What’s included in our literacy curriculum for 6–8

Amplify ELA is a blended literacy curriculum designed specifically for grades 6–8. The heart of every lesson is the text. Our core English Language Arts curriculum enables teachers to teach skills through texts and develop their students’ muscles for building meaning through reading. With Amplify ELA, students learn to attack any complex text and make observations, grapple with interesting ideas, and find relevance for themselves.

Year at a glance

Each grade includes six core units centered on literary or informational texts, delivered in several forms of media. In addition to these main units, students will engage with targeted Grammar lessons and a dedicated Story Writing unit, plus two to three immersive learning experiences called Quests.

Dahl & Narrative

1 assessment lesson
4 sub-units | 28 lessons | 4-6 weeks

A man with a mustache looks through a microscope at a slide, with abstract yellow lines in the background.

Mysteries & Investigations

1 assessment lesson
5 sub-units | 32 lessons | 4-6 weeks

A man with a mustache looks through a microscope at a slide, with abstract yellow lines in the background.

The Chocolate Collection

1 assessment lesson
5 sub-units | 25 lessons | 4-6 weeks

The Greeks

Myth World Quest

1 assessment lesson
4 sub-units | 25 lessons | 4-6 weeks

A man with a mustache looks through a microscope at a slide, with abstract yellow lines in the background.

Summer of the Mariposas

1 assessment lesson
2 sub-units | 27 lessons | 4-6 weeks

A man with a mustache looks through a microscope at a slide, with abstract yellow lines in the background.

The Titanic Collection

1 assessment lesson
5 sub-units | 25 lessons | 4-6 weeks

A man with a mustache looks through a microscope at a slide, with abstract yellow lines in the background.

Red Scarf Girl

1 assessment lesson
4 sub-units | 31 lessons | 4-6 weeks

A man with a mustache looks through a microscope at a slide, with abstract yellow lines in the background.

Character & Conflict

1 assessment lesson
4 sub-units | 29 lessons | 4-6 weeks

A man with a mustache looks through a microscope at a slide, with abstract yellow lines in the background.

Brain Science

Perception Academy Quest

1 assessment lesson
4 sub-units | 25 lessons | 4-6 weeks

A man with a mustache looks through a microscope at a slide, with abstract yellow lines in the background.

Poetry & Poe

The “Who Killed Edgar Allen Poe” Quest

1 assessment lesson
5 sub-units | 29 lessons | 4-6 weeks

A man with a mustache looks through a microscope at a slide, with abstract yellow lines in the background.

The Frida & Diego Collection

1 assessment lesson
5 sub-units | 25 lessons | 4-6 weeks

A man with a mustache looks through a microscope at a slide, with abstract yellow lines in the background.

The Gold Rush Collection

1 assessment lesson
5 sub-units | 25 lessons | 4-6 weeks

A man with a mustache looks through a microscope at a slide, with abstract yellow lines in the background.

Perspectives & Narrative

1 assessment lesson
4 sub-units | 27 lessons | 4-6 weeks

A man with a mustache looks through a microscope at a slide, with abstract yellow lines in the background.

Liberty & Equality

1 assessment lesson
6 sub-units | 38 lessons | 4-6 weeks

A man with a mustache looks through a microscope at a slide, with abstract yellow lines in the background.

Science & Science Fiction

1 assessment lesson
3 sub-units | 29 lessons | 4-6 weeks

A man with a mustache looks through a microscope at a slide, with abstract yellow lines in the background.

Shakespeare’s Romeo & Juliet

1 assessment lesson
2 sub-units | 22 lessons | 4-6 weeks

A man with a mustache looks through a microscope at a slide, with abstract yellow lines in the background.

The Holocaust: Memory & Meeting

1 assessment lesson
6 sub-units | 21 lessons | 4-6 weeks

A man with a mustache looks through a microscope at a slide, with abstract yellow lines in the background.

The Space Race Collection

1 assessment lesson
5 sub-units | 25 lessons | 4-6 weeks

Units at a glance

Amplify ELA lessons follow a structure both grounded in regular routines and flexible enough to allow for a variety of learning experiences. Lesson structures vary from day to day, ensuring that students are always engaged.

Learn more in the Amplify ELA Grade Overview.

Unit 6A

Dahl & Narrative

Students begin with narrative writing to develop foundational Focus skills and establish key classroom routines. Teachers use this work to create targeted feedback cycles and build a vibrant community centered on diverse experiences. Students then apply observational skills to Roald Dahl’s Boy: Tales of Childhood, learning to work closely with textual evidence.

Unit 6B

Mysteries & Investigations

Students read like an investigator to embark on a multi-genre study into the mesmerizing world of scientific and investigative sleuthing. The Secret of the Yellow Death: A True Story of Medical Sleuthing by Suzanne Jurmain, and Sir Arthur Conan Doyle’s Sherlock Holmes stories take place in the late 19th century, when medical diagnostics and criminal investigations were still evolving into scientific fields.

Unit 6C

The Chocolate Collection

Students explore primary documents and research the diverse cultural roles chocolate has played over 3,700 years, from its various uses in ancient Mexico to issues with modern production. Along the way, they build information literacy skills, craft research questions, and collaborate in Socratic seminars. Students also learn how to construct an evidence-based argument and use those skills to write pieces aimed at convincing readers about chocolate preferences, school lunch policies, and recommendations for local candy stores.

Unit 6D

The Greeks

Students closely explore and analyze three stories from Greek mythology: “Prometheus,” “Odysseus,” and “Arachne.” Drawing on the routines and skills established in previous units, these lessons ask students to move from considering the state of a single person to contemplating broader questions concerning the role people play in the world and the various communities they inhabit.

Unit 6E

Summer of the Mariposas

Students read Summer of the Mariposas by Guadalupe García McCall, a contemporary Latino retelling of The Odyssey. Following five sisters on their journey into Mexico and back, students explore this reimagining of the hero’s journey as they encounter Mexican folklore and Aztec legends along the way. Students analyze character development, compare the novel to Homer’s original, research Aztec mythology, explore symbolism, and engage in collaborative discussions before writing an essay about what makes the heroes successful.

Unit 6F

The Titanic Collection

Students explore primary documents and conduct research to understand the 1912 Titanic disaster, building information literacy skills by examining artifacts such as dining menus, ship photos, telegraph transcripts, and newspaper accounts. Each student is assigned a passenger from the manifest and writes a narrative account from that person’s perspective, considering different views. Students also participate in Socratic seminars to examine the complicated issues within the Titanic story.

Unit 7A

Red Scarf Girl & Narrative

Students begin with narrative writing to develop foundational Focus skills while teachers establish targeted feedback cycles and build a classroom community centered on diverse experiences. After exploring how they describe their own experiences and emotions, students apply the same close attention to analyzing details in Ji-li Jiang’s Red Scarf Girl: A Memoir of the Cultural Revolution.

Unit 7B

Character & Conflict

Students analyze characters’ responses to conflict and examine how authors use character interactions to develop theme and perspective. They read Carson McCullers’ “Sucker” and Lorraine Hansberry’s A Raisin in the Sun, both texts that explore how families facing hardships can support and harm one another. Students observe complex character growth and discuss issues of identity, family obligations, and differing notions of success.

Unit 7C

Brain Science

Students explore narrative nonfiction and informational texts about brain science to understand what it means to be human and how their developing brains impact daily experiences. They also build awareness of their cognitive strengths and analyze the structures of informational texts and scientific arguments. Key texts include Phineas Gage, Inventing Ourselves: The Secret Life of the Teenage Brain, and Oliver Sacks’ The Man Who Mistook His Wife for a Hat.

Unit 7D

Poetry & Poe

Students learn visualization techniques to read like a movie director, beginning with poems by D.H. Lawrence, Federico García Lorca, and Emily Dickinson to form mental images. They then read three Edgar Allan Poe texts, creating storyboards and analyzing narrative elements to learn about unreliable narrators. Students also participate in the murder-mystery Quest “Who Killed Edgar Allan Poe?” and write an essay arguing whether they can trust a narrator in the unit’s texts.

Unit 7E

The Frida & Diego Collection

Students explore primary source documents and research on Mexican artists Diego Rivera and Frida Kahlo, learning how they drew inspiration from Latin American folklore, politics, and customs. Along the way, students build information literacy by generating research questions and visual analysis skills through close reading of key paintings. They also compare the artists’ descriptive writing to Shakespeare’s and analyze figurative language. The unit culminates in a research project showcasing their interpretation of Frida and Diego’s work and legacy.

Unit 7F

The Gold Rush Collection

Students explore primary documents and conduct research on the California Gold Rush, building information literacy skills and constructing research questions. They also learn about the diverse people who participated, compare fictional and historical accounts, and participate in Socratic seminars. Students write narrative accounts from specific perspectives and complete a culminating research assignment combining essay and media project elements.

Unit 8A

Perspectives & Narrative

Students learn to read like writers, paying attention to craft and writing moves that shape reader experience and developing Focus and Showing skills as they build collaborative classroom routines. Students study three narrative texts, exploring themes of belonging and identity through close reading. They also practice alternating between analytic and narrative writing, and conclude with an essay arguing whether the mothers in Amy Tan’s “Fish Cheeks” are role models. 

Unit 8B

Liberty & Equality

Students study Civil War-era writings that debate the meaning of “all men are created equal,” exploring various perspectives on American ideals. Key texts include Walt Whitman’s Leaves of Grass, Frederick Douglass’ Narrative, and Harriet Ann Jacobs’s Incidents in the Life of a Slave Girl. The unit culminates with an essay examining Douglass’s arguments and Lincoln’s Gettysburg Address to consider what America means by “all men are created equal.”

Unit 8C

Science & Science Fiction

Students read Gris Grimly’s Frankenstein, a graphic novel adaptation of Mary Shelley’s novel, exploring themes of creator responsibility, societal influence, and the risks of scientific inquiry. They trace Victor’s sympathy for his creation, rewrite scenes from the creature’s perspective, and debate whether Victor owes the creature a companion. The unit concludes with an essay determining whether the creature should be considered human.

Unit 8D

Shakespeare’s Romeo & Juliet

Students read five excerpts from Shakespeare’s Romeo and Juliet to learn key elements of Shakespearean English through close reading. They practice memorizing and reciting the famous “Prologue,” put on stage performances, translate Shakespeare’s language into contemporary terms, and study the Shakespearean sonnet form. The unit concludes with an essay arguing whether love or hate is responsible for Romeo’s death.

Unit 8E

Holocaust: Memory & Meaning

Students use close reading to explore memoirs and primary sources that address two key Holocaust questions: How do societies become participants in atrocity, and what are our responsibilities as witnesses? Students analyze multiple perspectives through texts, including Alexander Kimel’s “I Cannot Forget,” Irene Butter’s Shores Beyond Shores, 1936 Olympics propaganda, and excerpts from Maus and Night.

Unit 8F

The Space Race Collection

Students explore primary documents and conduct research on the Space Race. They build information literacy skills, construct research questions, and learn about diverse participants from Soviet cosmonauts to American heroes like Buzz Aldrin and Katherine Johnson. Each student researches an assigned cosmonaut or astronaut and writes space blog entries from their perspective. Students also complete a capstone research essay and media project.

Print & digital components

The program includes instructional guidance and student materials for a year of instruction, with lessons and activities that keep students engaged every day.

A diagram shows the Amplify ELA curriculum with examples of the digital teacher edition on a tablet, print teacher edition pages, and a teacher projection of an artwork on a screen.

Teacher materials

Teacher Edition

Available digitally and in print, the Teacher’s Edition contains all the information teachers need to facilitate classroom instruction, including detailed lesson plans, video teacher tips, presentation slides, standards alignment, Exit Tickets, real-time differentiation strategies, and robust reporting.

Student materials

Student Edition

Available digitally and in print, student materials guide middle schoolers through complex texts and writing by engaging them with high-quality narrative and informational texts—providing videos, audio supports, and a digital experience that captures their attention. They also keep all of their writing in one place with a personal Writing Journal.

A collection of Amplify ELA materials including a print student edition, a digital student edition on a laptop, a writing journal, and an Arachne literature module.

Explore more programs

Our programs are designed to support and complement one another. Learn more about our related programs.

S3-05: Thinking is power

A graphic with the text "Science Connections" and "Amplify" features colorful circles and curved lines on a dark gray background.

Join us as we sit down with Melanie Trecek-King, college professor and creator of Thinking is Power, to explore how much of an asset science can truly be in developing the skills students need to navigate the real world. You’ll learn about “fooling” students and the importance of developing critical thinking, information literacy, and science literacy in the classroom. We’ll also share real strategies and lesson examples that help build these essential skills and engage students in learning.

And don’t forget to grab your Science Connections study guide to track your learning and find additional resources!

We hope you enjoy this episode and explore more from Science Connections by visiting our main page!

DOWNLOAD TRANSCRIPT

Melanie Trecek-King (00:00):

We say knowledge is power, but it’s not enough to know things. And there’s too much to know. So being able to think and not fall for someone’s bunk is my goal for my students.

Eric Cross (00:12):

Welcome to Science Connections. I’m your host, Eric Cross. On this third season, we’ve been talking about science’s underdog status. And just this past March at the NSTA conference in Atlanta, I had the chance to speak with science educators from around the country about this very topic.

Hermia Simanu (00:28):

Right now, there’s only two teachers in our high school teaching science.

Shane Dongilli (00:32):

I have 45 minutes once a week with each class. The focus is reading and math.

Alexis Tharpe (00:38):

Oftentimes science gets put by the wayside. And you know, I love math and I love my language arts, but I also think science needs to place be placed on that high pedestal as well.

Askia Little (00:46):

In fifth grade, oh, they teach science, because that’s the only grade that it’s tested.

Eric Cross (00:50):

That was Hermia Simanu from American Samoa. Her team flew for three days to make it to the conference. You also heard from Shane Dongilli from North Carolina, Alexis Tharpe from Virginia, and Askia Little from Texas. All of these teachers were excited to be at the conference and had a lot to say about the state of science education in their local schools. Throughout this season, we’ve been trying to make the case for science, showing how science can be utilized more effectively in the classroom. We’ve explored the evidence showing that science supports literacy instruction. We’ve talked about science and the responsible use of technology like AI. My hope is that all of you listeners out there can use some of this evidence to feel empowered to make the case for science in your own communities. And on this episode, we’re going to examine how science can help develop what might be the most important skill that we try to develop in our students: Good thinking. On this episode, I’m joined by a biologist who actually advocated for eliminating the Intro to Bio course at her college. Instead, Professor Trecek-King created a new course focused on critical thinking, information literacy, and science literacy skills. In this conversation, we discuss why the science classroom is such a good environment for helping students become better thinkers. Now, I don’t think that you can make a much stronger argument for science than using it to develop the skills that Melanie describes in this conversation. So, without further ado, I’m thrilled to bring you this conversation with Melanie Trecek-King, Associate Professor of Biology at Massasoit Community College, and creator of Thinking Is Power. Here’s Melanie.

Eric Cross (02:29):

Well, Melanie, thank you for joining us on the show. It’s so good to have you.

Melanie Trecek-King (02:34):

I am so happy to be here.

Eric Cross (02:35):

Now, I went to your session at NSTA in Chicago … I think it was two years ago. A couple years ago. And I was listening to your session, and as I was listening to you, I started Reverse Engineering in my mind what you were doing with your college students. I started reverse engineering the K–8. I was like, “This is amazing.” Where has what you’ve been doing been hiding? We need this not just in the college, higher ed. We need this all the way up and down. Because I hadn’t seen it before. So I think a good place for us to start is gonna be like the story of how and why you as a biologist wound up making the case to actually eliminate the Intro to Biology course at your college. So can you start off and tell us a little bit about that story?

Melanie Trecek-King (03:20):

Sure. So I started teaching at a community college in Massachusetts. And I absolutely love teaching at a community college. And I was teaching the courses that people who don’t wanna be scientists when they grow up have to take to fulfill their science requirement. And that course was Intro Bio. And I tried every way I could figure out to make that class be useful,] relevant to students. I mean, the thing is, our world is based on science and you have to understand science to be a good consumer of information, to make good decisions. And I’m a biologist, so it pains me to say this, but you know, somewhere in the middle of teaching students about the stages of mitosis and protein synthesis, I thought, “Is this really — like, if I have one semester that’s gonna be the last chance that someone’s gonna get a science education, is this really what they need?” And I just decided, “No.” So, to my college’s credit, they were very supportive. I went to them and said, “You know, I think we should assess the non-majors courses. Like, why do we teach non-majors science?” And we all agreed, well, it was for science literacy. OK, great. Do our existing non-majors courses do that? And so we evaluated each of the courses. I made a case that Intro Bio was not doing it. And so we actually replaced it with a course that I call Science for Life. And the whole course is designed to teach science literacy, critical thinking, and information literacy skills.

Eric Cross (04:48):

And so you did this while you were looking at mitosis. And you’re looking at students who may or may not be science majors. And then kind of asking that question. I know every educator asks this, and whether or not it’s welcomed or supported is a different question: “Is what I’m teaching actually gonna be relevant and useful later on down the road for this group of students?” And you actually got to run with it and then create this course, this new course. So, what were the skills that you were hoping to achieve with the new course you developed, and and why were those skills so important?

Melanie Trecek-King (05:21):

Well, if I just go back for a second to what you said, ’cause it, really hit me: I remember the actual moment — it had been building up to that point, but the actual moment that it hit me — I was teaching students the stages of mitosis. And I was applying it to cancer, because the thought is that if we use issues that are relevant to students to teach concepts, that it will be more meaningful to them. They’ll learn it better; they’ll be able to apply it. And they just looked absolutely deflated. They didn’t wanna be there. And I had this moment where I thought, “You know, if, if these students ever have cancer somewhere in their lives, is what I taught them going to be something that they remember? Is it going to be useful to them?” And quite frankly, like, no. <Laugh> They’re not gonna remember proto-oncogenes. And quite frankly, is that really what they need to know at that moment? What they need to know is, “What does this mean? Who is a reliable source of information here? If these treatments are recommended, what is the evidence for them? What are the cost-benefit analyses? Where do I go to find reliable information?” And in that space, cancer in particular, we have this whole field of — I wanna say charlatans, ’cause they may not actually be lying, but they’re pedaling false cures, false hopes. And people need that kind of hope, and so in their time of need, they’re more likely to fall for that kind of thing. Which leads me to the skills that I teach students. I call them this tree of skills. And the order is important. I start — and there’s a lot of overlap to be fair — but critical thinking, and then information literacy, and science literacy. The idea is that students carry in their pockets access to basically all of human’s knowledge at this moment in time. And if they needed to access it, they could. The question is, do they know what they’re looking for? Are they aware of their own biases that are leading them to certain sources, or certain false hopes? Are there certain things that are making them more vulnerable to the people that might prey on them? Are they able to use that information to make good decisions? There’s a great Carl Sagan quote, and it’s something like, “If we teach people only the findings of science, no matter how useful or even inspiring they may be, without communicating the method, then how is anyone to be able to tell the difference between science and pseudoscience?” So yes, the process of science is a process of critical thinking. However, we do tend to present science most of the time. Like, here’s what science has learned. And to be fair, those things that we’ve learned from science are really useful and inspiring. But if we don’t teach the process, so you’ve got somebody now who let’s say has been diagnosed with cancer and is on their phone and they’re scrolling through social media and everything looks the same. And of course the algorithms learn who you are. Next thing you know, there’s all of these like pseudo-treatments popping up. It all looks the same. Somebody who says that acupuncture can be used to cure cancer can feel the same, from someone who doesn’t understand the process of science, as a medical fact. And so the process is the process of critical thinking. My class everything is open note. The quizzes are open note. The exams — and I say open note, they’re also open online, because I know for the rest of their life they’re gonna have resources available to them; I want them to be good consumers with that information, which to me requires metacognition and critical thinking and information literacy and all those skills that I’m trying to teach them.

Eric Cross (08:58):

You’re basically taking what … we’ve taught science for so long. And more recently, it’s changed to more focusing on skills. At least in K through 12. But a lot of it was just memorization of a ton of different things that now we can pull up our phone, go on the internet. You can pull up a lot of those facts. But those facts don’t necessarily translate to actual real-world skills. When I listen to… I kind of make this analogy sometimes: students say … it’s funny, I have 12-year-olds that say this. They go, “How come they don’t teach us how to do our taxes?” And you know they’re regurgitating what they hear from adults, right? “Teach us real-world skills!” And I was like, really, if we taught you right now how to do your taxes, how many of you would really be like, “Oh, this is an awesome lesson! We’re really engaged!” But their point is that “I wanna learn something that I could actually use later on, that’s that I’m gonna carry on.” And in your course, you’re talking about these skills that actually can apply. Like you said, if I had cancer and I’m looking at different types of medical procedures, do I have the skills to really be able to evaluate and make informed decisions on that? And that’s, that’s not something that I’ve seen explicitly taught really anywhere. And I hadn’t heard anybody talk about it, really, until I heard your session, where you’ve kind of unpacked this, and over the last couple of years, have created some programs or resources for educators, where they can take this into their classroom. So what were some of those skills, again? What were were some of the skills that you thought, “I wanna make sure that my students can walk out and they know how to do this and apply it to maybe several different fields”?

Melanie Trecek-King (10:35):

Oh, that’s a really good question. Because the whole thing was a process for me. Like, when I finally let go of Intro Bio, I was so glad to see that class go, by the way. ‘Cause I just felt like I was beating a dead horse. So when I let go of it, I thought, “What do they need instead?” And for me, what I realized was I was trying to make the class I would’ve wanted to take. I realized the things that I personally didn’t know, that my own education maybe let me down a bit. But things that I thought were important. So then I took all of those, synthesized them, tried to figure out the best order. The class is currently in its third iteration. And I hope every iteration is an improvement. But I’m thinking about the students that I taught before the pandemic. It was Intro Bio. Up to just maybe the couple years before the pandemic, and during the pandemic, we had a new virus and we had a new vaccine and we had new treatments. There was hydroxychloroquine and there was ivermectin and then there’s masks. Are masks effective? Well, you know, in what circumstances? What kind of mask? There are all of these questions. And that whole thing was we saw science playing out in real time.

Eric Cross (11:50):

Absolutely.

Melanie Trecek-King (11:51):

And so were my students able to follow that? And then what happened in that process is that science became politicized. And in a time where things are uncertain and we need answers, ’cause it’s scary, people want certainty and science doesn’t tend to provide that. Especially when it’s just starting out. And then when it becomes politicized, people decide that they’re going to — it’s not necessarily a conscious decision — but they retreat into what people in their camps are saying or their groups are saying. Which actually leads me to one of the more important parts of information literacy skills in there, which is most of our knowledge is shared. We tend to have overinflated senses of what we individually know. And studies actually show that with Google, if you have access to Google, you think you’re smarter than if you don’t have access to Google. But we all have access to knowledge in our communities, and that’s one of the reasons humans are so successful, is that we can each specialize in different things and share our expertise and become greater than the sum of our parts. The problem with that, of course, is that we forget what we don’t know, and we assume that we know what the community knows. And so recognizing the limits of your own knowledge and how different communities produce knowledge, like the different epistemic processes that communities use to come to knowledge. When it comes down to it, an important part of knowing is knowing who to trust, right? Knowing where the source of knowledge lives. And in order to do that, you have to understand the processes that they’re using to come to that knowledge and the limits of your own knowledge. And then how to find who has that knowledge so that you can use that to make better decisions.

Eric Cross (13:38):

So, when I hear what you’re doing with your college students, and I think about what I’m doing in the classroom, in the middle school, we are really focusing on literacy as skills. Reading, writing, speaking, listening. And then when I think of the next step of the journey, your information literacy and the literacy you’re teaching is really the application of those things in the real world. And the examples that you gave are very critical examples. Evaluating claims about Covid. Making informed decisions about a medical procedure that you might need. And we all get that applied to us. We’re scrolling through social media and somehow social media is listening. It’s figuring out exactly what I’m doing, because all of a sudden the ads are telling me … how did you know I was alking about KitchenAid mixers now? I just said KitchenAid mixers and it’s gonna show up in my feed! But <laugh> I take that in the same way from the same place that I take in maybe an oncologist. So it’s it’s coming through the same channels. So now I kind of wanna pivot. So we’ve talked about what you’re doing, why you’re doing it, the connection between “am I really teaching the skills that my students need in the science class? Is it really critical thinking explicitly or is it just kind of implied?” Now I wanna ask you how you do it. What’s the annotated, abbreviated kind of syllabus of your course?

Melanie Trecek-King (15:03):

So the course is called Science for Life. And the premise behind it is the kinds of skills and understanding of the process of science that they would need to make good decisions to be empowered in a world based on science. And so the very first lecture, I say, “OK, I’m gonna tell you a story and I just want you to listen to the story. And at the end I’m gonna ask you why I told the story.” And the story that I tell them is some of the history of the witchcraft trials in Europe. And I start with the Malleus Maleficarum, or the Hammer of Witches, from the Pope, and about how people would accuse witches of causing birth defects or storms or crops dying. And, the best evidence that they had to absolutely know somebody was a witch was if somebody accused them, and then if they were accused, if they confessed. OK? But the problem is, to get them to confess, they would torture them. Roasting over coals, or splitting until somebody broke. And so I tell my students, “OK, this was absolute proof that someone was guilty of witchcraft. I don’t know about you; I would confess to anything, right? Make it stop!” So this is where I get to ask students, “Why would I ask you this? Why would I tell you this story? And traumatize you on the very first day of lecture?” And they see the reasoning, right? They thought they had evidence. The question was, is that good evidence? And so, you know, I’m getting students to have a basic understanding of epistemology, right? Without calling it that, or without going into all of the philosophical background of epistemology. Apply this to your own reasoning. What are you wrong about? Well, you probably wouldn’t know. OK, how would you know if you were wrong? Like what kinds of things do you feel that you’re so right about? How good is your evidence for that? So what I want them to do is internalize the thinking about thinking, and analyzing how they come to conclusions, and proportioning how strongly they believe. Their confidence in how right they are. So I think starting with that kind of misinformation, and getting students to internalize that process is important. But I think the example is really useful, because most of my students don’t believe in witchcraft. Right? So it’s not an issue that would immediately threaten them in some way. So when, when a belief is tied to identity or how we see ourselves or is really important to us, then it’s very difficult to be objective about that belief. And so by starting with witchcraft, it’s not triggering. I get them to think about thinking and practice that muscle so that when we get to those more important issues, they have the skills they need to evaluate them.

Eric Cross (17:55):

So would it be fair to say that your Science for Life class is really applied scientific thinking for the real world?

Melanie Trecek-King (18:01):

Absolutely. That’s the idea. I mean, science is too good to keep to ourselves, right? And it’s everywhere. So how can you understand the world through a scientific lens?

Eric Cross (18:10):

What are the nuts and bolts of how you teach your students these strategies? What do you do? What are some strategies and techniques that we can maybe share with listeners? And then where I want to go after that is I wanna ask you, how early do you think this can be started? So lemme start off first with, what do you do?

Melanie Trecek-King (18:28):

So I use three different strategies. One is, I provide students with a toolkit. And the toolkit is one that I created and it is like my one toolkit to rule them all. It is trying to apply critical thinking and science reasoning all together in one place. So that if students are met with a claim, they’ve got the toolkit with an acronym. They can now start and have somewhere to go. In that if I gave you a claim and said, “Just critically think through this claim,” I mean, that’s a mighty task. But if you have a structured toolkit, then it’s hopefully a systemic way that’s helpful. The toolkit is summarized by FLOATER. I have published it on Skeptical Inquirer. It’s free. So it’s Falsifiability, Logical, Objectivity, Alternative Explanations, Tentative Conclusions, Evidence, and Reproducibility. So I provide students with a toolkit. The next thing I do is I use a lot of misinformation in class. Back to what Carl Sagan says: What I heard was we should use pseudoscience to teach students the difference between a pseudo-scientific process and a scientific process. So, I use science denial, conspiracy theories, and give my students a lot of opportunities to practice evaluating claims with the toolkit. And the other thing I do is, I use inoculation activities. So inoculation theory is based on William McGuire’s original research in the ’60s, which is basically like a vaccine analogy. Where you can inject a small amount of a virus or bacterium into the body, so that it creates an immune response, so that it can learn the real thing. And so in the real world, it can fight it off. Inoculation theory does the same thing, but with misinformation. So, what we can do is, in controlled environments, expose students to little bits of misinformation so that they can recognize it in the real world. There’s different kinds of inoculation, but I’m a big fan of what’s called active and technique-based inoculation. So technique-based means that students are learning not the facts of misinformation, not factually why this thing is wrong, but about the technique used to deceive. So maybe the use of fake experts. Or maybe the use of anecdotes. Or the use of logical fallacies. The other part of that is active, which is where students create the misinformation. So for example, my students, just now, we finished covering pseudoscience. And I teach students the characteristics of pseudoscience. And basically we have fun with it. Where they pretend to be grifters and they sell a pseudoscience product. And so they have to make an ad like they’d see on social media, using the different techniques. And the point there is that it’s supposed to be funny, right? And lighthearted. But in a real way, by using the techniques used to sell something like pseudoscience, it’s opening their eyes. You can’t unsee how every alternative product has, “it’s an all-natural and used for centuries and millions use it and look at this person who says, ‘Wow, it worked for me!’ And it’s certified by some society that doesn’t exist, but this doctor behind it says that it’s really great!” I mean, it’s all the same stuff. So they create the misinformation using their own techniques.

Eric Cross (22:02):

That’s one of my favorite things that you’ve talked about, and I want to dive in that a little bit more. But when you’re teaching the toolkit, FLOATER, what does that look like in the classroom, when you’re actually breaking all of those things down? What does it look like as you’re walking your students through this, and you’re kind of coaching them on all of those different things? ‘Cause I feel like some things might be like, “Oh yeah, I got that.” And then some of them might be, “Oh, what is that?”

Melanie Trecek-King (22:24):

Yeah, it takes me probably a good solid lecture to get through the basis of the toolkit. But then over the rest of the semester, I’ll spend more time going into different parts, different rules, a bit more in-depth. So, for example, logical fallacies and objectivity. So the rule of objectivity basically states that you need to be honest with yourself. I’m gonna quote Feynman here, so: “The first principle is that you must not fool yourself — and you are the easiest person to fool.” We don’t tend to think that we can be fooled. But of course we can. So actually, if you wanna talk about it, I start class by fooling my students.

Eric Cross (23:03):

Wait, what do you do? What do you do for that?

Melanie Trecek-King (23:05):

Oh, so this is really fun. Day 1 of class, after the syllabus, I tell my … so you’re in my class now, Eric. “So I have a friend, and she’s a psychic. She’s an astrologer and she’s pretty good at what she does. I mean, she’s got books and she’s been on TV and stuff. She knows I teach this course about skepticism. And so she’s agreed to test how effective she is by providing personality assessments to students in class. So if you wanna participate, what I need from you is your birthday, your full name, answer a few questions. Like, if your house was on fire and you could take one thing, what would it be? Or if you could get paid for anything to do anything for a living, what would it be? Um, there’s a third one. Oh! If you could have any superpower, what would it be?” So the next class, it’s usually over a weekend. The next class I say, “OK, I’ve got your personality assessments back, but remember, we wanna test how effective she is. So in order to do that, I need you to read your profile as quietly as possible. And then I’m gonna have you rate her accuracy on a scale of 1 to 5. OK? So close your eyes; rate her.” Over the years doing this, it’s about a 4.3 to 4.5 out of 5. They think she’s pretty accurate. OK? “So now, if you feel comfortable, get with a person next to you. And I want you to talk about what parts of the personality assessment really spoke to you and, and why, and why you thought she was accurate or not.” And it takes them 5, 10 minutes before they realize they all got the same one. So, this is not my original experiment. It was first done by Bertram Forer in … I think it was the ’50s. And it’s done in psychology classrooms. James Randi made it famous. But the personality assessment itself is full of what are called Barnum statements. So, named after P.T. Barnum. These are statements that are very generic. So, “You have a need to be liked and admired by people. You are often quiet and reserved, but there are times where you can be the life of the party.”

Eric Cross (25:13):

How do you know this about me, by the way? This is a — I feel like you know me right now.

Melanie Trecek-King (25:17):

“There are times where you’ve wondered whether you’ve done the right thing.”

Eric Cross (25:19):

This is getting weird.

Melanie Trecek-King (25:21):

I’m just on fire, right? So these are Barnum statements. They’re the basis of personality assessment.

Eric Cross (25:29):

Mel, can I pause you right there? You said Barnum. Is that the same Barnum, like Barnum & Bailey Circus?

Melanie Trecek-King (25:34):

Yeah. P.T. Barnum, who didn’t actually say “There’s a sucker born every minute,” but we attribute him with that kind of ethos. These statements though, if you read a horoscope or even like personality indicators, like the MBTI, it is basically pseudo-scientific. And it ends up with lots of these Barnum statements. They produce what’s called the Barnum Effect, which is, “Wow, that’s so me! How did you know me?” I could even do more. Like, you have a box of photos in your house that need to be sorted. Or unused prescriptions. And these can apply to nearly everyone, but they produce this effect where we go, “Wow, that is so me!” Right? So by fooling them this way, I get to … well, so the next thing is, “Yes, I lied to you. And I’d like to tell you I won’t do that again. But I’m not going to, ’cause I might. So be on your guard.” But I did it for free. And why did I do it? “I did it because I could tell you ‘I could fool you,’ but you wouldn’t necessarily believe me. So I fooled you, so that you would learn what it feels like to be fooled.” It’s not fun. But we’re gonna make a joke outta this. And students are almost never upset about this ’cause it’s a fun process and they’re all fooled. And again, the point is, I didn’t disprove psychic powers. I didn’t just disprove psychics with this exercise. But I did show you how easy it was to fake. So if somebody is gonna tell you that they can know these things about you through some way, hopefully the evidence they provide should be stronger than something that’s easily faked. Right? Extraordinary claims require extraordinary evidence. If you claim to be able to read my personality based on my birthdate, then I need more than something that you can be taught to do in 15 minutes. So, I fool them to convince them that they could be fooled.

Eric Cross (27:27):

You’re giving them a practice scenario for thinking. And I was thinking about basketball. I grew up playing basketball. And my coach would have our own team be the defenders of the next team we were gonna play, so that we can be prepared for the defense. We were gonna see. Now, when I’m thinking about education, and what you just said reminded me of this, it’s like we’re often just teaching offense. We’re always teaching the plays. We’re always teaching what to do. But we rarely teach defense. What happens when someone comes towards you and, and they challenge you or they come at you with claims? How do we evaluate this? And I think in pockets we do it. We do claim-evidence-reasoning. We present claims and evidence and reasoning. But we don’t always have practice defending them. And I think there’s great resources. There’s Argumentation Toolkit and there’s all these awesome resources that do this. But does that fit? You’re kind of having them practice defense?

Melanie Trecek-King (28:26):

Yeah. You know, that’s brilliant. I never considered that analogy. But, yeah, in the real world, you don’t just get to always try to score all the time. Someone’s gonna challenge you and give you a claim that maybe you haven’t heard before. So how do you think through it?

Eric Cross (28:41):

Yeah. And you become better. So now I’m thinking about how early could we start doing this? For one, I love the idea of lying to your students, because I do that. And it’s just such a fun scenario. How early could we start implementing these strategies or these ideas or these toolkits? In your mind, what do you imagine? How early could we start this with young people?

Melanie Trecek-King (29:07):

Yeah. I’m so glad you asked that question, ’cause honestly, by the time they get to me, it’s almost too late. And I don’t wanna say it’s too late, ’cause it’s never too late. But, oh, we need to start so much earlier! That example that I gave about the selling pseudoscience argument? I have a wonderful colleague, Bertha Vasquez, who’s a middle school teacher in Miami and the director of TIES at CFI. She did this with her middle school students. And quite frankly, their examples were just as good, or in some cases better, than my college students. And they had so much fun with it, too. And she just said that, you know, <laugh>, they actually are more savvy with the kinds of things that they see online than we — I don’t wanna say give them credit for. But almost that we want to believe. My students give me examples of things that are from corners of the internet that I didn’t know existed. And quite frankly, that’s probably a good thing for my own mental health. But students are on there too, like middle school students, and we need to prepare them for the kinds of things that they see in the wild.

Eric Cross (30:13):

So in middle school, definitely. Now, you’ve also done some work in high school as well, right? In Oklahoma? Did you do some. …?

Melanie Trecek-King (30:17):

Yeah.

Eric Cross (30:18):

…some work with high schoolers? What was that like? Did you see any impact there?

Melanie Trecek-King (30:21):

So I didn’t actually do it in Oklahoma. I have taught the course … actually, you were talking about younger kids. I’ve taught the course to high schoolers in my area that are parts of dual enrollment. And they absolutely ate up the curriculum. And they were wonderful, wonderful students. And it was completely appropriate for … they were juniors, actually. But the course has also been taught in Oklahoma, through a dual enrollment program as well. And it was a small sample size. But we have pre-post testing that showed that it improved their critical thinking, their acceptance of science. But anecdotally the head of the program there said that in his years doing this, he’d never seen a course that helped them improve in their other courses so well. So, I felt very rewarded by hearing this. But apparently their critical thinking skills and information literacy skills helped them succeed in their other courses that they were taking. And I love that the students were transferring those skills to other classes. That’s the whole point.

Eric Cross (31:23):

And that’s a big … I think that what you just said is really the core, especially of what we’ve been talking about this season: What you’re talking about and what you’re teaching can transfer and supports literacy. And this is an example of science doing that across all other content areas. So I think that that’s huge, that that was said. What do people say about this course? I know I went on your website, and I looked at some of the comments that some folks were saying, and I know it’s just a snippet, but what do you hear from the education world about this? Because I don’t see it in many places. I see it kind of embedded, sprinkled into different content areas. But you’re actually teaching it explicitly. Do you tend to find positive feedback, overwhelmingly? Or do you get pushback on on some of this? What’s it been like for you?

Melanie Trecek-King (32:16):

I think the biggest pushback — and it’s good pushback, and I would agree entirely — is with inoculation activities, you do need to be careful to, when you debrief students, you wanna tell them why you did what you did and to use their powers for good and not for fooling other people. And I think importantly, for not putting misinformation out into the wild without having context around it. So if you do these kinds of inoculation activities, like if you have your students create pseudoscience ads, don’t just let them put them on social media. Obviously, you can’t control everything that they’re doing. But explain to them why you wouldn’t wanna do that. As far as everything else, I’ve heard really great feedback. You’re referencing my website. So, when I put together the course, I was trying to find resources for students to read. Textbooks are ridiculously expensive and I couldn’t find anything that I really wanted students to buy. So I just started writing, and I put it on my site. I have a site that’s basically the core of the curriculum. More in progress. And then I’ve got some of the topics that we explore and those are all assigned readings. My students are captive, in that I know they want a grade, and for four months they have to sit with me for the entire semester, in that I’ve specifically ordered the content in a way that would be most conducive to them learning these things. On the internet, though, and on social media, ’cause I post on there as well, people come in from all kinds of entry points, and so the goal would be to have them start at the beginning and go to the end. But people … I’m pleasantly surprised that there is an audience for critical thinking and science literacy content out there. And so that really warms my heart. But I am doing more and more for educators. And so I have a section for educators. I put content on there. I put assignments, the assignments that we’ve talked about and more, are on there. And the educators that I’ve had use it have just been really wonderful. Like, I hear great things. If I might, the biggest issue that I’m having is actually reaching educators. I’ve gone to — I met you at NSCA, actually, that was only last summer.

Eric Cross (34:30):

Oh, wow. Wow.

Melanie Trecek-King (34:32):

Right?

Eric Cross (34:32):

Yeah, you’re right. It wasn’t even a year.

Melanie Trecek-King (34:35):

Yeah, I think it was like July last year. So, um, you’ve been to the conferences. And I just went to the last one as well. But I have yet to figure out a way to really get in front of enough educators to share the content. So if anybody’s listening and is interested in learning more, please let me know! <Laugh>

Eric Cross (34:52):

Yes. And we talked about your website, but I didn’t say what the website was. So it’s ThinkingIsPower.com.

Melanie Trecek-King (34:57):

Yes.

Eric Cross (34:58):

And on there, there’s tons of resources. There is the toolkit. And it’s all free.

Melanie Trecek-King (35:06):

Yes.

Eric Cross (35:07):

And there’s a dope t-shirt on there that I just bought today, that Melanie’s actually wearing right now. It says, “Be curious, be skeptical, and be humble.” And I love that. Because I think one of the things that we can’t forget about teaching people how to think and critically evaluating information, sometimes those conversations can become very dehumanizing. And what I mean by that is it sometimes can become, like, intellectual sport, where we forget that there’s a human being on the other other side. And we lose that empathy and compassion. We can kind of see that. It just becomes this intellectual jousting and arguing. And one of the things I know about you, and when you talk about this or you talk about the work that you do, and even the shirt that you’re wearing, there’s this, “be humble.” There’s this human that is never lost in this. And you said it, too: When you’re teaching your students and you’re equipping them with all of these intellectual skills and all of these tools, to use it for good. So to maintain your humanity, to maintain your character, and then to use it to edify and lift people up, not to go out and do harm. That balance, I think, is so, so important. So it’s something that I really appreciate about you and how you teach.

Melanie Trecek-King (36:19):

I appreciate those kind words. Actually—

Eric Cross (36:21):

Oh, of course!

Melanie Trecek-King (36:22):

—and if I might, I sometimes see people using critical thinking like a weapon. It’s like, “I have learned fallacies and I’m just gonna use the tools of critical thinking to tell you why you’re stupid, or why you’re wrong, and why my position is right!” But real critical thinking involves applying those same standards to your own thought processes. And even something like argumentation: the goal of our argumentation is not to BE right; it’s to GET it right. And so we’re on the same team. If we’re arguing about something, if the idea is in scientific argumentation we’re trying to find the truth, which one of us is making a better argument based on the evidence? Can your perspective help me see my own blind spots and vice versa? And the more different perspectives that we have, the more able we are to find whatever reality is. But we are in this together. And so, yeah, I think … I’m glad to hear that that’s coming through. But if you don’t have the kind of humility that says, “You know, I could be wrong,” then you’re never gonna change your mind anyway. So having the humility to say, I’m wrong. <Laugh>

Eric Cross (37:33):

Yeah. You end up just seeing people just defend turf, as opposed to support “look for truth.” And I know for me, my own education journey, I end up with more questions than answers anyways. So I go in trying to find an answer for something and I end up with 10 more questions. And I go, “OK, this is kind of how it is.” You go down this rabbit hole and you just end up with all these different questions. And it forces the humility, because you’re like, “I don’t know! I think this is what it could be, but it could also be these other answers or explanations. So this is just where I’m at, based on what we know right now, at this present time, which might shift.”

Melanie Trecek-King (38:07):

And that sounds reasonable. Yes. Which might shift. Yes.

Eric Cross (38:11):

And especially for us as life-science biology teachers, our content is something that definitely shifts. I know some of the things I teach now are not things that I learned when I was even in middle school. Just because things evolve. They change. We learn, we get new data. That’s just the way it is.

Melanie Trecek-King (38:24):

<Sighs> And Pluto is no longer a planet.

Eric Cross (38:26):

I know. Rest in — well, no, Pluto’s still there. Yeah. It’s no longer a planet. But that was one part of my kindergarten memorizations <laugh> is Pluto being in there.

Melanie Trecek-King (38:36):

Gotta change your mind.

Eric Cross (38:38):

I know. Any words of advice for science educators out there who want to focus more on honing these critical thinking skills and strategies with their own students, but they don’t know where to start? Where would you point them? Or what advice would you give them?

Melanie Trecek-King (38:52):

I think start with what you want the students to know. And not necessarily the FACTS that you want students to know, but start with the skills that you want them to know. And then really be honest with your process. When I designed Science for Life, I started with, “these are the skills that I want students to know.” And everything was in service of that. So this sort of backwards design, I think, helped me follow a path that was more likely to be useful, if that makes any sense. But it really required doing it all over again. So don’t be afraid to question the things that you’re currently doing, even if that’s all you’ve been taught or all you know.

Eric Cross (39:41):

What I’m hearing is, don’t be afraid to question your own assumptions about what you’re doing. And don’t be afraid to adapt or change or modify. Kinda, pivot. Be flexible.

Melanie Trecek-King (39:51):

Yes, be flexible and pivot. And this is where I’m in a different position than middle school and high school educators. Because I have complete freedom over what I teach in my class.

Eric Cross (40:01):

Sure.

Melanie Trecek-King (40:01):

At the end of the semester, I always joke with non-majors that there’s nothing they have to know, which actually gives me a lot of flexibility, because I could teach ’em a lot of different things. So if there are things that you have to teach students, obviously that’s one thing. But I personally think that the way that we’ve been teaching science needs a refresher. A rethinking. And so I would say, “If you want your students to learn science literacy, honestly ask, what does that mean to you? And what would that look like to get to that point?” For me, though, it was also keeping in mind that maybe I didn’t already know the best way to do that.

Eric Cross (40:43):

One of the things you mentioned earlier is trying to reach out to educators. And I know that when we work together, it’s a force multiplier. And what you’re doing is developing skills. And there’s these skills that are happening right now in academia that you’re doing. And then how do we transfer that into middle and high school. Or, I’m sorry, middle and elementary school, high school. We need to get more people into this conversation to kind of brainstorm and figure that out. We have a Facebook group, Science Connections: The Community, where we have educators that gather. That can be one place we start the conversation. And again, I know on your website you’ve been super active on social media; you’ve grown your presence on Twitter and all these different places, engaging with folks. Which is awesome. ‘Cause I know I see your posts and I’m saving the things that you’re posting and I’m thinking of ways that I can do it in my classroom. I’m gonna take that product. By the way, is that on your website, the lesson that you do with the product?

Melanie Trecek-King (41:43):

No, actually. So the article, “How to Sell Pseudoscience” is … I know Bertha Vasquez wrote up a version of it.

Eric Cross (41:50):

Maybe we can grab that. ‘Cause we might be able to put that into the show notes for folks, because she’s a middle school educator. If there’s already something that’s been done for teachers like us, we’re like, “Yeah, let me get that and let me remix it and make it my own!” if there’s already a exemplar out there.

Melanie Trecek-King (42:04):

Yeah, she’s done it. And so I will absolutely share that with you.

Eric Cross (42:08):

So, all season long, we’ve been talking about science as the underdog. We kind of framed it, you know, science oftentimes takes a back seat to math and English. It’s kinda the first thing to go. Or the first area where time can get cut. Because of what gets tested gets focused on, oftentimes. And then in addition to that, when you’re a multi-subject teacher, elementary science isn’t just one thing — it’s every field. You know, you’re a biologist, which is different than a geologist. And when you’re teaching every subject, that’s a lot. And you might not have had a science class for years. And the realities that we’re seeing over and over with different researchers and practitioners is that science could actually enhance literacy, and building those skills. And I think you really talked about it with the critical thinking skills. Those can transfer. Or the administrator that said, “This is one of the only courses I’ve seen where it transfers to other areas.” Could you share maybe with our listeners, just any advice for advocating for science in their own world?

Melanie Trecek-King (43:13):

Wow, I’m not sure I’m qualified to answer that question! One of the things that comes to mind though — because I was listening to your last episode and educators … I honestly didn’t realize how little time they had for science. And how often science was then the first to go, to allow room for other subjects. But science overlaps with a lot of other issues. And so I feel like there could be a way to bring in science when teaching these other subjects. So, for example, argumentation and logical fallacies are easy to apply to reading and writing. Information literacy, and being able to find good information online, teaching students how to laterally read, to be able to check a source, or how to use Google effectively, to put in neutral search terms to find sources, or teaching students how to recognize the characteristics of conspiratorial thinking: All of these things can overlap with so many other subjects. So the scientist in me is a little biased towards science being important enough to do this. But try to bring it into the other subjects. It doesn’t have to be completely separate.

Eric Cross (44:43):

So integrating science into other things. And I … big believer. And a hundred percent agree with you. Now I’m gonna ask a question that kinda like takes us backwards. You shared an app with me when we first met that I thought was really cool. And I know it’s a friend or colleague of yours. But as a middle school teacher, I thought it was great, because it was something that my students could download and practice some of the skills that you’re talking about. Would you talk a little bit about the cranky uncle? Is it the Cranky Uncle app?

Melanie Trecek-King (45:17):

Cranky Uncle.

Eric Cross (45:18):

Could you share a little bit about that?

Melanie Trecek-King (45:20):

Yeah. Cranky Uncle is awesome. So, Cranky Uncle is the brainchild of John Cook, who is the founder of Skeptical Science and the author of the 97% Consensus study on climate change. Cranky Uncle … so he’s also a cartoonist. And Cranky Uncle is a cartoon game where … I don’t even have to explain who Cranky Uncle is to my students. Everybody inherently gets the, the character, right? So he’s like the guy at Thanksgiving that you don’t wanna talk to because he denies climate change and he’s just really cranky. But Cranky Uncle uses the techniques of science denial, which are summarized by the acronym FLICC: So it’s Fake experts, Logical fallacies, Impossible expectations, Cherry-picking, and Conspiratorial thinking. So he uses those techniques. Again, this is technique-based inoculation. So they recognize the techniques in the game, and you earn cranky points. And as you make Cranky crankier and crankier because you’re recognizing his techniques, you learn the techniques of science denial, and level up and open up other techniques. This is another one of those examples where climate change has a lot of science behind it, right? And if you wanted to get to the science behind climate change for any particular issue … so let’s say it’s cold today, so I’m gonna say there’s no climate change. OK? If I’m gonna unpack that at a factual level, and with science, we could be here for a while. But if I told you, “That’s like saying, ‘I just ate a sandwich so there’s no global hunger.’” OK? So that’s a parallel argument. Humorous. Love to use this kind of argumentation, ’cause it makes for some … I mean, it’s funny, but you get the point. It’s an anecdote. And anecdotes aren’t good evidence. So just like that, you could teach the technique of using an anecdotal fallacy for climate-change denial. So, I have my students play this game. You could do it when you’re studying argumentation. You could do it for science denial. I use an inoculation extension with that, where I have my students pretend that … um, actually, back up for a second. So I teach a class on critical thinking. And at the end of semesters I would get emails from students on, well, they’re failing the class, but they really shouldn’t, for all of these reasons. And reading these emails, I’m like, “If you think that’s a good argument, you clearly didn’t learn what I was hoping you would learn.” So I now have my students, early in the semester, after they play Cranky, pretend that it is the end of the semester and you’re failing the class and you’re failing because you didn’t do the work. Use at least four of the fallacies from class to argue for why you should pass. So they have to put it on a discussion forum, and they’ll say things like, “Well, if you fail me, then I won’t get into graduate school and then people will die and it will all be your fault.” Or, “My dog died, and so I was really sad.” Or, um, “You’re just a terrible teacher. And you’re short. So I don’t like you.” Or that kind of thing. So, oh, they love to attack my character. It’s really funny. But it’s supposed to be funny. And the point is, the students are using those arguments, they’re using the fallacies, to argue for something. And so by creating that misinformation themselves, they learn how those fallacies work. But taken together, I mean, everything that we just talked about there, Cranky Uncle, and the fallacy assignment, or whatever iteration you want that to be in, that doesn’t have to be in a purely science unit. Right? That could be sociology. It could be argumentation. It could be English.

Eric Cross (49:01):

Absolutely. That could be totally a prompt in an English class. And practiced in there. And then this could be an interdisciplinary thing, going back and forth between English and and science. Just having these discussions and looking at it from different angles. And you’re practicing the skills in two different contexts. So you get into argumentation. And then that app, I know I had fun with it. And the questions on there definitely resonate with people in my own family. I’m like, “I feel like I’m talking to exactly somebody that I’m related to right now.” <Laugh> Melanie, anything else that you wanna share, or discuss or highlight, before we wrap up?

Melanie Trecek-King (49:39):

So we could talk about lateral reading, if you like. ‘Cause I know a lot of educators use the crap test.

Eric Cross (49:45):

Please, please, please talk about that.

Melanie Trecek-King (49:47):

So, when evaluating sources, a lot of educators teach what’s called the CRAP test. And I wish I remembered what it stood for. But basically what you do, a lot of us have been taught when you go to a website, to figure out if it’s reliable, you wanna go to the about page. Read the mission; see who they are; maybe read some of the content; evaluate the language. So is it inflammatory? Are they making logical arguments? Are the links to reputable sources as well? And the problem is that if a site wants to mislead you, they’re not going to tell you that it’s a bunk site, right? They’re just gonna do a good job of misleading you. And so, what you wanna do instead … the CRAP test basically is an evaluation of a site. And that’s what’s called vertical reading. So you’re looking through a site to determine if it’s reliable. Uh, I think his name’s Sam Wineberg at Stanford, proposed something called lateral reading. Where, instead of on the site, what you wanna do is literally open a new tab and into the search engine type the source. You could do the claim, too. And then something like Reliability or FactCheck or whatever it’s that you’re checking, and then see what other reputable sites have to say about it. So, in their study, actually, they did a really interesting study where they compared professional fact checkers to PhD historians to Stanford undergrads. And they evaluated — I wish you could … um, there’s two pediatrician organizations. One’s like the American Association of Pediatrics and the American Academy of Pediatricians, something like that. They’re very similar sounding. So you give them to students. I do this with my students as well, the same study. So I give my students those two websites. And I say, “Which one of these is more reliable?” And they do exactly what most of us do, which is spend time on the site looking around. And most of the time, if not nearly all the time, they come to the wrong conclusion. And so then I tell them what lateral reading is: “OK, instead of looking through the site, open a new tab, search the organization and reliability.” Something like that. And it takes probably 30 seconds before they realize one of them has been dubbed by the Southern Poverty Law Center as a hate group. As opposed to the other one, which is like a hundred year old huge pediatrician organization that produces their own journals and so on. But nearly all my students are fooled. And in the study, none of the fact checkers were fooled. I’m gonna get the number right. It’s something like 50% of the historians and 20% of the Stanford undergraduates got the correct answer. And they spent a lot more time on it. So it’s a great way to teach students how to use the power of the internet to evaluate sources much more quickly and, effectively. And yes, use Wikipedia, right? Wikipedia is not a final answer, but Wikipedia is actually pretty accurate. So if Wikipedia is the first place you stop, then yes, go there, see what Wikipedia says, and then follow some of their sources.

Eric Cross (52:47):

What popped in my head was like, Yelp reviews for websites. That almost sounds like what it was. It’s like when I search for a product, I don’t go and read the product description marketing. ‘Cause that’s all designed to sell me on something. But I’ll go and look in Reliability, if it’s like a car, or just other sites to cross-reference. And that sounds like what you were talking about is like cross-referencing. Seeing what FactChecker [sic] said about this site, versus seeing what a site says about itself.

Melanie Trecek-King (53:14):

Well, that’s a great analogy. Because if I wanted to know if a product was effective, what the manufacturer says about the product, clearly there’s a strong chance of bias. Right? They’re going to be on their best, um, put their best foot forward. Versus, what do independent reviewers say about this product?

Eric Cross (53:35):

Yep. And I am known to research something to death. And I get something called “paralysis by analysis.”

Melanie Trecek-King (53:42):

Ohhhh, yeah.

Eric Cross (53:44):

And it’s so bad that even if I’m trying to buy, like, towels, I need to find the best-bang-for-the-buck towel. I have to defer some of these decisions out, because I’m on the internet for three hours now. I’ll be a pseudo-expert in towels, and thread count, and all of that stuff. But yeah, that maybe that’s just the science person.

Melanie Trecek-King (54:03):

I mean, I feel your pain. I do the same thing. <Laugh> It’s annoying. Like, it’s just towels. What does it really matter? But yeah.

Eric Cross (54:10):

Coffee! It doesn’t matter what it is. I just need to go, “OK, I have to use these powers for good. Otherwise I’m gonna be researching forever.”

Melanie Trecek-King (54:16):

I wanna say one other thing. So, again, this is a college class and I have a lot of freedom. But one of the driving philosophies behind the class is a wonderful quote in a book, Schick and Vaughn, How to Think about Weird Things. And they said, “The quality of your life is determined by the quality of your decisions, and the quality of your decisions is determined by the quality of your thinking.” And I know my students want a grade. But I’m really trying to teach them how to be empowered through better thinking. That’s where the name “Thinking is Power” came from. I mean, we say “Knowledge is Power,” but it’s not enough to know things. And there’s too much to know. So being able to think and be empowered to have your own agency and not fall for someone’s bunk is my goal for my students.

Eric Cross (55:07):

And doing that is gonna help them through the rest of their lives. Not be swindled, not be taken advantage of, be able to make better decisions. There’s so many benefits to building that skill. And I know your students have definitely grown and benefited. I’m sure you’ve heard, long after you’ve taught them, heard back from them and how they’ve applied that course to their lives. Melanie, thank you so much for being here. For a few things. One, for providing and filling this space where there’s such a need. Again, the critical thinking resources, the tools that you used, are so, so important. If we ever lived in a time where they were critical, it was really what we experienced during the pandemic in the last few years. We watched people’s information literacy and science literacy play out in real time. And we literally saw life-and-death decisions being made based off those skills. That highlighted, I think how important this is. And then, taking the time to generate resources for educators like myself, that we can take and adapt and put into our classroom and start teaching our students. ‘Cause like you said, by the time they get to you, they’re, they’re so far downstream or so far in a system that, depending on the teachers that they’ve had and the education system they’ve been in, may or may not have even touched on these things. They might have learned a lot of facts, but they may not have built their muscle to be able to critically analyze and interpret the world around them. And you’ve just — even the last year, it hasn’t even been a year since we talked the first time — I’ve watched your resources continue to grow, and you share them. And so I, on behalf of those of us in K–12, thank you. And thank you for being here.

Melanie Trecek-King (56:49):

Oh, well, thank you so much for this opportunity. Thank you for everything that you do, reaching out to other educators and for giving me a platform to hopefully reach other educators.

Eric Cross (57:00):

Thanks so much for listening to my conversation with Melanie Trecek-King, Associate Professor of Biology at Massasoit Community College and creator of Thinking Is Power. Make sure you don’t miss any new episodes of Science Connections by subscribing to the show, wherever you get podcasts. And while you’re there, we’d really appreciate it if you can leave us a review. It’ll help more listeners to find the show. You can find more information on all of Amplify shows at our podcast hub, Amplify.com/Hub. Thanks again for listening.

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What Melanie Trecek-King says about science

“Students carry in their pocket access to basically all of humanity’s knowledge at this moment in time. The question is: do they know what they’re looking for?”

– Melanie Trecek-King

Associate Professor of Biology at Massasoit Community College and creator of Thinking is Power

Meet the guest

Melanie Trecek-King is the creator of Thinking is Power, an online resource that provides critical thinking education to the general public. She is currently an associate professor of biology at Massasoit Community College, where she teaches a general-education science course designed to equip students with empowering critical thinking, information literacy, and science literacy skills. An active speaker and consultant, Trecek-King loves to share her “teach skills, not facts” approach with other science educators, and help schools and organizations meet their goals through better thinking. Trecek-King is also the education director for the Mental Immunity Project and CIRCE (Cognitive Immunology Research Collaborative), which aim to advance and apply the science of mental immunity to inoculate minds against misinformation.

A woman with long blonde hair and a black top is shown in front of a blue background, framed by a circular graphic with an illustrated flask in the corner.
A laptop screen displays the “Science Connections: The Community” private group page, with science-themed icons decorating the background and edges.

About Science Connections

Welcome to Science Connections! Science is changing before our eyes, now more than ever. So…how do we help kids figure that out? We will bring on educators, scientists, and more to discuss the importance of high-quality science instruction. In this episode, hear from our host Eric Cross about his work engaging students as a K-8 science teacher. 

¡El programa de Amplify ELA da la bienvenida a las familias!

Nos complace dar la bienvenida a usted y a su estudiante al programa Amplify ELA en el nuevo año escolar y brindar a su estudiante excelentes oportunidades educativas a través de nuestro programa. A continuación incluimos una serie de recursos y guías útiles para ayudar a que su estudiante aproveche al máximo nuestra plataforma a lo largo del año. For English version, please click here.

¿Qué es Amplify ELA?

El programa Amplify ELA ayuda a los estudiantes de los grados 6 a 8 a leer y entender textos complejos, animándoles a profundizar en ideas interesantes y reflexionar de forma independiente sobre su relevancia. Amplify ELA es un programa mixto que incluye materiales digitales e impresos, así como una versión únicamente impresa. Los estudiantes que usan Amplify ELA leen pasajes de texto detalladamente, interpretan lo que van descubriendo, conversan con sus compañeros acerca de sus puntos de vista y desarrollan sus ideas por escrito. La estructura de las lecciones es fácil de entender y tiene suficiente flexibilidad como para permitir una variedad de experiencias de aprendizaje que fomenten el interés de los estudiantes.

Entre las características del programa, puede encontrar:

  • Funcionalidad que permite a cada estudiante trabajar en su propio nivel, a la vez que se le estimula adecuadamente con retos de aprendizaje.
  • Herramientas integradas que permiten al maestro/la maestra saber cómo progresan los estudiantes en sus trabajos y responder oportunamente.
  • La Biblioteca Amplify digital, con más de 700 libros descargables de ficción y no ficción.
  • La aplicación de vocabulario, que usa actividades similares a juegos para ayudar a los estudiantes a dominar las palabras clave de los textos del programa. (Si su estudiante usa materiales impresos, verá las palabras resaltadas).
  • Tareas de escritura independiente llamadas Solos, disponibles en dispositivos móviles.
  • Proyectos interactivos conocidos como Quests que acompañan a determinadas unidades para ofrecer oportunidades de práctica adicionales en lectura, escritura, expresión oral y comprensión auditiva con un enfoque analítico.

Para comenzar

Cómo apoyar a su estudiante

  • Si es posible, lea con su estudiante a diario. Aun 15 minutos de lectura compartida todos los días pueden producir grandes resultados. Pueden leer secciones del texto en voz alta y de forma conjunta. Es posible que, a nivel intermedio, su estudiante disfrute de representar secciones de diálogos asumiendo el papel de alguno de los personajes de una obra o dándole un estilo dramático a algún poema que hayan estado estudiando. Si su estudiante tiene dificultad para leer en voz alta, intente leerle el texto con expresividad y pídale que se lo lea a usted después. Para practicar más, hay una gama de actividades de fluidez en los Días Flex del programa. Pida a su estudiante que le ayude a encontrar estas actividades.
  • Busque oportunidades para conversar con su estudiante sobre lo que lee y descubre. Ejemplos de preguntas que usted podría plantear: ¿Qué te llamó más la atención en lo que leíste hoy? ¿Hubo alguna oración o palabra que te resultó confusa? ¿Qué fue lo que más te sorprendió? ¿Qué crees que el autor estaba tratando de comunicar? ¿Estás de acuerdo con las ideas o descripciones del autor? ¿Qué conexiones puedes hacer entre lo que estás leyendo y tu propia vida u otros temas?
  • Escuche a su estudiante leer sus respuestas escritas o pídale que las comparta con un amigo o amiga por teléfono o mediante una aplicación de videollamada.
  • Visite con su estudiante la Biblioteca Amplify para encontrar libros de su interés que pueda leer con fluidez.
  • Recomendamos que lea el artículo Proteja a los niños en internet de la Comisión Federal de Comercio sobre seguridad digital.

Descargar textos de la Biblioteca Amplify

Si no tiene acceso continuo a internet en su casa, le sugerimos que descargue los textos esenciales de la biblioteca de Amplify por adelantado. Siga estos pasos para descargar un texto:

  1. Navegue hasta el menú “Program & Apps» en la parte superior de su pantalla y desplácese hasta encontrar el icono «Library». Cuando lo seleccione, la biblioteca Amplify se abrirá en una nueva pestaña.

2. Si se le solicita, siga las instrucciones para configurar un pin para la biblioteca Amplify; de lo contrario, continúe con el siguiente paso.

3. En la esquina superior derecha de su pantalla, busque el libro que desea descargar. Por ejemplo: “The Secret of the Yellow Death: A True Story of Medical Sleuthing”.

4. Ahora ubique el botón de “Download” (descargar).

5. Una vez descargado, podrá acceder a este libro incluso cuando no tenga acceso a Internet.
Para acceder a los textos descargados:

  1. En la aplicación de la biblioteca de Amplify, abra el menú desplegable «My Library» (mi biblioteca) en la esquina superior izquierda.
  2. Seleccione “Downloaded” (descargados).
  3. Elija el texto que desea leer de entre todos los textos predescargados.

Vistazo general a los materiales

No todas las escuelas funcionan de la misma manera, pero es probable que los estudiantes que asisten a escuelas que cuentan con las versiones impresa y digital del programa, tengan los siguientes materiales impresos en casa: 

  • Libro del estudiante: Incluye todas las lecturas y actividades necesarias para la enseñanza a lo largo del año. Los estudiantes pueden leer las selecciones tanto en el formato digital como en la versión impresa y hacer apuntes en cualquiera de los dos. Las lecciones de la versión impresa del Libro del estudiante reflejan las lecciones digitales, pero han sido modificadas para que resulten tan eficaces como las digitales.
  • Cuadernos de escritura: En estos cuadernos, los estudiantes responden a las consignas de escritura y realizan otras tareas escritas.

En caso de que los estudiantes no tengan acceso a los dispositivos o a internet, pueden continuar llevando a cabo tareas clave de lectura y escritura empleando la versión impresa del Libro del estudiante y los Cuadernos de escritura.
El maestrotambién puede acceder a las Guías de novelas para los estudiantes e imprimir y enviar por correo hasta doce novelas que comúnmente forman parte del programa de enseñanza. Seis de estas novelas están disponibles en la Biblioteca Amplify y la mayoría de ellas se pueden encontrar en las bibliotecas públicas.

Un vistazo a las unidades

A continuación encontrará resúmenes de cada unidad en las que su estudiante trabajará en su grado durante el año. Junto a cada unidad hay una guía descargable que permite conocer más a detalle cuál es el contenido abarcado y cómo puede ayudar a su estudiante a comprender mejor los temas.

Unidad 6A

La narrativa de Dahl

Cada estudiante comienza con escritura narrativa para aumentar rápidamente su producción de escritura, aprender la destreza básica de enfoque y familiarizarse con los hábitos y rutinas clave del salón de clases que utilizarán todo el año. Luego, aplica su nueva capacidad de observación a entretenidas lecturas de la biografía de Roald Dahl, Boy, y aprende a trabajar de cerca con evidencias del texto.

Unidad 6B

Misterios e investigaciones

Cada estudiante lee con la atención propia de un investigador, embarcándose en un estudio del cautivante mundo del trabajo de detective en distintos géneros literarios. Al final de la unidad, el niño o la niña escribe una composición para explicar cuál es el rasgo más útil de un investigador en la resolución de problemas.

Unidad 6C

Colección acerca del chocolate

Los aztecas lo usaban como moneda, Robert Falcon Scott lo llevó a la Antártida, los nazis diseñaron con él una bomba para matar a Churchill. La historia del chocolate se remonta a 3,700 años en el pasado y está repleta de vicisitudes que la vuelven un tema de investigación gratificante. En esta unidad los y las estudiantes analizan documentos de primera fuente y conducen investigaciones independientes para entender mejor la extraña y maravillosa gama de roles que el chocolate ha desempeñado en el mundo a lo largo de los siglos.

Unidad 6D

Los griegos

Los mitos griegos nos ayudan a entender no solo la cultura griega antigua, sino también el mundo que nos rodea y la función que cumplimos en él. Partiendo de las rutinas y destrezas establecidas en las unidades anteriores, estas lecciones motivan a cada estudiante a dejar atrás el enfoque en una sola persona —él mismo o ella misma o un personaje— para contemplar cuestiones más amplias sobre el papel que las personas desempeñan en el mundo y en las comunidades donde residen.

Unidad 6E

El verano de las mariposas

Las tierras fronterizas de Estados Unidos y México son lugares poblados de leyendas, tanto verdaderas como ficticias. El verano de las mariposas, de Guadalupe García McCall, implanta una versión de la Odisea en este entorno, embarcando a cinco hermanas en una aventura que transcurre en un mundo de héroes y malhechores inspirado en mitos aztecas y leyendas latinoamericanas. La experiencia ayuda a las hermanas a aceptar la disolución del matrimonio de sus padres y a encontrar fortaleza renovada en su identidad de hermanas y en su conexión a un linaje azteca. En esta unidad, cada estudiante analiza el uso que McCall da a la estructura de una epopeya para crear una narración emocionante de aventuras, y cómo la autora hace uso de la narración para celebrar el poder femenino, su herencia latina y una definición más amplia de lo que es una familia. Cada estudiante también tiene oportunidad de comparar el viaje ficticio de las jóvenes a México con la descripción del viaje real de un jovencito a Estados Unidos.

Unidad 6F

Colección acerca del Titanic

Para aprender a diferenciar las fuentes primarias, secundarias y terciarias, determinar si una fuente dada es fiable y entender los usos éticos de la información, cada estudiante formula sus propias preguntas de investigación y busca las respuestas en internet. Asumirá así el papel de uno de los pasajeros o pasajeras de la lista de embarque del Titanic y considerará cuestiones de clase y género, a medida que investiga y escribe relatos desde el punto de vista de los viajeros.

Unidad 6F y unidad 6G

Comenzar a escribir un cuento

En esta unidad cada estudiante puede poner en práctica sus destrezas de escritura creativa, para aprender elementos de narración y desarrollo de personajes, y la importancia del lenguaje vívido. Cada estudiante consigue una noción de propiedad sobre su propia escritura a medida que experimenta los diferentes impactos de sus decisiones autorales en oraciones, lenguaje, rasgos de personajes y giros de la trama.

Unidad 6F

Gramática

En esta unidad cada estudiante completa instrucciones para seguir un aprendizaje autoguiado y practica lo que el maestro y la maestra le asignará durante el año.

Unidad 7A

La narrativa y La joven del pañuelo rojo

En esta unidad se presenta la autobiografía sumamente cautivante de una joven cuya vida transcurre en China durante la Revolución Cultural. Cada estudiante aprende la historia y el contexto político de este periodo, enfocándose en el relato de alguien que vivió en la época de la revolución. A medida que cada estudiante recorre el camino de la protagonista en ese mundo convulsionado, puede apreciar los cambios que se produjeron en los sentimientos y motivaciones de la joven a lo largo del tiempo.

Unidad 7B

Carácter y conflicto

Leyendo Una pasa al sol y Inocentón, cada estudiante explora el tema de las personas que, al enfrentar adversidades, pueden infligir daño en quienes los rodean sin intención de hacerlo. Las dos narrativas se complementan para brindar a cada estudiante oportunidades de analizar las respuestas de los personajes al conflicto y el desarrollo de ideas del autor o la autora en una obra de ficción.

Unidad 7C

La ciencia del cerebro
¿Podrías sobrevivir después de que una vara de hierro te atravesara el cráneo? Phineas Gage lo hizo y su historia, escalofriante pero real, permite desarrollar la información de contexto y analizar otros textos informativos, incluyendo los contemporáneos El hombre que confundió a su mujer con un sombrero y el obviamente relevante La desmitificación del cerebro adolescente.

Unidad 7D

La poesía y Poe

Los textos de Poe siempre tienen mucho para observar, descifrar, comentar y… crisparnos los nervios. Dado que las cosas no siempre son lo que aparentan, cada estudiante usa las destrezas de lectura atenta para cuestionar si debería creer lo que el narrador de Poe les está contando.

Unidad 7E

Colección acerca de Frida y Diego

Los artistas más famosos y provocativos de México, Diego Rivera y Frida Kahlo, formaron una pareja extraordinaria que vivió en tiempos extraordinarios. Eran almas gemelas con personalidades totalmente opuestas. Las obras de Diego Rivera y Frida Kahlo y sus vidas multifacéticas ofrecen a cada estudiante un tema fértil y fascinante para examinar documentos de fuente primaria y conducir investigaciones independientes.

Unidad 7F

Colección acerca de La fiebre del oro

Cada estudiante elige entre una extensa colección de fuentes primarias y secundarias para aprender acerca de la amplia diversidad de personas que participaron en La fiebre del oro de California.

Unidad 7G

Escribir un cuento: nivel intermedio

En esta unidad cada estudiante puede poner en práctica sus destrezas de escritura creativa para aprender elementos de narración y desarrollo de personajes, y la importancia del lenguaje vívido.

Unidad 7

Gramática

En esta unidad cada estudiante completa instrucciones para seguir un aprendizaje autoguiado que el maestro o la maestra le asignará durante el año. Las sub unidades están organizadas por temas clave de gramática, de manera de que el maestro o la maestra pueda asignar el contenido que mejor se acomoda a las necesidades de sus estudiantes mientras se asegura de que trabajen con temas clave de gramática apropiados para su grado.

Unidad 8A

Perspectivas y narrativa
Esta unidad procura enseñar a cada estudiante a leer como un escritor o una escritora. Así, pone en práctica la destreza de prestar atención al oficio de la escritura: las decisiones que toma un buen escritor o escritora para darle forma a nuestra percepción de una escena o a nuestros sentimientos hacia un personaje, y para despertar nuestras emociones, sorprendernos o dejarnos pensando en lo que podría suceder después. Cada estudiante lee atentamente ejemplos de narrativas de no ficción, analiza las técnicas que usa cada autor para que sus textos evoquen emociones y practica la aplicación de estas técnicas en sus propios textos narrativos.

Unidad 8B

Libertad e igualdad
Analizamos las palabras de varios creadores —desde el poeta Walt Whitman hasta el abolicionista Frederick Douglass y el presidente Abraham Lincoln— para descubrir cómo sus escritos y obras contribuyeron a los cambios extremos de la organización social: un concepto totalmente nuevo de lo que significaba considerar a las personas “iguales”.

Unidad 8C

Ciencias y ciencia ficción
Cada estudiante leerá la obra Frankenstein de Gris Grimly, una novela gráfica que integra ilustraciones cautivantes en una versión abreviada de la edición de 1818 del libro de Mary Shelley. Combinadas con el texto de Shelley, las inquietantes —y a veces espeluznantes— representaciones de la criatura de Frankenstein diseñadas por Grimly impulsan a cada estudiante a contemplar algunos de los temas centrales del texto: el origen de la humanidad y la raíz del mal. Luego escribe un ensayo, en el cual, después de argumentar a favor de ambos lados de la cuestión, determina si en última instancia la criatura de Frankenstein debería considerarse humana.

Unidad 8D

Romeo y Julieta, de Shakespeare
Romeo y Julieta combina romance y acción, ofreciendo una amplia gama de temas y escenas que cada estudiante puede leer y representar actuando. Cada estudiante de nivel intermedio tiene la edad adecuada para identificarse con los sentimientos intensos de los amantes, y ha alcanzado la madurez suficiente como para analizar de forma crítica las decisiones que toman Romeo y Julieta.

Unidad 8E

El Holocausto: memoria y significado
Esta unidad usa una variedad de artículos, imágenes y videos de primera fuente, así como textos de no ficción literaria y no ficción gráfica, para estudiar los sucesos que hicieron posibles las atrocidades del Holocausto. Cada estudiante investiga cómo se generó y se empleó la propaganda para crear un ambiente político que llegó a corromper a toda una sociedad. Las Olimpiadas se observan a través de la lente de una campaña de propaganda internacional, al amparo de la cual los nazis comenzaron a eliminar de su cultura a las personas que no eran de lo que consideraban «raza aria». La sub unidad final examina los resultados de la doctrina nazi y su impacto en las víctimas y sobrevivientes judíos.

Unidad 8F

Colección acerca de La carrera espacial
Cada estudiante usa internet para poner a prueba sus destrezas de investigación y lectura atenta, y distingue entre fuentes fiables y fuentes no fiables.

En esta colección los estudiantes exploran documentos primarios y llevan a cabo investigación independiente para comprender mejor esta carrera espacial entre los dos superpoderes del planeta. La dramática historia de la carrera espacial ofrece a cada estudiante un generoso tema de investigación para explorar, mientras desarrollan destrezas de lectoescritura informativa, y aprenden cómo elaborar sus propias preguntas de investigación y exploran Internet en busca de respuestas.

Unidad 8

Gramática

En esta unidad cada estudiante completan instrucciones para seguir un aprendizaje autoguiado que el maestro o la maestra le asignará durante el año. Las sub unidades están organizadas por temas clave de gramática, de manera de que el maestro o la maestra pueda asignar el contenido que mejor se acomoda a las necesidades de sus estudiantes mientras se aseguran de que trabajen con temas clave de gramática apropiados para su grado.

Unidad 8G

Escribir un cuento: nivel avanzado

En esta unidad cada estudiante pueden poner en práctica sus destrezas de escritura creativa, para aprender elementos de narración y desarrollo de personajes. También aprende la importancia del lenguaje vívido para enganchar a sus lectores y atraerles al cuento.

Actividades adicionales

Quests:

Es posible que observe que su estudiante trabaja con sus compañeros en el mismo proyecto interactivo durante varios días, tratando de resolver un misterio o explicar un evento histórico. Eso es lo que sucede cuando un maestro asigna una misión: una exploración en profundidad de una semana de duración que requiere colaboración y profundiza el compromiso con textos y temas.

Aplicación de vocabulario:

La aplicación Vocab ayuda a los estudiantes a dominar el vocabulario a través de actividades similares a juegos que los desafían a pensar en morfología, analogías y sinónimos/antónimos, y a descifrar el significado a través del contexto.

Contacte con nosotros

¡Estamos aquí para ayudarle!

¿Tiene alguna pregunta sobre Amplify ELA?

Visite nuestra biblioteca de ayuda (en inglés) para buscar artículos con respuestas a sus preguntas sobre el programa.

Para obtener apoyo curricular adicional, comuníquese con el maestro de su estudiante.

Welcome, Amplify ELA families!

We’re excited to welcome you and your student to the Amplify ELA program for the new school year, and to provide you with exceptional learning opportunities through ELA. We’ve assembled the following resources and guides to help you support your student and enable them to have the most productive experience with our platform throughout the year.

Para la versión en español, haga clic aquí.

Illustrated collage with people playing sports, riding bikes, and a thoughtful person’s portrait, framed by natural elements and a rocket launching, next to an "EdReports Review Year 2020" badge.

What is Amplify ELA?

Amplify ELA helps students in grades 6–8 read and understand complex texts that encourage them to grapple with interesting ideas and find relevance for themselves. Amplify ELA is a blended program that includes both digital and print materials, but can also be used as a print-only version. Students using Amplify ELA read text passages closely, interpret what they find, discuss their thinking with peers, and develop their ideas in writing. The lesson structure is easy to follow, but flexible enough to allow for a variety of learning experiences and varied enough to keep students engaged. 

Features include:

  • Functionality that allows individual students to work at their own level while also being challenged appropriately.
  • Built-in tools that allow teachers to track and respond to student work.
  • The digital Amplify Library, which contains more than 700 downloadable, full-length fiction and nonfiction books.
  • The Vocab App, which uses game-like activities to help students master keywords from the program’s texts. (Students using print materials will see keywords highlighted.)
  • Independent writing assignments called Solos, available on mobile devices.
  • Interactive projects called Quests that accompany certain units to provide additional practice with analytical reading, writing, speaking, and listening skills.

Getting started

How you can support the child in your care:

  • If possible, read with your student daily; even 15 minutes of reading together each day can make a huge impact. You can read aloud sections of the text together—many middle grade students enjoy performing sections of dialogue by taking on the role of a character in a play, or adding some dramatic flair to a poem with which they are working. If your student struggles with reading aloud, you might try reading the text to them with expression, then having them read it back to you. For additional practice, there are an array of fluency activities in the program’s Flex Days. Ask your student to help you find these activities.
  • Find moments to discuss what they are reading and discovering. Examples of questions you could ask: What stood out to you from what you read today? Were any sentences or words confusing? What was most surprising? What do you think the writer was trying to communicate? Do you agree with the writer’s ideas or descriptions? What connections can you make between what you are reading and your own life, or other issues you’ve heard about?
  • Listen to your student read their written responses or have them share with a friend over the phone or video chat. 
  • Browse the Amplify Library with your student to find books they’ll enjoy and be able to read fluently and independently.
  • Review this Protecting Kids Online website by the Federal Trade Commission addressing digital safety.

Accessing texts in the Amplify Library

We encourage students to utilize the core texts from the Amplify Library while at home! Please follow these steps to download a text for offline reading:

1. Navigate to the Program & Apps menu at the top of your screen and scroll through to find the Amplify Library icon. When you select it, the Amplify Library will open in a new tab.

A digital menu displays various educational tools and resources, with "Amplify ELA" highlighted at the top and the "Library" option outlined in orange.

2. If prompted, follow the directions to set up a pin for the Amplify Library; otherwise, proceed to the next step.

A pop-up window prompts the user to create a four-character PIN of lowercase letters and/or numbers for offline reading, with Cancel and Submit buttons.

3. In the upper right corner of your screen, search for the book you would like to download. Example: The Secret of the Yellow Death: A True Story of Medical Sleuthing.

A digital library search page displays "yellow death" in the search bar with no results found for title, authors, or genre. Book covers are visible in the left sidebar.

4. Select the Download button.

A digital library interface displays the book "The Secret of the Yellow Death" by Suzanne Jurmain, showing its cover, synopsis, and options to read or download.

5.  If you lose connection while still in the Amplify Library, you can continue to access and read the downloaded book(s). If the page refreshes without internet access, or you try to login on another device without internet access, you will lose access to the downloaded book(s) until the internet connection is restored. 

To retrieve your downloaded texts: 

  1.  In the Amplify Library app, open the My Library drop-down menu in the upper left corner.
  2. Select Downloaded. 
  3. Choose the text you wish to read from all of your pre-downloaded texts.
A dropdown menu under "My Library" shows options: Recently Read, Favorites, Downloaded (highlighted), and All Books. Below, a Recently Read section displays three book covers.

Materials overview

Not every school will operate the same way, but students attending schools that have both the print and digital editions of the program will likely have the following print materials at home:

  • Student Edition: This includes all of the readings and activities necessary for instruction throughout the year. Students can read the selections both digitally and in print, annotating in either format. The lessons in the print Student Edition reflect each digital lesson, but have been modified to work effectively in print. 
  • Writing Journals: This provides space for students to respond to Writing Prompts and complete other written assignments. 

In the case that students are without access to devices or the internet, they can continue to complete key reading and writing assignments using the print Student Editions and student Writing Journals.

Teachers can also access, print, and mail student Novel Guides for up to 12 commonly taught novels. Six of these novels are available in the Amplify Library, and most should be available in a public library.

Unit overviews

Below are quick overviews of each unit your student will be working through in their grade throughout the year. Included along with each unit is a downloadable guide that provides a more in-depth look at what content is covered and how you can help your student advance their understanding of the topics.

  • Unit 6A: Dahl & Narrative  
    • Students begin with narrative writing to quickly boost their writing production, learn the foundational skill of focus, and become comfortable with key classroom habits and routines they will use all year. Students then apply their new observational focus to some lively readings from Roald Dahl’s memoir Boy and learn how to work closely with textual evidence.
  • Unit 6B: Mysteries & Investigations
    • Students read like an investigator to embark on a multi-genre study of the mesmerizing world of scientific and investigative sleuthing. At the end of the unit, students write an essay explaining which trait is most useful to problem-solving investigators.
  • Unit 6C: The Chocolate Collection
    • The Aztecs used it as currency. Robert Falcon Scott took it to the Antarctic. The Nazis made it into a bomb designed to kill Churchill. The 3,700-year-long history of chocolate is full of twists and turns, making it a rich and rewarding research topic. In this unit, students explore primary source documents and conduct independent research to better understand the strange and wonderful range of roles that chocolate has played for centuries around the world.
  • Unit 6D: The Greeks
    • Greek myths help us understand not only ancient Greek culture but also the world around us and our role in it. Drawing on the routines and skills established in previous units, these lessons ask students to move from considering the state of a single person—themselves or a character—to contemplating broader questions concerning the role people play in the world and the communities they inhabit within it.
  • Unit 6E: Summer of Mariposas
    • The borderlands between the United States and Mexico are the place of legends, both true and fictional. Summer of the Mariposas, by Guadalupe Garcia McCall, plants a retelling of the Odyssey into this setting, launching five sisters on an adventure into a world of heroes and evildoers derived from Aztec myths and Latinx legends. On the journey, the sisters reconcile the dissolution of their parent’s marriage and find new strength in their identity and connection to Aztec lineage. Students consider how McCall uses the structure of the hero’s journey to celebrate women, heritage, and a broad definition of family. Students also have the opportunity to compare these characters’ fictional journey into Mexico to a description of one boy’s true journey into the United States.
  • Unit 6F: The Titanic Collection 
    • In this research unit, students learn to tell the difference between primary, secondary, and tertiary sources; determine if a given source is reliable; and understand the ethical uses of information. Students then construct their own research questions and explore the internet for answers. They also take on the role of a passenger from the Titanic’s manifest to consider gender and class issues as they research and write narrative accounts from the point of view of their passenger.  
  • Unit 6G: Beginning Story Writing
    • In this unit, students get to practice their creative writing skills and learn the elements of storytelling and character development, as well as the importance of vivid language. Students gain a sense of ownership over their writing as they experiment with the impact of their authorial choices on sentences, language, character traits, and plot twists.
  • Grade 6: Grammar
    • In this unit, students complete self-guided grammar instruction and practice that teachers assign to them throughout the year. Sub-units are organized by key grammar topics, so teachers can assign the content that best meets their student’s needs while making sure students work with the key grammar topics for their grades.
  • Unit 7A: Red Scarf Girl & Narrative
    • In this study of a highly engaging memoir of a young woman growing up in China during the Cultural Revolution, students quickly learn the history and politics of this tumultuous period by focusing on the story of someone living through the upheaval. As students follow her journey through a world turned upside down, they will track the changes in her feelings and motivations over time.
  • Unit 7B: Character & Conflict
    • By reading the play A Raisin in the Sun and the short story “Sucker,” students explore how people facing hardships can inflict unintentional harm on the people around them. The two narratives work together to provide opportunities for students to analyze characters’ responses to conflict and the author’s development of ideas over the course of a piece of fiction.
  • Unit 7C: Brain Science
    • Could you survive an iron rod through your skull? Phineas Gage did, and his gruesome-but-true story allows students to build background information and analyze other informational texts, including the contemporary The Man Who Mistook His Wife For A Hat and the relevant Demystifying the Adolescent Brain.
  • Unit 7D: Poetry & Poe
    • Poe’s texts always offer so much to notice, decipher, talk about—and creep us out. Since things are not always what they seem, students must use close reading skills to question whether they should believe what Poe’s narrator is telling them … or not.
  • Unit 7E: The Frida & Diego Collection
    • Mexico’s most famous and provocative artists, Diego Rivera and Frida Kahlo, were an extraordinary couple who lived in extraordinary times. They were both soul mates and complete opposites. Their multifaceted lives and work offer students rich and fascinating subjects to study as they examine primary source documents and conduct independent research.
  • Unit 7F: The Gold Rush Collection
    • In this research unit, students choose from a large collection of primary and secondary sources to learn about the wide range of people who took part in the California Gold Rush. They also take on the role of someone who lived during the gold rush and write journal entries from their perspective.
  • Unit 7G: Intermediate Story Writing
    • In this unit, students get to practice their creative writing skills and learn the elements of storytelling and character development, as well as the importance of vivid language. Students gain a sense of ownership over their writing as they experiment with the impact of their authorial choices on sentences, language, character traits, and plot twists.
  • Grade 7: Grammar
    • In this unit, students complete self-guided grammar instruction and practice that teachers assign to them throughout the year. Sub-units are organized by key grammar topics, so teachers can assign the content that best meets their student’s needs while making sure students work with the key grammar topics for their grades.
  • Unit 8A: Perspectives & Narrative
    • This unit aims to teach students to read like writersThey practice paying attention to the craft of writing and to the moves a good writer makes to shape the way we see a scene or feel about a character—to stir us up, surprise us, or leave us wondering what will happen next. Students closely read examples of rich, layered narrative nonfiction, analyze the techniques each author uses to make their writing resonate, and practice applying these techniques to their own narrative writing.
  • Unit 8B: Liberty & Equality
    • In this unit, students look at the words of a range of creators—from poet Walt Whitman to abolitionist Frederick Douglass to President Abraham Lincoln—to see how their writing contributed to an extreme shift in social organization: a whole new concept of what it means for people to be considered “equal.” They also study multiple perspectives on the Civil War, including the memoir of a girl who was enslaved, a confederate girl’s diary, and a nonfiction account of the young boys who served as soldiers during the war. 
  • Unit 8C: Science & Science Fiction
    • Students read Gris Grimly’s Frankenstein, a graphic novel that adds captivating illustrations to an abridgment of the 1818 edition of Mary Shelley’s book. Paired with Shelley’s text, Grimly’s haunting—and, at times, horrific—representations of Frankenstein’s creature push students to wrestle with some of the text’s central themes: the source of humanity and the root of evil. Students then write an essay in which, after arguing both sides of the question, they determine whether or not Frankenstein’s creature should ultimately be considered human.
  • Unit 8D: Shakespeare’s Romeo & Juliet
    • Romeo and Juliet combines romance with action, offering a wide range of themes and scenes for students to read about and act out. Your middle schoolers are at the right age to identify with the lovers’ strong feelings—and also old enough to think critically about the choices Romeo and Juliet make.
  • Unit 8E: Holocaust: Memory & Meaning
    • This unit uses a range of primary source articles, images, and videos, as well as literary nonfiction and graphic nonfiction, to study what made the atrocities of the Holocaust possible. Students investigate how propaganda was generated and employed to create a political environment that ultimately corrupted a society. The Olympics are seen through the lens of an international propaganda campaign, providing cover for Nazis to begin eliminating non-Aryans from their culture. The final sub-unit examines the outcomes of Nazi doctrine and the impact on Jewish victims and survivors.
  • Unit 8F: The Space Race Collection
    • In this unit, students to put their research and close-reading skills to the test to distinguish between reliable  and unreliable sources, explore primary documents, and conduct independent research to better understand the space race that took place between two of the world’s superpowers. This dramatic story offers students a rich research topic to explore as they build information literacy skills, learn how to construct their own research questions, and explore the internet for answers.
  • Grade 8: Grammar
    • In this unit, students complete self-guided grammar instruction and practice that teachers assign to them throughout the year. Sub-units are organized by key grammar topics, so teachers can assign the content that best meets their student’s needs while making sure students work with the key grammar topics for their grades.
  • Unit 8G: Advanced Story Writing
    • In this unit, students get to practice their creative writing skills. They’ll learn the elements of storytelling and character development, and the power of vivid language to grab readers and pull them into a story.

Additional activities

Quests: 

You may notice your student working with peers on the same interactive project over several days, trying to solve a mystery or explain a historical event. That’s what happens when a teacher assigns a Quest: an in-depth week-long exploration that requires collaboration and deepens engagement with texts and topics.

Vocab App:

The Vocab App helps students master vocabulary words through game-like activities that challenge them to think through morphology, analogy, and synonyms/antonyms, and to decipher meaning through context.

Have a question about Amplify ELA?

Visit our help library to search for articles with answers to your program questions. 

For additional curriculum support, please contact your student’s teacher.

S1-01: The journey from student to SpaceX engineer: Juan Vivas

Illustration of Earth with text about a podcast episode featuring Juan Vivas, discussing the journey from student to SpaceX engineer. Includes a photo of a smiling person in a suit.

In this episode, we join Eric Cross as he talks to supply chain engineer Juan Vivas of SpaceX about his experiences growing up as a Latino in STEM. Juan shares his story of moving to the United States to study engineering and becoming successful in his career as a scientist. Juan openly discusses the experiences that made a difference in his life and the teachers that inspired him along the way. He also shares his experience as an engineer in different fields, as well as what it’s like to work in the supply chain during COVID.

Explore more from Science Connections by visiting our main page.

Download Transcript

Juan Vivas (00:00):

But to me, based on my experience so far, I think the best way to put it: An engineer is a technical problem-solver.

Eric Cross (00:28):

Welcome to Science Connections. I’m your host, Eric Cross. My guest today is Juan Vivas. Juan is a supply chain engineer for SpaceX. His career in STEM has pivoted from chemical engineering to working on foods like Cinnamon Toast Crunch to his current role at SpaceX, where he’s responsible for his work on Starlink, a technology that uses low-orbit satellites to provide internet access across the world. In this episode, Juan shares his story of how he became an engineer and how a thoughtful teacher used robotics to inspire him. I hope you enjoy this great conversation with Juan Vivas. Juan, thanks for being here.

Juan Vivas (01:14):

Yeah, yeah, of course! Super-excited to be here.

Eric Cross (01:19):

Hey, and starting off, I kind of like to ask your origin story. We were talking earlier about Marvel, and your journey of one working for…what I consider the closest thing that we have to SHIELD in the Marvel stories is SpaceX. Like with my own students, we talk about SpaceX like it’s a fictional thing, and we watch the rocket launches together and we watch the recovery and it’s so cool.

Juan Vivas (01:45):

Yeah.

Eric Cross (01:46):

And so when I knew that we were gonna be able to talk to you, I was excited. Like, I felt like I was a kid.

Juan Vivas (01:51):

<Laugh>

Eric Cross (01:51):

So I’d love to hear your origin story of you ultimately landing at SpaceX. And begin wherever kind of seems most natural to you.

Juan Vivas (01:59):

Yeah, yeah, of course. You know, I wasn’t one of those kids at from a young age I said “Oh, I’m gonna be an engineer.” Right? “I want to go and build all these things.” Where I grew up, and the social circle that I had, a lot of people were like doctors or lawyers. Just figured, you know, I’ll go to med school and go down the same path that 90% of like everyone else was gonna take. But in high school, I actually got into robotics. And, kind of like I mentioned, I wanted to do med school, that is what I figured I would end up doing. And then I got into robotics in high school. And I think that was what really kind of like changed my perspective of what I wanted to do, because basically these competitions were just—it was full-on driven by students. So we designed, programmed, and manufactured, like, the entire robot itself. And so through that I ended up doing a summer engineering program at the University of Maryland, the summer before going into my senior year in high school. And there we worked on a competition with underwater robots. And so we spent the entire summer, kind of similar scenario, designing a robot, manufacturing it, programming it. And then in the end it was like a competition in the buoyancy tank with different teams. And, you know, I think one thing that was really neat about that experience is that I got to hear Dr. John C. Mathers, who is a Nobel Prize physicist, speak to us in a room with, like, only 10 high school students. And just hearing his experience of where he started and the accomplishment that he’s been able to do, down in the STEM path, was really neat. And that summer was my final decision that I’m “OK, I know I want to be an engineer.” What’s interesting is I ended up choosing chemical engineering, instead of mechanical, which a lot of people, you know, based on all the experience that led me up to be an engineer, they asked me why I didn’t choose mechanical engineering. And I think one of the reasons why I chose chemical engineering is it’s very process-based. So one thing needs to happen, and there’s different inputs to that one step, and that step has an end-to-end reaction to it, right? So certain things need to happen in step one in order for step two to occur. And however the inputs happen in step one, it’s gonna affect the rest of the process. Honestly, very different than what I thought it was really gonna be. But what’s neat about chemical engineering is that it’s one of the most versatile engineering majors that you can have. Chemical engineering, because you work with a lot of process bases. Everything has a process, right? Everything needs to start with step one, and with, you know, step 10, whatever. And it’s all about optimization and improvement along those processes. So you can really take chemical engineering principles and apply ’em to different areas of a career, which is essentially the experience that I had in college. I had three internships with Dow Chemical where I did environmental health and safety, production, and supply-chain improvement. I then did research and development with Clorox. And then I did manufacturing engineering with General Mills. So really different job roles, different aspects, but same methodology applied.

Eric Cross (05:36):

I feel like there’s so much that you just said, <laugh> and I was trying to always, “I wanna ask him about that!” And in there, what I heard was there was a real pivotable, pivot moment in your life. Was the club…or was it a club, the robotics program? Or was that a class?

Juan Vivas (05:53):

You know, it was actually…it was VEX Robotics, specifically.

Eric Cross (05:56):

It was VEX! OK. Yeah, yeah. Really popular. And they still have it; I think we actually have some downstairs. So it was a club, and not necessarily a formal environment, where you were able to build. And it’s both collaborative and competitive, right? Like, there’s both aspects.

Juan Vivas (06:11):

Yep. Yep.

Eric Cross (06:11):

And, and then you had access to one of the only two facilities in the country that have these…were they buoyancy tanks?

Juan Vivas (06:20):

Buoyancy tanks, yep.

Eric Cross (06:21):

And there’s this book, Malcolm Gladwell’s Outliers, and then another similar book called Balance. It talks about how some of these innovators, like Steve Jobs and, and Bill Gates, they had access to things that other people didn’t. So, like, Bill Gates, I think at the University of Washington, had a computer that, you know, no one else did. And Jobs had one at, like, Hewlett-Packard. So it gave you this awesome headstart, where you’re able to test things in a real-life environment that kind of transfers into real-world skills. And then a few internships, so like, internships and mentors. So you had these people in the industry or people who were front-runners that were able to pour into you and give you these opportunities. And so it’s really neat to see how a program that starts as a club, kind of a competitive thing that introduced you to it and hooked you, then led to unfolding all of these opportunities that ultimately led you up to being here. And there’s one part—in looking at your LinkedIn profile, there’s a couple of really cool things that stand out. There’s a lot of cool things, but there’s two that really stood out. So one, working at SpaceX, and we’ll talk more about that, but I wanna go to General Mills and Cinnamon Toast Crunch. Because Cinnamon Toast Crunch is amazing.

Juan Vivas (07:39):

Yeah.

Eric Cross (07:39):

And you were part of the supply chain for that. In my head, I’m thinking, OK, like, what is he like responsible for? Like, getting the cinnamon and sugar?

Juan Vivas (07:51):

<Laugh>

Eric Cross (07:51):

What was, what did your job entail, when you were running that?

Juan Vivas (07:55):

There, I didn’t even know what I was gonna be doing until my first day. It was just, whatever the business need is, that’s where you’re gonna be put. So this was actually a high-priority plan for General Mills. And the production line that made Cinnamon Toast Crunch was split up into processes. So you have, they call it the process-process side, which is like literally raw materials, like making the cereal from scratch, baking it, adding the sugar, and then sending it to be packaged. And then you have the packaging-process side. so I was then placed as a packaging process lead, for the packaging side of that production line. So I was accountable for two packaging lines that packed out Cinnamon Toast Crunch. And that is where—that was actually my first real, you know, call it “real job,” like graduated college, going straight into the industry. I was a process lead for the packaging side of Cinnamon Toast Crunch.

Eric Cross (08:54):

So you went from cereal to rockets, <laugh>, which which is an amazing trajectory to have.

Juan Vivas (09:03):

Yeah. Yeah.

Eric Cross (09:04):

And when you kind of mentioned, back in your story about medical school, and, you know, it’s kinda like, what you see people doing, and you’re “OK, this is what I think I wanna do.” And then we have a perception in our mind about what a certain job’s gonna be like. And then reality hits. I think a lot of—when I ask my students, “What do you wanna do?” They think, like, “lawyer!” and when they think “lawyer!” they’re like, “I’m good at arguing!” Right? And until they find—until they talk to some lawyers and they find out like what that career can look like.

Juan Vivas (09:28):

Yeah.

Eric Cross (09:28):

You’re not just in the courtroom showing off your arguing skills. But, like, an engineer, when I talk to my students about what does it mean to be an engineer, often it’s very linear. It’s “I build bridges,” or, you know, maybe cars, but you’re a supply chain engineer. And, and that’s something that I think, now more than ever, it’s probably an incredibly critical role, especially considering that all of these supply constraints. Can you—what is a supply chain engineer? And what does it look like in your day-to-day? How is engineering rolled into that?

Juan Vivas (10:03):

Yeah, yeah. I think that’s an excellent question. I, too, once thought that engineering was just “I’m gonna be actually making something physical,” and like being super engineer-y about it. But, to me, based on my experience so far, I think the best way to put it: An engineer is a technical problem solver. As a supply chain engineer, specifically right now in my role at SpaceX…you know, as you can guess, the supply chain in the entire world is crazy. There’s no raw materials anywhere, and nothing can ever get on time. And so what I work on is I help our suppliers develop processes to meet the design criteria that we set up for like a specific part. As my job as a supply chain engineer, it’s “Can I take this design and make it manufacturable?” Right? “Can I go to any supplier and can they actually make this to the tolerance that the design engineer set them to be?” Nine out of 10 cases, the answer is no, essentially, is the best high-level way to put it.

Eric Cross (11:10):

When you’re solving these problems, is it this iterative process of going back and forth? Or is it just this aha-moment when you finally figure things out? ‘Cause I imagine they’re coming up with a design; you’re going back and saying, “Can this be manufactured?” or “Can it be done?” They’re saying no 90% of the time. And then are you the one responsible for kind of iterating on this, or changing it and then going back to them and telling them, asking them, until you get a yes? Is that—

Juan Vivas (11:33):

Yep. Yep, yep. Exactly. So we go through a process called Design for Manufacturing, DFMing. And where I essentially take, you know, the design engineer’s proposal, and then I have conversations with the suppliers, and then, that’s where the iteration begins. Where we go back and forth, back and forth, until we kind of meet in the middle to have something that can be manufacturable. Most of the times, in my experience, suppliers will always tell you no, just because they always want something that is manufactured really easily. And so you just gotta learn through experience. Like, when are they actually telling you something that’s a fact, versus when they’re just trying to you know, get out of a tolerance, or that “all right, all right, they mentioned that would just like make their jobs a little bit more difficult.”

Eric Cross (12:17):

So I’m hearing like there’s soft skills that are woven into the technical skills that you also need to be able to have.

Juan Vivas (12:23):

Oh, yes, absolutely. Yeah. I think, you know, as an engineer—and this is something, again, that I feel like you can only learn through experience—you’re gonna see that it’s not just you working to solve this one problem. Especially for a supply chain engineer. You’re talking with marketing; you’re talking with an industrial design team; you’re talking with logistics; you’re talking with procurement, materials management—just a whole set of people that don’t necessarily have technical background. Right? So sometimes, depending on the audience that I’m targeting, I’m always very, very peculiar on what is my target audience, right? How can I—how deep in my technical knowledge do I need to go? Because if I just, you know, talk straight Engineer, they either don’t care or they’re gonna be really confused about what I’m saying. So there is a stronghold of soft skills that definitely go into engineering, which I think are really important to communicate, you know, to, let’s say, students that are really interested in engineering. So you can be extremely smart and intelligent and really good at problem-solving, but if you don’t have those soft skills that you apply in the real world—’cause in the real world, you’re never only gonna be working with engineers, no matter like where you’re at—so having those soft skills to be able to manage with different backgrounds and different sort of people and different ways of thinking, it’s, I feel, really critical, for, for an engineer in the real world.

Eric Cross (13:50):

No, I think that’s a great point. It reminds me of teaching! And so many other professions where your ultimate goal is to really pour into this person in front of you and help develop them and create a sense of inquiry and wonder and personal growth and inspiration. But you’re also working within constraints and people and relationships. You know, you have your other teachers, you have parents, you have administrators, you have a district, you have communities, stakeholders. You have all of these different dynamics that you have to kind of navigate in order to ultimately help this child thrive. Versus just, like, being in the classroom: “OK, I just got <laugh>, the hundred or 200 students, just you and me. That’s it.” But that’s not the real world. And there’s this report that came out, I think Google ran it, Project Oxygen and Project Aristotle, and they asked the question, “What are the most effective traits of a good team and a manager?” And the top seven skills were all soft skills. So it is like exactly what you’re saying, where, yeah, it’s great that you have this technical aptitude, but if you’re not able to work with other people, problem-solve together, work with people of different backgrounds and perspectives, then you’re gonna run into some roadblocks. And that kind of dovetails, like, looking at things like if you looked at education from the perspective of an engineer. So you’re all about optimizing, right? Optimizing, working with what you got. When you look at education, are there any things that you would optimize to help improve the experience of students? Like, looking back, that you would fine-tune, that you think could provide better outcomes in the classroom?

Juan Vivas (15:28):

You know, I feel…I don’t know. Obviously I’m not a teacher. And I’m sure teachers just have so much stuff going on. But I think just like, finding…giving a chance to those students that you see a lot of potential in and really taking the time to mold them. You know, I did have a teacher who was able to mold me and give me that kind of one-on-one personal experience, right? I think honestly to me it just comes down to mentorship, and motivating students on what, you know, they’re passionate for. Like, putting them in front of engineers, right? Like finding engineers to come volunteer and explain to them. I genuinely believe it just takes one spark to really get a student on a trajectory where they can make an impact in the future. So to me, it comes down to, really, exposure. How much are you really exposing your students to…you know what, something I’ve learned, when I joined SpaceX, is that Elon doesn’t believe—well, you know, there there’s a lot of things that Elon believes and not believes in; there’s a whole different type of conversation!—but he doesn’t think that you can just take a curriculum, let’s say, and just apply it massively to everyone and expect like everyone to be it. That’s just naturally not how it works, right? Students learn at different paces; they have different sort of interests. This is actually why he created his own school for his kids in LA, called Ad Astra. You know, if you take that mentality, what that school is doing is that they’re working at the students’ pace and at the student’s interests, right? And I actually have a coworker who has his kids in that school. And I mean, these are one of the most brilliant kids I’ve ever known. Like, they are taking differential equations in the eighth grade. And I didn’t know what differential equations was until I was in college already and they told me, “This is a class you have to take.” <Laugh>. But it’s finding that crossway where, where is the curiosity of the student? What are they really interested in? and exposing them to that.

Eric Cross (17:51):

Yeah. And what I’m hearing of that is, in teacher-speak, a lot of personalized learning. Like you were talking about…is it Ad Astra?

Juan Vivas (17:59):

Ad Astra? Yep.

Eric Cross (18:01):

Ad Astra. You know, every student learns in their own way and they develop knowledge in their own way. And being able to personalize learning according to the students’ abilities and needs, and then accelerate or slow down, really produces some amazing effects. I know this is something that we as teachers try to do with the classroom. Scaling it is the challenge. But it’s great because even with people who are in charge of policy or people who have decision-making ability, hearing people from the top down saying, “Hey, look, this is what worked for me. This is how I was able to become successful. I had a teacher that was able to be a mentor to me because they knew me, they had a relationship with me, they were able to tap into my passions and use those passions to drive me to do or put me in programs that I might not have known about because they, they knew who I was.” And it’s not one-size-fits-all for everyone. So having—maybe it’s curriculum or learning experiences that are kind of modular, where students are able to maybe try on different things and get that exposure, I’m a big, big believer, like you are, in mentorship. That was a huge, huge thing in my life. Having mentors. It’s the reason why I became a science teacher. In seventh grade, I had a mentor who had us doing college-level science, you know, at UC San Diego. And it completely changed the trajectory of my life, in a direction that I wouldn’t have had without him. So I think that’s great. And it’s something that we as teachers would appreciate hearing. Going back to what you said…earlier you said your wife is a supply chain engineer as well. And so that means that there’s two people who are process-minded in the household. And this is kind of a lighter question, but I gotta wonder, do you have the most optimized flow for grocery shopping? <Laugh> Because…

Juan Vivas (19:49):

Yeah, I think we don’t spend more than like 20 minutes at a grocery store. Mind you, we only shop at Trader Joe’s and we have a very specific list before going in. And if you ever shop at Trader Joe’s, you just know where everything is ’cause it’s always there and it’s small, right? But yeah, like we’re, we’re in and out in like 15, 20 minutes. It’s great.

Eric Cross (20:11):

I love it. I love it. I feel like I’m that way by design. I go in with a purpose and this is exactly what I want. I know where the cookie butter is, <laugh>, I know where my coffee is, and then, OK, I’m in and out. Apple Pay or whatever I’m using. And then we’re good to go. Do you think…so as someone listening to this or some people even just becoming aware of supply chain engineering, what advice would you give someone that’s interested in pursuing this career path? If you maybe reverse-engineered your process, knowing what you know now, you were gonna give advice, you were that mentor, what are just some kind of tips or ideas or thoughts or trajectories that you’d think that they should aim for? I’m assuming like robotics….

Juan Vivas (20:56):

Yeah. You know, I think I would say definitely finding some sort of program that exposes you to a lot of things that you won’t be exposed to, like on a day-to-day basis, or something that you just can’t be exposed to naturally at school. And mentorship, honestly. I was born in Colombia and my parents were both—they’re still both professionals, but they were both professionals in Colombia. And when we moved to this country, this was like December of 1999. My parents started from scratch, and so they didn’t really grow up in the States, right? So when it was my time to go to college and do all of this stuff, it was just like me on my own figuring this stuff out. And, you know, they definitely made some mistakes when it came to college applications and whatnot. But once I was in college, I knew that the best way for my success was gonna be through mentorship. And that’s when I joined the, Society of Hispanic Professional Engineers, which is a nationwide organization. And each college, well, most college campuses, have their own chapter. In joining that, I was exposed to resume workshops, mock interviews—basically how do you even talk to a recruiter? Which is so critical, right? And personally that that organization was really what molded my actual professional career.

Eric Cross (22:19):

There’s this theme that I’m hearing, kind of weaving through this. And in addition to—as we’re talking about STEM and technical skills, in addition to that, there’s this thread that I’m receiving of…being able to form relationships with other people, for our students, is an important skill to teach and should be taught explicitly. Which isn’t…it’s not really a curriculum, right? Like, you don’t get tested on your ability to….conflict resolution or how to write an email or how to develop a relationship. And then the other part in I think what you just said is the aspect of community. Through this organization, you learned kind of some of these hidden rules, maybe I would call it.

Juan Vivas (23:04):

Yep.

Eric Cross (23:04):

It’s not that you didn’t have the…you had the aptitude. You had the drive. But there were these kind of hidden rules, and from moving to the US, you needed a community to be able to show you, so that you can kind of go through the proper steps.

Juan Vivas (23:16):

Exactly.

Eric Cross (23:17):

And so that created a lot of value for you.

Juan Vivas (23:19):

Yep.

Eric Cross (23:20):

Well, the last question that I have is, is just kind of a wondering. You have this awesome story, and the story continues to unfold. I gotta say, <laugh> I’m gonna be following your LinkedIn profile, because I think you just have kind of the coolest trajectory of going from, you know, General Mills, working in chemical engineering, and then ultimately it’s SpaceX. And every time I see the rocket taking off and landing, I’m gonna be thinking, thinking about you. So cool!

Juan Vivas (23:47):

Yeah. Yeah.

Eric Cross (23:49):

And personally, I have a hope that one day, one of my students will be at a company, you know, like SpaceX or Tesla or wherever, and one day I get to interview them and talk to them and see what they say. But the last question I want to ask is, is there, is there a teacher who inspired you, or a memorable experience that you have that made an impact on you?

Juan Vivas (24:16):

Yeah, yeah, of course. It was kind of you know, middle school going into high school. The way my school worked, everything was divided from pre-kindergarten, whatever, first to sixth grade, and then seventh grade to 12th grade. So I had a high school science teacher, Ms. Brown, Ms. Velda Brown, who, came from a small little island town on the east coast of Canada. Somehow landed, in the high school that I went to, to teach science. Going back to the beginning of the story where I mentioned that I figured whatever, I’ll go to med school. I played soccer, basketball, and, you know, I said, “I’ll figure it out once I graduate.” It might have been like life science in the eighth grade or something like that. But then she went on to teach me chemistry and physics as well. And when I was in the 10th grade, she approached me and she asked me if I wanted to join the robotics club. And I remember saying robotics? I don’t know. You know, naturally, in school, it’s different sorts of crowds: people that play sports and people that are like in like STEM clubs or whatever. And I was, “Ah, I don’t know; I don’t know how I feel about robotics; not really my thing….” But somehow she convinced me to join robotics. It’s me, coming into this group of kids that already knew each other, and they were all working on robotics. And I’m, “Yeah, I mean, I guess I’m just here to try this thing out.” It was a thing where we met every single Saturday at like seven in the morning. And there were times where I literally had to choose, “Do I go to like a soccer game or do I go to you help my team with robotics?” And I completely loved it. Like, I fell in love with the aspect of building something from scratch, and just making it operative. And she ended up just being a huge mentor for me in high school, actually. With her, with the help of her, I ended up opening the robotics club at my school. And before I left, we opened it up to middle schoolers. And then, you know, later, years later down the road when I was in college, I found out that it was now a whole-school thing. So there was an elementary robotics club at the school, the middle school one, and then the high school one were still a thing like years after I left. And that was like just so amazing to hear. But yeah, it was Ms. Velda Brown, my high school science teacher, that really took her time to mold me and get me into robotics, and really mentor me. And honestly, I’m sure you as teachers, you guys probably hear about it a lot, but you can have a lot of power in shaping a kid by just telling—believing in them, right? She believed in me so much that I would go on to be a successful engineer. And I’m. “OK, yeah, yeah, you’re just saying it.” But she spoke life into her students up to this day. I still speak about it with my wife, and when I’m in conversations about this, that if it wasn’t for my high school science teacher, I would not—well, no, I would probably not be an engineer right now.

Eric Cross (27:38):

Wow. Shout out to Ms. Velda Brown <laugh>. Would you say she spoke…I think one thing that just resonated with me is when you said she “spoke life” into you.

Juan Vivas (27:46):

Yeah.

Eric Cross (27:46):

That was really powerful. And I think we as teachers have that power and we don’t realize it. Because, you know, we get so we’re so familiar and living day-to-day, but we do have the power of life, speaking life, into our young people. And, yeah, that was—

Juan Vivas (28:03):

Absolutely, yeah. You know, I think obviously people grew up with different backgrounds, different communities, life situations, right? So imagine having like a student that is similar in that environment and then they just hear someone at their school, like, “Hey, you’re really good at this. why don’t you consider doing this?” And that’s when I feel teachers have that power. Where like they don’t necessarily know the background, but they can make that opportunity, or make that decision in the moment, to really shape a student’s life.

Eric Cross (28:37):

And we need to hear that. And I think, I hope that other teachers listening to this will be reminded that many times we don’t get to reap the harvest. We don’t get to see the <laugh> Juan Vivases at SpaceX. They just kind of go, and they disappear, and we hope for the best, and we get a new group. But every once in a while they come back, and we get to see what our watering or seed-planting was able to produce. And so, just know that you sharing your story for educators, and for definitely Ms. Brown, makes a huge difference and is a huge encouragement. So.

Juan Vivas (29:11):

You know, I think we touched on earlier, you know, how do I end up going from cereal to rockets, right? And I think it ties along with what I mentioned earlier of just taking—as an engineer, you’re really a critical problem solver, right? And you think that methodology. And if you find a way, you can apply it to different sectors. When I was doing a lot of like the packaging process stuff at General Mills, being a lead on a high-volume manufacturing line, what I do for SpaceX specifically, right now, I’m actually on the Starlink project. So if you’re up to date with Starlink, it’s, it’s essentially high reliable, fast internet that we’re providing to areas where usually people don’t have access to internet, right? Or maybe they do, but it’s extremely expensive. Because to an internet provider company, the benefit is not there, if they extend an entire internet fiber line out to their place because it’s only directed to them, right? So that’s, that’s essentially what Starlink is trying to solve. And this is the first time that SpaceX is facing a consumer packaging scenario. Before it was just rockets. And now they’re selling a product to consumers. They had never done that before, especially in a high-volume manufacturing setting. And so I am the supplier development engineer for all the consumer-facing packaging for the Starlink product itself. And that’s essentially how all those thoughts connected, where I had this experience coming from General Mills and packaging high-volume manufacturing. And then when Starlink started, they’re all, “Right, well, who knows anything about packaging?” Right? “We know so much about rockets, we need someone with this technical background.” And that’s essentially how I bridge over to SpaceX.

Eric Cross (31:11):

And so while you’re working at SpaceX, you’re working on Starlink, which I know you mentioned that—you said that it’s providing internet globally, which in and of itself, we—especially those of us that live in major cities—we kind of take for granted. Internet is like a utility. But we don’t maybe realize that in many parts of the world, internet is not reliable or even accessible.

Juan Vivas (31:33):

Right. Right.

Eric Cross (31:34):

I see every once in a while, I think, the StarlinK satellites sometimes are visible?

Juan Vivas (31:38):

Yep.

Eric Cross (31:39):

Low orbit?

Juan Vivas (31:39):

Yeah. Yeah. You can go—they’ll kind of be like a little train of bright stars that move along together. Yep.

Eric Cross (31:46):

And that must—that must feel…I mean, we all have jobs and we’re all doing different things, but you’re working on a project and you’re engineering something that actually can provide a lot of opportunities or close a gap in some parts of the world where they don’t have access to internet. They’re gonna be able to have access and be connected all over. I dunno, the word would be “existential.” Existential value. Like, what you’re doing is actually providing a service for people. Humanity. Like, addressing a critical need in many, many places around the world.

Juan Vivas (32:26):

Yeah. We’ve had stories where we have sent Starlink kids to a small school in a village in rural Chile, right in South America. And for the first time ever, they’ve had internet. We have supported disaster relief in Europe. I think this past summer, Europe had really bad floods. We sent Starlink kits out there. You know, the vision of working at an Elon Musk company and SpaceX and Starlink—this is all stuff that is being done for the first time in history. We have never, ever done anything like this before until now. And to be able to provide those that don’t have the access to—to your point, it’s kind of wild, right? Like we, we just take it for granted. “Oh yeah, I just have internet. Let me log on.” There are people on Earth right now that have never been on the internet. Or don’t even know what the internet is. And that’s essentially the, the gap that Startlink is starting to close.

Eric Cross (33:26):

Yeah. We think about that while my students are doing TikTok dances. <Laugh> And there are people who, you know, never, never been connected. And, it kind of makes me more like, just inside, if I can ask: What’s it like working at SpaceX? I showed my students what it’s like working at some of the Silicon Valley companies. ‘Cause just to show them there’s slides and food and, you know, they kind developed this ecosystem inside so that it’s really kind of homey to kind of keep you there, you know. When you’re working and there’s bikes and things like that. And that’s a very Silicon Valley type of thing. But, you know, in listening to you talk about SpaceX and Elon, you know, you’re with a really visionary kind of company, and when I hear you talk about it, there’s I can hear this passion, this, “we’re doing something.” Is that culture, like, pervasive everywhere? Are you around folks that kind of are on that same wavelength? Because I definitely get it from you as you talk about what you do.

Juan Vivas (34:28):

Yeah, yeah. Definitely. I think, as an engineer, you know, going to SpaceX and working at SpaceX, it’s essentially—personally, I believe right now in the US it’s like the mecca of engineering, right? Like, it is where engineering in this most, you know, shape and manner, it’s being applied. I think what’s really interesting is that the way that Elon looks at it is just iterate, and iterate fast, right? Like, fail and fail fast. I think as an engineer, you always want to have things perfect, right? And so you spend a lot of time in making a decision or investigating something or whatever. And working at SpaceX is the complete opposite. It’s just you know, “Assume, state your assumptions—like, what are you assuming right now? What are the risk at it? And just make a decision and then see what the result is.” You know, so it’s an environment where you learn, really quick.

Eric Cross (35:28):

You said something that I think was powerful and I hope, I think <laugh>, this is definitely, I’m gonna get a clip of this <laugh> of you saying it. Because it speaks directly to, I think, what a lot of students struggle with in the classroom, is there’s this competition or feeling that you always need to be right. And you need to be right the first try, on the first time. And a lot of times it’s because students will compare themselves to each other, or there’s a tremendous amount of pressure to be successful. But you said, “Fail and fail fast, iterate, state your assumptions.” And it sounds like this critical part of being an engineer or in what you do, like there’s no room for ego or attaching your identity or your sense of value or worth or ability to whether you’re able to solve a problem in the first try.

Juan Vivas (36:13):

Yep.

Eric Cross (36:14):

Like, you have to be OK with the cycle, is kind of what I’m hearing from you. Is that, is that right?

Juan Vivas (36:19):

Yep. Exactly. It only took six months to develop the product from scratch and launch it to the public, which is insane. Nowhere in the world will any company ever iterate that fast and come up with a brand-new project. But it’s because of that mentality—like you’re saying, it’s not about like just trying to make it perfect and have all this information. And I think Elon has learned this personally, you know, through Tesla and the beginning of SpaceX. It’s, “I can wait to have all this information, and most likely I’m still gonna be wrong after I make the decision.” So it’s, “Might as well take the risk, do the decision, and then just see where you learn from it, right?” And then you keep applying that, applying that. So it’s like you iterate, iterate, iterate, iterate until you get what you want.

Eric Cross (37:00):

I think this is even, like, great advice. I’m taking this personally because I get paralysis by analysis <laugh>.

Juan Vivas (37:06):

Yep.

Eric Cross (37:07):

You know, I’ll research something to death but then not actually execute. Like, I need to make a decision and do it and then course-correct along the way. Somebody once told me it’s a lot easier to turn a moving car than it is a car that’s sitting still. And so as you’re kind of flowing, you’re just making these adjustments along the way until you end up on the path that you want to be. So I think that there’s so many gems in the things that you’re saying right now. What I’m thinking through the lens of my seventh graders that want to work in any STEM field—I mean, really, any field in general, but especially engineering, especially the STEM fields—knowing that, pick it, make a decision, move forward, and then course-correct along the way. That’s what science looks like in the real world.

Juan Vivas (37:49):

Yep. Exactly. Yep. And definitely most important—and I feel like this is sometimes where, not necessarily education in general, but it’s just, we want students to, “OK, you need to get it right the perfect time, right?” But it’s like, every student is gonna think differently. A student is gonna take a different assumption based on their background and experiences. And I mean, you know, we can go a lot deeper in that, but the way a student is shaped, they’re gonna take certain assumptions. So that’s where it gets interesting. OK, why are you assuming that? Where’s your thought process in this?

Eric Cross (38:25):

And we all come from different backgrounds and mindsets and filters and biases that cause us to look at something a certain way. And it’s not just like calling it out, just going, “Hey look, this is what it is.” Like autopsy without blame, this is what I’m working with. Let’s discuss it openly. Right? And if we started that process earlier, you know, younger, in classrooms, we can de-stigmatize the right answer being the best answer more, as opposed to focusing on process as opposed to outcome. And then you kinda get used to wanting to go through the process. I look at it like video games and I talk to my students. I say, “You know, you don’t pick up a video game that’s brand-new and then play it and then you die once and you’re ‘Ah, I’m never gonna play this game again.’ You know, it just doesn’t work that way. You’re going through this iterative process, and no matter what you play, you’re trying things differently. You’re data collecting. And then you’re making new decisions based on the data that you collected.” And for some of my kids, they’ll just raise their hands, say, “No, I just get mad and throw the controller across the room.” <Laugh> But I go, “Yeah, and then you’ll try it again.”

Juan Vivas (39:33):

The best way to know how not to do something is to fail. And so you already…I mean, what is that famous quote? I think that’s why Thomas Edison’s, “Oh, I, did not fail 99 times. Right? I only found 99 times…” I mean, that is that is true. And I feel like at work in a SpaceX, that is something that probably the core of it comes from there. It’s you know, any failure, quote unquote, that you may take it as a failure, it’s really not. You’re just “OK, we, we tried that. It didn’t work. Like what are we gonna do next?” So it’s just like taking that learning and like moving off with it quickly.

Eric Cross (40:09):

I heard a couple of teachers say, “Things fail: First Attempt In Learning: F A I L.” And then another teacher, one of my mentor teachers, she said, “There’s no such thing as failure, just data, in science.”

Juan Vivas (40:20):

Mm-hmm. <affirmative>. Exactly. Yep.

Eric Cross (40:23):

And so I’ve always taken that to heart. And I share that with my own students, just, “A ‘no,’ a lot of times, will tell you more information than a ‘yes.’” ‘Cause if something works in the first try, you may not exactly know why it worked. It just did.

Juan Vivas (40:34):

Yeah. Yep.

Eric Cross (40:37):

So yeah. Well, I went on your time, brother. Dude. <laugh>. The time flew. It was…

Juan Vivas (40:46):

Yeah.

Eric Cross (40:47):

There were so many things I was trying to write out as you were talking, that I just felt like, “This guy is sharing so many gems!” But yeah, I want to thank you for taking time outta your day and for sharing that information for your passion for what you do. And, I don’t know, I think that students and teachers that listen to this will get an insight from a perspective that really matters. ‘Cause ultimately we’re, we’re trying to really prepare our students for real life. Maybe I’ll email you privately if I order a Tesla, if you can move me higher up the Cybertruck line. <laugh>

Juan Vivas (41:22):

Yeah. No promises.

Eric Cross (41:24):

<laugh>

Juan Vivas (41:25):

Yeah. No, I appreciate you guys having me, having me here, and be able to speak on my experience. And hopefully it sparks a couple, one, even if it’s just one teacher that will spark another student, that is already success there. So.

Eric Cross (41:42):

Well I know, I know what you said resonates with me and it fills my cup. And I’m excited. So I’m already thinking of some ideas of things that I can do, just because of this conversation, and I know other people will as well. And, again, this is Juan Vivas, who’s a supply development engineer at SpaceX. He’s worked at some amazing places. And someone who believes deeply in not only the power of the technical skills, but the heart skills, and how community makes a huge impact in his life. It made a huge impact in him ultimately becoming a scientist, and now working on a project at SpaceX, Starlink, that is going to provide access to the world, to the web. And that’ll ultimately help us solve more problems and innovate and create some solutions that will benefit everybody. Thank you, sir. Appreciate you.

Juan Vivas (42:30):

Yeah, thank you. Thank you so much, Eric. Appreciate it.

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What Juan Vivas says about engineering

“Based on my experience so far, I think the best way to put it… an engineer is a technical problem solver.”

– Juan Vivas

Supplier development engineer, SpaceX

Meet the guest

Juan Vivas is a chemical engineer currently working as a Supplier Development Engineer at SpaceX. Juan got his start at the University of Florida, where he led the Society of Hispanic Engineers (SHPE) as vice president. He’s worked for companies like Clorox, Dow Chemical, and General Mills. Juan lives in Los Angeles, California with his wife and two dogs.

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About Science Connections: The podcast

Welcome to Science Connections: The Podcast! Science is changing before our eyes, now more than ever. So…how do we help kids figure that out? We will bring on educators, scientists, and more to discuss the importance of high-quality science instruction. In this episode, hear from our host Eric Cross about his work engaging students as a K-8 science teacher.

¡Les damos la bienvenida, familias de Amplify ELA!

Nos complace darles la bienvenida a usted y a su estudiante al programa Amplify ELA para el nuevo año escolar y brindarles oportunidades de aprendizaje excepcionales a través de ELA. Hemos reunido una serie de recursos y guías que ayudarán a que su estudiante aproveche al máximo nuestra plataforma. Ponemos a su disposición estos materiales para que también usted pueda brindar apoyo a su estudiante a lo largo de todo el año.

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¿Qué es Amplify ELA?

Amplify ELA ayuda a los estudiantes de los grados 6 a 8 a leer y comprender textos complejos que los alientan a abordar ideas interesantes y a descubrir, por sí mismos, la relevancia de estos textos. Amplify ELA es un programa mixto que incluye materiales digitales e impresos, pero también se puede utilizar solo de manera impresa. Los estudiantes que usan Amplify ELA leen textos con atención, interpretan lo que encuentran, comparten sus ideas con sus compañeros y desarrollan sus ideas por escrito. La estructura de la lección es fácil de seguir, pero lo suficientemente flexible para permitir diversas experiencias de aprendizaje y lo suficientemente variada para mantener a los estudiantes interesados.

Las características incluyen:

  • Funcionalidad que permite a cada estudiante trabajar en su propio nivel y enfrentar, al mismo tiempo, desafíos adecuados.
  • Herramientas integradas que permiten a los maestros realizar un seguimiento y responder al trabajo de los estudiantes.
  • La biblioteca digital (Amplify Library), que contiene más de 700 libros completos de ficción y no ficción descargables.
  • La aplicación de vocabulario (Vocab App), que utiliza actividades lúdicas para ayudar a que los estudiantes dominen las palabras clave de los textos del programa. (Los estudiantes que utilicen materiales impresos verán las palabras clave resaltadas.)
  • Tareas de escritura independientes llamadas Solos, disponibles en dispositivos móviles.
  • Proyectos interactivos llamados Quests que acompañan a ciertas unidades para proporcionar práctica adicional en las habilidades analíticas de lectura, escritura, habla y escucha.

Primeros pasos

Cómo apoyar a su estudiante en casa:

  • Si es posible, lea con su estudiante a diario; incluso 15 minutos de lectura juntos al día pueden tener un gran impacto. Pueden leer juntos en voz alta secciones del texto; a muchos estudiantes de secundaria les gusta adoptar el papel de un personaje de una obra de teatro e interpretar parte de sus diálogos o añadir un toque dramático a un poema en el que estén trabajando. Si su estudiante tiene dificultad para leer en voz alta, intente leerle el texto con expresividad y después pida a su estudiante que haga lo mismo. Los días flexibles del programa (Flex Days) tienen una variedad de actividades de fluidez en la lectura que sirven como práctica adicional. Pídale a su estudiante que le ayude a encontrar estas actividades.
  • Busquen momentos para conversar sobre lo que están leyendo y descubriendo. Por ejemplo, usted podría preguntarle:¿Qué te llamó la atención de lo que leíste hoy? ¿Alguna frase o palabra te resultó confusa? ¿Qué te sorprendió más? ¿Qué crees que intentaba comunicar el autor? ¿Estás de acuerdo con sus ideas o descripciones? ¿Qué conexiones puedes establecer entre lo que lees y tu propia vida u otros temas que hayas escuchado?
  • Escuche a su estudiante leer sus respuestas escritas o pídale que las comparta con un amigo por teléfono o en una videollamada.
  • Explore Amplify Library para encontrar libros que su estudiante pueda disfrutar y leer con fluidez por su cuenta.
  • Consulte el artículo Proteja a los niños en internet de la Comisión Federal de Comercio, cuyo tema es la seguridad digital.

Cómo acceder a textos en Amplify Library.

¡Invitamos a que los estudiantes utilicen los textos básicos de Amplify Library en casa! Por favor, siga los siguientes pasos para poder descargar un texto y poder leerlo sin contar con acceso a internet:

1. Diríjase al menú Programs & Apps (Programas y aplicaciones) ubicado en la parte superior de la pantalla y desplácese hacia abajo hasta encontrar el icono de Amplify Library. Cuando lo seleccione, Amplify Library se abrirá en una nueva pestaña.

A digital menu displays various educational tools and resources, with "Amplify ELA" highlighted at the top and the "Library" option outlined in orange.

2.  Si se le solicita, siga las instrucciones para configurar un pin para Amplify Library; de lo contrario, continúe con el siguiente paso.

A pop-up window prompts the user to create a four-character PIN of lowercase letters and/or numbers for offline reading, with Cancel and Submit buttons.

3. En la esquina superior derecha de la pantalla, busque el libro que desea descargar. Por ejemplo: The Secret of the Yellow Death: A True Story of Medical Sleuthing.

A digital library search page displays "yellow death" in the search bar with no results found for title, authors, or genre. Book covers are visible in the left sidebar.

4. Seleccione el botón Download (Descargar).

A digital library interface displays the book "The Secret of the Yellow Death" by Suzanne Jurmain, showing its cover, synopsis, and options to read or download.

5. Si pierde el acceso a internet mientras está en Amplify Library, podrá seguir accediendo y leyendo los libros descargados. Si la página se actualiza sin tener conexión a internet o usted intenta iniciar sesión en otro dispositivo sin tener conexión, perderá el acceso a los libros descargados hasta que se restablezca la conexión.

A dropdown menu under "My Library" shows options: Recently Read, Favorites, Downloaded (highlighted), and All Books. Below, a Recently Read section displays three book covers.

Para recuperar los textos descargados:

  1. Desde la aplicación de Amplify Library, abra el menú desplegable My Library (Mi biblioteca) ubicado en la esquina superior izquierda.
  2. Seleccione Downloaded (Descargados).
  3. Elija el texto que desea leer de entre todos los textos previamente descargados.

Vistazo general a los materiales

No todas las escuelas funcionan de la misma manera, pero los estudiantes que asisten a escuelas que tienen las ediciones impresas y digitales del programa probablemente tienen los siguientes materiales impresos en casa:

  • Edición para estudiantes (Student Edition): Incluye todas las lecturas y actividades necesarias para la instrucción a lo largo del año. Los estudiantes pueden leer las selecciones tanto en formato digital como impreso y anotar en ambos formatos. Las lecciones de la Edición para estudiantes impresa reflejan cada lección digital, pero se han modificado para que funcionen eficazmente en formato impreso.
  • Diarios de escritura (Writing Journals): Este espacio proporciona a los estudiantes la posibilidad de responder a indicaciones de escritura (Writing Prompts) y completar otras tareas escritas.

En el caso de que los estudiantes no tengan acceso a dispositivos o Internet, pueden continuar completando tareas clave de lectura y escritura utilizando las Ediciones para estudiantes impresas y los Diarios de escritura para estudiantes.

Los maestros también pueden acceder a, imprimir y enviar por correo las guías de novelas (Novel Guides) para estudiantes. Las guías abarcan hasta 12 novelas que suelen enseñarse en las escuelas. Seis de estas novelas están disponibles en Amplify Library y la mayoría debería estar disponible en una biblioteca pública.

Reseñas de unidades

A continuación, se presentan breves descripciones generales de cada unidad que su estudiante estudiará en su grado a lo largo del año. Con cada unidad se incluye una guía descargable que ofrece un repaso más detallado del contenido cubierto y de cómo puede ayudar a su estudiante a profundizar en la comprensión de los temas.

Unidad 6A

La narrativa de Dahl

Cada estudiante comienza con escritura narrativa para aumentar rápidamente su producción de escritura, aprender la destreza básica de enfoque y familiarizarse con los hábitos y rutinas clave del salón de clases que utilizarán todo el año. Luego, aplica su nueva capacidad de observación a entretenidas lecturas de la biografía de Roald Dahl, Boy, y aprende a trabajar de cerca con evidencias del texto.

Unidad 6B

Misterios e investigaciones

Cada estudiante lee con la atención propia de un investigador, embarcándose en un estudio del cautivante mundo del trabajo de detective en distintos géneros literarios. Al final de la unidad, el niño o la niña escribe una composición para explicar cuál es el rasgo más útil de un investigador en la resolución de problemas.

Unidad 6C

Colección acerca del chocolate

Los aztecas lo usaban como moneda, Robert Falcon Scott lo llevó a la Antártida, los nazis diseñaron con él una bomba para matar a Churchill. La historia del chocolate se remonta a 3,700 años en el pasado y está repleta de vicisitudes que la vuelven un tema de investigación gratificante. En esta unidad los y las estudiantes analizan documentos de primera fuente y conducen investigaciones independientes para entender mejor la extraña y maravillosa gama de roles que el chocolate ha desempeñado en el mundo a lo largo de los siglos.

Unidad 6D

Los griegos

Los mitos griegos nos ayudan a entender no solo la cultura griega antigua, sino también el mundo que nos rodea y la función que cumplimos en él. Partiendo de las rutinas y destrezas establecidas en las unidades anteriores, estas lecciones motivan a cada estudiante a dejar atrás el enfoque en una sola persona —él mismo o ella misma o un personaje— para contemplar cuestiones más amplias sobre el papel que las personas desempeñan en el mundo y en las comunidades donde residen.

Unidad 6E

El verano de las mariposas

Las tierras fronterizas de Estados Unidos y México son lugares poblados de leyendas, tanto verdaderas como ficticias. El verano de las mariposas, de Guadalupe García McCall, implanta una versión de la Odisea en este entorno, embarcando a cinco hermanas en una aventura que transcurre en un mundo de héroes y malhechores inspirado en mitos aztecas y leyendas latinoamericanas. La experiencia ayuda a las hermanas a aceptar la disolución del matrimonio de sus padres y a encontrar fortaleza renovada en su identidad de hermanas y en su conexión a un linaje azteca. En esta unidad, cada estudiante analiza el uso que McCall da a la estructura de una epopeya para crear una narración emocionante de aventuras, y cómo la autora hace uso de la narración para celebrar el poder femenino, su herencia latina y una definición más amplia de lo que es una familia. Cada estudiante también tiene oportunidad de comparar el viaje ficticio de las jóvenes a México con la descripción del viaje real de un jovencito a Estados Unidos.

Unidad 6F

Colección acerca del Titanic

Para aprender a diferenciar las fuentes primarias, secundarias y terciarias, determinar si una fuente dada es fiable y entender los usos éticos de la información, cada estudiante formula sus propias preguntas de investigación y busca las respuestas en internet. Asumirá así el papel de uno de los pasajeros o pasajeras de la lista de embarque del Titanic y considerará cuestiones de clase y género, a medida que investiga y escribe relatos desde el punto de vista de los viajeros.

Unidad 6F y unidad 6G

Comenzar a escribir un cuento

En esta unidad cada estudiante puede poner en práctica sus destrezas de escritura creativa, para aprender elementos de narración y desarrollo de personajes, y la importancia del lenguaje vívido. Cada estudiante consigue una noción de propiedad sobre su propia escritura a medida que experimenta los diferentes impactos de sus decisiones autorales en oraciones, lenguaje, rasgos de personajes y giros de la trama.

Unidad 6F

Gramática

En esta unidad cada estudiante completa instrucciones para seguir un aprendizaje autoguiado y practica lo que el maestro y la maestra le asignará durante el año.

Unidad 7A

La narrativa y La joven del pañuelo rojo

En esta unidad se presenta la autobiografía sumamente cautivante de una joven cuya vida transcurre en China durante la Revolución Cultural. Cada estudiante aprende la historia y el contexto político de este periodo, enfocándose en el relato de alguien que vivió en la época de la revolución. A medida que cada estudiante recorre el camino de la protagonista en ese mundo convulsionado, puede apreciar los cambios que se produjeron en los sentimientos y motivaciones de la joven a lo largo del tiempo.

Unidad 7B

Carácter y conflicto

Leyendo Una pasa al sol y Inocentón, cada estudiante explora el tema de las personas que, al enfrentar adversidades, pueden infligir daño en quienes los rodean sin intención de hacerlo. Las dos narrativas se complementan para brindar a cada estudiante oportunidades de analizar las respuestas de los personajes al conflicto y el desarrollo de ideas del autor o la autora en una obra de ficción.

Unidad 7C

La ciencia del cerebro
¿Podrías sobrevivir después de que una vara de hierro te atravesara el cráneo? Phineas Gage lo hizo y su historia, escalofriante pero real, permite desarrollar la información de contexto y analizar otros textos informativos, incluyendo los contemporáneos El hombre que confundió a su mujer con un sombrero y el obviamente relevante La desmitificación del cerebro adolescente.

Unidad 7D

La poesía y Poe

Los textos de Poe siempre tienen mucho para observar, descifrar, comentar y… crisparnos los nervios. Dado que las cosas no siempre son lo que aparentan, cada estudiante usa las destrezas de lectura atenta para cuestionar si debería creer lo que el narrador de Poe les está contando.

Unidad 7E

Colección acerca de Frida y Diego

Los artistas más famosos y provocativos de México, Diego Rivera y Frida Kahlo, formaron una pareja extraordinaria que vivió en tiempos extraordinarios. Eran almas gemelas con personalidades totalmente opuestas. Las obras de Diego Rivera y Frida Kahlo y sus vidas multifacéticas ofrecen a cada estudiante un tema fértil y fascinante para examinar documentos de fuente primaria y conducir investigaciones independientes.

Unidad 7F

Colección acerca de La fiebre del oro

Cada estudiante elige entre una extensa colección de fuentes primarias y secundarias para aprender acerca de la amplia diversidad de personas que participaron en La fiebre del oro de California.

Unidad 7G

Escribir un cuento: nivel intermedio

En esta unidad cada estudiante puede poner en práctica sus destrezas de escritura creativa para aprender elementos de narración y desarrollo de personajes, y la importancia del lenguaje vívido.

Unidad 7

Gramática

En esta unidad cada estudiante completa instrucciones para seguir un aprendizaje autoguiado que el maestro o la maestra le asignará durante el año. Las sub unidades están organizadas por temas clave de gramática, de manera de que el maestro o la maestra pueda asignar el contenido que mejor se acomoda a las necesidades de sus estudiantes mientras se asegura de que trabajen con temas clave de gramática apropiados para su grado.

Unidad 8A

Perspectivas y narrativa
Esta unidad procura enseñar a cada estudiante a leer como un escritor o una escritora. Así, pone en práctica la destreza de prestar atención al oficio de la escritura: las decisiones que toma un buen escritor o escritora para darle forma a nuestra percepción de una escena o a nuestros sentimientos hacia un personaje, y para despertar nuestras emociones, sorprendernos o dejarnos pensando en lo que podría suceder después. Cada estudiante lee atentamente ejemplos de narrativas de no ficción, analiza las técnicas que usa cada autor para que sus textos evoquen emociones y practica la aplicación de estas técnicas en sus propios textos narrativos.

Unidad 8B

Libertad e igualdad
Analizamos las palabras de varios creadores —desde el poeta Walt Whitman hasta el abolicionista Frederick Douglass y el presidente Abraham Lincoln— para descubrir cómo sus escritos y obras contribuyeron a los cambios extremos de la organización social: un concepto totalmente nuevo de lo que significaba considerar a las personas “iguales”.

Unidad 8C

Ciencias y ciencia ficción
Cada estudiante leerá la obra Frankenstein de Gris Grimly, una novela gráfica que integra ilustraciones cautivantes en una versión abreviada de la edición de 1818 del libro de Mary Shelley. Combinadas con el texto de Shelley, las inquietantes —y a veces espeluznantes— representaciones de la criatura de Frankenstein diseñadas por Grimly impulsan a cada estudiante a contemplar algunos de los temas centrales del texto: el origen de la humanidad y la raíz del mal. Luego escribe un ensayo, en el cual, después de argumentar a favor de ambos lados de la cuestión, determina si en última instancia la criatura de Frankenstein debería considerarse humana.

Unidad 8D

Romeo y Julieta, de Shakespeare
Romeo y Julieta combina romance y acción, ofreciendo una amplia gama de temas y escenas que cada estudiante puede leer y representar actuando. Cada estudiante de nivel intermedio tiene la edad adecuada para identificarse con los sentimientos intensos de los amantes, y ha alcanzado la madurez suficiente como para analizar de forma crítica las decisiones que toman Romeo y Julieta.

Unidad 8E

El Holocausto: memoria y significado
Esta unidad usa una variedad de artículos, imágenes y videos de primera fuente, así como textos de no ficción literaria y no ficción gráfica, para estudiar los sucesos que hicieron posibles las atrocidades del Holocausto. Cada estudiante investiga cómo se generó y se empleó la propaganda para crear un ambiente político que llegó a corromper a toda una sociedad. Las Olimpiadas se observan a través de la lente de una campaña de propaganda internacional, al amparo de la cual los nazis comenzaron a eliminar de su cultura a las personas que no eran de lo que consideraban “raza aria”. La sub unidad final examina los resultados de la doctrina nazi y su impacto en las víctimas y sobrevivientes judíos.

Unidad 8F

Colección acerca de La carrera espacial
Cada estudiante usa internet para poner a prueba sus destrezas de investigación y lectura atenta, y distingue entre fuentes fiables y fuentes no fiables.

En esta colección los estudiantes exploran documentos primarios y llevan a cabo investigación independiente para comprender mejor esta carrera espacial entre los dos superpoderes del planeta. La dramática historia de la carrera espacial ofrece a cada estudiante un generoso tema de investigación para explorar, mientras desarrollan destrezas de lectoescritura informativa, y aprenden cómo elaborar sus propias preguntas de investigación y exploran Internet en busca de respuestas.

Unidad 8

Gramática

En esta unidad cada estudiante completan instrucciones para seguir un aprendizaje autoguiado que el maestro o la maestra le asignará durante el año. Las sub unidades están organizadas por temas clave de gramática, de manera de que el maestro o la maestra pueda asignar el contenido que mejor se acomoda a las necesidades de sus estudiantes mientras se aseguran de que trabajen con temas clave de gramática apropiados para su grado.

Unidad 8G

Escribir un cuento: nivel avanzado

En esta unidad cada estudiante pueden poner en práctica sus destrezas de escritura creativa, para aprender elementos de narración y desarrollo de personajes. También aprende la importancia del lenguaje vívido para enganchar a sus lectores y atraerles al cuento.

Actividades adicionales

Quests:

Quizás observe que su estudiante trabaja con sus compañeros en el mismo proyecto interactivo durante varios días, intentando resolver un misterio o explicar un acontecimiento histórico. Eso es lo que sucede cuando un maestro asigna una misión (Quest): una exploración minuciosa de una semana que requiere colaboración y ayuda a profundizar la interacción con los textos y con los temas tratados.

Vocab App:

La aplicación de vocabulario (Vocab App) ayuda a los estudiantes a dominar las palabras del vocabulario a través de actividades lúdicas que los hacen pensar en la morfología, la analogía y los sinónimos y antónimos, y a descifrar el significado a través del contexto.

¿Tiene alguna pregunta sobre Amplify ELA?

Visite nuestra biblioteca de ayuda (en inglés) y busque respuestas a sus preguntas sobre el programa en nuestros artículos de ayuda.

Para obtener apoyo curricular adicional, comuníquese con su maestro.

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  • Frame or mirror the Site without Company’s express prior written consent.
  • Use the Site in a manner inconsistent with any applicable law, rule or regulation.
  • Use any robot, spider, site search/retrieval application or other manual or automatic device to retrieve, index, “scrape,” “data mine,” or in any way gather content of the Site or reproduce or circumvent the navigational structure or presentation of the Site without Company’s express prior written consent. Notwithstanding the foregoing, Company grants to the operators of public search engines the permission to use spiders to copy material from the Site for the sole purpose of, and solely to the extent necessary for, creating publicly-available searchable indices of such material, but not caches or archives of such material. Company reserves the right to revoke these exceptions either generally or in specific cases.
  • Attempt, facilitate or encourage others to do any of the foregoing.

Company reserves the right to investigate and take appropriate legal action against anyone who, in Company’s discretion, violates this Agreement or attempts to do so, including terminating or suspending a user’s Account or access to or use of the Site, or reporting any User Content or conduct to law enforcement authorities.

You (and not Company) are responsible for obtaining and maintaining all telecommunications, broadband and computer hardware, equipment and services needed to access and use the Site, and for paying all charges related thereto.

User disputes

You are solely responsible for your interactions with other users of the Site, providers of Third Party Services (as defined below) or any other third parties with whom you interact on, through or in connection with the Site.

Purchases

Company may make available products and services for purchase through the Site, and may use third-party suppliers and service providers to enable e-commerce functionality on the Site. You may only purchase products and services that appear on the Site and that are delivered to an address located in the United States. You may only purchase products and services for personal, non-commercial use by you, your educational institution or students of your educational institution. We may limit quantities or refuse any order for any reason or no reason, including if we have reasonable cause to believe an order is for onward sale or resale other than through distribution channels approved by us. We make no promise that products or services available on the Site are appropriate or available for use in locations outside the United States, and purchasing products or services for delivery to or use in territories where their contents are unlawful is prohibited. If you choose to purchase products or services from locations outside the United States, you do so at your own risk. It is your responsibility to ascertain and obey all applicable local, state, federal and international laws (including minimum age requirements) in regard to the possession, use and sale of any product or service made available through the Site.

If you wish to purchase any product or service made available through the Site, you may be asked to supply certain information relevant to your transaction, including your credit card number, the expiration date of your credit card, your billing address and your shipping information. YOU REPRESENT AND WARRANT THAT YOU HAVE THE LEGAL RIGHT TO USE ANY CREDIT CARD(S) USED IN CONNECTION WITH ANY TRANSACTION. By submitting such information, you grant to Company the right to provide such information to third parties for purposes of facilitating the completion of transactions initiated by you or on your behalf. Verification of information may be required prior to the acknowledgement or completion of any transaction. While it is our practice to confirm orders by e-mail, the receipt of an e-mail order confirmation does not constitute our acceptance of an order or our confirmation of an offer to sell a product or service.

Details of the products and services available for purchase are set forth on the Site. All prices are displayed exclusive of all taxes and shipping/freight charges. Available payment methods, methods of shipping and shipping charges (including charges for expedited shipping, if available) are detailed on the Site. Company may also collect and remit sales tax on your purchase as required by United States law. If you are a tax-exempt entity, please enter the appropriate information where requested on your order form and we will not collect sales tax on your purchase.

Generally, credit and debit cards are not charged until we either ship the product(s) or confirm store availability (at which time you will be charged only for the products we have actually shipped along with any applicable taxes and shipping charges). However, we may pre-authorize your order amount with your credit or debit card issuer at the time you place the order, which may have an effect on your available credit line. When paying for a preorder with a debit card, you will be charged at the time you place your preorder. Please contact your credit or debit card issuer for more information. If you ordered a special delivery product, you will be charged once a delivery time is confirmed. For digitally delivered orders, your credit or debit card will be charged at the time that you initiate the download of the product.

All purchases made through the Site are made pursuant to a shipment contract. As a result, risk of loss and title for products purchased through the Site pass to you upon delivery of the products to the carrier. You are responsible for filing any claims with carriers for damaged and/or lost shipments. Please note that all shipping addresses must be compliant with the shipping restrictions contained on the Site.

Products, services and specifications

All products and services described or depicted on the Site, and all related features, content, specifications and prices, are subject to change at any time without notice. Certain weights, measures and similar descriptions are approximate and are provided for convenience purposes only. Packaging may vary from that shown. We make reasonable efforts to accurately display the attributes of our products, including the applicable colors; however, the actual color you see will depend on your computer system, and we cannot guarantee that your computer will accurately display such colors. The inclusion of any product or service on the Site at a particular time does not imply or warrant that such product or service will be available at any time. Occasionally, the manufacture or distribution of a certain product or service may be delayed for a number of reasons. In such event, we will make reasonable efforts to notify you of the delay and keep you informed of the revised delivery schedule. By placing an order, you represent that the products and services ordered will be used only in a lawful manner. All DVDs and similar products are sold for private, non-commercial home use (where no admission fee is charged), non-public performance, or classroom or instructional use only, and may not be duplicated.

Return and exchange policy

Unless otherwise specified in the terms associated with a particular product, you may return or exchange any product purchased through the Site within fourteen (14) days of receipt, by calling our customer service hotline, 1–800–823–1969, in the event that the purchased product is defective or you received the wrong product. Except for the foregoing, you may not return, cancel or exchange any product or service. Certain jurisdictions may provide additional statutory rights. Nothing herein is meant to limit your return or cancellation rights under local law. In the event that a return or exchange is due to an incorrect order or faulty product, we will be responsible for the shipping costs associated with such return. We will ship a replacement product upon receiving your defective or incorrect product and verifying the reason for the return or exchange.

Accuracy of information

We attempt to ensure that information on the Site is complete, accurate and current. Despite our efforts, the information on the Site may occasionally be inaccurate, incomplete or out of date. We make no representation as to the completeness, accuracy or currency of any information on the Site. For example, products or services included on the Site may be unavailable, may have different attributes than those listed, or may carry a different price than that stated on the Site. If an item’s correct price is higher than our stated price, we will, at our discretion, either contact you for instructions before shipping or cancel your order and notify you of such cancellation. Items in your “Shopping Bag” reflect the current price displayed on the item’s product detail page. Please note that this price may differ from the price displayed when the item was first placed in your Shopping Bag. In addition, we may make changes in information about price and availability without notice.

Chemicals, agricultural materials, and other hazardous materials

Certain products made available through the Site may include chemicals, agricultural materials or other material that may be subject to regulations or restrictions with respect to import or export, or to whom we may sell such material or where or how such material may be used. It is your responsibility to read and abide by all warning notices that accompany any products that you purchase. In addition, we reserve the right to request additional information from you, verify your identity, limit sales to certified educational or research institutions, or cancel or delay your order if required by law or if we believe it is necessary or advisable. Due to special shipping and handling requirements, freight companies routinely impose a surcharge on each package of hazardous material shipped. In such event, we will add such surcharge to your order.

Registration and account security

You may have the ability to create an account on or through the Site (an “Account”). If you submit registration information to create an Account, you represent and warrant that all information submitted to Company in connection with such registration is complete and accurate, and that you will update such information if it changes. If you create an Account, you are responsible for all use of your Account, and for maintaining the confidentiality of the information used to access your Account (including user name and password). You agree not to share your user name or password with anyone, or use anyone else’s Account at any time. You agree to notify Company immediately if you suspect any unauthorized use of, or access to, your Account (including your user name and password). You acknowledge that the reuse of your password in connection with accounts on other websites increases the risk that the security of your Account may be compromised.

The Site may make available, or third parties may provide, links to other websites, applications, resources, advertisements, Content or other products or services created, hosted or made available by third parties (“Third Party Services”), and such third party may use other third parties to provide portions of the Third Party Service to you, such as technology, development or payment services. When you access or use a Third Party Service, you are interacting with the applicable third party, not with Company, and you do so at your own risk. Company is not responsible for and makes no warranties, express or implied, as to the Third Party Services or the providers of such Third Party Services (including the accuracy or completeness of the information provided by such Third Party Service or the privacy practices of any third party). Inclusion of any Third Party Service or a link thereto on the Site does not imply approval or endorsement of such Third Party Service. Company is not responsible or liable for the content or practices of any Third Party Service or third party, even if such Third Party Service links to or is linked by the Site, and even if such Third Party Service is operated by an affiliate of Company or a company otherwise connected with us or the Site

Feedback

Unless we expressly agree otherwise in writing, if you provide us with any ideas, proposals, suggestions or materials (“Feedback”), whether related to the Site or otherwise, you hereby acknowledge and agree that (a) your provision of any Input is gratuitous, unsolicited and without restriction and does not place Company under any fiduciary or other obligation; and (b) any Feedback is not confidential and Company has no confidentiality obligations with respect to such Feedback.. You hereby grant to us a world-wide, royalty-free, fully paid-up, exclusive, perpetual, irrevocable, transferable and fully sublicensable (through multiple tiers) license, without additional consideration to you or any third party, to reproduce, distribute, perform and display (publicly or otherwise), adapt, modify and otherwise use and exploit such Feedback, in any format or media now known or hereafter developed, and you hereby represent and warrant that you have all necessary rights to grant the foregoing license. We may use Feedback for any purpose whatsoever without permission or notice, compensation or attribution to you or any third party. You are and remain responsible and liable for the content of any Feedback.

Privacy

Please review the Privacy Policy for the Site, available at http://www.amplify.com/privacy, to learn about our information collection, usage and disclosures practices with respect to information collected by us through the Site. Please note that certain products or services made available by us, other than the Site, may be subject to different privacy policies. In addition, the Site’s Privacy Policy does not address, and we are not responsible or liable for, the information collection, usage and disclosures practices of any third party or Third Party Service.

Disclaimers

THE SITE, USER CONTENT, THIRD PARTY SERVICES, AND ALL PRODUCTS AND SERVICES SOLD THROUGH THE SITE (COLLECTIVELY, THE “SITE PRODUCTS”) ARE MADE AVAILABLE “AS-IS” AND “AS AVAILABLE” AND COMPANY DOES NOT GUARANTEE OR PROMISE ANY SPECIFIC RESULTS FROM USE OF THE SITE PRODUCTS. COMPANY AND ITS AFFILIATES EXPRESSLY DISCLAIM ANY WARRANTIES AND CONDITIONS OF ANY KIND, WHETHER EXPRESS OR IMPLIED, INCLUDING THE IMPLIED WARRANTIES OF MERCHANTABILITY, FITNESS FOR A PARTICULAR PURPOSE AND NON-INFRINGEMENT. IN PARTICULAR, COMPANY AND ITS AFFILIATES MAKE NO WARRANTY THAT THE SITE OR USER CONTENT OR THIRD PARTY SERVICES, OR YOUR ACCESS TO OR USE THEREOF, WILL BE UNINTERRUPTED, TIMELY, SECURE, ERROR-FREE, ACCURATE OR RELIABLE. UNDER NO CIRCUMSTANCES SHALL WE BE LIABLE FOR ANY CONSEQUENCES OF ANY UNAUTHORIZED USE OF THE SITE PRODUCTS THAT VIOLATES ANY APPLICABLE LAW OR REGULATION. CERTAIN STATE LAWS DO NOT ALLOW LIMITATIONS ON IMPLIED WARRANTIES OR THE EXCLUSION OR LIMITATION OF CERTAIN DAMAGES. IF THESE LAWS APPLY TO YOU, SOME OR ALL OF THE ABOVE DISCLAIMERS, EXCLUSIONS, OR LIMITATIONS MAY NOT APPLY TO YOU, AND YOU MIGHT HAVE ADDITIONAL RIGHTS.

Under no circumstances will Company or its affiliates be responsible for any loss or damage, including property damage, personal injury or death, resulting from use of the Site, Products, problems or technical malfunction in connection with use of the Site, Products, attendance at any Company event or the conduct of any Site users, whether online or offline. Your use of the Site, Products is solely your responsibility and at your own risk. The User Content and Third Party Services do not necessarily reflect the opinions or policies of Company or its affiliates.

Limitations on liability

IN NO EVENT WILL COMPANY OR ITS AFFILIATES BE LIABLE TO YOU OR ANY THIRD PARTY FOR ANY INDIRECT, CONSEQUENTIAL, EXEMPLARY, INCIDENTAL, SPECIAL OR PUNITIVE DAMAGES, INCLUDING LOST PROFIT DAMAGES, ARISING FROM YOUR USE OF THE SITE PRODUCTS, EVEN IF COMPANY OR ONE OF ITS AFFILIATES HAS BEEN ADVISED OF THE POSSIBILITY OF SUCH DAMAGES. NOTWITHSTANDING ANYTHING TO THE CONTRARY CONTAINED HEREIN, THE TOTAL LIABILITY OF COMPANY AND ITS AFFILIATES TO YOU FOR ANY CAUSE WHATSOEVER AND REGARDLESS OF THE FORM OF THE ACTION, WILL AT ALL TIMES BE LIMITED TO THE AMOUNT PAID, IF ANY, BY YOU TO COMPANY FOR THE SITE PRODUCTS.

Indemnity

You agree to indemnify and hold harmless Company, its affiliates, subcontractors and other partners, and each of their respective officers, agents, partners and employees, from any losses, costs, expenses (including reasonable attorneys’ fees), liabilities, claims or demands, due to or arising out of your use of the Site, your breach or alleged breach of this Agreement, your violation or alleged violation of any rights of another, or any Content that you post or otherwise submit on, through or in connection with the Site.

Termination

This Agreement remains in full force and effect while you access or use the Site. If you create an Account, you may terminate your Account at any time, for any reason, by contacting us at general@amplify.com. Company may terminate or suspend your Account and/or your access to or use of the Site at any time, for any or no reason, with or without prior notice or explanation, and without liability. Upon any such suspension or termination, your right to access and use the Site will immediately cease, and Company may immediately deactivate or delete your Account and all files and other information associated with it, and/or bar any further access to such files and other information. Company shall not be liable to you or any third party for any suspension or termination of your Account or of access to or use of the Site or any such files or other information, and shall not be required to make such files and other information available to you after any such suspension or termination. Sections 2, 5, 13, 17, 18, 19, 22, and 26 shall survive any expiration or termination of this Agreement.

U.S. export controls

All software made available in connection with the Site (“Software”) may be subject to United States export controls. No Software may be downloaded from or through the Site or otherwise exported or re-exported in violation of U.S. export laws.

Governing law

The terms of this Agreement are governed by the laws of the State of New York, U.S.A., without regard to its conflicts of law provisions, and regardless of your location.

Arbitration

EXCEPT FOR DISPUTES THAT QUALIFY FOR SMALL CLAIMS COURT, ALL DISPUTES ARISING OUT OF OR RELATED TO THIS AGREEMENT, WHETHER BASED IN CONTRACT, TORT, STATUTE, FRAUD, MISREPRESENTATION OR ANY OTHER LEGAL THEORY, WILL BE RESOLVED THROUGH FINAL AND BINDING ARBITRATION BEFORE A NEUTRAL ARBITRATOR INSTEAD OF IN A COURT BY A JUDGE OR JURY, AND YOU AGREE THAT COMPANY AND YOU ARE EACH WAIVING THE RIGHT TO TRIAL BY A JURY. YOU AGREE THAT ANY ARBITRATION UNDER THIS AGREEMENT WILL TAKE PLACE ON AN INDIVIDUAL BASIS; CLASS ARBITRATIONS AND CLASS ACTIONS ARE NOT PERMITTED AND YOU ARE AGREEING TO GIVE UP THE ABILITY TO PARTICIPATE IN A CLASS ACTION.

Arbitration procedure

Any arbitration under Section 23 above will be administered by the American Arbitration Association under its Commercial Arbitration Rules and Supplementary Procedures for Consumer-Related Disputes (“Supplementary Procedures”), as amended by this Agreement. The Supplementary Procedures are available online at http://www.adr.org/aaa/ShowPDF?doc=ADRSTG_015820. The arbitrator will conduct hearings, if any, by teleconference or videoconference, rather than by personal appearances, unless the arbitrator determines upon request by you or by us that an in-person hearing is appropriate. Any in-person appearances will be held at a location which is reasonably convenient to both parties with due consideration of their ability to travel and other pertinent circumstances. If the parties are unable to agree on a location, such determination should be made by the AAA or by the arbitrator. The arbitrator’s decision will follow the terms of this Agreement and will be final and binding. The arbitrator will have authority to award temporary, interim or permanent injunctive relief or relief providing for specific performance of this Agreement, but only to the extent necessary to provide relief warranted by the individual claim before the arbitrator. The award rendered by the arbitrator may be confirmed and enforced in any court having jurisdiction thereof. Notwithstanding any of the foregoing, nothing in this Agreement will preclude you from bringing issues to the attention of federal, state, or local agencies, and, if the law allows, they can seek relief against us for you.

Employment opportunities

Company may, from time to time, post Company employment opportunities on the Site and/or invite users to submit resumes to Company. If you choose to submit your name, contact information, resume and/or other personal information to Company in response to such employment listings, you are authorizing Company to use this information for all lawful and legitimate hiring, employment and other business purposes. Company also reserves the right, at its discretion, to forward such information to Company’s affiliates for their legitimate business purposes. Nothing in this Agreement or contained on the Site will constitute a promise by Company to review any such information, or to contact, interview, hire or employ any individual who submits such information.

The Digital Millennium Copyright Act of 1998 (“DMCA”) provides recourse for copyright owners who believe that material appearing on the Internet infringes their rights under U.S. copyright law. If you believe that any material residing on or linked to from the Site infringes your copyright, please send (or have your agent send) to Company’s Copyright Agent a notification of claimed infringement with all of the following information: (a) identification of the copyrighted work claimed to have been infringed, or, if multiple copyrighted works are covered by a single notification, a representative list of such works; (b) identification of the claimed infringing material and information reasonably sufficient to permit us to locate the material on the Site (such as the URL(s) of the claimed infringing material); (c) information reasonably sufficient to permit us to contact you, such as an address, telephone number, and, if available, an e-mail address; (d) a statement by you that you have a good-faith belief that the disputed use is not authorized by the copyright owner, the copyright owner’s agent or the law; (e) a statement by you that the above information in your notification is accurate and a statement by you, made under penalty of perjury, that you are the owner of an exclusive right that is allegedly infringed or are authorized to act on such owner’s behalf; and (f) your physical or electronic signature. Company’s Copyright Agent for notification of claimed infringement can be reached as follows: Copyright Agent, Amplify Education, Inc., 55 Washington Street, Brooklyn, NY 11201; Facsimile: 212-796-2311; Attn: Legal. Company’s Copyright Agent for notification of claimed infringement can also be reached electronically at: legal@amplify.com. Company reserves the right to terminate infringers’ and suspected infringers’ Accounts or their access to or use of the Site.

Notice for California residents

Under California Civil Code Section 1789.3, California users are entitled to the following consumer rights notice: If you have a question or complaint regarding the Site, please contact us by writing to Amplify Education, Inc., 55 Washington Street, Brooklyn, NY 11201 or by calling us at 212–213–8177 or sending a fax to 212–796–2311. California residents may reach the Complaint Assistance Unit of the Division of Consumer Services of the California Department of Consumer Affairs by mail at 1625 North Market Blvd., Sacramento, CA 95834, or by telephone at (916) 445–1254 or (800) 952–5210.

Other terms

This Agreement does not, and shall not be construed to, create any partnership, joint venture, employer-employee, agency or franchisor-franchisee relationship between you and Company. You may not assign, transfer or sublicense any or all of your rights or obligations under this Agreement without our express prior written consent. We may assign, transfer or sublicense any or all of our rights or obligations under this Agreement without restriction. The failure of Company to exercise or enforce any right or provision of this Agreement will not operate as a waiver of such right or provision. The Section titles in this Agreement are for convenience only and have no legal or contractual effect. References to and mentions of the word “include,” “includes,” “including,” or “e.g.” will mean “including, without limitation.” References to “discretion” will mean “sole discretion.” This Agreement operates to the fullest extent permissible by law. If any provision of this Agreement is unlawful, void or unenforceable, that provision is deemed severable from this Agreement and does not affect the validity or enforceability of any remaining provisions. Without limitation, you agree that a printed version of this Agreement and of any notice given in electronic form shall be admissible in judicial or administrative proceedings based upon or relating to this Agreement to the same extent and subject to the same conditions as other business documents and records originally generated and maintained in printed form. Company will not be responsible for failures to fulfill any obligations due to causes beyond its control.

Please contact us at legal@amplify.com with any questions regarding this Agreement.