johnson (04:05):
No, I don’t…that metaphor doesn’t speak to me personally. But what I will say is, I get what you’re saying about really wanting to be in that room where there’s like this synergy happening. No promises about that today other than—

Dan Meyer (04:18):
I promise. <Audience laughs> Go on.

Bethany Lockhart Johnson (04:20):
Other than I get what you’re saying. I’ll find my own metaphor that does not involve bloodshed, but.

Dan Meyer (04:25):
Sure. There’s a lot of ways we we could go about this today. And the one that I’m excited about is, you know, we could like, you know, analyze some results from students, and talk about what went into that. Look at classroom video. Lots of possibilities. But here’s what we’re up to today. Hope you’re into it. Which is, we are here in the heart of the entertainment industry. You know, Tinseltown! Um, the Big Apple! Uh…

Bethany Lockhart Johnson (04:47):
No!

Dan Meyer (04:47):
Come on. What do you got here? Um…

Bethany Lockhart Johnson (04:51):
It was daytime at night. Like the lights were so bright.

Dan Meyer (04:54):
The City of Lights.

Bethany Lockhart Johnson (04:55):
There was a movie premiere outside my hotel room, which I was not invited to, unfortunately. But so what are we doing today?

Dan Meyer (05:01):
So here’s what we’re doing. We are gonna settle, once and for all, a question you have not asked yourself yet, perhaps, but will want to know the answer to in a moment. Which is: Who is the best teacher in all of film or television? OK? We’re gonna do that. It’ll be fun. But I hope that in debating this a little bit with a special guest we’ll bring up in a moment, that we will start to uncover some truths about what makes good teaching. How that’s different from teaching as we see it in movies and tv. Why middle-class America wants teachers to look a certain way in movies and tv. What all that means. And it’ll be awesome. I think. I’m hopeful it’ll be awesome. So what we did here is we’ve invited eight people. Eight folks you people may have known. You’ve been in their sessions today, in this conference, perhaps. And asked them: Who’s your fave? Like, we might have our favorites, but we wanted to democratize it a bit. So asked some cool people who you folks like, who are very smart and thoughtful about teaching: Who’s your favorite teacher?

Bethany Lockhart Johnson (05:58):
A few of whom are in this room. Thank you for your submission.

Dan Meyer (06:00):
Thank so much. Yeah. We’ll see what happens here. <laugh>

Bethany Lockhart Johnson (06:03):
As they shrink down.

Dan Meyer (06:03):
Yeah. Might draw some blood that I don’t mean to right now. We’ll see. OK.

Bethany Lockhart Johnson (06:06):
That metaphor, what IS that??

Dan Meyer (06:07):
Yeah. Yeah. I love it. I’m still going with it. <laugh> And you folks will be a huge part of this. THE part of this, really. So what will happen is I’ll share with you our first nominees. A few of us will make a case for our favorites, or least favorites, as the case may be sometimes. And then by applause, by acclamation, you folks will decide who wins and advances to the next round. Start with eight, move to four. You folks know math.You know where this goes. OK.

Bethany Lockhart Johnson (06:34):
No, keep going. Keep going.

Dan Meyer (06:36):
Two, then one.

Bethany Lockhart Johnson (06:36):
Yeah. Got it.

Dan Meyer (06:37):
Then a half of it. No?

Bethany Lockhart Johnson (06:38):
He had to school me on the making of brackets. But we got it. Yeah.

Dan Meyer (06:41):
How brackets work.

Bethany Lockhart Johnson (06:41):
But we got it. March Madness, what?

Dan Meyer (06:44):
Yeah, in order to do this right, we had to bring up—all the folks that you’ll see are also former Math Teacher Lounge guests, or like, just fan favorites. And we’re also bringing up a former Math Teacher Lounge guest to help us decide this and debate this in a respectful manner.

Bethany Lockhart Johnson (06:59):
New dad.

Dan Meyer (07:00):
New dad.

Bethany Lockhart Johnson (07:01):
You see where my brain’s still at? I miss him. <Laughs>

Dan Meyer (07:03):
Friend from San Diego. Really cool teacher.

Bethany Lockhart Johnson (07:06):
Incredible teacher.

Dan Meyer (07:06):
Works at Desmos and Amplify. And I just want you to welcome up your friend and mine. Chris Nho!

Bethany Lockhart Johnson (07:11):
Chris Nho!

Dan Meyer (07:13):
Come up, Chris. Let’s go, buddy. We didn’t talk about it, but did you want to do the cornball stuff too?

Chris Nho (07:22):
Wow. Would I love to do—

Bethany Lockhart Johnson (07:23):
And then the door could be locked! And then you have to wait and like, just—

Chris Nho (07:27):
Yeah, I’ll skip that part.

Bethany Lockhart Johnson (07:28):
Hi. Welcome. You’re here. We’re here in person.

Chris Nho (07:30):
Very glad to be here. Thank you all for having me.

Dan Meyer (07:33):
Tell me who you are.

Chris Nho (07:34):
My name is Chris Nho. I live in San Diego. I’m a new dad. A three month old, just had. Yeah, she’s actually here at the conference with us in the hotel room. And I promise you she is not by herself. She is with…come on. I was like, “Hey, just gimme one hour. I’ll be right back. I have to do very important work.” But yeah, I think I got invited here because I have opinions and I’m willing to draw…some…blood.

Dan Meyer (08:02):
There we go! Two outta three! We’re good on the metaphor now.

Bethany Lockhart Johnson (08:06):
We’re so glad you’re here. If you haven’t listened to the episode where Chris and Molly and some other public math folks share their ideas and ideas of how to take math out into the world, please listen, because we had a blast.

Dan Meyer (08:19):
Inspiring work. Really inspiring work. Very cool. Cool. OK. Right on. OK.

Bethany Lockhart Johnson (08:23):
Let’s do this!

Dan Meyer (08:24):
Let’s get started here. Yeah! <Audience cheers> Yeah. And we might ask you who your favorite teacher is, who’s missing from our list of eight? We might have forgotten some people. Anyway. All right. So here’s our first two. Our first two are nominated by way of, let’s see, um, Mandy Jansen is a professor at the University of Delaware. Got some awesome talks here this week, a Shadow Con talk last night. She’ll be nominating one. And also, um, Lani Horn is a professor at Vanderbilt, also extremely cool, prolific author and speaker, just all-around great human and friend of teachers everywhere. And she’ll nominate another in this bracket, which is the Northeastern Comedy bracket, Northeastern comedy bracket.

Bethany Lockhart Johnson (09:06):
It just worked out that way.

Dan Meyer (09:07):
Yeah. Here it is. Here is Tina Fey in Mean Girls.

Tina Fey in Mean Girls (09:12):
“OK. Everybody close your eyes. All right. I want you to raise your hand if you have ever had a girl say something bad about you behind your back. Open your eyes. Now close your eyes again. And this time I want you to raise your hand if you have ever said anything about a friend behind her back. Open up. It’s been some girl-on-girl crime here.”

Lani Horn (09:52):
I am nominating Sharon Norbury from Mean Girls as the best movie math teacher. She is an awesome teacher who is always there for her kids. She always sees the best in them. She shows that she can forgive even some pretty bad behavior, if she sees that kids are trying. She’s a strong feminist who makes sure that smart girls don’t dumb themselves down just to impress boys.

Tina Fey in Mean Girls (10:22):
“Katie, I know that having a boyfriend may seem like the most important thing in the world right now, but you don’t have to dumb yourself down to get guys to like you.”

Lani Horn (10:30):
She’s also super hard-working. She works three jobs. She’s always there for the kids. She plays piano in the talent show and takes them to Mathlete competitions. And she’s also socially aware. And when things go really badly among the girls, she does some pretty creative things to try to get them to be kinder to each other.

Dan Meyer (10:54):
OK. That’s one.

Bethany Lockhart Johnson (10:55):
Helen Case.

Dan Meyer (10:57):
All right. Settle down. Settle down. Settle down. All right.

Bethany Lockhart Johnson (10:59):
Piano too!

Dan Meyer (11:00):
Bethany’s already trying to bias people here. All right. Chill out. Hold on. So next one is Mandy Jansen with Jack Black from School of Rock. Uh-oh. Uh-oh.

Jack Black in School of Rock (11:09):
“What was your name?”

Kid in School of Rock (11:10):
“Katie.”

Jack Black in School of Rock (11:11):
“Katie. What was that thing you were playing today? The big thing.”

Kid in School of Rock (11:14):
“Cello.”

Jack Black in School of Rock (11:15):
“OK. This is a bass guitar and it’s the exact same thing, but instead of playing like this, you tip it on the side. Chellooooo! You’ve got a bass! <Laugh> Try it on.”

Mandy Jansen (11:25):
And I’m nominating for best teacher in a film Jack Black as Dewey Finn playing Mr. Ned Schneebly in the film School of Rock. So why this portrayal? First of all, playing a longterm sub. Those are so hard to find right now. <Audience laughs> Really hard. And then he teaches using class projects. That’s brilliant. Integrated learning. And then love this. He gives students roles and tasks that are differentiated and align to the specific strengths that each student has.

Kid 2 in School of Rock (12:05):
“I can also play clarinet, you know!”

Jack Black in School of Rock (12:06):
“I’ll find something for you when we get back from lunch. I’ll assign the rest of you killer positions.”

Mandy Jansen (12:13):
And the film culminates in a performance of a collaborative song that they all wrote and performed together. And the students experience that collaboration and teamwork and creating something beautiful is much more important than winning first place. And finally, one of the songs that the character sings in the film is “Math is a Wonderful Thing.” Can’t beat that.

Dan Meyer (12:40):
All right. That’s tough. That’s tough. So here’s the deal. What we have right now is just a quick minute—so Bethany, you ranked, we all ranked our own faves here outta the list of eight. And Bethany put Jack Black in School of Rock a bit higher than Tina Fey in Mean Girls.

Bethany Lockhart Johnson (12:54):
Missed the piano part though.

Dan Meyer (12:55):
And Chris, vice versa here. So Bethany, would you start us off and just make a quick case here for Jack Black versus Tina Fey?

Bethany Lockhart Johnson (13:01):
OK. So here’s what I’m thinking. There’s been rumor that maybe they’re putting less than credentialed people into classrooms to fill teaching gaps. I mean, just rumor. And so here’s this guy who is a rocker. He is not a substitute. He has no teaching training. And yet he goes in there and it turns out that he has the ability to see students’ potential and to recognize their unique abilities. And like Mandy said, he really tapped into, like, he saw them and said, “No, more is possible for you than what you think is possible.” And there’s like real sub anxiety. When you walk in, you can either be like, happy there’s a sub, but I was usually really nervous. Right? And he goes in and he makes that classroom into a home.

Dan Meyer (13:53):
Wow.

Chris Nho (13:54):
Wow.

Dan Meyer (13:56):
Chris, speak on it. Tina Fey needs you. Chris.

Chris Nho (13:59):
Tina Fey. Here we go. I’m gonna argue here that—when was that movie made?

Dan Meyer (14:03):
T is for terrific. I is for Interesting.

Chris Nho (14:06):
Decades ago. And I’m gonna argue that Tina Fey was very progressive for her time. OK, let’s talk about social emotional learning. Hello. <Audience laughs> Love that. Right? Stand up if, I mean, she’s getting people to talk about their emotions. And there’s a curriculum. But let’s just pause, because that’s not what’s really happening in the classroom right now. So social emotional learning, I think she’s, she’s got that a lot. And then number two, you know, if you remember the plot of Mean Girls a little bit, she gets her name written in that Burn Book. Like she sees what they say about her. Restorative justice. Let’s go. <Audience laughs>.

Dan Meyer (14:38):
Whom amongst us. Yes.

Chris Nho (14:40):
You write Mr. Nho in the Burn Book?? Well, your grade book is gonna look like a Burn Book! OK? <Audience laughs> Tina Fey, Tina Fey, she was like, “No, you know, know what? I’m actually gonna spend more time with you. You’re gonna become a mathlete.” And Lindsay Lohan discovers—she drops the most iconic line in all of math education. “The limit does not exist.” Thank you, Tina Fey, for that. For that gift.

Dan Meyer (15:04):
Bless. Bless you. Tina Fey. Wow.

Bethany Lockhart Johnson (15:05):
Oh, man. Wow.

Dan Meyer (15:09):
Let’s see what the people say here. I do wanna just add one quick thing about—it’s interesting to me how often in these movies—just kind of go in a little bit, zoom out just a minute—how often it’s a teacher who has no training as a teacher. <Bethany laughs> I am kind of curious why it is. Like, those are the movies that get hot, that get made. Again, these are all kind of a mirror of the taste of the moviegoing public. You know what I’m saying? Like, these, these are not movies—I wanna believe they are made for me and for us as teachers. But they are not. There’s not enough of us to justify, you know, Jack Black’s, you know, M&M budget or whatever he’s got going on in his trailer or whatever. That needs to be for everybody in middle-class America. So what is it about middle-class America that wants to see teaching as something that anybody can do? Just like, you know, just, just run up there in your van and make it happen.

Bethany Lockhart Johnson (15:54):
Magic magically manifests.

Dan Meyer (15:56):
Yeah. Manifest. Yeah. That’s just interesting to me. I just toss that out there as some red meat. Let’s see what the people say here. All right, OK, so you’re ready. Let’s get the bracket going here. The question is Tina Fey versus Jack Black. You had a moment here. Just whisper to someone real fast who you’re going for here real quick. What are you thinking here? <Crowd murmuring> All right. Crowd’s buzzing. Crowd’s buzzing. Would you folks…? All right. Bring it back. Go ahead and make some noise for Tina Fey. <Crowd cheers> OK. OK. Make some noise for Jack Black! <Crowd cheers> Judges say Tina Fey. Tina Fey moves on. All right. All right.

Chris Nho (16:44):
Stunned. I’m stunned. I’m speechless.

Bethany Lockhart Johnson (16:46):
Tina Fey moves on. Wow.

Dan Meyer (16:48):
This has exceeded my expectations in terms of having some fun, but also getting deep, getting deep and real about teaching. I’m into this right here. Yeah. What’s up?

Bethany Lockhart Johnson (16:54):
That’s the goal. That’s the goal. OK. You wanted blood? Oooh, this next matchup might just be where that blood comes forth! OK. Stretch. Warm up. Dan Meyer, who’s up next?

Dan Meyer (17:11):
We’ve got the animated/animatronic round here in the Southeast. And repping the two contestants here, who do we have? We have Allison Hintz, professor, author outta Washington, as one of the two nominators. And the other nominator is one of my heroes, though we’ll find out very wrong about this nomination, Jenna Laib, who’s in the crowd, and I’m trying not to make eye contact here. <Laugh> And here are the two nominations. A couple minutes each. And then we’ll chat about it. And one of us will probably die. But we’ll see how it goes.

Allison Hintz (17:50):
A long, long time ago, in a galaxy far, far away, MTL, we began learning from the Jedi Master of Teaching. With the Socratic and experiential approach. With unparalleled mindfulness, compassion, and humility. The best teacher in TV and film, Yoda is. <Audience laughs> Yoda lives the values we share as teachers and learners. He humbly comes alongside us as we construct new knowledge.

Yoda (18:29):
“You must unlearn what you have learned.”

Allison Hintz (18:32):
Yoda allows us to struggle and sees mistakes as critical to learning.

Yoda (18:39):
“The greatest teacher, failure is.”

Allison Hintz (18:43):
Yoda values curiosity and reminds us of the beauty and joy of teachers learning from children.

Yoda (18:52):
“Truly wonderful, the mind of a child is.”

Allison Hintz (18:59):
MTL! Join the Resistance! Let the force flow through you in declaring, the best teacher in TV and film, Yoda is.

Dan Meyer (19:18):
Give it up for Allison Hintz! All right! <Audience applauds>

Bethany Lockhart Johnson (19:20):
Alison! And to have that on hand too, which Is kind of perfect.

Bethany Lockhart Johnson (19:26):
Just to be clear, the helmet is not a part of a Zoom background.

Dan Meyer (19:29):
You may evaluate the quality of the nomination based on the costumes of the nominator. That is acceptable. That’s acceptable.

Bethany Lockhart Johnson (19:35):
That is a REAL HELMET.

Dan Meyer (19:35):
All right. The next nominator here, this one is from Jenna Laib, math coach, all-around stellar human. Here we go. This is Ms. Frizzle.

Ms. Frizzle (19:42):
“Single file, class. Our rotten field trip has only just begun.”

Jenna Laib (19:47):
And I think that the best teacher from TV or movies is Ms .Valerie Frizzle from The Magic School Bus. First and foremost, Ms. Frizzle believes in her students. She encourages them to take an active role in their learning, and also to advocate for change in their local community. For example, there’s an episode where there is a logger who’s gonna cut down a rotting log that would benefit the local ecosystem. And the students figure out a way to convince him to leave the log so that all of the animals and the plant life can benefit. She orchestrates really challenging situations for these students, and she allows them the space to ask questions and engage in problem-solving and puzzle their way out of these really, really difficult scenarios. Ms. Frizzle has unmatched pedagogy. She’s bold, she’s innovative, and she’s a major proponent of experiential learning. So these students are heading straight into a storm to learn about weather systems. <Audience laughs> These students are heading into the human body to learn about digestion and disease. They literally get baked into a cake to learn about some chemistry and reactions.

Children in The Magic School Bus (20:54):
“What’s happening?” <Audience laughs> “Why is it suddenly getting so hot?” “Maybe it’s because the floor is on fire!” <Audience laughs>

Jenna Laib (21:02):
This pedagogy is all led by her outstanding catchphrase, which is:

Ms. Frizzle (21:06):
“Take chances; make mistakes; get messy!”

Jenna Laib (21:14):
From her pedagogy to the classroom community that she creates, Ms. Frizzle is an inspiration, and that is why I think that she is the best teacher from TV or film. <Audience applauds>

Dan Meyer (21:25):
Right on! Give it up for Jenna. Give it up for Jenna. All right. I’m gonna take first pass at this. Chris knows my argument already, so I’m gonna take this here. I see some of you are feeling how I’m feeling on this one. OK, so I don’t have tons to say in favor of Yoda. I think it was all true what Allison said. I think the costume was banging. It was awesome. So there’s all that, but I have more to say against Ms. Frizzle than for Yoda.

Bethany Lockhart Johnson (21:48):
No, no, no. Wait a second!

Bethany Lockhart Johnson (21:49):
Let’s let it happen. Bethany, I’ve come prepared.

Dan Meyer (21:54):
I may have made a misstep here, I realize.

Bethany Lockhart Johnson (21:56):
I’ve come prepared.

Dan Meyer (21:56):
So I think Jenna is all correct. I think those clips spoke for themselves. I think that what they add up to, to me, is not “great teacher,” but more “someone who should be locked up.” <Audience laughs> Or at the very minimum, “someone who should be kept away from children.” <Audience laughs> Do not let that woman around children. I mean, check it out. Look, I don’t wanna throw down credentials. I’ve been to grad school, though. I know how this works. When your brain is stressed, you get these—all the cortisol happens. Your working memory shrinks up. You cannot learn when you’re stressed. And those kids, like whatever lesson Ms. Frizzle is teaching by sending them into an oven, I repeat, an oven <audience laughs>, like, they’re not gonna learn anything ’cause their brains are freaking out with stress and fear. OK?

Bethany Lockhart Johnson (22:41):
“What’s happening??”

Dan Meyer (22:43):
“What’s happening? Am I on fire? Well…I’m learning lots, though! Sure is magical!” <Audience laughs> It’s like, “No. Get that woman out of a classroom.” That’s my opening and closing argument. Right? There’s all it is.

Chris Nho (23:01):
All right. All right. All right.

Bethany Lockhart Johnson (23:02):
Chris knows.

Chris Nho (23:03):
I’ve got, I’ve got lots to say. First off, I think Dan was in charge of the editing of those video clips. So let’s let that be—you know, let the record stand. <Audience laughs>

Dan Meyer (23:11):
Where’s the lie though? Where’s the lie?

Chris Nho (23:14):
And, you know, second, I think, um—this is the guy up here saying, “I wanna see blood.” You know? And then he has a teacher who literally takes the students into a blood cell and, and you get a little scared! You get a little worried for the students, you know? So I just don’t get it, Dan. This or that. OK? I think Ms. Frizzle—so I actually went to a project-based learning school. I taught at a project-based learning school. And the best thing about it is like, your learning, it doesn’t just stay in this box of math lesson or writing lesson, history lesson. And I think with Ms. Frizzle, like you can’t help but learn things because you are getting baked in a cake. <Audience laughs> Yeah, it is a little scary. And I imagine there’s cortisol and things happening, but guess what? Probably the next episode, they go into their own brains and explore what’s happening. That kind of thing. You know?

Dan Meyer (24:07):
The kids that survived, just be clear. <Audience laughs>

Chris Nho (24:10):
Yeah. OK. Would I want Nora, my three-month-old, to be babysat by Ms. Frizzle? Maybe not. <Audience laughs> But what I have to say about Yoda is Yoda maybe wins the best tutor award. Give it up for Yoda’s Best Tutor Award.

Bethany Lockhart Johnson (24:24):
Oh, yeah…

Chris Nho (24:25):
That ratio’s looking really nice. I could teach the heck outta Luke Skywalker. OK? But 20 little Luke Skywalkers running around. I’m not sure. OK?

Dan Meyer (24:34):
Luke did survive the training, though. <Audience laughs> So that’s awfully nice to say about it. All right, Great words from Chris here. I’m still not convinced. We’ll see how you’re convinced here. Would you whisper to someone where you’re leaning here? Frizzle or Yoda? <Audience buzzing>

Chris Nho (24:47):
I tried. I tried.

Dan Meyer (24:53):
All right. That’s enough of that. Let’s hear it folks. Give it up for Yoda. <Audience cheers> Give it up. Give it up. You. Give. It. Up.

Chris Nho (25:05):
Hey, next. Next.

Dan Meyer (25:06):
All right. All right, all right. <Mutters> Give it up for Ms. Frizzle. <Audience cheers louder> I dunno, it’s pretty close. Call a tie. Maybe Yoda? Yoda by nose? <Audience laughs> All right. All right. Let’s…let me see who’s it. Let’s get the people advancing here. I’ll keep on moving here.

Chris Nho (25:26):
As you’re doing that. Um, Dan ranked Ms. Frizzle last in his personal ranking. And I ranked Ms. Frizzle very high, so we knew this one would be spicy,

Bethany Lockhart Johnson (25:36):
<laugh> Spicy it was. Are you having a good time so far? <Audience cheers> So while we love seeing these images and we love seeing these video clips, at the core, what are these things about how teachers are portrayed? And how accurate is that to our real lives? I mean, besides the cake part, right? That my chemistry class did often feel like I was on fire. I was so stressed in it. Um, we’re ready?

Dan Meyer (26:05):
Yep. Great. We’re ready, we’re up here. So the next two nominees are coming to you folks from Tracy Zager, who is the editor of my book, forthcoming in 2027 at the earliest and 2032 at the latest. And also your very own Zak Champagne from Florida, here in the room. Hey, Zak. Zak, let’s see who the nominations are. I’m gonna skip past that, didn’t work out so well for me. Here it is. This is Marshall Kane from the TV show Community.

Michael K. Williams in Community (26:32):
“You two complete your case to the class and let them decide your grades.”

Joel McHale in Community (26:37):
“Professor, thank you.”

Michael K. Williams in Community (26:40):
“It’s not a favor, Mr. Winger. Man’s gotta have a code.”

Joel McHale in Community (26:44):
“Awesome.”

Zak Champagne (26:46):
This is a pitch for an underdog. This teacher didn’t stand on desks or encourage his students to follow their musical passions. In fact, this teacher was seen only in a few episodes of my favorite TV show of all time, Community, Community has set at Greendale Community College in Colorado. And in season three, we get to meet Dr. Marshall Kane, a biology professor whose story is an inspiration to anyone who just takes the time to look and listen. Dr. Marshall Kane slowly earned his PhD while in prison, serving a sentence of 25 to life. In his classroom, he inspires students to love biology, question why LEGO has become so complicated, and randomly pairs his students for group projects to ensure no one feels left out. His greatest performance comes when a group of students believe their yam project was intentionally sabotaged. Dr. Kane took this as an opportunity for some trans-disciplinary real-world learning. So yes, at community college, he felt that a middle-school mock trial was the best way to determine who killed the yam. So let’s all pick the underdog and vote for Dr. Marshall Kane. After all, man’s gotta have a code. <Audience goes “oh!” and applauds>

Dan Meyer (27:53):
Thank you, Zak.

Bethany Lockhart Johnson (27:54):
I have a code.

Dan Meyer (27:56):
Next up is Tracy Zager, nominating an unusual nomination, not a single person, but an ensemble performance. A bunch of people from a movie called Searching for Bobby Fisher. Here we go.

Rapid-fire movie dialogue (28:11):
“What’s that?” “Schleimann attack.” “Schleimann attack? Where’d you learn that from, a book?” “No, my teacher taught me.” “Aw, your teacher. Well, forget it. Play like you used to, from the gut. Get your pawns rolling on the queen’s side.”

Tracy Zager (28:26):
Hey, Math Teacher Lounge. This is Tracy Zager. I’m excited to share my nominee for the best movie teacher. But I have to admit that when I first got the email, I thought, oh, who am I gonna nominate? Because most movies about teachers are highly problematic. They usually have like a saviorism thing, usually white saviors. And I just felt like I couldn’t suggest any of those. So rather than nominate a movie about a single teacher, I wanted to nominate a movie that taught me something about teaching. And that movie is a deep cut. It’s Searching for Bobby Fischer. It’s a movie about a chess prodigy. And what I love about it is that all of the different adults in the movie are in teacher roles in some way. And the student, Josh, the chess player, is a fully realized character, not an empty pail, who pulls from the strengths of each one of those adults while also dealing with their flaws and humanity. And there’s just beautiful synergy in the way he gets the best out of everybody, but also has to overcome some of the barriers that they put in front of him. So I feel like it’s a much more authentic and humbling, but also inspiring, movie about the power of teaching. So if you haven’t ever seen it, check it out. And I can’t wait to see who the other nominees are. Thanks so much.

Dan Meyer (29:53):
Right on. Thank you, Tracy. Wherever you are. <Applause> We’ll move a little quicker here. I’m curious, Bethany, you put Marshall Kane pretty high. I put Bobby Fischer pretty high. What do you have to say about Marshall Kane for us here?

Bethany Lockhart Johnson (30:04):
Well, I just wanna say two things. One is that, like Zak said, he has this code of conduct that he brings in. And he stays true to it no matter what happens. If you saw him in in Community, you know that he held himself up to such high esteem, but not just himself, his students as well. And he took accountability when he felt he had done wrong, even though, well, that’s controversy. But first—oh, the other thing, rest in peace, Michael K. Williams. Oh my gosh. The actor who plays Marshall K. And the thing that I wanna say most of all about it is that he brings his whole self to the classroom. He was in prison for decades. He brings his whole self and says, “This is who I was. This is who I am today. And this is how we can work together as a community.”

Dan Meyer (30:58):
That’s big. I love your comments about code of conduct too. It makes me wish that Ms. Frizzle had a code of conduct also.

Bethany Lockhart Johnson (31:05):
I knew that was coming back!

Chris Nho (31:06):
Two slides ago, Dan. That was two slides ago.

Dan Meyer (31:08):
Can’t let it go. So yeah, I love what you said there. I have no strong beef here either way. Bobby Fischer’s a movie I have loved dearly and can’t be objective about it. I love that the kid in that movie, more than any other movie here, the kid teaches the adults so much through his innocence and how he challenges them and how they’re treating him. Dig all that so much. Will not, will not begrudge anyone any vote either way here. I do begrudge many of you your vote in previous rounds. <Audience laughs> So let’s just, let’s hear. We’re not gonna ask you folks at all to chitchat. We’re gonna move on this one. So would you folks make some noise here for Marshall Kane in Community? OK. OK. And would you make some noise here for Bobby Fischer, the kid in Bobby Fischer, the ensemble? <Audience cheers, applauds>

Bethany Lockhart Johnson (31:56):
Marshall Kane.

Dan Meyer (31:57):
Marshall Kane takes it. All right. Good job, Marshall Kane! All right. Zak’s feeling good. Moving on to the final four here, Zak, right on. OK. Our last—the Northwest Division here is also the large urban district division here. We have a couple different teachers in sets of large urban schools. They’re nominated, they’re advanced by a couple people here. One is past president of NCTM, Robert Berry. And another is Fawn Nguyen, Southern California phenom. Great teacher and friend of lots of us. Um, let’s see who they nominated here. First from Robert Berry, let’s see, who is it here? Janine Teagues from Abbott Elementary.

Abbott Elementary dialogue (32:37):
“Hey, you know what? I’m probably probably gonna be Kenny’s second-grade teacher. Why don’t you just let him get a head start with me today?” “That’d be great.” “Yeah? OK. Hey, Kenny, would you like to be in my group today?” “Not really.” “That’s the spirit.”

Robert Berry (32:54):
My nomination is gonna be Quinta Brunson, the Emmy Award-winning Quinta Brunson from Abbott Elementary. Janine Teagues is the character. She exemplifies care not only from an affect way, but she also exemplifies care in the things that she does for her students. While the scenes in the show are entertaining, they do represent the challenges that teachers experience when they’re trying to meet the needs of her students. So she goes, goes all out for her students and finding resources. She accesses other people to get resources for her students. But the care shows up in the way that she is mindful of their needs. And so, for me, when I think about teachers and teaching, sometimes we can talk about pedagogy, but sometimes we also can talk about those kind of intangibles that makes a teacher a great teacher. It is apparent from her students that she cares about them, she supports them, and she goes all out 100% for her students. Janine Teagues, Quinta Brunson is, I think, is my choice of the best teacher on television because of the realism and the representation that she brings to this character of what teaching is about. <Applause>

Dan Meyer (34:28):
Right on. Right on. OK. OK. Next up, we’ve got, Fawn Nguyen is nominating Erin Gruwell from Freedom Writers. Here we go.

Hilary Swank in Freedom Writers movie (34:39):
“Look, you can either sit in your seats reading those workbooks or you can play a game. Either way, you’re in here till the bell rings. OK? This is called the Line Game. I’m gonna ask you a question. If that question applies to you, you step onto the line and then step back away for the next question. Easy, right? The first question. How many of you have the new Snoop Dog album? <kids move around> OK, back away. Next question. How many of you have seen Boys in the Hood?”

Fawn Nguyen (35:26):
We all learn about Miss G and her 150 students in the movie Freedom Writers starring Hilary Swank. All great teachers share a common set of traits. They care deeply about their students, have high expectations of them, and always believing wholeheartedly that they will succeed. Great teachers go above and beyond, not because they extraordinary—as Anne Gruwell would always refer to herself as an ordinary teacher—but because extraordinary things happen to people when we believe in them, give them hope, help them write their own story with a different ending. So what stood out for me with Miss G is the scope of her reach, the ever-expanding sphere of her humanity. The red tape she had placed on the classroom floor for the line game shows just how much we all have in common despite our differences. Her students didn’t just learn from her; they learned from one another. If you’d like to be part of this expanding sphere to give voice and hope, please check out Freedom Writers Foundation dot org.

Dan Meyer (36:38):
OK. This right here is a tough one for us. Thank you, Fawn. We collectively ranked—that’s our number one seed and number eight seed, which I hasten to say does not have to do with Erin Gruwell, a person, but the portrayal and the movie. So we don’t have like a whole lot of…there’s not a lot of defense we have to offer here of our eighth seed. And I heard like a kind of a little bit of a murmur over the crowd on Erin Gruwell. So I’m more interested than having a defense back and forth. I’d be curious what you, Bethany, think about what, like, what both movies have to say about like, what teaching is, especially teaching urban schools with black and brown kids and lower-class kids, for instance. They both have, I think, very different things to say about them. Do you have thoughts about that?

Bethany Lockhart Johnson (37:19):
Well, it’s interesting because there is some overlap in the sense that the arguments that both Fawn and Robert Berry put out, they both care deeply about their students, right? We’re not gonna argue that. They care deeply. And something that I would say about Miss Teagues is there’s something about the way that she sees not only her classroom, her students, but she sees all of the students in the school as her students. And her idea of resource generation is really helping the teachers to generate resources from their community themselves, and to also realize that the students see themselves reflected in the teachers. And I think that—you know, again, this is not about the real person—but the movie portrayal, and we often see kind of this, for Freedom Writers, we often see this like, Great Last Hope whisked in and her personal sacrifices are what makes these students, these brown and black students’ transformation possible. Because of her sacrifices. Including her marriage. Including, you know, three jobs. And it’s just portrayed in a way that I think really celebrates her sacrifices rather than what the students have already brought—they already come into the room bringing so much as they are, already, without her intervention.

Dan Meyer (38:38):
I love the portrayal of the teacher as part of a community of teachers. Versus in so many of these movies, it’s the teacher as the only person who gets it, you know, oftentimes coming from outside of the world of teaching and everyone’s against them and wants ’em just to fall in line and do the thing we always do, and they’re the outlier. But in Abbott Elementary, it’s like we all rise and we fall together. And teachers are investing in each other’s success, especially with Gregory the longterm sub. We’re all rooting for his, you know, his flourishing. I love that. And yeah. That’s bigtime.

Chris Nho (39:09):
Yeah, I think one interesting thing is that Freedom Writers, when it came out, I think it was like a commercial success.

Bethany Lockhart Johnson (39:17):
Oh, big time. Yeah. It was.

Chris Nho (39:18):
It probably influenced a lot of people to try teaching out. So I do wonder what it says about us, right? Like that we want teaching to fit this narrative, and we wanna be those people who could go into a classroom and <puts on “cool voice”> “Y’all listen to Snoop Dog?” and just have that question HIT. <laughter> And you know, I’ve taught in a large urban school district, and I’ve been that person and I’ve seen other people try and be that person. And I think stepping away from it a little bit, just—it’s a reflection of what people want out of teaching and what they think better education looks like.

Dan Meyer (39:57):
Yeah, yeah. This idea that, so I’m a middle-class person, let’s say, and like, there’s this idea, like, “I know what I would do if I was going into circumstances of impoverishment.” Like I have—

Bethany Lockhart Johnson (40:06):
“All they really need is…”

Dan Meyer (40:07):
…for me to give ’em some real talk and tell ’em, you know, pull their pants up or whatever, listen to Snoop Dog, that kind of thing. And that will be the key. And that’s not how it is in, you know, in Jack Black in School of Rock or Tina Fey school, which are, you know, coded as largely like upper-class or largely white schools. And in those movies, it’s interesting, like how it’s about students discovering themselves, oftentimes. And the central figures are often students. And the students need to reject an oppressive parent figure or something and find themselves. But no, in Freedom Writers, it’s like, “You need to become more like the middle-class teachers who are coming in here to give you this wisdom.” It’s just interesting. I do find it—a pet peeve of mine is when movies portray teachers as only successful if you endure, for instance, the failure of your marriage, or even in Stand and Deliver, for instance, like Jaime Escalante, they depict him having a heart attack. And, like, the job oughta be…easier. <Audience laughs>

Chris Nho (41:04):
Truth.

Bethany Lockhart Johnson (41:05):
That’s the barometer for how much….

Dan Meyer (41:09):
Like, no heart attacks and no divorces related to the job, that kind of thing. I do love how in Abbott—one last thing and we’ll vote and Abbott will win <audience laughs>—is like how, like there, there is a lot of degradation in Abbott, but it’s not a divorce or a heart attack—it’s the petty indignities of asking a student, “Do you wanna hang with me?” And a student says, “Nah, not really.” And that just spoke to me like how it’s not cinematic, but teaching, successful teaching, is like a collection of developing an immunity to students saying, “You’re not hot.” <Laugh> You know? And so I love that. I do wish that there was more depiction of students in Abbott Elementary. It’s a lot of adult stuff. Whatever. Give it up for Abbott, if you would, please. Let’s just get this done here. All right. That’s plenty. That’s plenty. Not gonna ask folks about Freedom Writers. OK, let’s move on to— all right, let’s hear it for Freedom Writers! Yeah. OK, cool. We go, yep.

Chris Nho (42:05):
Plot twist!

Bethany Lockhart Johnson (42:07):
OK, let’s see our final four. Cut and paste. Real time. Real time.

Audience member (42:12):
Where’s Dolores Umbridge?

Dan Meyer (42:14):
Oh….

Bethany Lockhart Johnson (42:16):
Hey, did you hear that? He said, “Where’s Dolores Umbridge?”

Dan Meyer (42:20):
All right. OK.

Bethany Lockhart Johnson (42:20):
See, we missed so many. We could…

Dan Meyer (42:21):
So coming up here, we’ve got in the Eastern Conference, Tina Fey and Ms. Frizzle. Y’all know how I feel about that one. Let’s just get this one done. OK, let’s give it up for Tina Fey. Let’s hear it. <Audience cheers> OK. All right. Yes! Let’s give it up for menace to children everywhere, the terror, the Ms. Frizzle. <Audience cheers> One more time for Tina Fey. Let’s hear it. <Audience cheers> One more time for Ms. Frizzle. Let’s hear it. <Audience cheers>

Bethany Lockhart Johnson (42:59):
Yeah. OK.

Dan Meyer (43:00):
It took ’em one round, but they made the right call in the end. <Laugh>

Chris Nho (43:04):
All it took was 10 minutes of constant Ms. Frizzle-bashing. <Laugh>

Dan Meyer (43:09):
Persevering and problem-solving, that’s my game. Yes. All right. So, do either of you want to influence the audience one way or the other?

Bethany Lockhart Johnson (43:16):
That’s not how I play, Dan.

Dan Meyer (43:18):
Oh, OK. Yeah, that’s true. That’s true. You’re good. On Abbott versus Marshall Kane, should we just let ’em have it? All right. All right. Give it up For Abbott Elementary. Not bad. And for Marshall Kane. OK. OK. I hear Zak and five other people. All right, cool. <laugh> Right on. All right. We got our, we got our finals,

Bethany Lockhart Johnson (43:45):
We did it. We made it to two. And we know: We left out a lot of people. Right? And honestly, I kind of wish we could poll like everyone. I mean, think you put it on Twitter, right? Like, who would you pick? But I would say we had a pretty solid eight there. I’m excited to see who… Look at the little crown he put, you guys. Come on.

Dan Meyer (44:05):
I worked hard for you. For you. <Laugh> Yeah. I liked that it was a good bunch that had a lot of different kinds of qualities…and lack of qualities in some cases. And it allowed us that—I shouldn’t knock her while she’s down, and she IS down, it’s true. <Laugh> And I appreciate the conversation we’ve had, what they have revealed overall about teaching and what the world wants teaching to be versus what it actually is or actually should be. I appreciate that. So let’s settle this here. Give it up, if you would, for Abbott Elementary. <Audience cheers> And give it up for Tina Fey in Mean Girls. <Audience cheers>

Bethany Lockhart Johnson (44:49):
Wow.

Dan Meyer (44:51):
That was close. I almost give that to Tina Fey.

Audience member (44:55):
Yeah, we do!

Dan Meyer (44:55):
I don’t know. That was a bracket-buster for me right there. Yeah. I lost money in the office pool off that right there. Maybe let’s just find out one more time here. One more time.

Bethany Lockhart Johnson (45:03):
Last time.

Dan Meyer (45:03):
Time to summon up all your conviction on one or the other here. No half-measures right now. All right.

Bethany Lockhart Johnson (45:07):
Emmy Award-winning Quinta Brunson.

Dan Meyer (45:09):
Yeah, you saw Robert Berry on that, right? He was like, “Oh, I got one more card to play. Emmy Award-winning.” That’s admissible. That’s admissible. We’ll take that. All right. So…give it up for Abbott Elementary, one last time. <Audience cheers> OK. All right. All right. And give it up for Tina Fey in Mean Girls. <Audience cheers>

Bethany Lockhart Johnson (45:30):
Drumroll, please!

Chris Nho (45:33):
Best teacher is….

Dan Meyer (45:34):
Tina Fey in Mean Girls! Yeah. Not a bad pick.

Bethany Lockhart Johnson (45:39):
I love it. And I think, too, I think we’re gonna have a little bit of a more reflective lens than we thought we did when we see depictions of teachers in film and television. And, you know, hopefully we’ll see some new tropes come in, right?

Dan Meyer (45:55):
Yep. Yeah. Every dollar we spend on movies with lousy teachers is just encouraging these people to make more lousy teacher movies, you know? Awesome. Thank you for being here for a live taping—

Bethany Lockhart Johnson (46:06):
Thank you for being here.

Dan Meyer (46:06):
—of our podcast, Math Teacher Lounge, in a hot room. Appreciate that. Yeah, it’s been fun for us to have you here. Um, super-important, super-important final remark: Bethany loves Oprah and Oprah occasionally, in the show—

Bethany Lockhart Johnson (46:18):
Is she coming?! Is she here?!

Dan Meyer (46:19):
Not here! Not here! Calm down. Calm down. Um, but we do have in Oprah fashion, not something—

Bethany Lockhart Johnson (46:24):
Oh. Oh, OK. Oh, that’s, that’s OK. Sorry. I got, had really excited for a second. As if the Amplify playing cards, The Amplify t-shirts being chucked at you at high speed—I did try to get a t-shirt cannon, and that was quickly ruled out <laugh>. They didn’t know about my rocket arm, right?

Dan Meyer (46:46):
Yeah, you got a cannon. <Laugh>

Bethany Lockhart Johnson (46:47):
Yeah. Oh, that’s a compliment. Oh, is that a compliment? Thank you, Dan. Thank you. Look under your seat because we have five winners. We wanna thank you for being here in person. We wanna thank the folks who are listening. We wanna thank Amplify. Oh my God. Somebody just pulled off the chair tag. You get to take that chair home with you.

Dan Meyer (47:08):
Does anybody have a prize?

Bethany Lockhart Johnson (47:10):
OK, stand up if you…stand up if you…Yes! Stand up if you have one!

Dan Meyer (47:16):
Free set of classroom dry-erase boards, right here. Congratulations.

Bethany Lockhart Johnson (47:22):
And for you who pulled off the chair tag, I don’t know. We gotta we gotta find something for you.

Dan Meyer (47:27):
Put that in your backpack.

Bethany Lockhart Johnson (47:30):
Thank you again for being here. Thank you. Amplify. Thank you, Desmos. Thank you. Dan Meyer.

Dan Meyer (47:36):
Thank you folks. Chris, thank you buddy.

Bethany Lockhart Johnson (47:38):
Chris! Chris Nho, everybody!

Dan Meyer (47:40):
We will be, we will be at—Bethany and I will be at the booth, if you wanna chit-chat and hang out, sign some stuff. Whatever. You wanna have Bethany sign you, she’ll do that. Um, come on down to the Amplify booth and we’ll—

Bethany Lockhart Johnson (47:50):
We’ll talk to you more about Ms. Frizzle.

Dan Meyer (47:52):
Fun and prizes. I will share with my real thoughts about Ms. Frizzle down there. I’d love to see you. Thanks for being here, folks.

Bethany Lockhart Johnson (47:57):
Thanks for listening. Bye.

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What Dan Meyer says about math teaching

“Teaching, more than other professions, is a generational profession. The kinds of joyful experiences we offer—or don’t offer—now affect the experiences students that haven’t even been born yet will have years later.”

– Dan Meyer

Meet the guests

Dan Meyer

Dan Meyer taught high school math to students who didn’t like high school math. He has advocated for better math instruction on CNN, Good Morning America, Everyday With Rachel Ray, and TED.com. He earned his doctorate from Stanford University in math education and is currently the Dean of Research at Desmos, where he explores the future of math, technology, and learning. Dan has worked with teachers internationally and in all 50 United States and was named one of Tech & Learning’s 30 Leaders of the Future.

Bethany Lockhart Johnson

Bethany Lockhart Johnson is an elementary school educator and author. Prior to serving as a multiple-subject teacher, she taught theater and dance and now loves incorporating movement and creative play into her classroom. Bethany is committed to helping students find joy in discovering their identities as mathematicians. In addition to her role as a full-time classroom teacher, Bethany is a Student Achievement Partners California Core Advocate and is active in national and local mathematics organizations. Bethany is a member of the Illustrative Mathematics Elementary Curriculum Steering Committee and serves as a consultant, creating materials to support families during distance learning.

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About Math Teacher Lounge: The podcast

Math Teacher Lounge is a biweekly podcast created specifically for K–12 math educators. In each episode co-hosts Bethany Lockhart Johnson (@lockhartedu) and Dan Meyer (@ddmeyer) chat with guests, taking a deep dive into the math and educational topics you care about.

Join the Math Teacher Lounge Facebook group to continue the conversation, view exclusive content, interact with fellow educators, participate in giveaways, and more!

What is Amplify Caminos?

Amplify Caminos is a core Spanish language arts program for grades TK–5 that delivers:

  • Authentic instruction built from the ground up for the Spanish language.
  • A unique research-based approach truly built on the Science of Reading.
  • A combination of explicit foundational skills with meaningful knowledge-building.
  • Embedded support and differentiation that gets all students reading grade-level texts together.
  • Opportunities for students to see the strengths and experiences that all people share while also celebrating each others’ unique identities and experiences.
A diagram illustrates two processes, language comprehension and word recognition, integrating into reading comprehension with colorful braided strands and related educational materials.

How does Amplify Caminos work?

Daily instruction

Grades K–2: Dedicated knowledge-building and explicit skills instruction
Every day, students in Grades K–2 complete one full lesson that builds foundational reading skills in the Amplify Caminos Lectoescritura strand, as well as one full lesson that builds background knowledge in the Amplify Caminos Conocimiento strand. Through learning in each of these strands, students develop the early literacy skills necessary to help them become confident readers and build the context to understand what they’re reading.

Grades 3–5: Integrated instruction
In Grades 3–5, the Amplify Caminos Lectoescritura and Conocimiento strands are integrated in one set of instructional materials. Lessons begin to combine skills and knowledge with increasingly complex texts, close reading, and a greater writing emphasis. Students can then use their skills to go on their own independent reading adventures.

Formative and summative assessments

A young boy sitting at a desk writes in a notebook with a pencil; another student is seated beside him, also writing.

Amplify CKLA features a progression of moment-by-moment assessments to benchmark assessments. Assessment and feedback give teachers the information they need to differentiate instruction effectively.

Checks for Understanding
Each lesson segment incorporates checks for understanding to increase engagement and to let teachers make real-time adjustments to their instruction.

Formative Assessment
Each lesson goal is tied to a formative assessment opportunity, allowing teachers to see which students need more support with a benchmark.

Mid- and End-of-Unit Assessments
Mid-Unit and End-of-Unit Assessments provide valuable information on the skills and content students have mastered. Digital end-of-unit assessments are available on a variety of platforms.

Benchmark and Placement Assessments
Benchmark and Placement Assessments help teachers set goals and monitor the growth of each student, providing a baseline at the beginning of the year and ensuring students are advancing toward grade-level objectives.

What makes Amplify Caminos different?

Built on the Science of Reading

Built out of the latest research in the Science of Reading, Amplify Caminos delivers explicit instruction in both foundational literacy skills (systematic phonics, decoding, and fluency) and background knowledge in grades K–2 with an integrated approach to explicit instruction in grades 3–5.

Explicit systematic skills instruction

The skills instruction in Amplify Caminos was distinctly developed with the Spanish language in mind. Its foundational lessons are specific to the language, rather than a direct translation from Amplify CKLA’s English skills instruction.

Reading instruction begins with the vowels first, then the most common consonants, and finally the least common consonants. Students will blend and segment sounds to form syllables, and syllables to form words.

Although Spanish has a highly predictable orthography, there are a few silent letters (h is always silent, u is silent after g or q), as well as letters that can make different sounds, depending on the letters that follow them. For that reason, syllables with these letters are taught somewhat later in the progression. The same is true for syllables with infrequently occurring consonants, such as z, k, x, and w.

Coherent knowledge instruction

While students are learning how to read, the Conocimiento strand gives them authentic and engaging reasons to read.

Amplify Caminos uses spiral learning to reinforce every student’s ability to develop skills like reading, writing, speaking, and listening in Spanish that can be transferred to English. As students engage with their lessons, they explore the similarities and differences in grammar, vocabulary, writing, and language use between Spanish and English. This bridge helps students learning two languages to strengthen their knowledge in both.

A collage of Spanish-language educational book covers and pages featuring illustrated scenes, including a rabbit, a person observing stars, and children playing outside.

Through cross-curricular content, students explore units that relate to storytelling, science, and the history of our world in a holistic and thoughtful way. With these units, you’ll bring the world to your students, showing them how reading can become an exciting, rewarding, and useful part of their lives.

Commitment to equity and diversity

Amplify Caminos builds students’ knowledge about the world, helping them see people who resemble them and their familiar situations or experiences while also exposing them to people whose appearances, lives, beliefs, and backgrounds differ from their own.

In addition to teaching all students to crack the written code (which is vital for equity), the Amplify Caminos program helps students celebrate their own unique identities and experiences while also seeing the strengths and experiences we all share.

Two astronauts in space suits float above planets, a woman sings with musical notes, a hot air balloon with passengers flies, and a person sketches a landscape in a colorful, whimsical scene.

Amplify Caminos includes both transadaptations and authentic texts written by Latin American and Spanish authors.

Three Spanish-language children's books are displayed: "La flor de oro," "El conejo en la Luna," and "El secreto de las hormigas," each with illustrated covers.

Our decodable Student Readers celebrate students’ diverse experiences and feature individuals with a broad range of identity factors, including socio-economic status, age, ability, race, ethnicity, country of origin, and more.

Five colorful children's books in Spanish are displayed, featuring illustrated covers with diverse characters, a llama, and a giant cactus.

Our new Knowledge Research units carry forward Amplify Caminos’ powerful and proven instructional approach while also:

  • Adding more diversity. The rich topics and highly visual components featured in these units provide students with even more “windows and mirrors” and perspectives as they work to build knowledge.
  • Adding more authentic literature. Each new research unit revolves around a collection of high-interest authentic trade books that will spark more curiosity and inspire more inquiry.
  • Adding more flexibility. Units can be implemented for extended core instruction during flex periods, district-designated Pausing Points, or enrichment periods.
Three illustrations: children swimming in a pool, a diverse group of four people standing, and people caring for a tree surrounded by plants and glowing light.

Embedded differentiation for all learners

Amplify Caminos provides built-in differentiation strategies and supports in every lesson.

  • Apoyo a la enseñanza y desafío: Support and Challenge suggestions in every lesson provide assistance or opportunities for more advanced work toward the goal of the lesson.
  • Notas culturales: These point-of-use notes provide additional information about the traditions, foods, holidays, word variations, and more from across the Spanish-speaking world.
  • Apoyo adicional: Every lesson in the Lectoescritura (Skills) Strand provides additional support activities suggested to reinforce foundational skills instruction. These activities can be given to any student who requires extra help, including students with special needs.

Sample materials

Demo access

A laptop screen displays the Amplify login page with options to log in using Google, Clever, Amplify, QR code, District SSO, or get help.

Follow the instructions below to access your demo account.

  • Click the Caminos Demo button below.
  • Select Log in with Amplify.
  • To explore as a teacher, enter this username:

          t1.montgomery2024ela@demo.tryamplify.net

  • To explore as a student, enter this username:

          s1.montgomery2024ela@demo.tryamplify.net

  • Enter the password: Amplify1-montgomery2024ela
  • Click the Programs and apps menu
  • Select CKLA Teacher Resource Site
  • Select the desire grade level
  • Use the toggle to switch between English (CKLA) and Spanish (Caminos) resources.

Check out these additional resources

Caminos review resources:

What is Amplify Caminos?

Amplify Caminos is a core Spanish language arts program for grades TK–5 that delivers:

  • Authentic instruction built from the ground up for the Spanish language.
  • A unique research-based approach truly built on the Science of Reading.
  • A combination of explicit foundational skills with meaningful knowledge-building.
  • Embedded support and differentiation that gets all students reading grade-level texts together.
  • Opportunities for students to see the strengths and experiences that all people share while also celebrating each others’ unique identities and experiences.
Infographic illustrating reading development as two strands—language comprehension and word recognition—that intertwine to form skilled reading, progressing from basic to advanced abilities.

How does Amplify Caminos work?

Grades K–2: Dedicated knowledge-building and explicit skills instruction
Every day, students in Grades K–2 complete one full lesson that builds foundational reading skills in the Amplify Caminos Lectoescritura strand, as well as one full lesson that builds background knowledge in the Amplify Caminos Conocimiento strand. Through learning in each of these strands, students develop the early literacy skills necessary to help them become confident readers and build the context to understand what they’re reading.

Grades 3–5: Integrated instruction
In Grades 3–5, the Amplify Caminos Lectoescritura and Conocimiento strands are integrated in one set of instructional materials. Lessons begin to combine skills and knowledge with increasingly complex texts, close reading, and a greater writing emphasis. Students can then use their skills to go on their own independent reading adventures.

What makes Amplify Caminos different?

Built on the Science of Reading

Built out of the latest research in the Science of Reading, Amplify Caminos delivers explicit instruction in both foundational literacy skills (systematic phonics, decoding, and fluency) and background knowledge in grades K–2 with an integrated approach to explicit instruction in grades 3–5.

Explicit systematic skills instruction

The skills instruction in Amplify Caminos was distinctly developed with the Spanish language in mind. Its foundational lessons are specific to the language, rather than a direct translation from Amplify CKLA’s English skills instruction.

Reading instruction begins with the vowels first, then the most common consonants, and finally the least common consonants. Students will blend and segment sounds to form syllables, and syllables to form words.

Although Spanish has a highly predictable orthography, there are a few silent letters (h is always silent, u is silent after g or q), as well as letters that can make different sounds, depending on the letters that follow them. For that reason, syllables with these letters are taught somewhat later in the progression. The same is true for syllables with infrequently occurring consonants, such as z, k, x, and w.

Coherent knowledge instruction

While students are learning how to read, the Conocimiento strand gives them authentic and engaging reasons to read.

Amplify Caminos uses spiral learning to reinforce every student’s ability to develop skills like reading, writing, speaking, and listening in Spanish that can be transferred to English. As students engage with their lessons, they explore the similarities and differences in grammar, vocabulary, writing, and language use between Spanish and English. This bridge helps students learning two languages to strengthen their knowledge in both.

Through cross-curricular content, students explore units that relate to storytelling, science, and the history of our world in a holistic and thoughtful way. With these units, you’ll bring the world to your students, showing them how reading can become an exciting, rewarding, and useful part of their lives.

A collage of illustrated children's book pages in Spanish, featuring a knight, animals, and a group of children, with one page showing Spanish text.

Embedded differentiation for all learners

Amplify Caminos provides built-in differentiation strategies and supports in every lesson.

  • Apoyo a la enseñanza y desafío: Support and Challenge suggestions in every lesson provide assistance or opportunities for more advanced work toward the goal of the lesson.
  • Notas culturales: These point-of-use notes provide additional information about the traditions, foods, holidays, word variations, and more from across the Spanish-speaking world.
  • Apoyo adicional: Every lesson in the Lectoescritura (Skills) Strand provides additional support activities suggested to reinforce foundational skills instruction. These activities can be given to any student who requires extra help, including students with special needs.

Commitment to equity

Illustration of two astronauts in space, a woman singing, a child drawing, and people in a hot air balloon with a colorful, imaginative background.

We believe we have a responsibility to provide literacy instruction that gives every student an equal opportunity to succeed and even excel. Amplify Caminos builds students’ knowledge about the world, helping them see people who resemble them and their familiar situations or experiences while also exposing them to people whose appearances, lives, beliefs, and backgrounds differ from their own.

In addition to teaching all students to crack the written code (which is vital for equity), the Amplify Caminos program helps students celebrate their own unique identities and experiences while also seeing the strengths and experiences we all share.

Amplify Caminos includes both transadaptations and authentic texts written by Latin American and Spanish authors. Authentic literature exposes students to a variety of text types and perspectives to deepen their knowledge of fascinating topics in social studies, science, literature, and the arts. Authentic texts support text-to-self, text-to-world, and text-to-text connections for readers.

Three children's book covers in Spanish are shown: "La Flor de Oro," "El conejo en la Luna," and "El secreto de las hormigas," each with colorful illustrations.
  • Amplify Caminos is built on the conviction that equitable instruction is vital to an effective program. Decodable Student Readers celebrate students’ diverse experiences and feature individuals with a broad range of identity factors, including socio-economic status, age, ability, race, ethnicity, country of origin, and more.
Five colorful children's books in Spanish are displayed, featuring illustrated covers with diverse characters, a llama, and a giant cactus.

How does Amplify Caminos integrate with the other parts of the literacy system?

Amplify Caminos + mCLASS® Lectura

Achieve complete parity between English and Spanish assessments with mCLASS Lectura for K–6. mCLASS Lectura allows teachers to connect with their Spanish-speaking students face-to-face, one-on-one, and in the language most comfortable to them. The result? Valid and reliable student data reports
available in both English and Spanish, enabling teachers to pinpoint where their Spanish-speaking or emergent bilingual students really are in their skill development and what instruction to prioritize.

A laptop screen displays a slide titled "Lectura data-driven instructional cycle" with sections for Assessment, Reporting, and Instruction, each showing a sample screenshot.

Amplify Caminos + Amplify Reading

Amplify Reading is an engaging, adaptive digital program that extends the learning in Amplify Caminos. Amplify Reading offers support to a large sub-group of English learners (ELs) through Spanish voice-over. Spanish voiceover instructions are available in vocabulary and sentence-level comprehension games so ELs can build their vocabulary, language, and critical comprehension skills before moving into analyzing complex texts

A language selection screen with options for English and Spanish, featuring a waving girl saying "¡Hola!" in a speech bubble.

Sample materials

Demo access

A laptop screen displays the Amplify login page with options to log in using Google, Clever, Amplify, scan QR code, or use district SSO.

Follow the instructions below to access your demo account.

  • Click the CKLA and Caminos Demo button below.
  • Select Log in with Amplify.
  • To explore as a teacher, enter this username: t1.westadackla@demo.tryamplify.net
  • To explore as a student, enter this username: s1.westadackla@demo.tryamplify.net
  • Enter the password: Amplify1-westadackla
  • Click the Programs and apps menu
  • Select CKLA Teacher Resource Site
  • Select the desire grade level
  • Use the toggle to switch between English (CKLA) and Spanish (Caminos) resources.

Note: Your demo account access expires on January 19, 2023.

CKLA and Caminos Demo

Check out these additional resources

Caminos review resources:

Amplify and SFUSD Partnership

We recognize and respect the unique differences of each of our partnering districts—and that includes San Francisco USD.

Out of the box, Amplify Caminos offers districts a rich, comprehensive, research-based SELA experience. That said, no two districts are exactly alike. To that end, we are committed to working with San Francisco USD to ensure that Amplify Caminos addresses the needs of your community. This includes providing implementation guidance and support, as well as collaborating with your staff to determine which domains need to be modified or exchanged.

What is Amplify Caminos?

Amplify Caminos is a core Spanish language arts program for grades TK–5 that delivers:

  • Authentic instruction built from the ground up for the Spanish language.
  • A unique research-based approach truly built on the Science of Reading.
  • A combination of explicit foundational skills with meaningful knowledge-building.
  • Embedded support and differentiation that gets all students reading grade-level texts together.
  • Opportunities for students to see the strengths and experiences that all people share while also celebrating each others’ unique identities and experiences.



Watch the video below to learn more about Amplify Caminos for Grades K–2.



Watch the video below to learn more about Amplify Caminos for Grades 3–5.

How does Amplify Caminos work?

Amplify Caminos is built on the science of how kids learn to read—in Spanish.

Amplify Caminos is all about helping you teach students how to read, all while giving them authentic and engaging reasons to read. That’s why Amplify Caminos develops foundational skills and builds knowledge in tandem.

  • Knowledge: Through complex and authentic Spanish read-alouds with an emphasis on classroom interactivity, oral comprehension, and contextual vocabulary, students start to build their awareness of the world around them—and the way the reading skills they’re building give them access to it.
  • Skills: Starting with the sounds at the core of the Spanish
    language, students practice their phonemic awareness, handwriting skills, vocabulary, spelling, and grammar. Through daily practice, students become aware of the connection between reading and writing, building confidence as they go.
Illustration depicting the flow of genetic information, represented by ribbons transitioning from dna to rna, connected to various educational images and diagrams.

Respecting the development differences between grade ranges, Amplify Caminos teaches foundational skills and background knowledge as two distinct strands in grades K–2, and combines them into one integrated strand in grades 3–5.

Grades K–2:
Every day, students in grades K–2 complete one full lesson that explicitly and systematically builds foundational reading skills in the Amplify Caminos Lectoescritura strand, as well as one full lesson that builds robust background knowledge to access complex text in the Amplify Caminos Conocimiento strand. Through learning in each of these strands, students develop the early literacy skills necessary to help them become confident readers and build the context to understand what they’re reading.

Grades 3–5:
In grades 3–5, the Amplify Caminos Lectoescritura and Conocimiento strands are integrated in one set of instructional materials. Lessons begin to combine skills and knowledge with increasingly complex texts, close reading, and a greater writing emphasis. Students can then use their skills to go on their own independent reading adventures.

What do Amplify Caminos students explore?

Amplify Caminos builds students’ knowledge about the world.

In addition to teaching all students to crack the written code (which is vital for equity), the Amplify Caminos program helps students see the strengths and experiences we all share while celebrating their own unique identities and experiences.

This is accomplished through the exploration of topics and text that feature people who resemble students and familiar situations or experiences while also exposing them to people whose appearances, lives, beliefs, and backgrounds differ from their own.
 

Engaging domains

Amplify Caminos builds knowledge coherently across subjects and grades.

Throughout the program, students use their skills to explore domains that relate to storytelling, science, and the history of our world as seen through the eyes of many different groups.

Carefully selected to build from year-to-year, our grade-appropriate topics help students make and deepen connections while also reading, writing, and thinking creatively and for themselves.

Curriculum flowchart for Kindergarten to Grade 5, showing subject progression in language, science, and social studies, with highlighted and connected units.

New Knowledge Research Units for Grades K–5

Our brand-new Knowledge Research units carry forward Amplify Caminos’ powerful and proven instructional approach while also:

  • Adding more diversity. The rich topics and highly visual components featured in these units provide students with even more “windows and mirrors” and perspectives as they work to build knowledge.
  • Adding more authentic literature. Each new research unit revolves around a collection of high-interest authentic trade books that will spark more curiosity and inspire more inquiry.
  • Adding more flexibility. Units can be implemented for extended core instruction during flex periods, district-designated Pausing Points, or enrichment periods.

Units cover a variety of rich and relevant topics:

With these new units, students will soar to new heights with Dr. Ellen Ochoa, Amelia Earhart, and the Tuskegee Airmen. They’ll feel the rhythm as they learn about Jazz legends Miles Davis, Tito Puente, and Duke Ellington. And they’ll explore the far reaches of the world with Jacques Cousteau, Matthew Henson, and Eugenie Clark.

  • Grade K: El arte y el mundo que nos rodea
  • Grade 1: Cuentos de aventuras: relatos desde los confines de la Tierra
  • Grade 2: ¡A volar! La era de la aviación
  • Grade 3: Jazz y más
  • Grade 4: Energía: pasado, presente y futuro
  • Grade 5: Más allá de Juneteenth: de 1865 al presente

Units will be made available in English and Spanish, and will include the following components:

Why we added this unit:
“Every child is an artist,” said Picasso, meaning that every child uses art to explore and understand the world around them. El arte y el mundo que nos rodea honors that truth by introducing Kindergarten students to some of the ways in which artists have explored and understood the world around them.

This domain introduces students to artists from different time periods, countries, and cultures. Throughout the unit, students learn about different kinds of art and how artists use the world around them as they make art. They also connect this to what they have already learned about the earth, plants, and animals in other Caminos domains: GranjasPlantas, and Cuidar el planeta Tierra. In addition, students connect this to what they have learned about sculptors in the Presidentes y símbolos de los Estados Unidos domain. As they explore different artists and artistic traditions, they develop their ideas about how humans are connected to each other and to the world around them.

As you read the texts in this unit, students may observe ways in which the characters or subjects are both similar to and different from students. This is a good opportunity to teach students awareness and sensitivity, building on the idea that all people share some things in common, even as they have other things that make them unique. This unit also offers an excellent opportunity to collaborate with your school’s art teacher, as many lessons have suggested activities to help students understand the kind of art they are studying.

Within this unit, students have opportunities to:

  • Use details to describe art.
  • Identify three ways to create art.
  • Identify characteristics of cave art.
  • Sequence the steps of making pottery.
  • Describe how artists can create work connected to the world around them.
  • Describe what makes Kehinde Wiley’s portraits unique.
  • Explain how the texture of a surface can affect artwork created on it.
  • Explain what a sculpture is.
  • Describe what makes James Turrell’s artwork about the sky unique.
  • Explain what a museum is and what kinds of things you can see or do there.

Trade books in this unit:
Instruction in this unit revolves around the following collection of high-interest authentic trade books. One copy of each trade book is included with the unit materials.

  • Georgia O’Keeffe por Erica Salcedo
  • Yayoi Kusama: De aquí al infinito por Sarah Suzuki
  • Tejedora del arcoíris por Linda Elovitz Marshall
  • Las tijeras de Matisse por Jeanette Winter
  • El museo por Susan Verde
  • Quizás algo hermoso: Cómo el arte transformó un barrio por F. Isabel Campoy

Sample materials:
Take a sneak peek at the rich instruction and engaging activities for this unit by viewing the PDFs below.

Why we added this unit:
This domain introduces students to adventure stories set around the world and challenges students to dig into the adventures through research. By listening to the Read-Alouds and trade books, students increase their vocabulary and reading comprehension skills, learn valuable lessons about perseverance and teamwork, and become familiar with gathering information for research.

In this unit, students study the careers of real-world explorers Dr. Eugenie Clark and Sophia Danenberg, marvel at the inventions of Jacques Cousteau, think critically about how teamwork and collaboration can make greater adventures possible, learn about the science and technology that enable adventures, and research some of the ways humans have confronted challenges at the edges of the world, from the oceans below to space above.

Each lesson in the domain builds students’ research skills as they ask questions, gather information, and write a paragraph about their findings. Students share what they have learned about adventures in an Adventure Gallery Walkthrough. By taking on the persona of one of the adventurers they meet in the Read-Alouds and trade books, students deliver their final paragraphs as if they are a “speaking portrait” of that person. Students are invited to dress up as that adventurer if they desire.

In addition, teachers can set aside time outside the instructional block to create the picture frames students will hold as they present to the Adventure Gallery Walk guests. Frames can be made from shirt boxes, cardboard, construction paper, or any art supplies that are on hand. This might be an opportunity to collaborate with the school’s art department if resources are available. Another option is to ask students to make their frames at home with their caregivers. On the day of the Adventure Gallery Walk, students will be the hosts and take on specific jobs, such as welcoming the guests, describing their work throughout the unit, and pointing out the areas of study on the domain bulletin board. You can find a complete list of student jobs in Lesson 13.

How this unit builds knowledge:
This unit builds upon the following Caminos units that students will have encountered in the previous grade.

  • Rimas y fábulas infantiles (Kindergarten)
  • Cuentos (Kindergarten)

The specific core content targeted in these domains is particularly relevant to the Read-Alouds students will hear in Cuentos de aventuras: relatos desde los confines de la Tierra. The background knowledge students bring to this unit will greatly enhance their understanding of the trade books used in this unit.

Trade books in this unit:
Instruction in this unit revolves around the following collection of high-interest authentic trade books. One copy of each trade book is included with the unit materials.

  • My Name Is Gabito/Me llamo Gabito por Monica Brown
  • Galápagos Girl/Galapagueña por Marsha Diane Arnold
  • My Name Is Gabriela/Me llamo Gabriela por Monica Brown
  • El viaje de Kalak por María Quintana Silva y Marie-Noëlle Hébert
  • Señorita Mariposa por Ben Gundersheimer
  • Sharuko, el arqueólogo peruano/Peruvian Archaeologist Julio C. Tello por Monica Brown
  • Abuelita fue al mercado por Stella Blackstone

Sample materials:
Take a sneak peek at the rich instruction and engaging activities for this unit by viewing the PDFs below.

Why we added this unit:
With this domain, students head up, up, and away with an introduction to the soaring history of aviation. Students learn the stories of early aviators, such as the Montgolfier brothers, the Wright brothers, Aida de Acosta, and Amelia Earhart.

During the unit, students study the science of flight, including the physics concept of lift, and research the social impacts of the world of flight. Finally, students let their research skills take flight as they explore key figures from the world of aviation.

The lessons in this domain build on earlier Grade 2 Caminos domains about the westward expansion, early Greek civilizations, and Greek myths, and lay the foundation for learning about other periods of world history in future grades.

How this unit builds knowledge:
This unit builds upon the following Caminos units that students will have encountered earlier in the year.

  • La civilización griega antigua (Grade 2)
  • Mitos griegos (Grade 2)
  • La expansión hacia el oeste (Grade 2)

The specific core content targeted in these domains is particularly relevant to the Read-Alouds students will hear in ¡A volar! La era de la aviación. The background knowledge students bring to this unit will greatly enhance their understanding of the trade books used in this unit.

Trade books in this unit:
Instruction in this unit revolves around the following collection of high-interest authentic trade books. One copy of each trade book is included with the unit materials.

  • ¡A volar! Todo sobre aviones por Jennifer Prior
  • Amelia sabe volar por Mara dal Corso
  • Héroes de la aviación que cambiaron el mundo por Dan Green
  • El niño que alcanzó las estrellas por José M. Hernández
  • La niña que aprendió a volar por Sylvia Acevedo
  • Buenas Noches Capitán Mamá por Graciela Tiscareño-Sato

Sample materials:
Take a sneak peek at the rich instruction and engaging activities for this unit by viewing the PDFs below.

Why we added this unit:
This domain teaches students about the vibrant music, poetry, and culture of the Jazz Age in the United States. Students learn about famous writers and musicians like Langston Hughes, Louis Armstrong, Billie Holiday, Melba Liston, Tito Puente, and Miles Davis. They study how the jazz art form took root in the South, then spread to the North to become the sound of the Harlem Renaissance, eventually connecting people around the world in musical expression.

During this unit, students perform guided research to further explore both the history of jazz and what jazz is today. They develop research skills and then use those skills to find deeper connections between the stories and music of the Jazz Age and music today. As students learn about the world of jazz, they collaborate and share ideas with their classmates. They also practice sharing feedback focused on their written work, and, at the end of the unit, students present their research to the group.

The lessons give students opportunities to dive into the rhythms and stories of jazz, utilizing the knowledge sequence in this unit to:

  • Collaboratively generate research questions about jazz, jazz musicians, contemporary musicians from the state where they live or have lived, and the evolution of jazz music.
  • Utilize Read-Alouds, independent reading, and partner reading to learn about the Jazz Age, the Harlem Renaissance, jazz music, and biographies of celebrated jazz musicians and writers.
  • Research the answers to their generated questions, gather information, write a short research essay about a famous jazz musician, write a short essay about a contemporary musician from the state where they live or have lived, and give a presentation about their research.

How this unit builds knowledge:
Within this unit, students have opportunities to:

  • Ask relevant questions and make pertinent comments
  • Identify details in texts
  • Determine key ideas of texts by evaluating details
  • Make text-based inferences
  • Generate questions based on prior knowledge and gathered information
  • Synthesize details across texts to demonstrate comprehension
  • Discuss and explain an author’s purpose
  • Identify and cite reliable primary and secondary sources of information
  • Compose a well-organized and focused informative essay
  • Make connections between topics
  • Present information using appropriate media

Trade books in this unit:
Instruction in this unit revolves around the following collection of high-interest authentic trade books. One copy of each trade book is included with the unit materials.

  • ¡Esquivel! Un artista del sonido de la era espacial por Susan Wood
  • Ray Charles por Sharon Bell Mathis
  • Tito Puente, el Rey del Mambo por Monica Brown
  • Me llamo Celia, la vida de Celia Cruz por Monica Brown
  • ¡Azúcar! por Ivar Da Coll

In this unit, students also read the poem “Harlem” by Langston Hughes. (Available for free through the Academy of American Poets website and the Poetry Foundation website, with recorded audio available through the website for John Hancock College Preparatory High School.)

Sample materials:
Take a sneak peek at the rich instruction and engaging activities for this unit by viewing the PDFs below.

Why we added this unit:
With this domain, students become tomorrow’s problem solvers in this study of energy in the United States. Analytical reading skills are developed by examining the challenges of early energy innovators. Students then read about current energy practices and young energy change-makers across the world.

Throughout the unit, students conduct research into different sources of energy and present a proposal, putting them in the shoes of future energy innovators. They also use the knowledge sequence in this unit to:

  • Collaboratively analyze texts to identify cause-effect and problem-solution relationships.
  • Generate questions and conduct research about energy.
  • Write an opinion essay making their case for a fuel of the future.
  • Create energy proposals using primary and secondary resources.

How this unit builds knowledge:
This unit builds upon the following Caminos units that students will have encountered in previous grades as well as earlier in the year.

  • Plantas (Grade K)
  • La historia de la Tierra (Grade 1)
  • ¡Eureka! Estudiante inventor (Grade 4)

The specific core content targeted in these domains is particularly relevant to the Read-Alouds students will hear in Energía: pasado, presente y futuro. The background knowledge students bring to this unit will greatly enhance their understanding of the trade books used in this unit.

Trade books in this unit:
Instruction in this unit revolves around the following collection of high-interest authentic trade books. One copy of each trade book is included with the unit materials.

  • La historia de los combustibles fósiles por William B. Rice
  • El niño que domó el viento por William Kamkwamba y Bryan Mealer

Sample materials:
Take a sneak peek at the rich instruction and engaging activities for this unit by viewing the PDFs below.

Why we added this unit:
Within this domain, Students learn about General Granger’s announcement in Galveston, Texas on June 19, 1865, a day marked in history as Juneteenth. Texts and multimedia sources will support foundational knowledge-building about the end of slavery in the United States. A review of the first freedom announcement, President Lincoln’s Emancipation Proclamation, provides students with background knowledge to further emphasize the significance of Juneteenth in American history.

This unit also takes students on a journey beyond Juneteenth, as they study specific contributions of African Americans from 1865 to the present day. Students participate in a virtual field trip to Emancipation Park in Houston, Texas and use the knowledge sequence in this unit to:

  • Collaboratively generate research questions about Juneteenth, The Great Migration, innovators and inventors, education, the humanities, activists, and allies.
  • Use Read-Alouds, independent, and partner reading to learn about African American contributions from 1865 to the present.
  • Research to find answers to their generated questions, gather information, and write a four-chapter Beyond Juneteenth book.

How this unit builds knowledge:
This unit builds upon the following Caminos units that students will have encountered in previous grades.

  • Los nativos americanos (Grade K)
  • Una nueva nación: la independencia de los Estados Unidos (Grade 1)
  • La Guerra Civil de los Estaods Unidos (Grade 2)
  • La inmigración (Grade 2)
  • Los nativos americanos (Grade 5)

The specific core content targeted in these domains is particularly relevant to the Read-Alouds students will hear in Más allá de Juneteenth: de 1865 al presente
. The background knowledge students bring to this unit will greatly enhance their understanding of the trade books used in this unit.

Trade books in this unit:
Instruction in this unit revolves around the following collection of high-interest authentic trade books. One copy of each trade book is included with the unit materials.

  • Martí’s Song for Freedom/Martí y sus versos por la libertad escrito por Emma Otheguy
  • ¡Celebremos Juneteenth! escrito por Carole Boston Weatherford
  • Side by Side/Lado a Lado: The Story of Dolores Huerta and Cesar Chavez/La Historia de Dolores Huerta y César Chávez escrito por Monica Brown
  • Canto de alabanza para el día: Poema para la ceremonia inaugural del mandato de Barack Obama escrito por Elizabeth Alexander, traducido por Rodrigo Rojas

Sample materials:
Take a sneak peek at the rich instruction and engaging activities for this unit by viewing the PDFs below.

Diverse texts

Amplify Caminos puts a variety of texts in the hands of students every day.

Amplify Caminos includes both transadaptations and authentic texts written by Latin American and Spanish authors. In addition to featuring a diverse range of authors and topics, our texts represent individuals and characters with a broad range of identity factors, including socioeconomic status, age, ability, race, ethnicity, country of origin, religion, and more.

Amplify Caminos texts include:

  • Authentic literature: Authentic literature exposes students to a variety of text types and perspectives to deepen their knowledge of fascinating topics in social studies, science, literature, and the arts. Authentic texts support text-to-self, text-to-world, and text-to-text connections for readers.
  • Decodable Student Readers: Amplify Caminos is built on the conviction that equitable instruction is vital to an effective program. Decodable Student Readers at grades K–2 are newly re-designed to celebrate students’ diverse experiences and feature individuals with a broad range of identity factors, including socioeconomic status, age, ability, race, ethnicity, country of origin, religion, and more.
  • ReadWorks® texts: Amplify and ReadWorks have partnered to deliver high-quality texts curated to support the Amplify Caminos Knowledge Sequence and to extend student learning. Texts include high-interest nonfiction articles in topics in social studies, science, literature, and the arts. These texts are accompanied by vocabulary supports and standards-aligned formative assessment opportunities. Teachers can monitor their students’ progress using the ReadWorks reporting features.
Three book covers displaying children's books in spanish, each featuring colorful and stylized illustrations related to cultural stories.

Amplify Caminos Trade Book Collection Guide

Each book in our authentic literature collection was selected specifically to support and enhance the content of the K-2 Conocimiento Strand. These anchor texts are intended for use as an introduction to each domain—engaging students, piquing their curiosity, and building initial background knowledge—before diving into the deeper content of the domain Read-Alouds.

Every trade book has an instructional guide that includes the following:

  • Author and illustrator
  • Book summary
  • The Essential Question of the Knowledge domain, connecting the book to the domain
  • Key Tier 2 and Tier 3 vocabulary words found in the book
  • A group activity to reinforce and extend students’ knowledge and understanding
  • A performance task to help gauge students’ comprehension of concepts in the text
  • Writing prompts to expand understanding and critical thinking
  • Text complexity ratings and descriptors for quantitative, qualitative, and reader/task categories

Download the Amplify Caminos Trade Book Collection Guide for Grades K–2.

Detailed information about text complexity ratings and descriptors; additional uses for the books before, during, and after domain instruction; and the complete list of domains and books for each grade level can be found in the More About the Books section of this guide.

What makes Amplify Caminos different?

Built on the Science of Reading

Built out of the latest research in the Science of Reading, Amplify Caminos delivers explicit instruction in both foundational literacy skills (systematic phonics, decoding, and fluency) and background knowledge in grades K–2 with an integrated approach to explicit instruction in grades 3–5.

Three connected orange blocks labeled

Explicit systematic skills instruction

The skills instruction in Amplify Caminos was distinctly developed with the Spanish language in mind. Its foundational lessons are specific to the language, rather than a direct translation from Amplify CKLA’s English skills instruction.

Reading instruction begins with the vowels first, then the most common consonants, and finally the least common consonants. Students will blend and segment sounds to form syllables, and syllables to form words.

Although Spanish has a highly predictable orthography, there are a few silent letters (h is always silent, u is silent after g or q), as well as letters that can make different sounds, depending on the letters that follow them. For that reason, syllables with these letters are taught somewhat later in the progression. The same is true for syllables with infrequently occurring consonants, such as z, k, x, and w.

Coherent knowledge instruction

While students are learning how to read, the Conocimiento strand gives them authentic and engaging reasons to read.

Amplify Caminos uses spiral learning to reinforce every student’s ability to develop skills like reading, writing, speaking, and listening in Spanish that can be transferred to English. As students engage with their lessons, they explore the similarities and differences in grammar, vocabulary, writing, and language use between Spanish and English. This bridge helps students learning two languages to strengthen their knowledge in both.

Through cross-curricular content, students explore units that relate to storytelling, science, and the history of our world in a holistic and thoughtful way. With these units, you’ll bring the world to your students, showing them how reading can become an exciting, rewarding, and useful part of their lives.

A collage of illustrated book covers, including themes of Don Quixote, space exploration, and anthropomorphic animals in various scenarios, all enriched with Spanish language elements.

Embedded differentiation for all learners

Amplify Caminos provides built-in differentiation strategies and supports in every lesson.

  • Apoyo a la enseñanza y desafío: Support and Challenge suggestions in every lesson provide assistance or opportunities for more advanced work toward the goal of the lesson.
  • Notas culturales: These point-of-use notes provide additional information about the traditions, foods, holidays, word variations, and more from across the Spanish-speaking world.
  • Apoyo adicional: Every lesson in the Lectoescritura (Skills) Strand provides additional support activities suggested to reinforce foundational skills instruction. These activities can be given to any student who requires extra help, including students with special needs.

Systematic and cohesive writing instruction

Writing instruction in Amplify Caminos builds systematically and cohesively within and across grades.

In Grades K-2, writing mechanics—including handwriting and spelling—are taught in the Amplify Caminos Lectoescritura strand. Starting in Grade 1, instruction includes four steps in the writing process: planning, drafting, editing, and publishing and features lessons that have modeling, collaboration, and sharing. As students gain skills and confidence, they are able to take on more of these steps independently. Students learn to use planning techniques, including brainstorming and graphic organizers.

Beginning in Grade 4, the Amplify Caminos writing process expands to also include sharing and evaluating. In Grades 4 and 5, the writing process is no longer conceptualized as a series of scaffolded, linear steps (an important change from the Grade 3 writing process). Rather, students move between components of the writing process in a flexible manner, similar to the process mature and experienced writers follow naturally.

young male students writing with a pencil

Amplify Caminos’ writing instruction provides a clear progression through the text types in each grade.

Because Amplify Caminos has two strands of lessons in Grades K-2, Lectoescritura and Conocimiento, students are exposed to both narrative and informational texts throughout the year. In Grades 3-5, the integrated units feature study in literary, informational, or a mix of both types of texts, depending on the content of the unit.

  • Grades K–2 introduce and establish the key elements of each text type, allowing students to gain comfort and confidence writing narratives, opinions, and informative texts. This enables students to practice thinking about content in different ways, offering more depth and breadth to their understanding of core content and of the writing text types.
  • By Grade 3, students will have gained significant practice in narrative, opinion/argumentative, and informational/explanatory forms of writing and will continue to apply those skills through Grade 5.

How does Amplify Caminos integrate with the other parts of the literacy system?

Amplify Caminos + mCLASS® Lectura

Achieve complete parity between English and Spanish assessments with mCLASS Lectura for K–6. mCLASS Lectura allows teachers to connect with their Spanish-speaking students face-to-face, one-on-one, and in the language most comfortable to them. The result? Valid and reliable student data reports
available in both English and Spanish, enabling teachers to pinpoint where their Spanish-speaking or emergent bilingual students really are in their skill development and what instruction to prioritize.

Reading assessment validated for benchmark, progress monitoring, and dyslexia screening

Amplify Caminos + Amplify Reading

Amplify Reading is an engaging, adaptive digital program that extends the learning in Amplify Caminos. Amplify Reading offers support to a large sub-group of English learners (ELs) through Spanish voice-over. Spanish voiceover instructions are available in vocabulary and sentence-level comprehension games so ELs can build their vocabulary, language, and critical comprehension skills before moving into analyzing complex texts

Spanish Support

Demo access and sample materials

Ready to explore on your own? First, watch the videos below to learn about the program’s components and how to navigate the digital platform.

Physical materials walkthrough video



Digital navigation video

Demo access

Next, follow the instructions below to access your demo account.

Laptop screen displaying a login page for
  • Click the CKLA and Caminos Demo button below.
  • Select Log in with Amplify.
  • To explore as a teacher, enter this username: t1.sfusdreviewer@demo.tryamplify.net
  • To explore as a student, enter this username: s1.sfusdreviewer@demo.tryamplify.net
  • Enter the password: Amplify1-sfusdreviewer
  • Click the Programs and apps menu
  • Select CKLA Teacher Resource Site
  • Select the desire grade level
  • Use the toggle to switch between English (CKLA) and Spanish (Caminos) resources.

Sample materials

Finally, click on the grade levels below to explore your requested sample units.

Each book in our authentic literature collection was selected specifically to support and enhance the content of the K-2 Conocimiento Strand. These anchor texts are intended for use as an introduction to each domain—engaging students, piquing their curiosity, and building initial background knowledge—before diving into the deeper content of the domain Read-Alouds.

Every trade book has an instructional guide that includes the following:

  • Author and illustrator
  • Book summary
  • The Essential Question of the Knowledge domain, connecting the book to the domain
  • Key Tier 2 and Tier 3 vocabulary words found in the book
  • A group activity to reinforce and extend students’ knowledge and understanding
  • A performance task to help gauge students’ comprehension of concepts in the text
  • Writing prompts to expand understanding and critical thinking
  • Text complexity ratings and descriptors for quantitative, qualitative, and reader/task categories

Download the Amplify Caminos Trade Book Collection Guide for Grades K–2.
Detailed information about text complexity ratings and descriptors; additional uses for the books before, during, and after domain instruction; and the complete list of domains and books for each grade level can be found in the More About the Books section of this guide.

Additional resources

Brain Builders video series

Brain Builders is an animated video series you can share with your students to help them understand what the brain does in order to read–the first time the Science of Reading has been placed in the hands of students.  Join Minh on his journey as his babysitter, Tamara, helps him cultivate a love for reading and understanding the Science of Reading. Series includes 13 episodes you don’t want to miss!

Illustration of a stylized brain surrounded by various colorful icons representing gears, atoms, and a ship's wheel, emphasizing the science of reading, with the word "amplify" underneath.
Girl shares her love for reading with a boy.

Episode 1

Reading: Why Though?

Watch now

Boy is introduced to the importance of written language.

Episode 2

How to Travel Through Time

Watch now

Animated image of a man in a boat, startled by a large whale surfacing from the ocean, with the phrase "learning to read" written in large red letters.

Episode 3

Spelling: Weird? Or not weird?

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Boy learns the importance of understanding words and what they mean in sentences.

Episode 4

The Origin of my Reading Brain

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Boy learns that words have patterns that can give clues to define an unknown word.

Episode 5

Why Some Words Look Weird

Watch now

Illustration showing text "she drives a big train" with a woman driving a red train, a man with glasses, and a smiling girl with yellow hair and red glasses learning to read.

Episode 6

Speed: Is There a Need?

Watch now

Boy is introduced to sight words.

Episode 7

Every Word Wants to be a Sight Word When it Grows Up

Watch now

Boy and girl read together at book club.

Episode 8

Fluency, and What Stuff Means

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Girl gives a presentation.

Episode 9

How to Learn More Words!

Watch now

Animated characters from "Summer Camp Island" standing in a colorful room with quirky decorations and a rocket ship door, focused on learning to read.

Episode 10

How to Be at Home in New Worlds!

Watch now

Boy learns the importance of understanding what you read.

Episode 11

Reading is Thinking

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Boy reflects on his journey as a reader and what he has learned about the Science of Reading.

Episode 12

Reading: Here’s Why!

Watch now

Girl gives a presentation.

Episode 13

Summary

Watch now

Ways to use Brain Builders

  • Start the week by playing one for your whole class!
  • Binge them as a reward one Friday afternoon!
  • Share this link to parents and caregivers!

Learn more about Amplify literacy solutions

Learn more

Amplify Caminos for SFUSD

Amplify Caminos is an authentic elementary Spanish language arts program. Like its English language counterpart, Amplify CKLA, Amplify Caminos provides explicit, systematic foundational skills instruction sequenced with deep knowledge-building content to foster comprehension. When used with Amplify CKLA, Amplify Caminos provides full parity across English and Spanish that’s suitable for any dual language implementation model.

Colorful illustration featuring a child in traditional Andean clothing, tropical plants, a volcano, a toucan, a horse rider, and the word "Gracias!" written in Spanish.

Amplify and SFUSD Partnership

We recognize and respect the unique differences of each of our partnering districts—and that includes San Francisco USD.

Out of the box, Amplify Caminos offers districts a rich, comprehensive, research-based SELA experience. That said, no two districts are exactly alike. To that end, we are committed to working with San Francisco USD to ensure that Amplify Caminos addresses the needs of your community. This includes providing implementation guidance and support, as well as collaborating with your staff to determine which domains need to be modified or exchanged.

What is Amplify Caminos?

Amplify Caminos is a core Spanish language arts program for grades TK–5 that delivers:

  • Authentic instruction built from the ground up for the Spanish language.
  • A unique research-based approach truly built on the Science of Reading.
  • A combination of explicit foundational skills with meaningful knowledge-building.
  • Embedded support and differentiation that gets all students reading grade-level texts together.
  • Opportunities for students to see the strengths and experiences that all people share while also celebrating each others’ unique identities and experiences.

Watch the video below to learn more about Amplify Caminos for Grades K–2.

Watch the video below to learn more about Amplify Caminos for Grades 3–5.

How does Amplify Caminos work?

Amplify Caminos is built on the science of how kids learn to read—in Spanish.

Amplify Caminos is all about helping you teach students how to read, all while giving them authentic and engaging reasons to read. That’s why Amplify Caminos develops foundational skills and builds knowledge in tandem.

  • Knowledge: Through complex and authentic Spanish read-alouds with an emphasis on classroom interactivity, oral comprehension, and contextual vocabulary, students start to build their awareness of the world around them—and the way the reading skills they’re building give them access to it.
  • Skills: Starting with the sounds at the core of the Spanish
    language, students practice their phonemic awareness, handwriting skills, vocabulary, spelling, and grammar. Through daily practice, students become aware of the connection between reading and writing, building confidence as they go.
A diagram illustrating reading development as intertwined strands: language comprehension and word recognition, progressing from basic skills to increasingly strategic and automatic reading.

Respecting the development differences between grade ranges, Amplify Caminos teaches foundational skills and background knowledge as two distinct strands in grades K–2, and combines them into one integrated strand in grades 3–5.

Grades K–2:
Every day, students in grades K–2 complete one full lesson that explicitly and systematically builds foundational reading skills in the Amplify Caminos Lectoescritura strand, as well as one full lesson that builds robust background knowledge to access complex text in the Amplify Caminos Conocimiento strand. Through learning in each of these strands, students develop the early literacy skills necessary to help them become confident readers and build the context to understand what they’re reading.

Grades 3–5:
In grades 3–5, the Amplify Caminos Lectoescritura and Conocimiento strands are integrated in one set of instructional materials. Lessons begin to combine skills and knowledge with increasingly complex texts, close reading, and a greater writing emphasis. Students can then use their skills to go on their own independent reading adventures.

What do Amplify Caminos students explore?

Amplify Caminos builds students’ knowledge about the world.

In addition to teaching all students to crack the written code (which is vital for fairness), the Amplify Caminos program helps students see the strengths and experiences we all share while celebrating their own unique identities and experiences.

This is accomplished through the exploration of topics and text that feature people who resemble students and familiar situations or experiences while also exposing them to people whose appearances, lives, beliefs, and backgrounds differ from their own.

Engaging domains

Amplify Caminos builds knowledge coherently across subjects and grades.

Throughout the program, students use their skills to explore domains that relate to storytelling, science, and the history of our world as seen through the eyes of many different groups.

Carefully selected to build from year-to-year, our grade-appropriate topics help students make and deepen connections while also reading, writing, and thinking creatively and for themselves.

Curriculum flowchart showing reading themes and activities from Kindergarten to Grade 5, organized by grade level and literary theme, with interconnected boxes for each topic.

New Knowledge Research Units for Grades K–5

Our brand-new Knowledge Research units carry forward Amplify Caminos’ powerful and proven instructional approach while also:

  • Adding more content for students from all walks of life. The rich topics and highly visual components featured in these units provide students with even more “windows and mirrors” and perspectives as they work to build knowledge.
  • Adding more authentic literature. Each new research unit revolves around a collection of high-interest authentic trade books that will spark more curiosity and inspire more inquiry.
  • Adding more flexibility. Units can be implemented for extended core instruction during flex periods, district-designated Pausing Points, or enrichment periods.

Units cover a variety of rich and relevant topics:

With these new units, students will soar to new heights with Dr. Ellen Ochoa, Amelia Earhart, and the Tuskegee Airmen. They’ll feel the rhythm as they learn about Jazz legends Miles Davis, Tito Puente, and Duke Ellington. And they’ll explore the far reaches of the world with Jacques Cousteau, Matthew Henson, and Eugenie Clark.

  • Grade K: El arte y el mundo que nos rodea
  • Grade 1: Cuentos de aventuras: relatos desde los confines de la Tierra
  • Grade 2: ¡A volar! La era de la aviación
  • Grade 3: Jazz y más
  • Grade 4: Energía: pasado, presente y futuro
  • Grade 5: Más allá de Juneteenth: de 1865 al presente

Units will be made available in English and Spanish, and will include the following components:

  • Teacher Guide
  • Student Activity Books
  • Image Cards
  • Trade Book Collection
  • Digital Components (for Grades K–3 and Grade 5 only)

Why we added this unit:
“Every child is an artist,” said Picasso, meaning that every child uses art to explore and understand the world around them. El arte y el mundo que nos rodea honors that truth by introducing Kindergarten students to some of the ways in which artists have explored and understood the world around them.

This domain introduces students to artists from different time periods, countries, and cultures. Throughout the unit, students learn about different kinds of art and how artists use the world around them as they make art. They also connect this to what they have already learned about the earth, plants, and animals in other Caminos domains: GranjasPlantas, and Cuidar el planeta Tierra. In addition, students connect this to what they have learned about sculptors in the Presidentes y símbolos de los Estados Unidos domain. As they explore different artists and artistic traditions, they develop their ideas about how humans are connected to each other and to the world around them.

As you read the texts in this unit, students may observe ways in which the characters or subjects are both similar to and different from students. This is a good opportunity to teach students awareness and sensitivity, building on the idea that all people share some things in common, even as they have other things that make them unique. This unit also offers an excellent opportunity to collaborate with your school’s art teacher, as many lessons have suggested activities to help students understand the kind of art they are studying.

Within this unit, students have opportunities to:

  • Use details to describe art.
  • Identify three ways to create art.
  • Identify characteristics of cave art.
  • Sequence the steps of making pottery.
  • Describe how artists can create work connected to the world around them.
  • Describe what makes Kehinde Wiley’s portraits unique.
  • Explain how the texture of a surface can affect artwork created on it.
  • Explain what a sculpture is.
  • Describe what makes James Turrell’s artwork about the sky unique.
  • Explain what a museum is and what kinds of things you can see or do there.

Trade books in this unit:
Instruction in this unit revolves around the following collection of high-interest authentic trade books. One copy of each trade book is included with the unit materials.

  • Georgia O’Keeffe por Erica Salcedo
  • Yayoi Kusama: De aquí al infinito por Sarah Suzuki
  • Tejedora del arcoíris por Linda Elovitz Marshall
  • Las tijeras de Matisse por Jeanette Winter
  • El museo por Susan Verde
  • Quizás algo hermoso: Cómo el arte transformó un barrio por F. Isabel Campoy

Sample materials:
Take a sneak peek at the rich instruction and engaging activities for this unit by viewing the PDFs below.

Why we added this unit:
This domain introduces students to adventure stories set around the world and challenges students to dig into the adventures through research. By listening to the Read-Alouds and trade books, students increase their vocabulary and reading comprehension skills, learn valuable lessons about perseverance and teamwork, and become familiar with gathering information for research.

In this unit, students study the careers of real-world explorers Dr. Eugenie Clark and Sophia Danenberg, marvel at the inventions of Jacques Cousteau, think critically about how teamwork and collaboration can make greater adventures possible, learn about the science and technology that enable adventures, and research some of the ways humans have confronted challenges at the edges of the world, from the oceans below to space above.

Each lesson in the domain builds students’ research skills as they ask questions, gather information, and write a paragraph about their findings. Students share what they have learned about adventures in an Adventure Gallery Walkthrough. By taking on the persona of one of the adventurers they meet in the Read-Alouds and trade books, students deliver their final paragraphs as if they are a “speaking portrait” of that person. Students are invited to dress up as that adventurer if they desire.

In addition, teachers can set aside time outside the instructional block to create the picture frames students will hold as they present to the Adventure Gallery Walk guests. Frames can be made from shirt boxes, cardboard, construction paper, or any art supplies that are on hand. This might be an opportunity to collaborate with the school’s art department if resources are available. Another option is to ask students to make their frames at home with their caregivers. On the day of the Adventure Gallery Walk, students will be the hosts and take on specific jobs, such as welcoming the guests, describing their work throughout the unit, and pointing out the areas of study on the domain bulletin board. You can find a complete list of student jobs in Lesson 13.

How this unit builds knowledge:
This unit builds upon the following Caminos units that students will have encountered in the previous grade.

  • Rimas y fábulas infantiles (Kindergarten)
  • Cuentos (Kindergarten)

The specific core content targeted in these domains is particularly relevant to the Read-Alouds students will hear in Cuentos de aventuras: relatos desde los confines de la Tierra. The background knowledge students bring to this unit will greatly enhance their understanding of the trade books used in this unit.

Trade books in this unit:
Instruction in this unit revolves around the following collection of high-interest authentic trade books. One copy of each trade book is included with the unit materials.

  • My Name Is Gabito/Me llamo Gabito por Monica Brown
  • Galápagos Girl/Galapagueña por Marsha Diane Arnold
  • My Name Is Gabriela/Me llamo Gabriela por Monica Brown
  • El viaje de Kalak por María Quintana Silva y Marie-Noëlle Hébert
  • Señorita Mariposa por Ben Gundersheimer
  • Sharuko, el arqueólogo peruano/Peruvian Archaeologist Julio C. Tello por Monica Brown
  • Abuelita fue al mercado por Stella Blackstone

Sample materials:
Take a sneak peek at the rich instruction and engaging activities for this unit by viewing the PDFs below.

Why we added this unit:
With this domain, students head up, up, and away with an introduction to the soaring history of aviation. Students learn the stories of early aviators, such as the Montgolfier brothers, the Wright brothers, Aida de Acosta, and Amelia Earhart.

During the unit, students study the science of flight, including the physics concept of lift, and research the social impacts of the world of flight. Finally, students let their research skills take flight as they explore key figures from the world of aviation.

The lessons in this domain build on earlier Grade 2 Caminos domains about the westward expansion, early Greek civilizations, and Greek myths, and lay the foundation for learning about other periods of world history in future grades.

How this unit builds knowledge:
This unit builds upon the following Caminos units that students will have encountered earlier in the year.

  • La civilización griega antigua (Grade 2)
  • Mitos griegos (Grade 2)
  • La expansión hacia el oeste (Grade 2)

The specific core content targeted in these domains is particularly relevant to the Read-Alouds students will hear in ¡A volar! La era de la aviación. The background knowledge students bring to this unit will greatly enhance their understanding of the trade books used in this unit.

Trade books in this unit:
Instruction in this unit revolves around the following collection of high-interest authentic trade books. One copy of each trade book is included with the unit materials.

  • ¡A volar! Todo sobre aviones por Jennifer Prior
  • Amelia sabe volar por Mara dal Corso
  • Héroes de la aviación que cambiaron el mundo por Dan Green
  • El niño que alcanzó las estrellas por José M. Hernández
  • La niña que aprendió a volar por Sylvia Acevedo
  • Buenas Noches Capitán Mamá por Graciela Tiscareño-Sato

Sample materials:
Take a sneak peek at the rich instruction and engaging activities for this unit by viewing the PDFs below.

Why we added this unit:
This domain teaches students about the vibrant music, poetry, and culture of the Jazz Age in the United States. Students learn about famous writers and musicians like Langston Hughes, Louis Armstrong, Billie Holiday, Melba Liston, Tito Puente, and Miles Davis. They study how the jazz art form took root in the South, then spread to the North to become the sound of the Harlem Renaissance, eventually connecting people around the world in musical expression.

During this unit, students perform guided research to further explore both the history of jazz and what jazz is today. They develop research skills and then use those skills to find deeper connections between the stories and music of the Jazz Age and music today. As students learn about the world of jazz, they collaborate and share ideas with their classmates. They also practice sharing feedback focused on their written work, and, at the end of the unit, students present their research to the group.

The lessons give students opportunities to dive into the rhythms and stories of jazz, utilizing the knowledge sequence in this unit to:

  • Collaboratively generate research questions about jazz, jazz musicians, contemporary musicians from the state where they live or have lived, and the evolution of jazz music.
  • Utilize Read-Alouds, independent reading, and partner reading to learn about the Jazz Age, the Harlem Renaissance, jazz music, and biographies of celebrated jazz musicians and writers.
  • Research the answers to their generated questions, gather information, write a short research essay about a famous jazz musician, write a short essay about a contemporary musician from the state where they live or have lived, and give a presentation about their research.

How this unit builds knowledge:
Within this unit, students have opportunities to:

  • Ask relevant questions and make pertinent comments
  • Identify details in texts
  • Determine key ideas of texts by evaluating details
  • Make text-based inferences
  • Generate questions based on prior knowledge and gathered information
  • Synthesize details across texts to demonstrate comprehension
  • Discuss and explain an author’s purpose
  • Identify and cite reliable primary and secondary sources of information
  • Compose a well-organized and focused informative essay
  • Make connections between topics
  • Present information using appropriate media

Trade books in this unit:
Instruction in this unit revolves around the following collection of high-interest authentic trade books. One copy of each trade book is included with the unit materials.

  • ¡Esquivel! Un artista del sonido de la era espacial por Susan Wood
  • Ray Charles por Sharon Bell Mathis
  • Tito Puente, el Rey del Mambo por Monica Brown
  • Me llamo Celia, la vida de Celia Cruz por Monica Brown
  • ¡Azúcar! por Ivar Da Coll

In this unit, students also read the poem “Harlem” by Langston Hughes. (Available for free through the Academy of American Poets website and the Poetry Foundation website, with recorded audio available through the website for John Hancock College Preparatory High School.)

Sample materials:
Take a sneak peek at the rich instruction and engaging activities for this unit by viewing the PDFs below.

Why we added this unit:
With this domain, students become tomorrow’s problem solvers in this study of energy in the United States. Analytical reading skills are developed by examining the challenges of early energy innovators. Students then read about current energy practices and young energy change-makers across the world.

Throughout the unit, students conduct research into different sources of energy and present a proposal, putting them in the shoes of future energy innovators. They also use the knowledge sequence in this unit to:

  • Collaboratively analyze texts to identify cause-effect and problem-solution relationships.
  • Generate questions and conduct research about energy.
  • Write an opinion essay making their case for a fuel of the future.
  • Create energy proposals using primary and secondary resources.

How this unit builds knowledge:
This unit builds upon the following Caminos units that students will have encountered in previous grades as well as earlier in the year.

  • Plantas (Grade K)
  • La historia de la Tierra (Grade 1)
  • ¡Eureka! Estudiante inventor (Grade 4)

The specific core content targeted in these domains is particularly relevant to the Read-Alouds students will hear in Energía: pasado, presente y futuro. The background knowledge students bring to this unit will greatly enhance their understanding of the trade books used in this unit.

Trade books in this unit:
Instruction in this unit revolves around the following collection of high-interest authentic trade books. One copy of each trade book is included with the unit materials.

  • La historia de los combustibles fósiles por William B. Rice
  • El niño que domó el viento por William Kamkwamba y Bryan Mealer

Sample materials:
Take a sneak peek at the rich instruction and engaging activities for this unit by viewing the PDFs below.

Why we added this unit:
Within this domain, Students learn about General Granger’s announcement in Galveston, Texas on June 19, 1865, a day marked in history as Juneteenth. Texts and multimedia sources will support foundational knowledge-building about the end of slavery in the United States. A review of the first freedom announcement, President Lincoln’s Emancipation Proclamation, provides students with background knowledge to further emphasize the significance of Juneteenth in American history.

This unit also takes students on a journey beyond Juneteenth, as they study specific contributions of African Americans from 1865 to the present day. Students participate in a virtual field trip to Emancipation Park in Houston, Texas and use the knowledge sequence in this unit to:

  • Collaboratively generate research questions about Juneteenth, The Great Migration, innovators and inventors, education, the humanities, activists, and allies.
  • Use Read-Alouds, independent, and partner reading to learn about African American contributions from 1865 to the present.
  • Research to find answers to their generated questions, gather information, and write a four-chapter Beyond Juneteenth book.

How this unit builds knowledge:
This unit builds upon the following Caminos units that students will have encountered in previous grades.

  • Los nativos americanos (Grade K)
  • Una nueva nación: la independencia de los Estados Unidos (Grade 1)
  • La Guerra Civil de los Estaods Unidos (Grade 2)
  • La inmigración (Grade 2)
  • Los nativos americanos (Grade 5)

The specific core content targeted in these domains is particularly relevant to the Read-Alouds students will hear in Más allá de Juneteenth: de 1865 al presente
. The background knowledge students bring to this unit will greatly enhance their understanding of the trade books used in this unit.

Trade books in this unit:
Instruction in this unit revolves around the following collection of high-interest authentic trade books. One copy of each trade book is included with the unit materials.

  • Martí’s Song for Freedom/Martí y sus versos por la libertad escrito por Emma Otheguy
  • ¡Celebremos Juneteenth! escrito por Carole Boston Weatherford
  • Side by Side/Lado a Lado: The Story of Dolores Huerta and Cesar Chavez/La Historia de Dolores Huerta y César Chávez escrito por Monica Brown
  • Canto de alabanza para el día: Poema para la ceremonia inaugural del mandato de Barack Obama escrito por Elizabeth Alexander, traducido por Rodrigo Rojas

Sample materials:
Take a sneak peek at the rich instruction and engaging activities for this unit by viewing the PDFs below.

Wide-ranging texts

Amplify Caminos puts a variety of texts in the hands of students every day.

Amplify Caminos includes both transadaptations and authentic texts written by Latin American and Spanish authors. Our texts feature a wide variety of authors, topics, individuals and characters representing many different socioeconomic statuses, ages, abilities, races, ethnicities, countries of origin, religions, and more.

Amplify Caminos texts include:

  • Authentic literature: Authentic literature exposes students to a variety of text types and perspectives to deepen their knowledge of fascinating topics in social studies, science, literature, and the arts. Authentic texts support text-to-self, text-to-world, and text-to-text connections for readers.
  • Decodable Student Readers: Decodable Student Readers at grades K–2 are newly redesigned to include students from all walks of life and educational backgrounds. They feature characters with a broad range of backgrounds, experiences, ages, races, religions, and more.
  • ReadWorks® texts: Amplify and ReadWorks have partnered to deliver high-quality texts curated to support the Amplify Caminos Knowledge Sequence and to extend student learning. Texts include high-interest nonfiction articles in topics in social studies, science, literature, and the arts. These texts are accompanied by vocabulary supports and standards-aligned formative assessment opportunities. Teachers can monitor their students’ progress using the ReadWorks reporting features.
Three children's book covers in Spanish are shown: "La Flor de Oro," "El conejo en la Luna," and "El secreto de las hormigas," each featuring illustrated artwork.

Amplify Caminos Trade Book Collection Guide

Each book in our authentic literature collection was selected specifically to support and enhance the content of the K-2 Conocimiento Strand. These anchor texts are intended for use as an introduction to each domain—engaging students, piquing their curiosity, and building initial background knowledge—before diving into the deeper content of the domain Read-Alouds.

Every trade book has an instructional guide that includes the following:

  • Author and illustrator
  • Book summary
  • The Essential Question of the Knowledge domain, connecting the book to the domain
  • Key Tier 2 and Tier 3 vocabulary words found in the book
  • A group activity to reinforce and extend students’ knowledge and understanding
  • A performance task to help gauge students’ comprehension of concepts in the text
  • Writing prompts to expand understanding and critical thinking
  • Text complexity ratings and descriptors for quantitative, qualitative, and reader/task categories

Download the Amplify Caminos Trade Book Collection Guide for Grades K–2.

Detailed information about text complexity ratings and descriptors; additional uses for the books before, during, and after domain instruction; and the complete list of domains and books for each grade level can be found in the More About the Books section of this guide.

What makes Amplify Caminos different?

Built on the Science of Reading

Built out of the latest research in the Science of Reading, Amplify Caminos delivers explicit instruction in both foundational literacy skills (systematic phonics, decoding, and fluency) and background knowledge in grades K–2 with an integrated approach to explicit instruction in grades 3–5.

Flowchart showing "Language comprehension" times "Word recognition" equals "Skilled reading," with text in both Spanish and English inside orange boxes.

Explicit systematic skills instruction

The skills instruction in Amplify Caminos was distinctly developed with the Spanish language in mind. Its foundational lessons are specific to the language, rather than a direct translation from Amplify CKLA’s English skills instruction.

Reading instruction begins with the vowels first, then the most common consonants, and finally the least common consonants. Students will blend and segment sounds to form syllables, and syllables to form words.

Although Spanish has a highly predictable orthography, there are a few silent letters (h is always silent, u is silent after g or q), as well as letters that can make different sounds, depending on the letters that follow them. For that reason, syllables with these letters are taught somewhat later in the progression. The same is true for syllables with infrequently occurring consonants, such as z, k, x, and w.

Coherent knowledge instruction

While students are learning how to read, the Conocimiento strand gives them authentic and engaging reasons to read.

Amplify Caminos uses spiral learning to reinforce every student’s ability to develop skills like reading, writing, speaking, and listening in Spanish that can be transferred to English. As students engage with their lessons, they explore the similarities and differences in grammar, vocabulary, writing, and language use between Spanish and English. This bridge helps students learning two languages to strengthen their knowledge in both.

Through cross-curricular content, students explore units that relate to storytelling, science, and the history of our world in a holistic and thoughtful way. With these units, you’ll bring the world to your students, showing them how reading can become an exciting, rewarding, and useful part of their lives.

Embedded differentiation for all learners

Amplify Caminos provides built-in differentiation strategies and supports in every lesson.

  • Apoyo a la enseñanza y desafío: Support and Challenge suggestions in every lesson provide assistance or opportunities for more advanced work toward the goal of the lesson.
  • Notas culturales: These point-of-use notes provide additional information about the traditions, foods, holidays, word variations, and more from across the Spanish-speaking world.
  • Apoyo adicional: Every lesson in the Lectoescritura (Skills) Strand provides additional support activities suggested to reinforce foundational skills instruction. These activities can be given to any student who requires extra help, including students with special needs.

Systematic and cohesive writing instruction

Writing instruction in Amplify Caminos builds systematically and cohesively within and across grades.

In Grades K-2, writing mechanics—including handwriting and spelling—are taught in the Amplify Caminos Lectoescritura strand. Starting in Grade 1, instruction includes four steps in the writing process: planning, drafting, editing, and publishing and features lessons that have modeling, collaboration, and sharing. As students gain skills and confidence, they are able to take on more of these steps independently. Students learn to use planning techniques, including brainstorming and graphic organizers.

Beginning in Grade 4, the Amplify Caminos writing process expands to also include sharing and evaluating. In Grades 4 and 5, the writing process is no longer conceptualized as a series of scaffolded, linear steps (an important change from the Grade 3 writing process). Rather, students move between components of the writing process in a flexible manner, similar to the process mature and experienced writers follow naturally.

young male students writing with a pencil

Amplify Caminos’ writing instruction provides a clear progression through the text types in each grade.

Because Amplify Caminos has two strands of lessons in Grades K-2, Lectoescritura and Conocimiento, students are exposed to both narrative and informational texts throughout the year. In Grades 3-5, the integrated units feature study in literary, informational, or a mix of both types of texts, depending on the content of the unit.

  • Grades K–2 introduce and establish the key elements of each text type, allowing students to gain comfort and confidence writing narratives, opinions, and informative texts. This enables students to practice thinking about content in different ways, offering more depth and breadth to their understanding of core content and of the writing text types.
  • By Grade 3, students will have gained significant practice in narrative, opinion/argumentative, and informational/explanatory forms of writing and will continue to apply those skills through Grade 5.

How does Amplify Caminos integrate with the other parts of the literacy system?

Amplify Caminos + mCLASS® Lectura

Achieve complete parity between English and Spanish assessments with mCLASS Lectura for K–6. mCLASS Lectura allows teachers to connect with their Spanish-speaking students face-to-face, one-on-one, and in the language most comfortable to them. The result? Valid and reliable student data reports
available in both English and Spanish, enabling teachers to pinpoint where their Spanish-speaking or emergent bilingual students really are in their skill development and what instruction to prioritize.

A laptop screen displays a slide describing the Lectura data-driven instructional cycle with sections for Assessment, Reporting, and Instruction, each illustrated with sample interface screenshots.

Amplify Caminos + Amplify Reading

Amplify Reading is an engaging, adaptive digital program that extends the learning in Amplify Caminos. Amplify Reading offers support to a large sub-group of English learners (ELs) through Spanish voice-over. Spanish voiceover instructions are available in vocabulary and sentence-level comprehension games so ELs can build their vocabulary, language, and critical comprehension skills before moving into analyzing complex texts

Language selection screen with options for English and Spanish, and an illustrated girl saying “¡Hola!” in a speech bubble. The heading reads “Idiomas.”.

Demo access and sample materials

Ready to explore on your own? First, watch the videos below to learn about the program’s components and how to navigate the digital platform.

Physical materials walkthrough video

Digital navigation video

Demo access

Next, follow the instructions below to access your demo account.

  • Click the CKLA and Caminos Demo button below.
  • Select Log in with Amplify.
  • To explore as a teacher, enter this username: t1.sfusdreviewer@demo.tryamplify.net
  • To explore as a student, enter this username: s1.sfusdreviewer@demo.tryamplify.net
  • Enter the password: Amplify1-sfusdreviewer
  • Click the Programs and apps menu
  • Select CKLA Teacher Resource Site
  • Select the desire grade level
  • Use the toggle to switch between English (CKLA) and Spanish (Caminos) resources.

Sample materials

Finally, click on the grade levels below to explore your requested sample units.

Additional resources

S2-02: Developing your own teaching style: Tips from a veteran teacher.

Poster for "Science Connections" podcast with an image of Marilyn Dieppa, featuring a logo of an atom and text promoting season 2, episode 2 about veteran teaching styles.

In this episode, Eric Cross sits down with veteran educator and former Miami-Dade County Public Schools (M-DCPS) Middle School Science Teacher of the Year, Marilyn Dieppa. During the show, Marilyn shares tips for new teachers, ways to inspire students, and how she utilizes her journalism background to develop literacy skills within her science classroom. She also shares her experiences developing a robotics academy, and the VEX IQ World’s Competition. Explore more from Science Connections by visiting our main page.

Download Transcript

Marilyn Dieppa (00:01):
I think my favorite thing is their success. Whether it’s robotics, whether it’s in the classroom, that they pass a test for the first time, those are my moments of success. And that’s what makes me happy.

Eric Cross (00:15):
Marilyn Dieppa is a veteran middle-school science educator at Miami-Dade County public schools. Dieppa launched her school’s STEM Academy in 2016 and developed professional development through the STEM Transformation Institute of Florida International University. Dieppa’s coached numerous new teachers and was the 2018 Miami-Dade County public schools’ middle-school Science Teacher of the Year. In this episode, we discussed her transition from a career in journalism to the science classroom and the value of personal and professional support systems for teacher longevity. And now, please enjoy my conversation with Marilyn Dieppa.

Marilyn Dieppa (00:52):
Nice to meet you, Eric.

Eric Cross (00:53):
Nice to meet you too. Thank you for being willing to come on the podcast.

Marilyn Dieppa (00:58):
Not a problem.

Eric Cross (00:59):
So you’re out in, you’re out in Florida. In Dade County. I’m out here in San Diego. So I’m like literally on the other side of the country. Have you—were you born and raised in Florida?

Marilyn Dieppa (01:09):
I’ve been here for 40 years, so I’ve been here most of my life. Yeah. I’m Puerto Rican, but I was, you know, my young childhood, I was in New Jersey. And then when I was 15, I came down.

Eric Cross (01:23):
I looked at like your—some of your accolades, which are really impressive. The things that you’ve done for students with robotics, and all the education, or, kind of like teacher enrichment, a lot of mentoring and coaching that you do now.

Marilyn Dieppa (01:35):
I am part of leadership team for the district. I do a lot of training. I work on curriculum. I help with pacing guides to make sure that everything is based on what the state wants, what the district wants. I have done a lot for the district in the last, probably 20 years.

Eric Cross (01:52):
What got you into teaching initially? What was your…like, why middle school science? We’re like a unique group.

Marilyn Dieppa (01:57):
This is the second career choice for me. So I’ve only been doing this for 24 years. I was a journalism major and then I got married and then I had my child and I wanted to do something. My thing was that I wanted to go to Iraq. I wanted to cover the news. I have a minor in Middle Eastern culture. so there was a lot of things that were in my mind when I was young, pre-married. and after, you know, you have children, priorities kind of change. So I totally changed, pretty much had to start from scratch, with my degree, because nothing kind of transferred over from journalism to teaching. So before I actually did that, I started subbing just to see if I liked it. And I fell in love with teaching right away. And that’s how I got into it. So my degree is really in elementary.

Eric Cross (02:45):
Now, when you were subbing, you were doing elementary school.

Marilyn Dieppa (02:47):
Yes. Pretty much elementary.

Eric Cross (02:48):
How did you go from there to like, middle-school science?

Marilyn Dieppa (02:50):
My thing was writing, not necessarily math and science. But I ended up with my cooperating teacher, my CT, she was a math and science teacher. So I was put with her, and who knew that I liked science and I liked math? So I ended up with that and I infused a lot of labs. So in elementary you tend to—I think teachers are a little bit afraid of the labs, so I infused a lot of literature with my labs. I infused all my—I did it like a whole-group type thing, everything I did with my labs, I incorporated the math. I incorporated the science. I incorporated, you know, the reading with it. And from there, I just—you know, they ended up putting me in a lot of leadership roles with science. And then my principal was opening up the school where I’m at now, my former principal. And she, you know, she took me with her. And so her dissertation was in looping, on how following your students, did that really make a difference in test scores? So I was part of her like test study, and I had students that I followed for two years in a row. And she would look at data and that was part of her dissertation. So that really made a difference. So I ended up moving with my students and my first group of middle-school students, I had them for four years.

Eric Cross (04:10):
Oh, wow.

Marilyn Dieppa (04:10):
And that was—those were my children. I, like, boohooed when they left. And I ended up, you know, literally following them from fourth grade all the way to more than four years. Because it was all the way until they left eighth grade.

Eric Cross (04:21):
What did you think of that model of looping with students?

Marilyn Dieppa (04:24):
I think it’s a great model, depending on the kids that you have. I love, you know, the school that I’m at. I’m very blessed, because it’s a great school. It’s really a wonderful school. I’ve had really good relationships with students. They always come back, and they always come back when they wanna tell me that they’re in something in science, right? They’re an engineer or they’re a nurse, or they’re, you know, doctors at this point. So I’ve seen a little bit of everything with my students. And it’s very rewarding.

Eric Cross (04:52):
That’s super-exciting, right? When they come back and they’re either telling you about their college major or what career they’re in. And I like to recruit them at that point and ask them to come talk to my students. Because Google photos gives you unlimited storage, if you have a teacher account, I actually have photos of students from like 10 years ago.

Marilyn Dieppa (05:09):
Oh, wow.

Eric Cross (05:10):
And I’ll put their middle school picture next to their—and then their current picture.

Marilyn Dieppa (05:14):
Oh, that’s awesome. I’ve never done that.

Eric Cross (05:17):
Yeah. You could see, like, they could see the younger version of them.

Marilyn Dieppa (05:19):
And it’s funny because even with the STEM Academy, which I have now, I have the same group of kids for three years. So I’ve had already few groups that have gone by, and those kids come back to me, they come back to our competitions, they help out, you know, they’re very integrated with the robotics. So I’m getting those students back as well. So I’ve maintained that relationship with them as well.

Eric Cross (05:46):
How do you develop your own classroom management style? How did you figure out where your—where you fit and what works for you? What was your process like for that?

Marilyn Dieppa (05:55):
You know what I think, just by teaching, teaching them to respect. And one thing that I’ve developed that—I don’t scream in my classroom; I just talk to the kids. I have very good one-on-one communication with them. I show them respect. I treat them as an equal.

Eric Cross (06:12):
And what grade are you teaching currently?

Marilyn Dieppa (06:14):
Eighth grade. So I do science. I teach high school science. I teach comprehensive, which is like our regular students. I have kids who are inclusion. I have kids that are ESL. So I teach all, you know, dynamics of students. And then I have the academy, which is something separate. But I infuse a lot of physics and of course that they need in order for them to be competitive.

Eric Cross (06:38):
So tell me about that. What is the STEM Academy?

Marilyn Dieppa (06:40):
It is an enrichment program. So it is an advanced enrichment program, because they do follow like the math enrichment. so they have to be really good at math in order for them to be accepted into the program. So, one day we got like a grant, and we got a little robot, the VEX. I don’t know if you’re familiar with VEX. I know it’s big in California. So I was told, “Here, this is for you. See what you can do with it.” So I started with an after-school club, the following year. It kind of hit off. We went to our first little competition. The kids did really well. And then the following year, they told me, “Hey, we need an academy, make it happen.” So it’s not like I had a curriculum. I kind of do my own thing. But we do a lot of different types of things. Our big portion is the VEX, but I also do sec me, we do Future City. We do a whole bunch of competitions within the district. You know, Math Bowl. So I get my kids prepared for anything that really has to do competitive-based. I do that with those students.

Eric Cross (07:38):
What age range or which grade range?

Marilyn Dieppa (07:40):
Sixth to eighth. We have kids who stay the three years and then we have kids that after, you know, sometimes it’s more the parents that want them to be part of the engineering. but sometimes we lose kids after the first year and you know, that’s fine because we wanna really have kids who really wanna be there and are, you know, committed to it. Because there’s a lot of commitments to that program.

Eric Cross (08:01):
Those types of programs, there’s so many like outside-of-the-classroom things that you need to take care of. If you’re going to competitions, and weekends, and all those types of things. Is there a team of teachers that are doing this or is it just you?

Marilyn Dieppa (08:10):
Team of one! .

Eric Cross (08:11):
A team of one! Right? Like, yeah. And how long have you been running this yourself?

Marilyn Dieppa (08:16):
This is probably like my sixth year.

Eric Cross (08:19):
OK.

Marilyn Dieppa (08:20):
So we’ve been very successful. That program is totally inquiry. It’s totally on them. I don’t know how to use a little, you know, remote control. I don’t know how to do anything. I’m there for troubleshoot and to make sure that they’re on task, but they have been very successful because I do put everything on them. And I go, “It’s not my robot. This is your robot.” So they build everything

Eric Cross (08:40):
And that seems to be the theme, especially with, a lot of times, with science teachers. And encouraging them to say, “You don’t have to be the expert in everything.” Teachers tend to be more like risk-taking and innovative when they’re willing to like, not have to be—I don’t have to know everything in order to do something.

Marilyn Dieppa (08:54):
Exactly. So we’ve been very successful. Very proud of my students because you know, we’ve, gone to Worlds twice. We’ve qualified three times in the six years. Actually, I had two teams that went last year.

Eric Cross (09:07):
What is, what is Worlds? That sounds like a big deal.

Marilyn Dieppa (09:10):
It’s a huge thing. And it’s teams from all over the world. You can actually look it up online. It’s—from this year, there were teams, although they said China was not gonna be in there, there were actually some teams from China. There were teams from New Zealand. There were teams from South Africa, the UK, a lot of teams from, from Europe. And then there are teams from here. We are the host country. We’ve been the host country for a while. But it’s amazing. The first time we went, the first team that we were paired up with was a Russian team. So, you know, there was Google Translate and the kids—and it’s, they didn’t need to know the same language because they communicated with the robots. So it was really amazing. They work collaboratively. So it’s not like a battle box. So they work two teams together and whatever, they both get together, they both earn the same points. So it teaches leadership, and there’s so much more to it than just a robot. They have to know how to communicate, because they do get interviewed. They do online challenges. It’s so many things. It’s just—I think it’s one of the best things that our district has really invested in, because these kids are so into it, and they love it so much. For the last year and this year I have the same kids that are in the robotics. I’m also gonna be teaching them physical science. So I have to teach them that separation between what we’re doing in our science classes versus what they’re doing in the class. So there has to be a separation. So they see one side of me in this class where it’s very laid back. It’s very chill. No, no, you, you guys do it. There’s no sitting down. It’s like organized chaos, I call it all the time. But then in the classroom, it has to be a little bit more organized.

Eric Cross (10:53):
Is that something that, as far as getting the parts—like people do, like, GoFundMes and donations and Donors Choose. Can you—

Marilyn Dieppa (11:00):
We get grant money, grant money from the town of Miami Lakes, the town that I work in. So the town actually sponsors us. Without them, we could not do that. It is a very expensive activity to do. If you go online and you look up the prices, you’ll be, “Oh my gosh, goodness, it’s very expensive.” You know? But the smiles on their faces when they come back and they have those little certificates, it means nothing, you know, it’s a little piece of paper. But that, to me, to them, it means the world.

Eric Cross (11:27):
Well, teachers, if you’re looking for ways to get that stuff funded, be fearless on behalf of asking for free things for your kids. Find a local business that somewhat connects to even robotics and say, “Hey, look, I’ve got 50 kids that really want to get after it. And we need X amount of dollars so we can buy those robotics kits. We’ll put your banner up somewhere. We’ll do all these other things. But come support our students. Come to the competition. Donate whatever you can for our students.” And many organizations will say, will say yes. Many just aren’t asked.

Marilyn Dieppa (11:57):
Right. And a lot of towns do have, like, education advisory boards. You wanna reach out to those people. ‘Cause those are the communities where they have money set aside in order to assist things like this.

Eric Cross (12:09):
Do you notice any carryover between the students that do get involved with these extracurriculars into the regular science classroom?

Marilyn Dieppa (12:16):
For sure. They’re more, they’re more disciplined. They tend to care more about the sciences because they see that link in the science. I mean, my kids are talking about gear ratios. They’re talking about, you know, mass accelerations. They had—they infuse all these things. And when they see it in the science class, they’re making that connection, which is really wonderful.

Eric Cross (12:41):
It seems like there’s a high level of engagement because this is an authentic thing. It’s almost, this should be science.

Marilyn Dieppa (12:46):
Yes. And not only that, the writing skills that have to be interpreted because part of the program is that they, they don’t necessarily have to have it, but in order for them to go far and make it to Worlds, they have to have an engineering notebook. So our strength sometimes is not the robot, but the engineering notebook.

Eric Cross (13:02):
his is where the journalism major shines.

Marilyn Dieppa (13:05):
Yes. And I go, “Guys, this is your Ikea manual. You have to explain what you’re doing, what pieces you’re using, what’s going right.” You know, and then they have to interpret and see what didn’t work. How can they fix it? So there’s so much problem-solving. It’s real life, it’s what they’re doing there. More so than sitting and learning rote, you know, vocabulary or whatever the case might be, ’cause they’re actually applying what they’re learning.

Eric Cross (13:31):
Yeah. And that’s, that’s so critical, the communication piece. Because seems like now in society, more than ever, even just being able to communicate something with bad science is convincing to people. Versus if you have great science, but you can’t communicate it, you’re not gonna be able to get it out into the public. It’s so great to see a program that exactly brings together this literacy aspect, in addition to kind of this content and skills aspect of doing the science.

Marilyn Dieppa (13:57):
And that’s what really, you know, since I started, that’s pretty much what I’ve done. My strength, believe it or not, when I was growing up, was not the science. I think I didn’t really have a really good science background. But I remember reflecting and saying, “I don’t want my students to feel like I felt when I was a child.” I wanna make sure that I give them everything, you know, give them the hands-on experience. I think I had one teacher when I was growing up and I still remember him. He was my second-grade teacher and he was just so amazing with the science. And it was just like the only really good experience I had. And I think that always stayed in the back of my mind. And when I started teaching and I go, “I wanna give these kids these experiences.” You know, sometimes I see kids in eighth grade and I go, how sad! They see water boiling and they’re just, like, in a lab room. And they’re just like, in awe, because there’s water boiling. And I go, “You guys haven’t seen water boil before?” And he goes, “No, no, no, not like this!” And I go, oh wow.

Eric Cross (14:58):
Even if it’s simple, everyday phenomena, everyday things that people deal with in a science classroom, or when you’re a teacher in that setting, it’s just—it just hits different, right? Like you, you know, you drop dye into water and watch it diffuse. And it’s like, whoa! Because they’re looking at it through that different lens. And that’s why one of the reasons why—I’m super-biased, but as science teachers, we get to do the coolest stuff.

Marilyn Dieppa (15:21):
Yeah, we do.

Eric Cross (15:22):
We just do. It’s so much fun. And basically anything that happens, that’s cool, like in, innovation and things like that, we can figure out ways to incorporate into our classroom. Now, as a coach and as a mentor, you’ve had multiple student teachers in your classroom. And we have, you know, huge need for new teachers. I teach teachers who are getting their CR, getting their credential. And the landscape of education is, is constantly shifting. You’ve watched it shift over the years. What are your biggest tips that you give to new teachers?

Marilyn Dieppa (15:49):
Well, I just had an intern last semester. I’ve had a few interns where, you know, not only are they doing this, but they’re also learning robotics too. So they’re really getting aspect in how to incorporate that. You don’t have to have everything separate. You can include everything together. But I think, I think it just comes from the foundation where they’re not exposed. Even me, when I went to college, I don’t remember doing so many labs as I should have. And I think it’s just a fear of them trying new things and failing. And I go, you know what? I, sometimes my first class is my guinea pig class, because I always change my labs. I don’t like to do the same thing over and over again. If I see something online, I go, “Oh wow. You know what, I’m gonna try it.” And I go, “Hey guys, this is the first time; we’re gonna do this together.” And it’s really—it’s just for them not to be fearful. And I think especially for science teachers or like even elementary, to give the kids the foundation that they need, they’re afraid. They’re afraid of failing and not trying something new, and say, “Hey, it’s OK. There’s other ways of doing this.” You know? So I always say, “My first class is always my guinea pig class, ’cause that’s the class I’m gonna try this on.” And then, you know, when you have to tweak, reflect, then we do that.

Eric Cross (17:06):
What are some of the things that you’ve seen or encouragements that you give to teachers who are teaching, kind of, in this kind of newer landscape, where as teachers, you become more than just a science teacher. I mean, you’re a mentor. You’re an encourager. Sometimes you’re a counselor for students. And then there, there are things that happen externally that impact teachers as well. It’s a tough job.

Marilyn Dieppa (17:24):
So I always say, you know, when you have a child, we have to be very aware of what’s happening with our children. Especially after these two years of the pandemic. That was kind of crazy. Last year was a really tough year, I think, for most educators that were back in the classroom. But I always tell ’em, you have to be really aware of what’s going on with these kids outside. When you see somebody who’s not doing anything and then you have the parents are there supporting. There’s something going—I mean, there has to be something going on. Kids are not just going to be so, so defiant. You’re gonna have very few that will be like that. But most of them it’s just gotta see and read those kids and see what’s going on, and don’t be afraid to—and I always say, I’m not there to really be your friend, but I’m there to help you. And you gotta tell ’em, you know, if you need to talk, come talk to me. Have an open-door policy with those kids.

Eric Cross (18:16):
What’s been your favorite part of the job? Something you really enjoy about the job? Especially having been teaching for as long as you have.

Marilyn Dieppa (18:23):
I think my favorite thing is their success. Whether they have struggled all the year and they’ve had that one piece of success or they don’t realize what they got out of middle school until they get to high school and they come back to you and they tell you it’s, you know, seeing my kids, whether it’s robotics, whether it’s in the classroom, that they pass a test for the first time, those are my moments of success. And that’s what makes me happy.

Eric Cross (18:52):
So you get those ahas, you get those wins, those turnarounds. And it’s like, “Ah, this keeps me going. This is so good!” But there’s something that I say to myself when I do get challenges in the classroom is teaching seventh grade, I say, “They’re 12. They’re 13. They’ve been on earth for 13 years. And for the first five or six, like, you know, they’re just kind of coming online at that point. And they’re going through all these changes.” And it grounds me in the fact that ’cause sometimes the things that you experience can be really, really challenging kind of interpersonally. And I remind myself, “Well, it’s like—you’re not 28 years old. Like, you’re, 12 and 13, and you need me to not be Mr. Cross, the science teacher. You need me to be, you know, Mr. Cross, the mentor, or Mr. Cross, the coach.” Like you were saying, open door. Keeping that open door, keeping that relationship. Because so much of what we’re doing is like life coaching in addition—and that connects to their success in the classroom. There’s a direct relationship.

Marilyn Dieppa (19:45):
Yes, yes, yes, absolutely.

Eric Cross (19:46):
Now what gets you back each fall? Because at the end, you know, every school year it’s like, “That was a tough one!” Especially with the last couple years. Right? So what’s been something, what gets you back in the classroom every fall, so that you’re ready for your students?

Marilyn Dieppa (20:02):
I think the support I get at home. I have a husband who is the most supportive person ever. He always tells me, “Your kids are grown up.” You know, my kids are adults now. “Enjoy these kids, what they’re doing. You don’t know how much they need you.” So he does tell me that. He goes, “And don’t complain! You love it!” And also my administration, they back me up. And that’s what I think what keeps you coming back. I love my administration. Whatever I ask for, they don’t tell me no. They tell me I’m crazy, but they don’t tell me no. You know, we have these huge competitions once a year at our school, administration has to be involved ’cause they have to be there, and they go, “We do this because we love you! But you know, you’re crazy!”

Eric Cross (20:48):
It’s interesting, ’cause both of these things, they involve human connection. And one is your support system at home, which is incredibly valuable. Shout out to your husband; I don’t know if he’s around. And then the culture, like, feeling supported. Teachers, you know—and it’s not just in education, but people, I’ve experienced—will work harder, longer, be more committed, when they have that intangible. When they feel like they’re connected to something bigger than them. Or on a team, not in a silo. And one person can really create or break whether that happens. And just like us in the classroom as a teacher, right? Like, “What makes you like this teacher’s class?” “Well, I feel connected. I feel safe. I feel it’s fun. It’s the culture!” I like to end with asking this question and you kind of alluded to an answer earlier, but who is one, or it could be multiple teachers, that you’ve had in your own life as a kid growing up or young person in kindergarten through 12th grade, could even be college, that has inspired you? Or made a difference in your life one way or another? Like, who pops out? I feel like we all have somebody.

Marilyn Dieppa (21:58):
One was my second grade teacher, as I mentioned before. Mr. Fernandez, never forget him. And my other teacher was my high school teacher, Mr. Velazquez. It was in New Jersey as well. And he was the one that really got me into the love of writing. He was my Spanish teacher, actually. He wasn’t even, you know—he was like an elective teacher. But he just made me believe like, “Wow, you’re like a really good writer!” To me, those two gentlemen really stood out. Very fond memories of being in school and really enjoying what I was doing.

Eric Cross (22:33):
There are so many teachers that we all have been impacted by. And many of us now who are teachers, we sit in that same seat. We fill those same shoes. And going back to what you had said earlier, one of the most rewarding things is when those kids come back to you. And I’m thinking about all the work that you’ve done, all the students you’ve poured into, all the competitions you’ve done. The ones that have come back to you are a small fragment of the ones that you’ve impacted.

Marilyn Dieppa (22:59):
Mm-hmm, yeah.

Eric Cross (23:00):
‘Cause we think about our own story, right? Like you’ve gone on and paid dividends for that one teacher in second grade. You know, Mr. Fernandez or Mr. Velasquez like, they went and they just gave you exposure to something or helped you fall in love with something. And you went on this trajectory. And if we could see the timeline of, like, this teacher created Marilyn, and Marilyn went and did this, and then what do all those students do? And that, I don’t know, there’s so many jobs that are gonna be hard work and that are gonna be challenging and stressful. But that is the thing that I think fills me when I listen to your story. I just think about like all the students throughout Florida that you have—you probably will never hear from, but have gone on to do amazing things or become great people who would go back and talk about you and say you were an inspiration for them. Marilyn, thank you for taking the time out to be on the podcast and for not only teaching students, but inspiring and coaching younger teachers and new teachers. It’s so critical. And for being willing to spend so much of your time beyond the classroom to create these opportunities for students to do this awesome, fun, engaging science, and go to Worlds. I wish you a great school year.

Marilyn Dieppa (24:11):
Thank you. You too.

Eric Cross (24:12):
We hope you make it to Worlds again and crush, in a competitive, collaborative type of environment. We’ll be checking out—I’m sure other teachers will check out Vex Robotics. Thanks for being on the podcast.

Marilyn Dieppa (24:23):
Thank you. You too, Eric.

Eric Cross (24:26):
Thanks so much for listening. Now we want to hear more about you. Do you have any educators who inspire you? You can nominate them as a future guest on Science Connections by emailing STEM@amplify.com. That’s S T E M at amplifycom.wpengine.com. Make sure to click subscribe wherever you listen to podcasts. And join our Facebook group, Science Connections: The Community. Until next time.

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What Marilyn Dieppa says about science

“I think as science teachers, we’re afraid of failing and not trying something new, and I say, ‘Hey, it’s okay!’ You have to tweak, reflect.”

– Marilyn Dieppa

STEM Academy Coach/Teacher, 2018 Miami-Dade County Public Schools (M-DCPS) Middle School Science Teacher of the Year

Meet the guest

Marilyn Dieppa is a long-time educator and STEM Academy coach at Miami Dade County Public Schools. Currently in her 24th year, Marilyn teaches 8th grade science and coaches the STEM Academy at Bob Graham Education Center. She launched the Science, Technology, Engineering and Math (STEM) Academy during the 2016-2017 school year, and the teams compete in VEX IQ World’s Competition representing both the district and the state. She has been the middle school department chairperson since 2003, attends the district department meetings and Instructional Capacity-building Academy (ICAD), and trains her science department.

Dieppa holds a bachelor of science in Elementary Education and a master of science in reading education. She is also a Nationally Board-Certified Teacher in Science.

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About Science Connections

Welcome to Science Connections! Science is changing before our eyes, now more than ever. So…how do we help kids figure that out? We will bring on educators, scientists, and more to discuss the importance of high-quality science instruction. In this episode, hear from our host Eric Cross about his work engaging students as a K-8 science teacher. Listen here!

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Season 1, Episode 4

Teaching with determination, starring Khamphet Pease

Today on Beyond My Years, host Ana Torres learns all she can learn from the life stories and lessons of Khamphet Pease. As a refugee from Laos, Khamphet shares the difficulty she experienced navigating a home culture that did not encourage education or career ambitions for women. Despite that, she laughs over her stubbornness that she sees as an integral part of what has motivated her to chase her dreams, spend over 20 years as a STEM teacher, and what earned her the presidential award for excellence in mathematics and science teaching. Due to gendered norms and expectations, she almost lost out on the future she truly wanted. Since then, she has made it her mission to champion a learning environment where young girls feel they belong and can thrive in STEM fields. Khamphet takes Ana on a journey through all the lessons she learned along the way of managing work/life balance, creating a classroom culture of trust, and the importance of finding a mentor during the hardest teaching years of your life. Once back in the classroom, Eric Cross and Ana check in on Eric’s first two weeks of back-to-school and discuss practical ways to take care of yourself first so you can then take care of your students.

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Meet Our Guest(s):

A woman with long black hair smiles at the camera against a plain light background, ready to share insights on her teaching podcast.

Khamphet “Phet” Pease

Khamphet “Phet” Pease has been teaching for 20 years at Wilson Middle School in San Diego, CA, where she has taught students across multiple grades and subjects, with a primary focus on mathematics and science. A tireless advocate for broadening STEM education, she is committed to breaking barriers for underrepresented students, including females, Black, Indigenous, and People of Color, and those from lower socioeconomic backgrounds. She founded and coaches the Wilson Robotics Club, leading her students to excel in competitions such as Botball and First Lego League, and earning numerous awards at local and national levels. Recognized for her outstanding contributions, her accolades include the 2015 San Diego County Teacher of the Year, the 2022 State Awardee for the Presidential Award for Excellence in Mathematics and Science Teaching (PAEMST), the 2022 CSTA Computer Science Teaching Excellence Award, and the 2023 National Center for Women & Information Technology (NCWIT) National Educator Award.

Meet our host, Ana Torres.

Ana has been an educator for 30 years, working in both the K–8 and higher education sectors. She served as an administrator and instructor at various public and private colleges and universities and as a bilingual and dual language teacher, dual language math and reading interventionist, dual language instructional coach, assistant principal, and principal in K–8 schools. Ana is currently the Senior Biliteracy and Multilingual Product Specialist on Amplify’s Product Specialist team, and delivers literacy and biliteracy presentations across the nation. Ana’s passion and advocacy for biliteracy and multiculturalism has led her to educate leaders, teachers, and parents about the positive impact of bilingualism and biliteracy in our world.

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A man with short, closely-cropped hair and a trimmed beard smiles at the camera against a light gray background, ready to inspire diverse learners in the math classroom.

Meet our Classroom Insider, Eric Cross.

Eric Cross is a middle school science teacher who hopes to someday be a lifelong educator, like the guests on Beyond My Years! In each episode, Eric connects with host Ana Torres to discuss her guests’ best insights gleaned from their long and rewarding careers in the classroom. Then, Eric talks about bringing some of their wisdom into his current classroom and busy life.

Quotes

“If you’re just talking about somebody who has more teaching experience, then yes, I consider myself seasoned. But [in my] heart, I feel like because I’m a lifelong learner, I’m still learning new things every single year. I’m never relying on my old tricks. I’m always adding new tools to my tool belt.”

—Khamphet Pease

“The experiences I had growing up definitely affect the way that I teach and [they’re] actually a huge reason why I really advocate for girls and females in STEM, because I was almost prevented from finding my path just because of my gender.”

—Khamphet Pease

“I remember one class that I had [with only] one female student, and she was just looking around and I could see in her eyes that she just felt like this is not a place for her. She dropped out of that class and after that I was like, no, this is unacceptable.”

—Khamphet Pease

“This next school year, she told me I’m up at 60 percent girls in my intro to coding classe,. and that’s huge! I want to make sure that girls have access and they feel wanted and included and they can see themselves in these fields.”

—Khamphet Pease

“Sometimes [parents say], ‘Oh, no, this is not for girls. You shouldn’t learn engineering.’ And I invite them in, I say, ‘please come to my class, please come to my club.’ And when they come, they’re always so impressed.”

—Khamphet Pease

“We just need more women. More of their voices. They need more seats at the table because if we all hear [only] male voices, then 50 percent of the population isn’t going to have their problem solved as easily or as efficiently.”

—Khamphet Pease

“I know a lot of teachers [say], ‘Oh no, I don’t have time for that. I’ve got to cover the standards and I have to have all this done by the end of the year. So I don’t have time to spend two weeks doing this in my classroom.’ But let me tell you, it is so worth it because once you have that relationship and connection with your students when you do dive into the content, it is smooth sailing because they trust you now.”

—Khamphet Pease

S3-03: Instructional strategies for integrating science and literacy

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We’re continuing our investigations around science and literacy with Doug Fisher, Ph.D., professor and chair of educational leadership at San Diego State University. We talk about the importance of integrating science and literacy, as well as practical guidance for teachers who want to unite the two disciplines in their own classrooms.

Listen as we discuss how science and literacy can be powerful allies and specific strategy areas to focus on when integrating the two disciplines. And don’t forget to grab your Science Connections study guide to track your learning and find additional resources!

We hope you enjoy this episode and explore more from Science Connections by visiting our main page!

DOWNLOAD TRANSCRIPT

Douglas Fisher (00:00):

It’s not that you have to become a reading specialist to integrate literacy into science. It’s how our brains work.

Eric Cross (00:10):

Welcome to Science Connections. I’m your host, Eric Cross. This season, we’re making the case for our favorite underdog, which of course is science. Each episode we’re showing how science can be better utilized in the classroom, and making the case for why it’s so important to do so. In our last episode, we examined the evidence showing that science and English instruction can support each other. And now on this episode, we want to give you some more strategies for really making that a reality in your own home or classroom or community. So to help me, I’m joined on this episode by Dr. Douglas Fisher, Professor and Chair of Educational Leadership at San Diego State University. Dr. Fisher is actually someone who has conducted literacy training at my own school, so I’m excited to be able to share some of his wisdom with all of you. Oh, and just a heads up, Dr. Fisher dropped some gems about the ways teachers can integrate literacy and science in their classrooms. So you may want to have a notepad. Ready. And now here’s my conversation with Dr. Douglas Fisher.

Eric Cross (01:12):

Well, Doug, thank you for your time and for being willing to come and talk about literacy and science. I know you’re busy, all over the place, and so I was super-excited that we were able to lock you in and talk about this. And, on this episode, we’re gonna talk about the ways that science and literacy can support each other. And one of the reasons why I’m really excited for you is because you said some really key things for me as a science teacher, when you talked about literacy and supporting students. That just resonated so deeply in me. And I was like, “I need more Doug!” Because we’re on that same frequency. And I know it’s a subject that you’ve spent a lot of time writing about. So can you tell us a little bit about how this became an area of interest or a passion for you? Just literacy, and all of the work that you’ve put into it?

Douglas Fisher (01:54):

Yeah. So I’ve wanted to be a teacher for a really long time. And I went to San Diego State as an undergraduate, and I was taking English class and we were assigned topics. You know, like, you’ll do an assignment, you’ll write a paper for this English class. And I got the topic “illiteracy,” and I was a freshman at San Diego State reading all of these things about adults who don’t read very well or not at all. And I ended up writing my very first college essay on illiteracy — at the time, you know, called illiteracy, at the time. And so I got super interested in this. And so as I moved through college and into my teaching career, literacy became a really important thing for me to think about, because it’s the gatekeeper. You know, you can be taken advantage of, if you’re not very literate. People can use vocabulary against you, if you’re not very literate. We know that people who have higher levels of literacy have better health outcomes. They have better lifespans, longer lifespans. I mean, there’s just — literacy impacts so much more than “Are you reading your fourth-grade textbook?” It really has lifelong implications.

Eric Cross (03:01):

That part that you said about being taken advantage of … I just got a flyer in the mail yesterday. It was one of these mailers that looked like it was an authentic debt-reduction type of thing, but it was really just like a marketing email. If you read the fine print at the very bottom, it had all of this jargon about “This is a paid, you know, for-profit company.” But when you look at it, it had official stamps all over it. And I could imagine if someone’s receiving that, that probably fools a lot of people. Is that kinda like what you’re talking about, like being taken advantage of?

Douglas Fisher (03:28):

Yes. I had a student turn 18, got a letter from a “credit card company” that was offering her daily compounding interest. And if you don’t know what that means — at 23 percent! — if you dunno what that means, you are gonna be a victim. Literacy really influences a lot of our life. It’s also how our brain works. We have a language-based system in our brain. We read, write, speak, listen, and view. And the things we learn, we learn through speaking, reading, writing, listening, and viewing. From what we know, we are the only species that has an external storage mechanism. Like, we have the ability to store complex information outside of our body, in the form of notes. We can type them. We can write them. And we can then go back and retrieve that information, that complex orthographic information later. And it means the same thing. We can say we have a storage system and we’ve been doing this for a really long time. Way back to, you know, hieroglyphics and messages on cave walls. And throughout the ages of humans learning, how to store information that they can re-access again later. That’s become a super-complicated system. It’s how computers operate. And we send messages to each other and we text each other and we write things down, and we’re really good at putting ideas, information out there. Now, if it’s just speaking and listening, then we can forget it. We can say, “No, you said this,” or “I said that.” But when it’s written, and it’s print literacy, you know, it’s the orthographics there, you can go back to the same message and over and over again. Now, you might change the interpretation of it, but the message is still there.

Eric Cross (05:16):

Right. And that is such a key element, at least of modern education, is this written element of it. It’s what many schools live and die by. They’re quantitatively and qualitatively analyzed by it. It’s public. They can see it. And so there’s this heavy emphasis. And why do you think science and literacy can be powerful allies together?

Douglas Fisher (05:38):

Awesome. Well, it’s hard to learn science if you’re not literate.

Eric Cross (05:42):

This is true.

Douglas Fisher (05:42):

But that’s a one-way direction. And yes, science teachers and scientists do a lot of reading, writing, speaking, and listening and viewing. They use the five literacy processes all the time. When we interview scientists, they spend a lot of their time reading the work of other scientists and writing their findings, writing grant proposals, presenting at conferences, you know. So a huge part of the work of a scientist is not just at a bench conducting experiments. But even if you’re conducting experiments, you’re using your literacy processes to think about what you’re seeing in your experiment. So that’s a one-way direction. And I do think literacy has an influence on science. But since science goes the other way, it influences literacy. As you learn more and you understand more about the world, your background knowledge grows, your vocabulary grows, you become more literate in those different areas. And how you think. So if I’m learning about life science; I’m learning how the world works in a more, biologic physical world. And that knowledge helps me think about when I’m reading a novel, and there’s an appeal to some science knowledge or a concept that gets played with, you know, perhaps time-space continuums … well, if I don’t have the science knowledge of how I think the world works, it’s hard for me to understand what this author is doing. So it does go both ways. They feed each other. And the more literate we become, the more complex science information we can understand. ‘Cause our background knowledge and our vocabulary influence how much we understand about what we read. And as we access more complex science information, it starts to change the way we think about other things in our world.

Eric Cross (07:23):

There was a couple of things that you said in that, but one of the first things that kind of perked my ears is when you said grant proposals. Because I have friends that are scientists — and this is one of the things that when I was in school, they don’t talk about — but how much of their research is reliant upon getting funding —

Douglas Fisher (07:37):

Mm-hmm. <affirmative>,

Eric Cross (07:38):

— which you don’t think about if you’re becoming a chemist or a physicist or a biologist or working in the field, is that that funding, coming from the NSF or anywhere else. And sometimes students ask in class like, “Why am I writing so much? Like, I want to go into science!” Or “I wanna do this!” And this is a real-life example of how the writing could actually apply, in addition to all of the things of collecting data and conclusions and results. But that grant proposal thing just really perked my ears, yeah.

Douglas Fisher (08:01):

And if you can’t write a grant proposal, your ideas and experiments are not gonna get funded. And if you can’t write a strong proposal, that compellingly convinces your readers to fund you, you’re not gonna get funded. But then once you get the grant, you have to write publications. You have to share your work with other people. Make PowerPoint presentations and write journal articles or books or whatever. So it’s a cycle that literacy influences the things we do, including the things we do in science.

Eric Cross (08:31):

Now to get in maybe some data, if you were trying to convince someone that like this happy marriage can exist, what would be like your number one piece of evidence to support this, this back and forth of supporting each other?

Douglas Fisher (08:44):

Awesome. So the quote I’ll often say — and this is from studies from more than two decades ago now — but in general, in high school science, students are introduced to 3000 unfamiliar words, 3000. Each year! Because there are words that are used in a scientific way that are used commonly in other places. And there are discipline-specific words. So 3000 words a year in high school science. The Spanish 1 textbook only has 1500 words in it. So science teachers have double the academic-language vocabulary demand that a typical introductory world-language class has. So just the vocabulary alone should say to us, literacy is gonna be important if you’re gonna learn science. And if you don’t understand these technical words, and you don’t understand the way science uses this particular word in this particular way… . When you say the word “process,” it means something very specific In science. “Division” — cellular division is not the way we think about it in mathematics; there’s a similar concept, but cellular division is different than dividing numbers. And those are words that get used in multiple areas. Then you have all these technical terms that you have to be able to use, to understand the concepts. To share the concepts. To talk to other people. Whether you’re in, you know, fifth grade and talking science, or you’re a university professor, there’s a shared language, appropriate for our grade level, that we have shared meanings of.

Eric Cross (10:22):

And we’re essentially … what I’m hearing you say is … most of the people that are listening to this are science teachers. We’re we’re also language teachers. In a sense.

Douglas Fisher (10:29):

So my frustration is when people say, “Every teacher’s a teacher of reading.” And I don’t like that. I’ve written against that phrase. I don’t think all teachers are teachers of reading, any more than all teachers are teachers of chemistry. Or all teachers are teachers of algebra. But what I will say is the human brain learns through language. And all of us — every teacher that I’ve ever met understands that language is important in my class. If my students don’t have strong listening skills and speaking skills; reading, writing, and viewing skills; I’m gonna have a hard time getting them to learn things. If I can help them grow their speaking, listening, reading, writing, and viewing in my content area, I’m gonna do a service for my learning of my subject and also their more broad literacy development.

Eric Cross (11:16):

  1. So, at a high level, what does it look like to integrate science and literacy? We’ve done education for the last, what, hundred years?

Douglas Fisher (11:24):

Mm-hmm. <affirmative>

Eric Cross (11:25):

—kind of pretty similarly, right? Kind of siloed way. What does this look like at the 30,000-foot level? You’re a professor, department chair. Run schools. Speak everywhere. Like, when you think about this from that high level, what does it look like?

Douglas Fisher (11:39):

A high level? Every time I meet with students in a science class, you know, biology or fifth grade or whatever? They should be reading, they should be writing, they should be speaking and listening. Every class. So what print do you want them to access? And it can be a primary source document, it can be an article, it can be from a textbook. Are they reading something? Are they writing to you? Because writing is thinking. If they are writing, they are thinking. As soon as their brain goes somewhere else, they stop writing. The pen won’t move or the fingers don’t type. And then speaking and listening, of course, is the dynamic of our classes. So every day we should see some amount of reading, writing, speaking, and listening, viewing in our classes. That’s at a high level. There are some generic things that seem to work across the literacy. So, learning how to take notes. Focusing on vocabulary. Using graphic organizers. These are generic things that as educators we can use in our classes. Then there’s more specialized things. So, scientists and science teachers think differently than historians and literary critics and art critics. So scientists, if you look at the disciplinary literacy work, there’s a whole body of research where they interview and study high-end experts in their field: chemistry, physics, biology, et cetera. And there are some characteristics that were more disciplined, specific. Scientists like cause and effect relationships. They look for them when they’re reading. They like sourcing information. “Where this come from?” “What’s the history of this idea?” Scientists have a long view in terms of time. Historians have a shorter view of time. English teachers have even shorter view of time. Scientists tend to think in long periods of time. And so all of that influences how a scientist reads and how we should apprentice young people after they get past the generic “I know how to take notes. I know how to study my vocabulary. I know how to do summary writing for my teacher in my notebooks and things,” there’s some generic tools. Once we get past those, we need to be looking at specifically how do people in science use literacy.

Eric Cross (13:52):

I’ve never had my thought process of reading deconstructed just now, but we just described how scientists read. I was like, “Yeah, that’s pretty much how I read, right there.” I also like how you said how we should apprentice young people. And I feel like you as the literacy guy, you chose that word very specifically, as far as apprenticing young people. That is a view, I think, that’s really important to hold. ‘Cause that’s what we’re doing essentially … is, if we’re doing what we should be doing, we are apprenticing these young people.

Douglas Fisher (14:18):

Yes.

Eric Cross (14:18):

And helping them develop. Now, let’s imagine there’s a listener out there and they’re interested in getting better at integrating science and literacy instruction. They want to start somewhere. Before we dive in, do you have any initial words of encouragement for the person who’s like, “Everything is like a priority right now,” in their classroom or in their world?

Douglas Fisher (14:37):

Yeah. So I’ll talk about elementary for just a moment. When we’re reading informational texts in our literacy block, we should be reading information that is aligned to what kids need to learn in science and history in, in that grade level. Why are we reading things that are gonna be in conflict with what they’re gonna learn in science later that day in fourth grade, for example? So when we look at our standards, our expectations, what is it that third graders need to know in history, science, mathematics, language arts? And when we’re reading text and we’re learning to apply our reading strategies during our literacy block, why aren’t we reading topics that build our background knowledge for our science time? So we’re seeing some synergy there. We should be looking at life cycles in grades that are appropriate for life cycles and knowing there’s more to life cycles than the frog and the plant or the seed. There are all kinds of life cycles. And we call ’em life cycles for a reason. That’s a general concept. Now in science, we’re looking at this particular lifecycle right now. And so that’s a high level. If we could get more connection to the content standards during our literacy blocks, it would be very good. When we talk about the time at which we call “science” in the day, in more of the K–8 continuum, the science needs to include some primary source documents. Some real things that students are reading. Read about a scientist; read about a scientist’s discovery; read about what they discovered. So that we’re building our background knowledge. So when we go to do things, activities, labs, simulations, we have background knowledge and we understand what we’re experiencing. It can’t be like—I watched this awesome lesson on lenses and the teacher had all these different lenses in the room and the students came in and they were brand new. They don’t know anything. They were picking ’em up. They’re exploring them. They’re trying to figure out, and they’re trying to come up with theories about what this is and how it works. And then the teacher gave them a reading, a short reading, on refraction of light. And they read this thing. And the clarity that they had about what these lenses must do, well! All of a sudden they’re putting them up to the lights! They’re asking if they can go get the lights out of the storage unit! ‘Cause there’s — and they’re shining different lights through the lenses to see what happens to the light. Because that little bit of reading turned some focus on for the students. And it allowed them to take what I’m thinking about, what I’m trying to figure out, how this thing works in another direction. That’s the power of using literacy in our classes.

Eric Cross (17:20):

And what I’m hearing essentially is transfer across disciplines, across content areas, ultimately. And in an elementary school classroom, would it be fair to say, probably the teacher has more autonomy to be able to do that, since they’re teaching all the subjects? But secondary, logistically, planning and those types of things … from what you’ve seen, is it fair to say this kind of needs to be like a top-down, full vertical alignment, to teach like this?

Douglas Fisher (17:45):

I think that would be awesome to do that. But if I’m a sixth grade English Language Arts teacher and I’m working with my sixth grade science teacher, the conversation should be, “What units are you teaching?” Because I’m choosing informational text. My job is to teach them how to find central ideas. My job is to teach them how to find the details in the text. My job is to have them make a claim and support that claim with evidence. The stuff I use is generic. Yes, we do read some literature and some narratives, but we also read about 50% of the text in English around informational text. So if I can help you and accomplish my standards as well, fantastic. So let’s have this conversation and say, “Oh, this is what you’re teaching in science in the next three weeks? I’m gonna choose some texts and we’re gonna analyze ’em for central idea. We’re gonna analyze ’em for details. We’re gonna, for mood or tone or whatever that we’re teaching. And by the way, I’m building background knowledge. So when they come to you, they know some stuff about what you’re going to be teaching next.” So I don’t think it’s impossible to say teams of teachers could come together and say, “What do we believe that our students need to know and learn and be able to do? And then how do we choose things that are gonna help them accomplish exactly that?”

Eric Cross (19:01):

And that’s empowering. Because that’s one thing that we can control maybe is this East-West, peer-to-peer, different content areas. A system may not be able to change as quickly, but I can definitely go talk to my English team or math team and check in and kind of see, “Hey, where do we have overlap in that?” And I know the times that I’ve accidentally had overlap with the teams, it’s super-exciting. And the students have been more bought in! Because it’s like, we’ve done something on the human microbiome and we’ve talked about genetics and all these different things, and then when they read The Giver, or they read some book about genetics, they have all this knowledge. And they’re excited. And they talk about colorblindness or they come to my class and they’re like, “Hey, we read about this!” It’s almost like they saw a magic trick, the fact that these things linked up. And the engagement has been so much higher when it’s the same content in different classes, but through different lenses. At least, that’s what I’ve seen in my years of teaching.

Douglas Fisher (19:54):

I saw a lesson on space junk that was so cool. Middle-school students learning space junk. And the history teacher had a part of it, science teacher had a part of it, English Language Arts teacher had a part of it. And these students, I mean, you watch them look up all the time, ’cause there’s space junk up there. Where’d it come from? Why is it there? What are the politics of this? How do we clean it up? I mean, it was just so interesting to watch them when the teachers came together. And the teachers met their standards in this couple-week-long space-junk exploration. Investigation was met. Politics was met. All these different things. Economy. You know, how much does it cost to clean up this problem? So there’s really cool opportunities when teachers come together and realize we can work together and improve the literacy and learning of our students.

Eric Cross (20:50):

Absolutely. So before this recording, we picked your brain a bit. And I know that there were three specific strategy areas that you wanted to touch on. And one of those — which is kind of coming back to the 3000-words language teachers — was vocabulary. So what are the opportunities that you see, as far as the way of educators to approach vocabulary? Because, you know, there’s a lot. We got a lot of it. The 3000 words.

Douglas Fisher (21:14):

Yeah. There’s a lot of it. So the worry is, we make a vocabulary list and have students look up the words in definitional kinds of things. That’s not really gonna help. Students need to be using the words. They need to be using the words in their conversations, in their writing, in how they think about your content in science. So vocabulary is a huge predictor of whether or not you understand things. Vocabulary is also a pretty good predictor if you can read on grade level. So when we think about vocabulary, there’s something called word solving. You show students a piece of text and you’re reading it, you’re sharing your thinking, and you say, “Oh, here’s a context clue!” Or “I know this prefix or suffix or root!” And in science, a lot of the words are prefixed, suffixed, or root words. We tend to add things together with a lot of prefixes and suffixes and have roots and bases in science. So we can help students think about, “Oh, what does geo- mean? We already know what geo- means here. It means the same thing in this word. Let’s apply that knowledge.” So word solving is part of it, showing students how we think about words that we might not know. The second is more direct instruction of vocabulary. As students encounter the words, we work on what it means, how we say it. We practice it a few times. The process is called orthographic mapping. It’s kind of a scientific idea here. But you have the sound and the recognition of by-the-word, by sight, and what it means. And your brain starts to automatically recognize that word in the future. So I don’t have to slow down, disrupt my fluency, and try to figure out what the word is saying. ‘Cause I’ve seen it enough. I’ve heard it pronounced enough, I’ve pronounced it enough, and I know what it means. So teachers should be saying, “What words in sixth grade science, what words in third grade science, do my students really need to know?” And I’m gonna have them encounter those words over and over. I’m gonna have them use the words. I’m gonna have them see the words. I’m gonna have them say the words. I’m gonna say the word and we’re gonna be over and over with these terms, so that students incorporate them into their normal view of, “These are the things I know about the world.” By the way, when they go to read that next thing, and they understand “geology,” you know, for sixth graders, for example, they know how to say it. They don’t stumble on it. And it activates a whole bunch of memories in their brains. “This is what geology is.” There are branches of geology, there’s physical geology, there’s all this thinking that activates as they read.

Eric Cross (23:35):

There was a practice that I participated in and am trying to incorporate — I don’t know what the name of it is. But essentially what happened was we were dissecting a flower. And the instructor had us name parts of the flower. But we got to come up with our own names for it.

Douglas Fisher (23:49):

Ah.

Eric Cross (23:50):

So, for instance, the stamen we call “the fuzzy Cheeto.” And we all used our own words and then everything was legitimized. And so we went through and learned the whole activity using our own vocab words. But then, in the end, after we presented and talked about it, then the words, the actual academic language was attached to our word. And we were able to say, “OK, the fuzzy Cheeto is the stamen,” and this, this, this, and this. But it was such an interesting practice, because it kind of legitimized all of our definitions. But we weren’t stumbling on these long Latin terms and things like that. Is there a name for that? Or. … ?

Douglas Fisher (24:29):

Yes. I don’t know the name for that. I think it’s really smart. So here’s what I would say about that, is: we don’t learn words, we learn concepts. Words are labels for our concepts. So what that teacher did for you was allow you to develop concept, a concept knowledge. “There’s a part of this plant, it goes like this, we’re gonna call it fuzzy Cheeto. Now I have this concept. And look, it occurred in all these plants. And those people called it that and that other group called it that. We called it a fuzzy Cheeto. Here’s the part of it.” And then the concept is in your brains. And the teacher said, “It’s really called stamen.” And it’s an instant transfer, because you already had the concept. What we often see is students are trying to learn a really hard academic word and the concept for the word at the same time. And so it slows down the whole process. And there’s higher levels of forgetting. Because human beings, we don’t learn words; we learn concepts. If you don’t have the concept, if I gave you a word out of the blue that you’ve never seen, never heard, and a week from now I asked you to remember it, you probably would not, because it didn’t register. It wasn’t part of your schema. You didn’t have a way to organize the information. You don’t have a concept. So that teacher? It’s a great idea. Got you to develop concept knowledge. And then said, “Here’s a real label for it: What some other people called it when they had the chance to come up with their own names.”

Eric Cross (25:50):

Shout out to my teacher, who was—

Douglas Fisher (25:51):

Right.

Eric Cross (25:52):

It was learned then. It was a great practice. And the fact that you’re right, like, I just mean from my own personal experience, I agree that learning concepts versus complicated words. And it’s interesting that you said higher levels of forgetfulness, you know. And you often hear that complaint about it: “Students forget! Students forget!” But this complex topic and this complex word that’s new to me, and I have to remember both of those things.

Douglas Fisher (26:12):

That’s right.

Eric Cross (26:13):

And the other neat thing that it did, is it actually honored the background and like the founts of knowledge of all the different groups in the classroom. You just said something about “this group called it this and this group called it this,” and so by letting different groups share all of those names, now we’re starting to build these kind of interesting connections. That’s at least what I remember experiencing. And so this, even this practice of this approach is very layered, beyond just kind of generating new knowledge of things. So I appreciate that aspect of it. Now another area that you mentioned was complex text.

Douglas Fisher (26:41):

Yeah.

Eric Cross (26:42):

And how we can get students into complex text. So what can we do there?

Douglas Fisher (26:46):

I think science is an ideal place to get students reading things that are hard for them. And I do believe that some parts of school should be a struggle. Not all day, every day. But there should be doses of struggle, which are good for our brains. And these complex pieces of texts that don’t give up their meanings easily allow students to go back and reread the text and maybe mark the text and talk to peers about the text and answer questions with their groups. And the whole point of complex text is to say, “We persevere through it. We may not understand it fully on our first read. But we go back and we might underline, we might highlight. We might write some margin notes. Our teacher might say, ‘What did this author mean here?’ And we go back and look at that part and we take it apart. What do we think about that? And we talk to each other. It’s showing that when we read things, we work to understand. We work through our thinking, often in the presence of other people. And our understanding grows as we go into the text over and over and over again.” So I said geology earlier. There’s about a two-page article on “what is geology” that sixth graders often read. And some kids find it super boring. It’s a once-read, “OK, geology, I don’t really understand it. There’s a bunch of words in here that I don’t understand.” But if you go back to it a few times and you start taking apart, “What are the branches of geology? Oh, I’m gonna go reread that.” How are these two branches related to each other?” “What are the subtypes of each branch of geology?” “How do geologists do their work?” You start asking questions where students are going back into the text. You spend a little bit of time. Now, the introduction to geology, the students know so much more. So whatever you do next— video experiments, whatever—they have a frame of reference, because of that deep, complex read. It’s probably better than simply telling them, “Here’s the information.”

Eric Cross (28:45):

Right. And I even feel like as an educator, when I reflect on my own learning in the classroom, and then looking at it through the perspective of an educator <laugh>, you find this difference between how you were taught and then what the data says good teaching is.

Douglas Fisher (28:59):

Mm-hmm. <affirmative> mm-hmm. <affirmative>.

Eric Cross (29:00):

It’s so easy to slide back into how you were taught!

Douglas Fisher (29:02):

Yeah.

Eric Cross (29:02):

Even though, you know, you mentally assent to, “This is the best way. This is the data shows.” And you find yourself kind of sliding back at times.

Douglas Fisher (29:10):

Yep. And there’s good evidence to support what you just said, that most people teach the way they experienced school. And it is very hard to change that. And people have studied this. And it’s very hard to change that. Because it worked for us. And we have an n of 1, and it worked for us. Now, remember, there were a whole bunch of other kids in the class that it may not have worked for. And we chose to be in school the rest of our lives, and some of your peers did not choose to be in school the rest of their lives. In fact, some of them hated school and found no redeeming qualities of their experience. So just because it worked for us in a case of one, n of 1, doesn’t mean it worked for all of the kids, or even the majority of them.

Eric Cross (29:57):

Very well said. It’s that, what is that, the survivor bias? Survivorship bias? Where you were the one that made it. But you don’t think about all the other folks. ‘Cause we’re thinking about ourselves.

Douglas Fisher (30:05):

That’s right.

Eric Cross (30:06):

Great case for empathy too, is thinking about the people left and right. Because my friends are like, “I hated science.” And I say, “Who hurt you? Like, what did they do? It’s so amazing, so much fun!”

Douglas Fisher (30:16):

“What happened to you? Science is the coolest. Right? It’s so amazing!”

Eric Cross (30:21):

But I also had a unique experience in seventh grade with my teacher who did some of these things, and made it accessible for so many of us, in opening opportunities that I wouldn’t have had otherwise. But you’re absolutely right. That was my story. That wasn’t the story of everybody that was around me. And I think that’s really important. Now, I know this is also a big one for you, but I wanna talk about writing. What are the opportunities that you see in terms of writing specifically?

Douglas Fisher (30:51):

So would love it if science teachers had short and longer writing tasks in the science time. Of course, you can integrate some of the science writing, the longer ones, in the English language arts time, especially if you’re the elementary teacher and you can have control of the whole day. But I said this earlier; I’ll say it again. Writing is thinking. While you are writing, there’s nothing else you can do but think about what you are writing. Your brain cannot do something else. So if a science teacher wants to know, do their students really understand the concepts? Have them write. Now some of the shorter ones, I like something called “given word” or “generative sentences”: “I’m gonna give you a word: CELL. C-e-l-l. We’re in science. I want you to write the word ‘cell,’ c-e-l-l, in the third position of a sentence. So it’s gonna go word, word, cell, and then more words.” You could also say, “I want the sentence longer than seven words,” or whatever. But the key is, I’m telling you where I want the word. You will know instantly if your students have a sense of what the word “cell” means in the context of science. If they write “my cell phone,” they don’t get it. If they write about spreadsheet cells or jail cells or whatever, they didn’t get it. But if they talk to you about plant cells and animal cells and the components of those cells, and then once they have that sentence down, you can say to them, “Now write three or four more sentences that connect to that sentence.” It’s super simple. So whatever concepts you’re teaching, put ’em in a specific position. Now you don’t have to only put it in the third position. You can say the first position, the fifth position, the fourth position. But it forces them to think about what they know about the word and then how to construct a sentence for you. That’s a very simple way to get some writing from your students that helps you think about what they understand. Other kinds of writing, you can have quick writes, you can have exit-slip writes. There’s something in the research space called the muddiest part, where halfway through the lesson you have them write so far what has been the least understood or the most confusing part of this lesson. And they do a quick write, right there, at the muddiest part. And as a teacher, you flip through these and you start to say, “Oh, these are the points that are confusing to my students.” So if 80% of them all have the same thing, I gotta reteach that. If these five got, “This is the muddiest part,” If these five thought, “This is the muddiest part,” these seven, “I thought this was the muddiest part,” what do I need to do? Because it’s gonna be hard to move forward if this is their area of confusion. There are also all kinds of writing prompts that have a little bit longer. My favorite one is RAFT. What’s your Role? Who’s your Audience? What’s the Format? And what’s the Topic we’re writing about? Super flexible writing prompt. When you teach something, we don’t want students to only think they write to their teacher. So your role is an atom. You are writing to the other atoms. What do you wanna write about? What’s the topic? What’s the format of it? Is it a love letter? Is it a text message? Is it … so we, we mix it up with students in saying, how do they show some knowledge through a prompt that we give them? And then of course, longer pieces as they get older. More opinion pieces through fifth grade. More claims and arguments starting in sixth grade. So that they’re starting to see, “I have to use the evidence from things I’ve learned, read, listened to, watched, and construct something: an opinion, an argument where I back it up with reasons or evidence.” And those longer pieces, you know, less frequently. The shorter pieces, pretty regularly. So the teacher sees the thinking of the students.

Eric Cross (34:29):

When you were speaking about these really creative writing prompts, there were specific students coming into mind, that were coming into mind … they’re, they’re great science students, but they also have this really strong artsy side drawing, creative writing, and things like that. And when you said something about atoms talking to each other, it elicited, in my brain, certain students that would really love this aspect of creativity in the sciences. And it’s not how we’re typically trained as science teachers, to kind of incorporate this, like you said. A book of props. But I’m imagining, like, as a science teacher, if I took this, this would be a great way to reach more students to be able to show what they know, in a way that might resonate with their own intrinsic “Oh, I get to write creatively!” So I was kind of writing furiously as you were sharing all that information there.

Douglas Fisher (35:12):

So here, I’ll give you another example for elementary people. Again, with RAFT. There’s a book called Water Dance. It’s a pretty popular book for elementary teachers. It’s really about the life cycle of water. For example, you are a single drop of water. You are writing to the land. The format is a letter. And you’re explaining your journey. Now, if they can do this, they’re essentially explaining to you the cycle of water. But you got it in a way that people are now, “Oh, I’m a drop of water. So it’s me. My perspective. Where do I go from? Where do I start?” Because you can start anywhere in the cycle, right? My drop could have started in the clouds. My drop could have started in the ground. My drop could have started in the lake. But it has to show you the journey. So there are many ways of showing you the right answers.

Eric Cross (36:02):

And that’s using the RAFT protocol.

Douglas Fisher (36:04):

That’s RAFT: Role, Audience, Format, Topic. It’s been around 20 or 30 years.

Eric Cross (36:09):

You just gave the name to something a teacher shared in our podcast community, Science Connections: The Community, on Facebook. Teacher shared a Google slide deck and on it were just three slides. And the role that the student had to have is they had to show, then tell, the story of a journey of a piece of salmon being eaten, a piece of starch from pasta being eaten, and then an air molecule in a child’s bedroom. And they had to give the path of travel and the experience from the mouth and then breaking down into protein and all those kinds of things. And this teacher shared it and I wish I knew the teacher’s name because I wanna give ’em credit, but they shared it. And so I used it with my students and then had ’em read aloud their stories and dramatize it. And they were so into it!

Douglas Fisher (36:49):

So cool.

Eric Cross (36:50):

But through it, I was able to see that they understood different parts of the body. They understood cell respiration. The whole thing. And it was fun! To watch them get so into this creative writing. And now I know the name of it. That’s been 30 years they were using RAFT. So you just talked a bit about complex texts and writing. And before we go, I wanted to circle back to something that you said, because I think it’s important, and if you could elaborate on it a little bit, about the value of struggle. Can you talk more about that?

Douglas Fisher (37:21):

Sure. I do believe in a lot of the U.S. we’re in an anti-struggle era of education. And it predates Covid. I think it made it worse during Covid. We front load too much. We pre-teach too much. We reduce struggle. We quote, “over-differentiate” for students. And there’s value in struggle. The phrase, “productive struggle” — if you haven’t heard it, Google productive struggle — it’s an interesting concept, that we actually learn more when we engage in this productive struggle. Now, productive struggle originally came from the math world, and it was this idea that it’s worth struggling through things to learn from it, that you’re likely to get it wrong, and then there was productive success. And there are times when we want students to experience success and we make sure we put things in place for productive success. But there are times where we want them to struggle through a concept. ‘Cause it feels pretty amazing when you get on the other side, when you know you struggled and you get to the other side. If you think about the things, listeners, think about the things in your life where you struggled through it and you are most proud of what you accomplished. I want students to have that. I don’t wanna eliminate scaffolding, eliminate differentiation. But I do want some regular doses of struggle. So if you look at the scaffolding, we have a couple choices. We have front-end scaffolds, distributed scaffolds, and back-end scaffolds. Right now we mostly use front-end scaffolds: We pre-teach, we tell students words in advance, that kind of stuff. But what if we refrained from only using front-end scaffolds, and we use more distributed scaffolds, when they encounter. So there’s a difference between “just in case” and “just in time” support for students. So we tend to plan on the “in advance, here are all the things we’re gonna do to remove the struggle before students encounter the struggle.” What if instead we said, “Let them encounter some struggle. Here’s the supports we’re gonna provide. We’re gonna watch; we’re gonna remove those scaffolds, and allow them to have an experience of success, where they realize, ‘I did it. I got it.’” Every science teacher I’ve ever worked with, when they do an experiment or a lab or simulation, they are looking for productive struggle. They don’t tell the answers in advance. They don’t tell if the answers are right. That’s your data. What does your data tell you? I mean, this is what you do. But then the other part of your day when you move into, like, reading, you don’t do that. You fall into the trap of removing struggle. And so allow them to grapple with ideas. Allow them to wonder what words mean. Allow them to say, “I’m not getting this, teacher! It’s really frustrating!” And you say, “Yeah, this is really hard. This is why we’re doing it at school. ‘Cause it’s really hard. If it was easy, I’d have you do it at home. But we’re doing it here, ’cause it’s really hard and it’s OK not to get it at first.” And create a place where errors are seen as opportunities to learn, and struggling through ideas and clarifying your own thinking and arguing with other people to reach an agreement or reach a place where we agree to disagree is part of the power of learning.

Eric Cross (40:38):

There’s a teacher, who I took this from. My master teacher when I was student teaching. And she said that there’s no such thing as failure in science, just data. And I took that same mantra. And I resonate with what you said about how science teachers, all of us, hold onto that productive struggle, because it’s part of being a scientist. It’s part of the experiments. That genuine “aha” moment. Or it didn’t work out? That’s great! That’s totally fine! Let’s write about it and let’s take photos and let’s publish it and let’s be scientists. That’s totally true. As we wrap up, Dr. Fisher, is there any final message that you have to listeners about bringing science and literacy together? I know you speak everywhere, but for everyone that’s listening, if you can put out your encouragement or message or suggestion … you’ve given so many great tips and practical applications. But, any final thoughts on the subject?

Douglas Fisher (41:32):

I think many science teachers are intimidated because they think they have to be reading teachers. And there’s a knowledge base to reading. And some teachers are reading teachers and science teachers, and I don’t wanna dismiss that. But it’s not that you have to become a reading specialist to integrate literacy into science. It’s how our brains work. And so as you think about the way in which you are learning and the ways in which you want your students to learn, what role does language play? What role does speaking, listening, reading, writing, viewing, play in your class? And then provide opportunities for students to do those five things each time you meet with them.

Eric Cross (42:12):

Dr. Fisher, thank you so much for being here and for your encouragement, and sharing your wisdom and experience. And then personally serving my city, here in San Diego, and my students, when they make it to your high school and ultimately the alma mater of San Diego State University.

Douglas Fisher (42:30):

That’s right.

Eric Cross (42:31):

Yeah. We really, really appreciate you in serving all kids and lifting the bar and making things more equitable for all students. And encouraging teachers. So thank you.

Douglas Fisher (42:39):

Thank you very much.

Eric Cross (42:42):

Thanks so much for listening to my conversation with Dr. Douglas Fisher, Professor and Chair of Educational Leadership at San Diego State University. Check out the show notes for links to some of Doug’s work, including the book he co-authored titled Reading and Writing in Science: Tools to Develop Disciplinary Literacy. Please remember to subscribe to Science Connections so that you can catch every episode in this exciting third season. And while you’re there, we’d really appreciate it if you can leave us a review. It’ll help more listeners to find the show. Also, if you haven’t already, please be sure to join our Facebook group, Science Connections: The Community. Next time on the show, we’re going to continue exploring the happy marriage between science and literacy instruction.

Speaker  (43:26):

I had this moment of realization I felt a few months ago: I’m like, if I don’t teach them how to use the AI as a tool, as a collaborator, then they’re gonna graduate into a world where they lose out to people who do know how to do that.

Eric Cross (43:39):

That’s next time on Science Connections. Thanks so much for listening.

Stay connected!

Join our community and get new episodes every other Wednesday!

We’ll also share new and exciting free resources for your classroom every month!

What Dr. Douglas Fisher says about science

“There are really cool opportunities when teachers come together and realize we can work together to improve the literacy and learning of all our students.”

– Dr. Doug Fisher

Professor and Chair of Educational Leadership, San Diego State University

Meet the guest

Douglas Fisher, Ph.D., is professor and chair of Educational Leadership at San Diego State University and a leader at Health Sciences High & Middle College having been an early intervention teacher and elementary school educator. He is the recipient of an International Reading Association William S. Grey citation of merit, an Exemplary Leader award from the Conference on English Leadership of NCTE, as well as a Christa McAuliffe award for excellence in teacher education. He has published numerous articles on reading and literacy, differentiated instruction, and curriculum design as well as books, such as The Restorative Practices PlaybookPLC+: Better Decisions and Greater Impact by DesignBuilding Equity, and Better Learning Through Structured Teaching.

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A laptop screen displays the “Science Connections: The Community” private group page, with science-themed icons decorating the background and edges.

About Science Connections

Welcome to Science Connections! Science is changing before our eyes, now more than ever. So…how do we help kids figure that out? We will bring on educators, scientists, and more to discuss the importance of high-quality science instruction. In this episode, hear from our host Eric Cross about his work engaging students as a K-8 science teacher. 

National Reading Month: Making reading in elementary schools fun

Happy National Reading Month!

Of course, every month is reading month—and every day is reading day!

But March makes National Reading Month official, and we’d like to help you celebrate.

  • Brain Builders” is an animated video series you can share with your students to help them understand what the brain does in order to read—placing reading science in the hands (and brains!) of students.

Your kids will join Minh on his journey as his babysitter, Tamara, helps him cultivate a love for reading—while also learning a bit of cognitive science. The series includes 13 episodes that you won’t want to miss!

  • Reading Buddies” makes learning to read fun (with the help of a talking dog, of course). Created by a pair of performers during the COVID-19 quarantine, the show became a smash hit when The Reading League came on to help it grow.

The series is based on the Science of Reading—but that’s not why students like it! They get to follow and practice along with Dusty the Dog as his person, Dott, teaches him to read. All the while, the kids are learning the underlying components of skillful word reading such as phonological awareness, letter names/sounds, and blending sounds.

And for a little good old-fashioned coloring, we’ve also created this literary reference sheet for your students to bring alive with their own imaginations.

We hope you enjoy celebrating your kids’ brains and creativity!

More to read and learn

From Amplify’s Science of Reading: The Podcast:

Find out how “Reading Buddies” came to be (and managed to outpace “Sesame Street”)!

Meet Margaret Goldberg, co-founder of The Right to Read Project, to get her take on Brain Builders and the importance of the comprehension strand of the Science of Reading.

Request a free sample of CKLA.

Science of Reading principles that guide early literacy

Our understanding of the natural world is grounded in basic truths or laws we call scientific principles.

And we’ve got a similar set of principles for the Science of Reading.

In science, we have things like gravity, buoyancy, and the laws of motion, while the Science of Reading has universality, vocabulary, background knowledge, and so much more.

These principles, which are grounded in extensive Science of Reading research, inform our understanding of how children learn to read and guide educators in implementing best practices for science-based, effective literacy instruction.

These principles can support you in bringing the Science of Reading into your classroom and fostering literacy success for all your students.

Let’s take a look.

Science of Reading principles

We’ve identified 10 principles that touch on key Science of Reading components. Here’s a peek at the first five.

1. Science-based reading instruction supports all children.

Every child deserves access to high-quality instruction that can help them become proficient readers. The latest National Assessment of Educational Progress (NAEP) data shows that students’ reading scores are slipping, with 37% of fourth graders performing below the NAEP Basic level in reading in 2022. Fortunately, we have the research and tools we need to get to work reversing this trend—and more and more educators are using them. Science-based reading instruction channels decades of research into teaching methods that match the diverse needs of all students. Using the Science of Reading, we can raise those scores and support literacy development for this generation and the next.

2. Reading and writing must be taught systematically, explicitly, and cumulatively.

Humans typically learn to speak naturally, through social interaction. But reading and writing require formal instruction. According to the Simple View of Reading, reading comprehension is the product of both decoding and linguistic comprehension. Kids must be taught the relationships between sounds and letters (phonemic awareness and phonics), and how to decode words. Systematic instruction presents these skills in a logical order, explicit instruction goes beyond just “exposing” kids to words and texts, and cumulative instruction builds on skills learned before. This structured approach is essential for laying a strong foundation in literacy.

3. Proficient reading requires word recognition and language comprehension, while proficient writing requires transcription and composition skills.

Proficient readers recognize words quickly and effortlessly, allowing them to focus on understanding the text rather than decoding each word. They are then able to comprehend language using a knowledge of vocabulary, an understanding of sentence structure, and the skill of meaning-making. Likewise, proficient writers possess transcription skills, including spelling and handwriting. And as in reading, these transcription skills eventually become automatic, allowing students to expend less effort on handwriting, typing, and spelling and redirect that energy toward creating text and sharing ideas.

4. Reading and writing are mutually reinforcing processes that should be taught through integrated instruction.

When students read a variety of texts, they absorb different writing styles, structures, and vocabularies, which also serve as models for their own writing. Writing about what they read also helps students deepen their capacity for both comprehension and expression. Integrated instruction might include activities like reading a historical novel and writing diary entries from the perspective of a character, or researching a scientific topic and creating an informative brochure.

5. Background knowledge and vocabulary are critical to both reading comprehension and writing composition.

Background knowledge is like Velcro to which new texts, and new knowledge itself, can stick. A robust vocabulary is crucial for reading comprehension, because it allows students to understand and engage with more complex material. In writing, a rich vocabulary lets students express their ideas more precisely and vividly. Integrated activities such as book clubs or writing workshops can build background knowledge, vocabulary, and the natural interplay between reading and writing, fostering a holistic—and science-backed—approach to literacy development.

You’re part of a larger community—one made up of educators and researchers invested in deepening our understanding of how kids learn to read and write, and how to bring those approaches into the classroom. Start every day inspired and grounded in this community with our Science of Reading principles placemat.

S1-10: Empowering the science educator: Jessica Kesler

Promotional graphic for "science connections podcast" season 1, episode 10, featuring a smiling black woman named Jessica Kesler, with educational icons like a globe and magnifying glass around her.

In the final episode of the season, Eric sits down with his friend and professional development facilitator, Jessica Kesler. Jessica describes her passion for sharing free, high-quality, empathy-centered professional development for K12 educators. Jessica also shares her experience jumping into leadership positions while teaching in Philadelphia. Eric also chats with Jessica about how students often lean on teachers for more than delivering content. Explore more from Science Connections by visiting our main page.

Download Transcript

Jessica Kesler (00:01):

One student at a time, isn’t gonna bring a million students through the door. But if we focus on their teachers, then they can implement it in their classroom and have this multiplicative effect that can continue on and help us to reach those millions of kids and helping them be prepared for future careers.

Eric Cross (00:19):

Welcome to science connections. I’m your host. Eric Cross. My guest today is Jessica Kessler. Jessica’s director of professional learning at TGR foundation, which is a tiger woods charity. There she creates and leads free stem, professional learning opportunities for educators across the country. Prior to working at TGR, Jessica worked as an elementary, middle and high school science teacher while fulfilling several leadership roles, including science department, chair and principal intern. In this episode, Jessica shares some of her classroom experiences while working in Philadelphia, where she was in classrooms, where her students needed her to be more than just her content. She also addresses how designing professional learning with empathy for teachers in mind creates better experiences for teachers. And now please enjoy my discussion with Jessica Kessler. So let’s, let’s start off with St. Joseph’s chemistry college to the classroom, like your origin story. What led you to ultimately get into the classroom and being successful, even just looking at, at your kinda like your resume or your CV of all of the things that you’ve done. You definitely weren’t idle, but start off with chem. Yeah. Like where did that passion come from?

Jessica Kesler (01:27):

Yeah. So when I was younger, I just had this burning passion to help people. Right. And when you’re young and you think about helping people, you think about doctors, doctors help people. Right. So I had this idea that I wanna be a surgeon. I wanna be a black surgeon. I wanna be a young girl, female Charles drew, and I just wanna go out there and do it. And so my mom is actually an alum of St Joe’s. So I spent a lot of time on campus cuz as she was getting her mini master’s degrees I will visit campus with her often. And so when I applied, I had the scholarships, had everything and I went in ready to be bio ready to be a surgeon. I took my first bio class and I was like, yes, let’s talk about the human body. And let’s get into dissections and sections. And they were like, okay, so a plant so has this. And I was like, Ooh <laugh> I was like, this is not what I was expecting at all. It just felt so detached from the trajectory that I wanted to take. And it just did not feed that passion of helping people in the immediate moment.

Eric Cross (02:31):

Did it, did it feel too abstract?

Jessica Kesler (02:33):

It felt abstract. It felt boring. Okay. And one thing I didn’t want was to be like stuck, bored. Like if I’m not being stimulated in a good way, mm-hmm <affirmative> then it’s not gonna last, but I love science. So I switched over to chemistry cuz I’m like this chemistry is exciting. I’m mixing things together. I’m producing new things. I’m doing extractions. I’m being introduced to machinery that I haven’t seen before. I’m loving it. I’m doing a math. The math is awesome. And so I switched over to chem and I started doing research in the summers and things like that. My research was around water quality in Philadelphia and looking at different natural water sources and comparing them and all those great things. But I was in a lab and the lab had no windows and I was stuck talking to this atomic absorption specter every day.

Jessica Kesler (03:24):

And I hit that, that wall again, where it was like, is this the rest of my life? Like talking to these machines and not having windows and not being able to interact with people. What is this? This can’t be life. And so I was seeking out some new opportunities that said, Hey, I need more money. First of all. So I’m like, I call the financial aid office like every week, like, Hey, what’s out today. What new scholarships do you have? I’m applying for everything. Like it was my goal to not have to pay for much of my education. And so I was talking to them and they’re like, Hey, you’re in science. There’s this awesome opportunity called a noise scholarship where they’ll pay for your last year and your master’s degree. If you go into education mm-hmm <affirmative> and I sat on it and I was like, this makes so much sense to me.

Jessica Kesler (04:12):

I was like, I’ve been literally tutoring my peers and teaching in churches and all this other kind of stuff. My whole life. It makes so much sense. How come nobody ever said this before? <Laugh> and so I applied for the noise scholarship, got in and started, you know, mm-hmm, <affirmative> doing practicums in the classroom as I went through my last year as a chemistry major and my first year for my masters and it just felt so right. And I was like, I can do this. And of course there were a lot of people who told me, no, Josh, you can’t do that. Like these kids will eat you alive. And I’m like I don’t think so. <Laugh> but, but that’s give it a go. And I stepped into the classroom and it, it just felt like, felt like it was always meant to be there.

Eric Cross (04:57):

So you were able to, you were able to make that connection between, I mean, if you’re, if you’re studying chemistry and bio and going into stem, I mean, there’s, there’s an aptitude there, but then you realize that this there’s a road that you could take that leads you into a room with no windows. And you’re just hanging out with machines all day

Jessica Kesler (05:14):

And I’m not helping people. Right. Right. And that was, my passion was like, I’m not helping people sitting in this room. I need to be a person that’s outside telling people about what happens in the room. Right. And how they can get involved and like what’s going on in here. Like that’s, that’s where I can be useful.

Eric Cross (05:28):

When you were, you were in Philly when you were teaching, what were you teaching when you were there?

Jessica Kesler (05:33):

So I started off teaching eighth grade science first job in north Philadelphia, teaching eighth grade science and just a, a funding tangent that first day a student called me a B

Eric Cross (05:44):

Trial by fire

Jessica Kesler (05:45):

Trial by fire called me out in front of like the whole floor. We were outside doing line drills and just was like, I hate you miss Kusa your B. And I was like, oh, this is it. This is it. This is where you stand your ground and you take it or you, you bail out <laugh> and you go back into the lab mm-hmm <affirmative>. And of course at the end of that, that traumatic experience between all the kids, like two months later, she wanted me to adopt her. So like everything comes full circles. Right.

Eric Cross (06:10):

That’s how it is. Right.

Jessica Kesler (06:11):

But I started teaching eighth grade science. There’s not a lot of science teachers at that level who actually have a science background. Most of them have elementary school background. So I’m the only scientist walking into the science classroom and saying, this is how science actually works. And so I ended up taking a lot of onus of science while I was there. Ended up building out the K through eight curriculum for science. I ended up doing like a science strategic plan to submit to the district. I ended up leading out our first couple stem nights and like really leading the stem department and kind of our science department. And this was as like a second, third year teacher <laugh> know, but nobody else had the science mm-hmm, <affirmative> the way that I had the science and the education. So it really opened up a door for me to be able to, to run full steam with all those things.

Eric Cross (07:04):

So MI was it primarily middle school during those, those years that you were there?

Jessica Kesler (07:07):

So there, I started with middle school and I did that purposefully because I was still young and I wanted there to be a good age gap between me and the students. And then I moved up to high school and taught high school chemistry, also taught a couple other different subjects while I was at that school. But primarily high school chemistry. Then I actually took a big leap down and I said, okay. I was going for my second master’s degree in educational leadership. And I was going for my principal cert. And I said, if I’m gonna be a principal of a school, then I need to understand all the levels of education and how they operate, cuz they operate really differently. So I said, I started in middle school, went to high school. I don’t have elementary school experience. In fact, I’d spent a day in a kindergarten classroom and I was like this never again, but I was like, I need to go back down there and I need to figure out how this system works because you know, I never know where I’m gonna land as far as principalship.

Jessica Kesler (08:01):

So I went and taught fourth grade.

Eric Cross (08:03):

How was that experience?

Jessica Kesler (08:05):

So imagine me going from teaching high school, seniors and juniors Uhhuh and like they’re self-sufficient and you know, they’re independent, they’re driving to school and all these things. And then I immediately drop down and go into fourth grade where these kids are crying every five seconds. They still have like a lot of bodily fluids, like there’s noses running and things. And like <laugh>, I was like a fish outta water. I was like, what is this? What’s going on down here. But those kids pour out so much love. And they, you, you become another parent to them. Mm-Hmm <affirmative> your high schoolers know who their parents are. They kind of are finding their place in society, but the little ones, they only know big people as parents, small people as equal. So they see you as another parent. So it taught me a lot about, you know, patience and breaking information down, even smaller. I had to figure out new and inventive ways to teach science and bring it down so far that they would be able to grab onto it and achieve it. And it was a challenge, but at the end it paid off, we were running, we were hitting like great markers for all of our PSSA goals that year. I mean, we were really knocking it out the park

Eric Cross (09:17):

And this backstory leads into how we met and adds to the picture as to why I really want to have you on, because your involvement with TGR, which is where I want to go next for the folks listening. I bet a lot of them have no idea what it’s about, just like I did. And now me learning about TGR foundation and meeting you I would love to make sure that everyone knows about it and what they offer.

Jessica Kesler (09:39):

Absolutely. So TGR foundation, a tiger woods charity was founded by tiger woods and his father with a mission to really introduced them education to students in low income minority populations and prepare them for success in their world and their future careers moving forward. And so was founded in 1996 and went through several changes in iterations since 1996. But eventually opened up its first learning lab, which is in Anaheim, California. And through the learning lab, they opened up these satellite sites. So they basically partner with schools to provide after school education and robotics and wearable electronics and things like that. And they would partner with schools to teach these courses after school, they would pay the teacher, pay for the materials and stuff like that to provide more opportunity for students in different areas. And so that’s how I was introduced to the foundation because while I was teaching high school my good friend and previous manager, Jason Porter shout out to JP Jason Porter used to lead the tiger woods foundation when it was the tiger woods foundation.

Jessica Kesler (10:52):

He used to lead the afterschool program. And when I joined that high school, he said, Jess, you got all this great content, knowledge, all this great enthusiasm, and we wanna get more women into this robotics. We wanna get them engaged in this process of, of stuff. And you will be a great role model to start bringing in more of our female students. And I was like, great, sign me up. And that’s where I started working with the TGR foundation, right after school programs, getting my students into robotics, competitions and clubs, doing different challenges and design challenges. And then after some time, a few years, they actually needed someone to come to the DC area and support the development of professional learning and partnerships here in DC, as they were continuing to expand. And really it came out of the idea that tiger gave this big mission to the organization that he wanted to reach millions of kids.

Jessica Kesler (11:48):

He said millions and everybody said, what millions, what M <laugh>. So the foundation was like, okay, well we can’t reach millions by just tackling one student at a time, right? Not one student at a time, isn’t gonna bring a million people or students through the door. But if we focus on their teachers, mm-hmm <affirmative>, then those teachers not only spend most of their day with these students and learn the basics of their skills with these students. But each one of those teachers has 30 to 150 200 students that they see every day. And that’s how we multiply this effect. So we train the teachers on all the stem competencies and the pedagogical tools and strategies to implement the stem that we’re doing in our learning labs. And then they can implement it in our classroom and have this multiplicative effect that can continue on and help us to reach those millions of kids and helping them be prepared for future careers.

Eric Cross (12:44):

And so D divide the effort, multiply the effects. Exactly. And then when I was exposed to it, this was over zoom. Now, how long has it been going on? Has it always been virtualized or did you do the, were you all doing this before? We all went online

Jessica Kesler (12:57):

Before the pandemic man, the glory days, right before pandemic, it feels like I’m talking about prehistoric times, right? Like back in the dinosaur, like era, like, I don’t know, pre we actually did these workshops in a person. So we would invite people to come to DC, invite teachers in Philadelphia to do a Philly one. We were in New Mexico. We were in Florida. We were, I mean, we were everywhere and this would be a extremely hands on engaging workshops. So not only do we focus on this is the theory and the philosophy behind the pedagogy, but we would also focus on like creating a student experience for the teacher, having the teacher flip into student mode and put on that student hat and actually go through sample lessons, model lessons and activities as the student so that they can feel it. So you can feel if, if you feel confused, your students are gonna feel confused.

Jessica Kesler (13:52):

If you feel like this is challenging, you, your students are gonna feel the challenge. If you are, don’t understand the instructions, your students will understand the instructions. So it gives us a different perspective and it puts us in their shoes. So we can better empathize with them and create more responsive lesson planning. So we flipped them into that student role for that purpose. When COVID hit, we went virtual, but virtual allowed us to reach teachers that we probably would’ve never hit. So it was kind of that blessing and disguise, right? It was like we didn’t keep people as long cuz obviously virtually you’re not, you don’t wanna stare at a screen for eight hours. So we cut it down. We revised it a little bit, but we kept the hands on philosophy and feel of it going by, you know, using materials that they could find at home really modeling what education could look like.

Jessica Kesler (14:41):

Mm-Hmm <affirmative> if you used your Z zoom room to capacity, or if you had these materials and resources or rethought your lesson plans and structures. So we went virtual and not only were we able to hit so many more thirst that first year thirsty educators ready to get, dive into it, ready for some comradery with fellow educators. But we were also able to expand our international network. We were able to get so many international educators through our global work that it was, it was beyond what we had when we were in person. So it really had this skyrocketing effect.

Eric Cross (15:20):

There’s professional learning pathways and then virtual stem studio. Is that right for professional development for like teachers who are listening, are those the two kind of main prongs?

Jessica Kesler (15:30):

Yeah. So a stem studio is basically just one, right? And a pathway is a collection. So we now offer four stem studios, four separate stem studios. The first one is on inquiry mindset. You attended that one area. And it’s really about for teachers who are changing their perspective on what the classroom should look and feel like, especially administrators too. It’s about developing that inquiry mindset. So you understand and you feel, and you practice and you learn the tools that are necessary for inquiry to happen in your classroom. We never promote overhauling your classroom. We’re just saying, add a little bit here and there and see how it impacts your students. The second one is on making inquiry, visible, making inquiry visible is all about making students thinking visible in the moment. What are tools and strategies that you use so that students can illuminate their thinking for themselves, but for you and their peers as well and how we benefit from that.

Jessica Kesler (16:28):

So not only do the students get to see their own thinking as they progress and you get to tell the story of how their minds have evolved, but you, as the teacher get to see, oh, this is where everyone is making the mistake, or this is how this misconception came about. Or this is where I need to target for my next lesson. So it makes you more responsive in the moment. And then the third and fourth one where we’re actually launching for a small group this summer, it won’t be available to the masses until maybe a year or two down the line. We have one small group that we’re just going to test it out with. The third one is about developing your inquiry environment. So thinking not just about your physical space, but thinking about your intellectual space too. So what are the things that you can embed into your physical space and develop in a student’s intellectual space that will help you create a holistic inquiry environment?

Eric Cross (17:22):

So this is this inquiry space, not just physical, but then also the intellectual environment

Jessica Kesler (17:26):

Intellectual. Exactly. And it focuses in on the design process and how we design spaces. Because as a teacher, we take a lot of background in the background onus of de creating these spaces. If you take someone out of an old habit or space and tell them, oh, we are gonna change in your minds and teach inquiry, but put them back in the same environment, they’re gonna be conflicted, right? Their bodies wanna do one thing, their minds wanna do another thing. And they don’t know how to bridge the gap between the two. So this is a really illuminating, like how do you change all the spaces? How do you design a flow in space in your classroom and in your students thinking that allows them to be productive in that inquiry environment. It’s really good stuff

Eric Cross (18:11):

Who creates these experiences for teachers.

Jessica Kesler (18:14):

We do. So me and my teammate, Holly, Dard shout out HD. Holly Dard, we really put our brains together and developed these. So it’s a really a team effort because like Jason Porter, Eric even David Tong when he was with us, really collectively thought about what it is that we wanted educators to experience. And then Holly and I do a lot of the grunt work, but then we really collectively put it all together and make it what it is. So I have a heavy hand and a lot of that. And in fact, inquiry four is all about the entrepreneurial mindset. So oftentimes educators don’t consider themselves entrepreneurs, but if you take a look at what an entrepreneur is and what they do on a regular basis, educators are entrepreneurs, but we are missing an opportunity to use our entrepreneurialship in the classroom to drive for stem competencies in inquiry based practices. And so in, in stem studio, four, we really focus in on how the educator is the entrepreneur of their classroom, but also uses entrepreneurial techniques to tackle issues in their schools, districts, and spheres of influence. So it’s really taking the educator to the next level of their teaching practice through entrepreneurship. This is some deep stuff.

Eric Cross (19:37):

It is, well, this entrepreneurial mindset is, is something that I’ve heard before. And I definitely see the link between even the term teacherpreneur beyond just selling lessons on teachers, pay teachers. <Laugh> it’s way bigger than that,

Jessica Kesler (19:52):

Where entrepreneurs actually in the classroom, not just because we do things on the side to make money. Exactly.

Eric Cross (19:57):

A lot of teachers hear that. They’re like, yeah, I got, you know, I got, got a few jobs going on. Exactly. Yeah. And, and I think one thing we, I should have said this earlier, and I’ll, I’ll say the intro, but these are all free.

Jessica Kesler (20:07):

This is largely sponsored by do OD stem as well. So we have a partnership with D O D stem and they have been driving forth the department of defenses, strategic stem plan for years. And as a part of that, they give us funding in order to provide these opportunities for educators for free. So literally educators don’t have to come with anything. And we are giving you not only the content of our, our lessons and our instruction, but we’re also going give you a chance to earn a free micro credential. So people are spending 12 plus hours with us in a workshop which sounds like a lot of time, but it’s over a series of time and days. But we wanna give you something that means something after that, we wanna give you a micro credential to add to your resume, to show your administrator, to show that you have achieved the next level in your professional learning career.

Jessica Kesler (20:59):

Right? And if you finish the pathway, which is all for, then we give you our TGR foundation certificate that says that you’ve completed so much professional learning in these areas that you are basically a warrior of inquiry that you are ready to go out and really lay inquiry out in new creative ways, not in your CLA just in your classroom, but everywhere you go in your district, in your school. And on top of that, we just offer so many other great free partnership incentives like discovery, education, experience licenses. We’re doing raffles this summer. We’re giving out free a free meal voucher so that you can get some lunch. One of these days we’re offering $50 gift cards so that people can get school supplies. So anything you do with us, and you’re like, man, I really wish I could have this so that I can do that in my classroom. We wanna break down all the barriers that prevent teachers from doing this stuff in their classroom, actively engaging in this stuff. And we give you a free copy of the books that we reference. Again, trying to break down the barriers,

Eric Cross (22:00):

What are some of the things that you’ve noticed kind of being on both sides of science teaching in the classroom, and then in training trends with teachers, things like moments that have been great or, or challenges that you’re noticing teachers experiencing, especially maybe changes in differences from a, from, you know, an outsider’s perspective. Seeing what teachers are experiencing are like, since you’ve been doing PDs for folks.

Jessica Kesler (22:22):

Yeah. So it’s actually really interesting being on both sides of the fence. You know, what I always noticed is that teachers are eager, but they’re tired. They’re wanting to learn, but they can’t take advantage of every opportunity to learn. And especially during COVID time, if you take a look at even all the professional learning that’s happening across the world right now, attendance is going down because teachers are so burnt out this hybrid space, this either we’re in person, but we’re still wearing masks and still social distancing and all this other stuff, or I’m still virtual or I’m virtual some days and I’m in person other days, it’s just wearing our teachers out. And I think we notice that as we see a large numbers of friends and family just start to retire, right? Like people are just like, I don’t know if I can adapt to another change in education.

Jessica Kesler (23:14):

Like education goes through these waves of big changes and it’s hard for everybody to adapt to, but for those who are willing to stick it out and those who are able to stick it out and, and still have that energy and enthusiasm to learn, they come in so hungry for more resources, so hungry to learn more and they still have their why at the top of their minds, as they think about why they do this it’s for the kids it’s to drive this mission is to get more kids excited about this. And they just come in so passionate. So once they come in, once we can get them to come in they stick with us for a really long time. They’re like, what else do you have? What else do you have? What else do you have? But we hear, still hear the common threads of like, do I have time for this?

Jessica Kesler (23:58):

Do I have the funding for this? Do I have the energy for this? Do, will my students understand this? And we are constantly facing that challenge of trying to address those things by, but keeping the excitement going, like we know you don’t have enough time. We’re gonna call it out from the start. I know you don’t have enough time to try to do 29 extra things. Mm-Hmm <affirmative>. But my advice is always, but do one thing at a time, start with something small, asking your students a few questions rather than lecturing to them. Doesn’t take a whole lot of extra time, but it gives you so much extra insight. So let’s not work, you know, harder, let’s work smarter. Let’s embed this into our, our work together. And I always say that we’re not asking you to add to your plate. You know, it’s not Thanksgiving where you just pile, keep piling on a plate.

Jessica Kesler (24:47):

It’s it’s a time where you organize the plate. It’s allowing inquiry to restructure your plate so that everything has its place and its time mm-hmm <affirmative> do you wanna leave room so that the educator feels comfortable trying some new initiative? That’s why we encourage admin. We have librarians attend elementary school teachers, administrators, we, and we encourage it because everyone can support the classroom. And if administrators are more in touch with these new practices and tools and strategies, then they can help facilitate the learning. As the teachers are trying new things and coaching them in specific areas. So we really opened the door for some studios, for any and all who are gonna participate in that child’s education, because us all rallying around them as that three-legged stool helps to create that environment and helps support the teacher. The teachers need support, and we’re trying to do our part by providing the resources and the tools, but they need everyone else to.

Eric Cross (25:42):

We don’t always think about it as a way to support, to get support in our classrooms for ourselves. But I agree with you by, by educating vertically up the chain, you know, vice principal, principal, whoever it is, mm-hmm <affirmative> superintendent getting them on boarding and, and educating them to see what’s ex expected. We’ll open up doors and more freedoms for you because now you just have this vertical alignment of folks kind of on the same wave length. Exactly.

Jessica Kesler (26:07):

Yep. And that’s why we love districts. Anaheim union school district is actually one of our partners this year, where they have invited their teachers to participate in the whole pathway because they know how important it is that we practice these tools and strategies. And they want as many educators in the same space going through this at the same time as possible so that we can support each other through it. And so that we don’t feel like islands, oftentimes as educators, we feel like islands we’re in our classroom day in and day out. And we don’t feel like there’s anybody else who’s doing the same things we’re doing and supporting the work that we’re doing. So when we get administrators who support it, it’s magical. It can be magical.

Eric Cross (26:47):

What are some opportunities that are coming up if somebody’s listening and they, they wanna sign up for something, are there things coming up this month or next month or in the summer that they can participate in?

Jessica Kesler (26:55):

Yeah, for sure. So we’ve been doing our monthly workshops. And if you go to our website, so if you actually go to TGR foundation.org and slash stem studio you’ll actually see our summer events already posted, already live for everybody to start engaging in. And again, everything is free. So registration is open and available for everybody to participate. We are offering that first inquiry stem studio inquiry mindset twice the week of June 21st and the week of June 28th, two opportunities for educators to join us for inquiry mindset for the first one. And then also in July, we’re offering the second one making inquiry visible, and that’s the week of July 12th. So again, all free stuff, raffle prizes are available for those who register early and get in there and reserve their seat. It is limited seating. And so, yeah, a bunch of opportunities coming up this summer and guess what all you have to do is sign up and then you get all these free things coming your way. You get to look forward to all this exciting stuff. So TGR foundation.org/studio.

Eric Cross (28:01):

And if folks wanna follow you in your career, your journey.

Jessica Kesler (28:05):

Yeah. I’m on Twitter and LinkedIn, for sure. And it’s Jessica Kessler, K E S L E R one S

Eric Cross (28:12):

I wanna honor your time. And as we close, you’ve been an educator of impact in, in your own classroom. And I know you’re still teaching actively now, and you’ve also made an impact on me and other educators through your professional development. And, and the last question I’d like to end with is who’s the most memorable teacher or learning experience that you had during K eight. When you think about you, your time in school, who was a memorable teacher or a moment that kind of stands out to you and what was it that they did that made them memorable?

Jessica Kesler (28:44):

It was that one teacher who brought me my first T I, 84. You remember when a new calculators came out, I had a teacher give me one amazing, but I think in high school, there was really a turn about where I had miss Caroline and Mr. Canello math and Spanish teacher. So two opposite wings of the, the education spectrum there. But most of all, they listened. They listened to me. I felt seen with those teachers, they supported me. They listened to me, they saw my potential. And they just rallied around me and continued to support me thereafter. Even afterwards, I continued to reach out to those educators. And I think that’s what drives me to be that force for, for my students. And I remember my most memorable heart touching education experience was probably, I had a high school student get interviewed by the newspaper.

Jessica Kesler (29:38):

And they were like, oh, what’s your favorite classes? And what’s your favorite this, and what’s your favorite of that? And he was like, well, I love chemistry, which is what I was teaching. It was like, and I love my after school robotics team. I was leading and I love this and this and this. And he basically listed all the stuff that I was doing that I was teaching and that I was leading in the school. And I was like this one student, literally out of all the classes and experiences he’s experiencing is really just calling out everything that I’m doing. And I feel like it’s because he felt seen, he felt heard. He was like, this person is listening to me. And no matter what space we’re in this teacher is, is there for me. And so I try to be that wherever I go, <laugh>,

Eric Cross (30:16):

It’s amazing how making someone feel seen and, and making them feel important and heard, and, and being present for them. All of a sudden opens up their interests into the subjects that you’re teaching. Thank you for, for making time for serving our kids for serving teachers during a hard time, and for making PD one, being part of an organization that made it free and serve teachers, but also making PD fun and enthusiastic. I think that was one of the things in addition to the empathy that you led with, but also your enthusiasm and passion was something that really resonated with me. And it made our time together. Feel like something that was, was making me a better teacher for my kids. And so, thanks for making time for us tonight. Oh,

Jessica Kesler (30:53):

Bless face.

Eric Cross (30:57):

Thanks so much for joining me and Jessica today. If you have any great lessons or ways that you connect with students, please email us@stemamplifycom.wpengine.com. That’s S TM amplifycom.wpengine.com. And please remember to support the podcast by clicking subscribe, wherever you listen to podcasts, you can also hear more about the podcast in our Facebook group, science connections, the community until next time.

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What Jessica Kesler says about science

“One student at a time isn’t gonna bring a million students through the door. But if we focus on their teachers, then they can reach those millions of kids and help them be prepared for future careers. ”

– Jessica Kesler

Director of Professional Learning, TGR Foundation

Meet the guest

In the final episode of the season, Eric sits down with his friend and professional development facilitator, Jessica Kesler. Jessica describes her passion for sharing free, high-quality, empathy-centered professional development for K12 educators. Jessica also shares her experience jumping into leadership positions while teaching in Philadelphia. Eric also chats with Jessica about how students often lean on teachers for more than delivering content.

Person with glasses smiling, wearing a black headwrap and earrings, outdoors with trees and sunlight in the background.

About Science Connections

Welcome to Science Connections! Science is changing before our eyes, now more than ever. So…how do we help kids figure that out? We will bring on educators, scientists, and more to discuss the importance of high-quality science instruction. In this episode, hear from our host Eric Cross about his work engaging students as a K-8 science teacher. Listen here!